Slow Motion Vol. 6

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Medium
Nr.TitelKünstlerBewertungLänge
1Love Shoulda Brought You Home
Techniker(in):
Fil Brown, Jim "Z" Zumpano (production engineer), Barney Perkins, Steve Schwartzberg, Matt Westfield und Sean Young
Produzent(in):
Babyface (R&B musician Kenny Edmonds), L.A. Reid und Daryl Simmons
assistierende(r) Mix:
Milton Chan (Recording Engineer)
Mix:
Barney Perkins und L.A. Reid
Bass:
Kayo (Kevin Roberson)
Keyboard [keyboards]:
Babyface (R&B musician Kenny Edmonds) und Bo Watson (American singer-songwriter, producer, keyboardist)
Klavier [acoustic piano]:
Vance Taylor
Schlagzeug [drums]:
L.A. Reid
Hintergrundgesang:
Babyface (R&B musician Kenny Edmonds), Toni Braxton und Trina Broussard
produced for:
LaFace Inc. (production company)
aufgenommen bei:
Doppler Studios in Atlanta, Georgia, Vereinigte Staaten, Studio LaCoCo in Atlanta, Georgia, Vereinigte Staaten und Summa Music Group in West Hollywood, California (Kalifornien), Vereinigte Staaten
mixed at:
Encore Studios in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
Love Shoulda Brought You Home
Verfasser(in):
Babyface (R&B musician Kenny Edmonds), Daryl Simmons und Bo Watson (American singer-songwriter, producer, keyboardist)
publisher:
Ensign Music Corporation (vom 1992 bis heute), Green Skirt Music (publisher) (vom 1992 bis heute), Kear Music (publisher) (vom 1992 bis heute) und SABA Seven Music (vom 1992 bis heute)
Toni Braxton34:59
2The Lady in Red
Produzent(in):
Paul Hardiman
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1986)
aufgenommen bei:
RDS Arena in Dublin, County Dublin, Leinster, Irland (am 1988-12-07) und Westfalenhalle in Dortmund, Nordrhein-Westfalen, Deutschland (am 2004-11-06)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 54)
recording of:
The Lady in Red (in 1986)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (am 1988-12-07)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (am 2004-11-06)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
Chris de Burgh3.354:19
3When I Fall in Love
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Mix:
Humberto Gatica
Gast vocals:
Clive Griffin
vocals:
Céline Dion und Clive Griffin
arranger:
Jeremy Lubbock
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1993)
gemixt für:
Hum Inc. Productions
produced for:
Chartmaker Inc.
cover recording of:
When I Fall in Love
Texter:
Edward Heyman
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Céline Dion & Clive Griffin3.354:22
4Principles of Lust
recording of:
Principles of Lust
Texter und Komponist(in):
Michael Cretu (Romanian-born German musician, composer and record producer)
publisher:
Data Alpha, Sweet 'n' Sour Songs Ltd. und Virgin Music, Inc. (US arm of Virgin’s publishing company)
teilweise recording of:
Principles of Lust
Texter und Komponist(in):
Michael Cretu (Romanian-born German musician, composer and record producer)
publisher:
Data Alpha, Sweet 'n' Sour Songs Ltd. und Virgin Music, Inc. (US arm of Virgin’s publishing company)
Enigma3:24
5Without You
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Akustikgitarre:
John Uribe (in 1971-06)
Bassgitarre:
Klaus Voormann (in 1971-06)
Klavier:
Gary Wright (US singer/keyboardist) (in 1971-06)
Schlagzeug:
Jim Keltner (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster (in 1971-06)
Blechblasinstrumente und Saiteninstrumente arranger:
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971, in 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972) und RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1989)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 496)
cover recording of:
Without You (in 1971-06)
Verfasser(in):
Tom Evans (UK guitarist for Badfinger) und W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, vom 1970 bis heute), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nilsson4.33:21
6Goldeneye
recorded in:
London (Greater London), England, Vereinigtes Königreich
recording engineer:
Mark “Spike” Stent (producer, engineer)
Programmierung:
Marius de Vries
assistierende(r) Techniker(in):
Paul ‘P Dub’ Walton
leitende(r) Produzent(in):
Bono (singer of U2) und The Edge (U2 guitarist David Evans)
Produzent(in):
Nellee Hooper
Mix:
Nellee Hooper und Mark “Spike” Stent (producer, engineer)
vocals:
Tina Turner
Saiteninstrumente [orchestra] arranger:
Craig Armstrong (Scottish score composer)
recording of:
GoldenEye
Verfasser(in):
Bono (singer of U2) und The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music und Songs of PolyGram International, Inc.
