The Ultimate Party Album

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Wake Me Up Before You Go-Go
assistierende(r) Techniker(in):
Paul Gomersau
Techniker(in):
Chris Porter (engineer and producer)
Produzent(in):
George Michael
Keyboard:
Tommy Eyre
Saxophon:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984, in 2006) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
Musikvideos:
Wake Me Up Before You Go von Wham! (British pop-duo)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 28) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 269)
recording of:
Wake Me Up Before You Go‐Go
Texter und Komponist(in):
George Michael
publisher:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:51
2I'm Too Sexy
Programmierung und Produzent(in):
Tommy D.
Techniker(in):
Graham Bonnett (Sound Engineer)
Bassgitarre:
Phil Spalding
Gitarre:
Robert Manzoli
Sologesang:
Richard Fairbrass
arranger:
Tommy D.
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Joe's Garage (Bristol) in Bristol, England, Vereinigtes Königreich und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 475)
recording of:
I’m Too Sexy
Verfasser(in):
Fred Fairbrass, Richard Fairbrass und Robert Manzoli
publisher:
Hit & Run Music (Publishing) Ltd
Right Said Fred4.052:52
3Yes Sir, I Can Boogie
Produzent(in):
Rolf Soja
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1977) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1977)
recording of:
Yes Sir, I Can Boogie (original English version)
Texter:
Frank Dostal
Komponist(in):
Rolf Soja
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music und Peermusic (UK) Ltd.
Baccara4.754:35
4The Ketchup Song (Asereje)
recording engineer:
Alberto Pinto Velasco (mixer)
zusätzlich recording engineer:
Javier Carrión
Produzent(in):
Manny Benito (Aufgabe: vocal production) und Manuel Ruiz "Queco" (Spanish)
Hintergrundgesang [collaboration in vocals]:
Luisa Antonia Bodega Estevez und María Victoria Bodega Estevez
phonographisches Urheberrecht (℗) von:
Shaketown Music S.L. (in 2002)
aufgenommen bei:
Eurosonic in Madrid, Comunidad de Madrid (Autonome Gemeinschaft Madrid), Spanien
zusätzlich aufgenommen bei:
Real Sound Studios (Miami) in Miami, Florida, Vereinigte Staaten
Bearbeitung von:
Aserejé (The Ketchup Song) von Las Ketchup
recording of:
Aserejé (spanglish version)
Texter und Komponist(in):
Francisco Manuel Ruiz Gomez (Spanish)
zusätzlicher Texter:
Manny Benito
publisher:
Disparate Record, S.L.
basiert auf:
The Message
Revision von:
Aserejé (“The ketchup song”)
Las Ketchup3.653:33
5Kids in America
recording engineer:
Jeo (von 1980 bis 1981)
Programmierung:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Gitarre:
Thomas Hahn (von 1980 bis 1981), Charlotte Hatherley (von 1980 bis 1981), Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981), Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981), Derek von Krogh (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Bernhard Hahn (von 1980 bis 1981), Chris North (UK drummer of The Enid) (von 1980 bis 1981) und Tobias Wörner (von 1980 bis 1981)
zusätzlich Keyboard:
Nick Priessnitz (von 1980 bis 1981)
Hintergrundgesang:
D. Janz (von 1980 bis 1981), M. Janz (von 1980 bis 1981), N. Janz (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Sologesang:
Charlotte Hatherley (von 1980 bis 1981) und Kim Wilde (von 1980 bis 1981)
vocals:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
aufgenommen bei:
Amira Studio (von 1980 bis 1981), RAK Studios in London (Greater London), England, Vereinigtes Königreich (von 1980 bis 1981), Soundmastaz Studios (von 1980 bis 1981), Studio 77 in Stuttgart, Baden-Württemberg, Deutschland (von 1980 bis 1981) und The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen, Deutschland, RAK Studios in London (Greater London), England, Vereinigtes Königreich und Studio 77 in Stuttgart, Baden-Württemberg, Deutschland
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 55)
recording of:
Kids in America (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Rickim Music Ltd.
