El mejor álbum de música de anuncios TV, volumen 4

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1King of the Road
The King2:05
2Bohemian Like You
Produzent(in):
David Sardy (American score composer) und Courtney Taylor‐Taylor
Mix:
David Sardy (American score composer)
Bass und Keyboard:
Zia McCabe
Gast-Orgel:
Erik Gavriluk
Gitarre:
Peter Holmström und Courtney Taylor‐Taylor
Schlagzeug und Hintergrundgesang:
Brent DeBoer
Slide-Gitarre:
Troy Stewart
vocals:
Courtney Taylor‐Taylor
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
Musikvideos:
Bohemian Like You von The Dandy Warhols
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 449)
recording of:
Bohemian Like You
Texter und Komponist(in):
Courtney Taylor‐Taylor
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Dandy Warhols Music (BMI)
The Dandy Warhols3.853:31
3Dancing in the Moonlight
Techniker(in):
Alan Douglas (Scottish born engineer)
Produzent(in):
George Drakoulias
Mix:
Dave Shiftman (American producer/audio engineer) und Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2000)
aufgenommen bei:
RAK Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Ocean Wave Studios
cover recording of:
Dancing in the Moonlight
Texter und Komponist(in):
Sherman Kelly
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., St. Nathanson Music Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Toploader4.53:49
4Before You Leave
recording of:
Woman in Blue
Pepe De Luxe3.55:34
5Goodnight Moon
aufgenommen bei:
The Mountain Music Lounge in Seattle, Washington, Vereinigte Staaten
recording of:
Goodnight Moon
Verfasser(in):
Duke McVinnie und Ambrosia Parsley
Shivaree3.654:05
6Believe in Us
Jay-Jay Johanson34:27
7Somethin' Stupid
recording engineer:
Al Schmitt (Sologesang [vocals])
assistierende(r) Techniker(in):
Steve Genewick, Christina Paakkari und Steve Price (UK recording engineer/producer/orchestrator/arranger)
Techniker(in):
Richard Flack (producer/engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Guy Chambers (English songwriter and record producer) und Steve Power
assistierende(r) Mix:
Rupert Coulson (sound engineer) und Ricky Graham (engineer)
Bass:
David Catlin‐Birch (UK bassist and guitarist)
Gitarre [guitars]:
Mitch Dalton
Perkussion:
Frank Ricotti (percussionist)
Schlagzeug [drums]:
Ralph Salmins
Trompete [trumpets]:
Simon Gardner (trumpet player), Steve Sidwell (English composer & wind instrumentalist) und Paul Spong (trumpetist)
vocals:
Nicole Kidman (actress) und Robbie Williams
Orchester:
The London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Gavyn Wright (UK violinist, conductor)
Musikvideos:
Somethin’ Stupid von Robbie Williams and Nicole Kidman (actress)
cover recording of:
Somethin’ Stupid
Texter und Komponist(in):
Carson Parks
publisher:
Greenwood Music, Montclare Music und Montclare Music Co Ltd.
übersetzte Version von:
Forelsket
Robbie Williams & Nicole Kidman3.452:50
8Gentle on My Mind
cover recording of:
Gentle on My Mind
Texter und Komponist(in):
John Hartford
publisher:
Acuff Rose Publications Ltd. und Ensign Music Corp.
