Dido and Aeneas

~ Veröffentlichung von Henry Purcell; Concentus Musicus Wien (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

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1Dido and Aenas: 1. Overture / Act 1: 2. Song & Chorus: Shake the Cloud From Off Your Brow
Produzent(in):
Heinrich J. Weritz (classical producer)
Chorgesang:
Arnold Schoenberg Chor (in 1983-03)
Soprangesang [Belinda]:
Rachel Yakar (soprano) (in 1983-03)
Orchester:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
chorus master:
Erwin Ortner (in 1983-03)
phonographisches Urheberrecht (℗) von:
TELDEC Schallplatten GmbH (not for release label use! formerly TELDEC »Telefunken-Decca« Schallplatten GmbH until 1983) (in 1983)
aufgenommen bei:
Casino Zögernitz in Döbling, Wien, Österreich (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act I
Henry Purcell3:05
2Dido and Aenas: Act I: 3. Song: Ah! Belinda / 4. Recitative & Song: Grief Increasing by Concealing / 5. Chorus: When Monarchs Unite / 6. Recitative: Whence Could so Much Virtue Spring? / 7. Duet & Chorus: Fear No Danger
Produzent(in):
Heinrich J. Weritz (classical producer)
Chorgesang:
Arnold Schoenberg Chor (in 1983-03)
Mezzosoprangesang [Dido]:
Ann Murray (Irish mezzo-soprano) (in 1983-03)
Mezzosoprangesang [Second Woman]:
Elisabeth von Magnus (mezzo‐soprano / alto) (in 1983-03)
Soprangesang [Belinda]:
Rachel Yakar (soprano) (in 1983-03)
Orchester:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
chorus master:
Erwin Ortner (in 1983-03)
phonographisches Urheberrecht (℗) von:
TELDEC Schallplatten GmbH (not for release label use! formerly TELDEC »Telefunken-Decca« Schallplatten GmbH until 1983) (in 1983)
aufgenommen bei:
Casino Zögernitz in Döbling, Wien, Österreich (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 6. “Fear no danger to ensue” (Belinda, Second Woman, Chorus) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act I
Henry Purcell8:52
3Dido and Aenas: Act I: 8. Recitative: See, Your Royal Guest Apepars / 9. Chorus: Cupid Only Throws the Dart / 10. Recitative: If Not for Mine, for Empire’s Sake / 11. Song: Pursue the Conquest, Love / 12. Chorus: To the Hills and the Vales
Produzent(in):
Heinrich J. Weritz (classical producer)
Chorgesang:
Arnold Schoenberg Chor (in 1983-03)
Mezzosoprangesang [Dido]:
Ann Murray (Irish mezzo-soprano) (in 1983-03)
Soprangesang [Belinda]:
Rachel Yakar (soprano) (in 1983-03)
Tenor-Gesang [Aeneas]:
Anton Scharinger (bass-baritone) (in 1983-03)
Orchester:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
chorus master:
Erwin Ortner (in 1983-03)
phonographisches Urheberrecht (℗) von:
TELDEC Schallplatten GmbH (not for release label use! formerly TELDEC »Telefunken-Decca« Schallplatten GmbH until 1983) (in 1983)
aufgenommen bei:
Casino Zögernitz in Döbling, Wien, Österreich (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act I
Henry Purcell4:04
4Dido and Aenas: Act I: 13. The Triumphing Dance
Produzent(in):
Heinrich J. Weritz (classical producer)
Orchester:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
phonographisches Urheberrecht (℗) von:
TELDEC Schallplatten GmbH (not for release label use! formerly TELDEC »Telefunken-Decca« Schallplatten GmbH until 1983) (in 1983)
aufgenommen bei:
Casino Zögernitz in Döbling, Wien, Österreich (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
Teil von:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:24
5Dido and Aenas: Act II, Scene 1: 14. Recitative: Wayward Sisters / 15. Chorus: Harm’s Our Delight / 16. Recitative: The Queen of Carthage / Chorus: Ho ho ho / 17. Recitative: Ruin’d Ere the Set of Sun / Chorus: Ho ho ho / 18. Duet: But Ere We This Perform
Produzent(in):
Heinrich J. Weritz (classical producer)
Chorgesang:
Arnold Schoenberg Chor (in 1983-03)
Mezzosoprangesang [First Witch]:
Elisabeth von Magnus (mezzo‐soprano / alto) (in 1983-03)
Mezzosoprangesang [Second Witch]:
Helrun Gardow (German mezzo-soprano) (in 1983-03)
Mezzosoprangesang [Sorceress]:
Trudeliese Schmidt (mezzo-soprano) (in 1983-03)
Orchester:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