Kim Wilde4.13:23
6Scatman
Produzent(in):
Antonio Nunzio Catania (Italian producer, composer and musician) und Ingo Kays
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1994, in 1995)
recording of:
Scatman (Ski-ba-bop-ba-dop-bop)
Texter und Komponist(in):
Antonio Nunzio Catania (Italian producer, composer and musician) und John Larkin
publisher:
BMG Music Publishing Ltd., BMG UFA (not for release label use! this is a music publisher), Edition Scales, EMI Music Publ. Germany (GmbH & Co. KG), EMI Music Publishing Ltd. (PRS‐affiliated) und Iceberg Publ. DK
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Scatman John3.73:32
7Mambo No. 5
Koproduzent(in):
Lou Bega und Zippy (Christian Königseder)
Produzent(in):
D. Fact und Frank Lio
Instrumente:
D. Fact und Frank Lio
vocals:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
enthält Samples von:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
phonographisches Urheberrecht (℗) von:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1999) und Lautstark (in 1999)
produced for:
Syndicate
Samples:
Mambo No. 5 von Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 50)
recording of:
Mambo No. 5 (A Little Bit of…)
Texter:
Lou Bega und Zippy (Christian Königseder)
Komponist(in):
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
publisher:
Peer International Corporation (BMI), Peer Musik, Peer Musikverlag (Peermusic Musikverlag GesmbH) und Peermusic (Germany) GmbH
basiert auf:
Mambo No. 5 (original, 1949)
Lou Bega3.753:40
8You're My Heart, You're My Soul
Produzent(in):
Dieter Bohlen
arranger:
Dieter Bohlen
phonographisches Urheberrecht (℗) von:
Ariola Eurodisc GmbH (not for release label use!) (in 1984) und Hansa (in 1985)
arranged for und produced for:
Hansa International
recording of:
You’re My Heart, You’re My Soul
Texter und Komponist(in):
Steve Benson (German songwriter Dieter Bohlen)
publisher:
Arabella Musikverlag GmbH (ARABELLA MUSIC EDITION MUENCHEN), Blue Obsession, Hansa Musikverlag, Hanseatic Musikverlag (German music publishing company owned by Warner Chappell Music), Hanseatic Musikverlag GmbH (since 2017) und Warner Chappell
Modern Talking55:34
9It's Raining Men
Mix:
Randy Tominaga
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 36)
recording of:
It’s Raining Men
Verfasser(in):
Paul Jabara und Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
The Weather Girls3.553:32
1099 Luftballons
Techniker(in):
Imre Sereg (in 1982)
Produzent(in):
Reinhold Heil (in 1982) und Manfred Praeker (in 1982)
Mix:
Udo Arndt (in 1982)
E-Bass:
Jürgen Dehmel (in 1982)
E-Gitarre:
Carlo Karges (in 1982)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
Schlagzeug:
Rolf Brendel (in 1982)
Sologesang:
Nena Kerner (the person, performing solo since 1987) (in 1982)
phonographisches Urheberrecht (℗) von:
CBS Schallplatten GmbH (in 1983), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983) und Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 1983)
aufgenommen bei:
Spliff in Berlin, Deutschland (in 1982)
mixed at:
Audio-Studio in Berlin, Deutschland (in 1982)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 3), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 16), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 73) und Cachitos Nochevieja 2022 (Nummer: 105)
recording of:
99 Luftballons (in 1982)
Texter:
Carlo Karges (in 1982)
Komponist(in):
Uwe Fahrenkrog-Petersen (in 1982)
publisher:
Edition Hate Music (publisher), EMI Songs Australia Pty. Ltd. und EMI Songs Musikverlag GmbH
sub-publisher:
EMI Songs France (27, rue de Berri)
Nena4.13:51
11Barbie Girl
Produzent(in) und Mix:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen und Søren Rasted
arranger:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen und Søren Rasted
phonographisches Urheberrecht (℗) von:
Universal Music A/S (not for release label use! Danish subsidiary of Universal Music Group) (in 1997)
Musikvideos:
Barbie Girl von Aqua (Danish Euro‐dance group)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 48), Cachitos Nochevieja 2022 (Nummer: 157) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 220)
