Satchmo: Hello Dolly

~ Release by Louis Armstrong (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Hello Dolly
recorded in:
New York, United States (on 1963-12-03)
producer:
Mickey Kapp
banjo and guitar:
Anthony Gottuso (Tony Gottuso, guitar) (on 1963-12-03)
bass:
Arvell Shaw (on 1963-12-03)
clarinet:
Joe Darensbourg (on 1963-12-03)
double bass:
Arvell Shaw
drums (drum set):
Danny Barcelona (on 1963-12-03)
piano:
Billy Kyle (on 1963-12-03)
trombone:
Trummy Young (on 1963-12-03)
trumpet:
Louis Armstrong
lead vocals:
Louis Armstrong (on 1963-12-03)
vocals:
Louis Armstrong
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
cover recording of:
Hello, Dolly! (on 1963-12-03)
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
live recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
live cover recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
4?:??
2Maime
banjo:
Alfred Di Lernia (in 1966-05)
clarinet:
Buster Bailey (clarinetist) (in 1966-05)
double bass:
Buddy Catlett (in 1966-05)
drums (drum set):
Danny Barcelona (in 1966-05)
piano:
Marty Napoleon (in 1966-05)
trombone:
Tyree Glenn (in 1966-05)
trumpet and lead vocals:
Louis Armstrong (in 1966-05)
recording of:
Mame (in 1966-05)
lyricist and composer:
Jerry Herman
part of:
Mame (full musical)
?:??
3When the Saint’s Go Marching In
recording of:
When the Saints Go Marching In (Louis Armstrong’s version)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Louis Armstrong
version of:
When the Saints Go Marching In
?:??
4Ain’t Misbehavin’
recording of:
Ain’t Misbehavin’
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
?:??
5Cabaret
engineer:
Eddie Brackett (on 1967-08-16) and Bob Simpson (US jazz engineer/producer) (on 1967-08-16)
producer:
Bob Thiele (producer & songwriter)
clarinet:
Joe Muranyi (on 1967-08-16)
double bass:
Buddy Catlett (on 1967-08-16)
drums (drum set):
Danny Barcelona (on 1967-08-16)
guitar:
Art Ryerson (on 1967-08-16)
piano:
Marty Napoleon (on 1967-08-16)
trombone:
Tyree Glenn (on 1967-08-16)
trumpet and lead vocals:
Louis Armstrong (on 1967-08-16)
recording of:
Cabaret (title song from the Kander & Ebb musical) (on 1967-08-16)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
3?:??
6A Kiss to Build a Dream On
bass:
Arvell Shaw
clarinet:
Joe Darensbourg
membranophone:
Danny Barcelona
piano:
Billy Kyle
trombone:
Russell Moore (jazz trombonist)
performer:
Louis Armstrong
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
recording of:
A Kiss to Build a Dream On
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) and Bert Kalmar (in 1935)
composer:
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
part of:
The 24th Academy Award for Best Original Song (number: 2)
part of:
Fallout 2: A Post Nuclear Role Playing Game
part of:
The Strip (1951 film)
?:??
7Please Don’t Talk About Me When I’m Gone
clarinet:
Joe Muranyi (in 1967-07)
double bass:
Buddy Catlett (in 1967-07)
drums (drum set):
Danny Barcelona (in 1967-07)
piano:
Marty Napoleon (in 1967-07)
trombone:
Tyree Glenn (in 1967-07)
trumpet:
Louis Armstrong (in 1967-07)
vocals:
Louis Armstrong (in 1967-07) and Tyree Glenn (in 1967-07)
live cover recording of:
Please Don’t Talk About Me When I’m Gone (in 1967-07)
lyricist:
Sidney Clare
composer:
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Remick Music Corp.
?:??
8Blueberry Hill
bass:
Arvell Shaw
clarinet:
Joe Darensbourg
membranophone:
Danny Barcelona
piano:
Billy Kyle
trombone:
Russell Moore (jazz trombonist)
performer:
Louis Armstrong
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
cover recording of:
Blueberry Hill
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
writer:
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
?:??
9St. Louis Blues
recorded in:
Chicago, Illinois, United States (on 1933-04-26)
alto saxophone:
Scoville Browne (on 1933-04-26) and George Oldham (on 1933-04-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-04-26)
clarinet:
Scoville Browne (on 1933-04-26), Budd Johnson (on 1933-04-26) and George Oldham (on 1933-04-26)
drums (drum set):
Harry Dial (on 1933-04-26)
piano:
Charlie Beal (on 1933-04-26)
tenor saxophone:
Budd Johnson (on 1933-04-26)
trombone:
Keg Johnson (jazz trombonist) (on 1933-04-26)
trumpet:
Louis Armstrong (on 1933-04-26), Zilner Randolph (on 1933-04-26) and Elmer Whitlock (US trumpet player) (on 1933-04-26)
tuba:
Bill Oldham (Double Bass Player) (on 1933-04-26)
recording of:
St. Louis Blues (on 1933-04-26)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
?:??