chorus master:
Erwin Ortner (in 1983-03)
phonographisches Urheberrecht (℗) von:
TELDEC Schallplatten GmbH (not for release label use! formerly TELDEC »Telefunken-Decca« Schallplatten GmbH until 1983) (in 1983)
aufgenommen bei:
Casino Zögernitz in Döbling, Wien, Österreich (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 16. “Ho ho ho!” (Chorus) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
Henry Purcell6:23
6Dido and Aenas: Act II, Scene 1: 19. Chorus: In Our Deep Vaulted Cell / 20. Echo Dance of Furies
Produzent(in):
Heinrich J. Weritz (classical producer)
Chorgesang:
Arnold Schoenberg Chor (in 1983-03)
Mezzosoprangesang [First Witch]:
Elisabeth von Magnus (mezzo‐soprano / alto) (in 1983-03)
Mezzosoprangesang [Second Witch]:
Helrun Gardow (German mezzo-soprano) (in 1983-03)
Orchester:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
chorus master:
Erwin Ortner (in 1983-03)
phonographisches Urheberrecht (℗) von:
TELDEC Schallplatten GmbH (not for release label use! formerly TELDEC »Telefunken-Decca« Schallplatten GmbH until 1983) (in 1983)
aufgenommen bei:
Casino Zögernitz in Döbling, Wien, Österreich (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
Teil von:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:13
7Dido and Aenas: Act II, Scene 2: 21. Ritornelle / 22. Song & Chorus: Thanks to These Lovesome Vales
Produzent(in):
Heinrich J. Weritz (classical producer)
Chorgesang:
Arnold Schoenberg Chor (in 1983-03)
Soprangesang [Belinda]:
Rachel Yakar (soprano) (in 1983-03)
Orchester:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
chorus master:
Erwin Ortner (in 1983-03)
phonographisches Urheberrecht (℗) von:
TELDEC Schallplatten GmbH (not for release label use! formerly TELDEC »Telefunken-Decca« Schallplatten GmbH until 1983) (in 1983)
aufgenommen bei:
Casino Zögernitz in Döbling, Wien, Österreich (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:15
8Dido and Aenas: Act II, Scene 2: 23. Song: Oft She Visits This Loved Mountain / 24. Recitative: Behold, Upon My Bending Spear / 25. Song & Chorus: Haste, Haste to Town
Produzent(in):
Heinrich J. Weritz (classical producer)
Chorgesang:
Arnold Schoenberg Chor (in 1983-03)
Mezzosoprangesang [Dido]:
Ann Murray (Irish mezzo-soprano) (in 1983-03)
Mezzosoprangesang [Second Woman]:
Elisabeth von Magnus (mezzo‐soprano / alto) (in 1983-03)
Soprangesang [Belinda]:
Rachel Yakar (soprano) (in 1983-03)
Tenor-Gesang [Aeneas]:
Anton Scharinger (bass-baritone) (in 1983-03)
Orchester:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
chorus master:
Erwin Ortner (in 1983-03)
phonographisches Urheberrecht (℗) von:
TELDEC Schallplatten GmbH (not for release label use! formerly TELDEC »Telefunken-Decca« Schallplatten GmbH until 1983) (in 1983)
aufgenommen bei:
Casino Zögernitz in Döbling, Wien, Österreich (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:01
9Dido and Aenas: Act II, Scene 2: 26. Recitative: Stay, Prince
Produzent(in):
Heinrich J. Weritz (classical producer)
Countertenorgesang [Spirit]:
Paul Esswood (countertenor) (in 1983-03)
Tenor-Gesang [Aeneas]:
Anton Scharinger (bass-baritone) (in 1983-03)
Orchester:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
phonographisches Urheberrecht (℗) von:
TELDEC Schallplatten GmbH (not for release label use! formerly TELDEC »Telefunken-Decca« Schallplatten GmbH until 1983) (in 1983)
aufgenommen bei:
Casino Zögernitz in Döbling, Wien, Österreich (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:02
10Dido and Aenas: Act III, Scene 1: 27. Song & Chorus: Come Away, Fellow Sailors / 28. The Sailor’s Dance
Produzent(in):
Heinrich J. Weritz (classical producer)
Chorgesang:
Arnold Schoenberg Chor (in 1983-03)
Tenor-Gesang [First Sailor]:
Josef Köstlinger (Austrian tenor) (in 1983-03)
Orchester:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
chorus master:
Erwin Ortner (in 1983-03)
phonographisches Urheberrecht (℗) von:
TELDEC Schallplatten GmbH (not for release label use! formerly TELDEC »Telefunken-Decca« Schallplatten GmbH until 1983) (in 1983)
aufgenommen bei:
Casino Zögernitz in Döbling, Wien, Österreich (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
publisher:
Public Domain (refers to works that are in the public domain)
Teil von:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
Teil von:
Dido and Aeneas, Z. 626: Act III
Henry Purcell2:26
11Dido and Aenas: Act III, Scene 1: Recitative & Duet: See the Flags and Streamers Curling / 30. Song: Our Next Motion / 31. Chorus: Destruction Our Delight / 32. The Witches’ Dance
Produzent(in):
Heinrich J. Weritz (classical producer)
Chorgesang:
Arnold Schoenberg Chor (in 1983-03)
Mezzosoprangesang [First Witch]:
Elisabeth von Magnus (mezzo‐soprano / alto) (in 1983-03)
Mezzosoprangesang [Second Witch]:
Helrun Gardow (German mezzo-soprano) (in 1983-03)
Mezzosoprangesang [Sorceress]:
Trudeliese Schmidt (mezzo-soprano) (in 1983-03)
Orchester:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
chorus master:
Erwin Ortner (in 1983-03)
phonographisches Urheberrecht (℗) von:
TELDEC Schallplatten GmbH (not for release label use! formerly TELDEC »Telefunken-Decca« Schallplatten GmbH until 1983) (in 1983)
aufgenommen bei:
Casino Zögernitz in Döbling, Wien, Österreich (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
Teil von:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:41
12Dido and Aenas: Act III, Scene 2: 33. Recicative: Your Counsel All Is Urg’d in Vain / 34. Chorus: Great Minds Against Themselves Conspire
Produzent(in):
Heinrich J. Weritz (classical producer)
Chorgesang:
Arnold Schoenberg Chor (in 1983-03)
Mezzosoprangesang [Dido]:
Ann Murray (Irish mezzo-soprano) (in 1983-03)
Soprangesang [Belinda]:
Rachel Yakar (soprano) (in 1983-03)
Tenor-Gesang [Aeneas]:
Anton Scharinger (bass-baritone) (in 1983-03)
Orchester:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
chorus master:
Erwin Ortner (in 1983-03)
phonographisches Urheberrecht (℗) von:
TELDEC Schallplatten GmbH (not for release label use! formerly TELDEC »Telefunken-Decca« Schallplatten GmbH until 1983) (in 1983)
aufgenommen bei:
Casino Zögernitz in Döbling, Wien, Österreich (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 34. Recitative “But death, alas! I cannot shun” (Dido) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Teil von:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
Henry Purcell5:47
13Dido and Aenas: Act III, Scene 2: 35. Recitative: Thy Hand, Belinda / Song: When I Am Laid in Earth
Produzent(in):
Heinrich J. Weritz (classical producer)
Mezzosoprangesang [Dido]:
Ann Murray (Irish mezzo-soprano) (in 1983-03)
Orchester:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
phonographisches Urheberrecht (℗) von:
TELDEC Schallplatten GmbH (not for release label use! formerly TELDEC »Telefunken-Decca« Schallplatten GmbH until 1983) (in 1983)
aufgenommen bei:
Casino Zögernitz in Döbling, Wien, Österreich (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:33
14Dido and Aenas: Act III, Scene 2: 36. Chorus: With Drooping Wings Ye Cupids Come
Produzent(in):
Heinrich J. Weritz (classical producer)
Chorgesang:
Arnold Schoenberg Chor (in 1983-03)
Orchester:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
chorus master:
Erwin Ortner (in 1983-03)
phonographisches Urheberrecht (℗) von:
TELDEC Schallplatten GmbH (not for release label use! formerly TELDEC »Telefunken-Decca« Schallplatten GmbH until 1983) (in 1983)
aufgenommen bei:
Casino Zögernitz in Döbling, Wien, Österreich (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus) (in 1983-03)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
Henry Purcell2:52

Nennungen

Veröffentlichung

hergestellt in:Deutschland
Verwertungsgesellschaft:GEMA (German rights society; do not use this as a label or work publisher!)
hergestellt von:TELDEC Record Service GmbH (not for release label use! manufacturing and distribution company)
urheberrechtlich geschützt (©) von:TELDEC Record Service GmbH (not for release label use! manufacturing and distribution company) (in 1989)
Teil von:Harnoncourt Edition (Reihenfolge: 4)
Das Alte Werk (Reihenfolge: 12)
Discogs:https://www.discogs.com/release/13355931 [Info]