Teil von:
James Bond themes
Tina Turner3.353:30
7The Time of Your Life
recording of:
The Time of Your Life
Texter und Komponist(in):
Little Steven
Little Steven4:58
8Les yeux ouverts
cover recording of:
Les Yeux ouverts (French version of "Dream a Little Dream of Me")
Texter:
Brice Homs, Gus Kahn und Körin Ternovtzeff
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
übersetzte Version von:
Dream a Little Dream of Me
The Beautiful South3:35
9Always Look on the Bright Side of Life
assistierende(r) Techniker(in):
James Saunders (United Kingdom experimental composer/musician)
Techniker(in) und Mix:
André Jacquemin
Produzent(in):
Eric Idle und André Jacquemin
Sologesang:
Eric Idle
arranger:
John Altman
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1991)
aufgenommen bei und mixed at:
Redwood Studios in Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Always Look on the Bright Side of Life
Texter und Komponist(in):
Eric Idle
publisher:
Oops Publishing Ltd.
sub-publisher:
EMI Music Publishing Hong Kong (division of EMI Music Publishing Group Hong Kong Ltd. that existed as early as 2000)
Version von:
Look on the Bright Side of Life (All Things Dull and Ugly)
Teil von:
Part Five: Miserere Loves Company
Monty Python4.53:33
10Cold
Techniker(in):
Heff Moraes
Produzent(in):
Stephen Lipson
assistierende(r) Mix:
Will O'Donovan
vocals:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1992)
mixed at:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
recording of:
Cold
Texter und Komponist(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
publisher:
Universal Music Publishing MGB Ltd. und Universal Music–MGB Songs
Annie Lennox2.54:23
11You Can Leave Your Hat On
Techniker(in):
Brian Reeves
Produzent(in):
Richie Zito
Mix:
Rik Pekkonen
Bass und Synthesizer:
Arthur Barrow
Gitarre:
Richie Zito
Horn:
Dick Hyde, Steve Madaio und Joel Peskin
membranophone:
Michael Baird
Hintergrundgesang:
Maxine Sharp, Julia Waters und Maxine Waters
Sologesang:
Joe Cocker
aufgenommen bei:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
You Can Leave Your Hat On
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) und WB Music Corp. (1929–2019) (in 1972, in 1976)
recording of:
You Can Leave Your Hat On
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) und WB Music Corp. (1929–2019) (in 1972, in 1976)
Joe Cocker3.854:16
12Independent Love Song
recording of:
Independent Love Song
Verfasser(in):
Cheryl Parker und Joe Youle
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
Scarlet2.753:52
13Perfect Day
Produzent(in):
David Bowie (English singer‐songwriter) und Mick Ronson (British guitarist)
Sologesang:
Lou Reed (in 1972-08)
arranger:
David Bowie (English singer‐songwriter), Lou Reed und Mick Ronson (British guitarist)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1972) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 334)
recording of:
Perfect Day (in 1972-08)
Texter und Komponist(in):
Lou Reed
publisher:
EMI Music Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd. und Screen Gems–EMI Music Ltd.
Lou Reed4.33:46
14Just An Oldfashioned Girl
Eartha Kitt2:55
15Hush Sweet Lover
recording of:
Hush Sweet Lover
Verfasser(in):
k.d. lang und Ben Mink
publisher:
Bumstead U.S. Publishing, Jane Hathaway's Publishing Company und Zavion Publishing
k.d. lang44:07
16Leaving on a Jet Plane
recording engineer:
Ray Hall (engineer)
assistierende(r) Produzent(in):
Kris O'Connor
Produzent(in):
Milt Okun
Akustikgitarre [6-sting guitar] und zwölfsaitige Gitarre:
John Denver
Gitarre:
Steve Weisberg
Kontrabass:
Dick Kniss
membranophone:
Herb Lovelle
vocals:
John Denver
recording of:
Leaving on a Jet Plane
Texter und Komponist(in):
John Denver
publisher:
BMG Ruby Songs, Cherry Lane Music Publishing Inc, Cherry Lane Music, Inc., Reservoir Media Music (B) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
John Denver44:00
17In All the Right Places
recording engineer:
Bobby Boughton und Alejandro Rodríguez (engineer based in Los Angeles)
leitende(r) Produzent(in):
John Barry (English score composer)
Produzent(in):
Ian Devaney und Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
Mix:
Humberto Gatica
recording of:
In All the Right Places
Texter:
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) und Lisa Stansfield
Komponist(in):
John Barry (English score composer)
Lisa Stansfield5:41
18Aftermath
Nicholas Dodo3:36

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