10That’s My Desire
clarinet:
Joe Muranyi (in 1967-07)
double bass:
Buddy Catlett (in 1967-07)
drums (drum set):
Danny Barcelona (in 1967-07)
piano:
Marty Napoleon (in 1967-07)
trombone:
Tyree Glenn (in 1967-07)
trumpet:
Louis Armstrong (in 1967-07)
vocals:
Louis Armstrong (in 1967-07) and Tyree Glenn (in 1967-07)
live cover recording of:
That’s My Desire (in 1967-07)
lyricist:
Carroll Loveday
composer:
Helmy Kresa
publisher:
Mills Music, Inc.
?:??
11Mack the Knife
bass:
Arvell Shaw (in 1955)
clarinet:
Barney Bigard (in 1955)
drums (drum set):
Barrett Deems (in 1955)
piano:
Billy Kyle (in 1955)
trombone:
Trummy Young (in 1955)
trumpet and lead vocals:
Louis Armstrong (in 1955)
recording of:
Mack the Knife (1954 Blitzstein translation) (on 1955-09-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
3.65?:??
12Back Ole Town Blues
recording of:
Back o’ Town Blues
writer:
Louis Armstrong and Luis Russell
?:??
13Fly Me to the Moon
cover recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (library/production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??
14Indiana
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15Tiger Rag
recording of:
Tiger Rag (original 1917 instrumental version)
composer:
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
publisher:
Leo Feist, Inc.
sub-publisher:
EMI Music Publishing France
?:??
16Black and Blue
recording of:
Black and Blue
lyricist:
Harry Brooks (jazz pianist & songwriter) and Andy Razaf
composer:
Fats Waller
publisher:
Memory Lane Music Ltd. and Redwood Music Ltd. (Carlin)
?:??
17C’est si bon
recording of:
C’est si bon (It's So Good, English version)
lyricist:
André Hornez (in 1947)
composer:
Henri Betti (songwriter and pianist) (in 1947)
translator:
Jerry Seelen (screenwriter, lyricist. songwriter) (in 1949)
publisher:
Éditions Beuscher Arpège
translated version of:
C’est si bon (original French version)
?:??
18St. James Infirmary
recorded in:
Chicago, Illinois, United States (on 1928-12-12)
alto saxophone:
Don Redman (on 1928-12-12)
banjo:
Mancy "Peck" Carr (on 1928-12-12)
clarinet:
Don Redman (on 1928-12-12) and Jimmy Strong (on 1928-12-12)
drums (drum set):
Zutty Singleton (on 1928-12-12)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-12-12)
tenor saxophone:
Jimmy Strong (on 1928-12-12)
trombone:
Fred Robinson (American trombonist) (on 1928-12-12)
trumpet:
Louis Armstrong (on 1928-12-12)
vocals:
Louis Armstrong (on 1928-12-12)
recording of:
St. James Infirmary (Joe Primrose’s arrangement) (on 1928-12-12)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joe Primrose
publisher:
EMI Harmonies Limited
arrangement of:
St. James Infirmary
version of:
The Unfortunate Lass (Bad Girl's Lament)
?:??
19Someday You’ll Be Sorry
recording of:
Someday You’ll Be Sorry
writer:
Louis Armstrong
?:??
20Sweethearts on Parade
recorded in:
Los Angeles, California, United States (on 1930-12-23)
alto saxophone:
Les Hite (on 1930-12-23) and Marvin Johnson (US jazz saxophonist and bandleader) (on 1930-12-23)
clarinet and tenor saxophone:
Charlie Jones (jazz clarinet/sax) (on 1930-12-23)
double bass:
Joe Bailey (US double bassist and songwriter) (on 1930-12-23)
drums (drum set):
Lionel Hampton (on 1930-12-23)
guitar:
Bill Perkins (jazz guitar and banjo) (on 1930-12-23)
piano:
Henry Prince (on 1930-12-23)
trombone:
Luther Craven (on 1930-12-23)
trumpet:
Louis Armstrong (on 1930-12-23), McClure Morris (on 1930-12-23) and Harold Scott (on 1930-12-23)
vocals:
Louis Armstrong (on 1930-12-23)
conductor:
Les Hite (on 1930-12-23)
recording of:
Sweethearts on Parade (on 1930-12-23)
lyricist:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
composer:
Carmen Lombardo (in 1928)
?:??
21Jelly Roll Blues
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