Dean Martin52:44
9Fever
Fingerschnippen:
Peggy Lee (jazz vocalist) (am 1958-05-19) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-05-19)
Kontrabass [bass]:
Joe Mondragon (am 1958-05-19)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1958-05-19)
vocals:
Peggy Lee (jazz vocalist) (am 1958-05-19)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1958-05-19)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (am 1958-05-19)
Verfasser(in):
Eddie Cooley und John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. und Trio Music Company
Teil von:
The Adjustment Bureau
Peggy Lee4.23:21
10What a Difference a Day Makes
recorded in:
New York, New York, Vereinigte Staaten (am 1959-02-19)
Produzent(in):
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (am 1959-02-19)
flute:
Jerome Richardson (am 1959-02-19)
Gitarre:
Kenny Burrell (am 1959-02-19)
Klavier:
Joe Zawinul (jazz and fusion keyboard player) (am 1959-02-19)
Kontrabass:
Milt Hinton (am 1959-02-19)
Schlagzeug:
Panama Francis (US swing jazz drummer) (am 1959-02-19)
Sologesang:
Dinah Washington (am 1959-02-19)
vocals:
Dinah Washington (am 1959-02-19)
Orchester:
Belford Hendricks' Orchestra (am 1959-02-19)
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer) (am 1959-02-19)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
cover recording of:
What a Diff’rence a Day Made (am 1959-02-19)
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
Dinah Washington2.82:30
11It's a Man's Man's Man's World
recorded in:
New York, New York, Vereinigte Staaten (am 1966-02-16)
Techniker(in):
Ron Lenhoff
Produzent(in):
James Brown (The Godfather of Soul)
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1966-02-16)
Gitarre:
Billy Butler (jazz guitarist) (am 1966-02-16)
Schlagzeug:
Bernard “Pretty” Purdie (am 1966-02-16)
Trompete:
Dud Bascomb (Sr., jazz trumpeter) (am 1966-02-16), Waymon Reed (am 1966-02-16) und Lammar Wright (am 1966-02-16)
Sologesang:
James Brown (The Godfather of Soul) (am 1966-02-16)
aufgenommen bei:
Talent Masters Studios in New York, New York, Vereinigte Staaten (am 1966-02-16)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 123)
recording of:
It’s a Man’s Man’s Man’s World (am 1966-02-16)
Verfasser(in):
James Brown (The Godfather of Soul) und Betty Jean Newsome
James Brown4.42:47
12You Are So Beautiful
cover recording of:
You Are So Beautiful
Verfasser(in):
Bruce Fisher und Billy Preston
publisher:
Almo Music Corporation (USA, affiliated with ASCAP) und Preston Songs (ASCAP)
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
Joe Cocker2:45
13What a Wonderful World
recorded in:
New York, Vereinigte Staaten (am 1967-08-16)
Techniker(in):
Eddie Brackett und Bob Simpson (US jazz engineer/producer)
Produzent(in):
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
baritone saxophone:
Raymond Stanfield (am 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16), Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Gitarre:
Allen Hanlon (jazz guitarist) (am 1967-08-16), Art Ryerson (am 1967-08-16) und Willard Suyker (am 1967-08-16)
Klarinette:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Jerome Richardson (am 1967-08-16)
Klavier:
Hank Jones (piano) (am 1967-08-16)
Kontrabass:
Russ Savakus (am 1967-08-16)
Perkussion:
Warren Hard (am 1967-08-16)
Posaune:
Urbie Green (am 1967-08-16) und J.J. Johnson (jazz/bop trombonist/session leader) (am 1967-08-16)
Schlagzeug:
Grady Tate (am 1967-08-16)
Tenorsaxophon:
Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Trompete:
Louis Armstrong (am 1967-08-16), Clark Terry (American swing trumpeter) (am 1967-08-16) und Joe Wilder (am 1967-08-16)
Sologesang:
Louis Armstrong (am 1967-08-16)
Orchester:
Louis Armstrong’s Orchestra and Chorus (am 1967-08-16)
conductor und chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (am 1967-08-16)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und Project 3 Records Inc. (in 1988)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 171) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 283)
recording of:
What a Wonderful World (am 1967-08-16)
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. und Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
Louis Armstrong3.952:19
14Let the Music Play
Techniker(in):
Frank Kejmar (engineer)
Produzent(in):
Barry White
arranger:
Gene Page (conductor, composer, arranger and record producer) und Barry White
Bearbeitung von:
Let the Music Play (LP version) von Barry White
recording of:
Let the Music Play
Texter und Komponist(in):
Barry White
Barry White43:36
15Supersexy Girl
Fundación Tony Manero3:54
16It Must Be Love
cover recording of:
It Must Be Love
Texter und Komponist(in):
Labi Siffre
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
Madness43:22
17Satisfy My Soul
Paul Carrack3:28
18Gold
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
Gitarre:
Gary Kemp (in 1982)
Keyboard:
Jess Bailey (in 1982)
Perkussion und Saxophon:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
Schlagzeug:
John Keeble (in 1982)
Sologesang:
Tony Hadley (in 1982)
Interpret(in):
Spandau Ballet (in 1982)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
Gold (in 1982)
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:50
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