recording of:
Barbie Girl
Verfasser(in):
Lene Grawford Nystrøm, Claus Norreen, Søren Rasted und René Dif
publisher:
MCA Music Scandinavia AB und Warner/Chappell Music Denmark, A/S (KODA)
Aqua3.753:14
12Come On Eileen
Produzent(in):
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) und Alan Winstanley (English record producer)
künstlerische Leitung:
Clive Langer und Alan Winstanley (English record producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
Verfasser(in):
Kevin Adams, James Mitchell Paterson und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:07
13Boombastic
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1995)
recording of:
Boombastic
Verfasser(in):
King Floyd, Robert Livingston (Jamaican reggae and dancehall producer) und Orville Richard Burrell (Orville Richard Burrell, dancehall and reggae singer)
publisher:
Jobete Music Co., Inc., Malaco Music Company, Pedigree Ranch Music, Peermusic III, Ltd. (BMI), Roffignac Music Co., Scikron Music Publishing und Stone Diamond Music Corp.
Shaggy3.653:52
14The Look of Love
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Mark Lickley
Keyboard:
Mark White (ABC/Vice Versa)
Sologesang:
Martin Fry
Saiteninstrumente arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1982)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 4), The Downloader’s Music Source Book (Nummer: 73) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 43)
teilweise recording of:
The Look of Love
Verfasser(in):
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton und Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. und Virgin Music, Inc. (US arm of Virgin’s publishing company)
Teil von:
Mantrap (ABC long-form film)
ABC3.93:29
15September
Produzent(in):
Maurice White (Earth, Wind & Fire)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975, in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 16) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 65)
recording of:
September
Verfasser(in):
Al McKay, Maurice White (Earth, Wind & Fire) und Allee Willis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Earth, Wind & Fire4.63:35
16Shy Guy
recording of:
Shy Guy
Verfasser(in):
Kingsley Gardner, Diana King (Jamaican-American singer-songwriter) und Andy Marvel
publisher:
Diana King Music, Kinsley Gardner Nation of Soul Music, W'nR Music und World of Andy Music
Diana King4:15
17What Is Love
Produzent(in):
Dee Dee Halligan und Junior Torello
Mix:
Gary Jones (British recording engineer)
Sologesang:
Nester Alexander Haddaway
arranger:
Dee Dee Halligan und Alex Trime
phonographisches Urheberrecht (℗) von:
Coconut Records (Canadian) (in 1992, in 1993) und Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1992)
recording of:
What Is Love
Texter:
Junior Torello
Komponist(in):
Dee Dee Halligan
publisher:
A la Carte Music, EMI Music Publishing Ltd. (PRS‐affiliated), Hanseatic Musikverlag GmbH (1964–2001) und Warner/Chappell Music Australia Pty. Ltd.
Haddaway3.44:29
18Down Under
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Ron Strykert
Holzblasinstrumente und Keyboard:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 21) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
Texter:
Colin Hay
Komponist(in):
Colin Hay und Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Men at Work3.953:42
19Rock Me Amadeus
Produzent(in):
Ferdi Bolland und Rob Bolland
phonographisches Urheberrecht (℗) von:
GiG Records (Austrian label) (in 1985) und TELDEC Record Service GmbH (not for release label use! manufacturing and distribution company) (in 1985)
Musikvideos:
Rock Me Amadeus von Falco (Austrian pop & rock musician)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 15) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 87)
recording of:
Rock Me Amadeus (in 1985)
Texter:
Ferdi Bolland, Rob Bolland und Falco (Austrian pop & rock musician)
Komponist(in):
Ferdi Bolland und Rob Bolland
publisher:
Bolland Music, Manuskript (not for release label use! this is only for copyrights and publishing relationships) und Nada Music (Dutch publisher)
Falco3.653:19
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