Hans Zimmer: A Selection

~ Release by Hans Zimmer (see all versions of this release, 1 available)

Annotation

© «2021 UMG Recordings, Inc.»
℗ «2021 UMG Recordings, Inc. FP»

Annotation last modified on 2021-09-25 20:16 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Time (arr. guitar) - From “Inception”
recording of:
Time (Inception)
composer:
Hans Zimmer (German score composer)
part of:
Inception (Live in Prague)
Hans Zimmer & Music Lab Collective43:19
2Chevaliers De Sangreal - From The Da Vinci Code Original Motion Picture Soundtrack
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Jake Jackson (recording engineer)
mixer:
Al Clay and Alan Meyerson
editor:
Simon Changer (editor)
performer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
phonographic copyright (℗) by:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) and Universal Music Classical (in 2006)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Chevaliers de Sangreal (The Da Vinci Code)
composer:
Hans Zimmer (German score composer)
part of:
The Da Vinci Code
Hans Zimmer & Richard Harvey34:07
3Now We Are Free - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000), Dreamworks Productions LLC (in 2000) and Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Now We Are Free (Gladiator)
lyricist:
Lisa Gerrard
composer:
Klaus Badelt (German score composer), Lisa Gerrard and Hans Zimmer (German score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs and Universal‐MCA Music Publishing (US)
part of:
Gladiator
medley including a cover recording of:
Now We Are Free (Gladiator)
lyricist:
Niloofar Rafiei
is based on:
Now We Are Free (Gladiator)
medley of:
Now We Are Free (Gladiator)
Lisa Gerrard, Klaus Badelt, Hans Zimmer, Gavin Greenaway & The Lyndhurst Orchestra44:14
4Gun Barrel - From ’’No Time To Die’’ Soundtrack
assistant recording engineer:
Ashley Andrew-Jones, Alex Ferguson (engineer), Rebecca Hordern (Engineer), Gianluca Massimo (assistant engineer) and Jack Mills (engineer)
recording engineer:
Al clay, Laurence Anslow (UK engineer AIR Studios), Rupert Coulson (sound engineer), Geoff Foster (sound engineer), Stephen Lipson, Marc McCouig and John Prestage (engineer)
synthesizer programming:
Hans Zimmer (German score composer)
engineer:
Chuck Choi
producer:
Stephen Lipson, Steve Mazzaro (Composer, producer and arranger from Los Angeles, USA) and Hans Zimmer (German score composer)
assistant mixer:
Eva Reistad and Alvin Wee
mixer:
Al clay and Stephen Lipson
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Adam Miller (engineer)
alto flute:
Lindsey Ellis, Fiona Fulton and Karen Jones (flautist)
bassoon:
Gordon Laing (bassoonist), Gavin McNaughton (basoonist) and Rachel Simms (bassoonist)
cello:
Adrian Bradbury (British cellist), Ian Burdge (cellist), Jonny Byers (cellist), Ben Chappell, Nick Cooper (UK cellist), Caroline Dale (cellist), Dave Daniels (cellist), Caroline Dearnley (cellist), Morwenna Del Mar (cellist), James Douglas (cellist), Tim Gill (cellist), Sophie Harris (cellist), John Heley (cellist), Jacky Thomas (British cellist), Danny Keane (jazz piano/cello), Paul Kegg (cellist), Ashok Klouda (British cellist), Joely Koos (cellist), David Lale (British cellist, born 1981), Rachael Lander, Tony Lewis (cellist), Vicky Matthews (cellist), Ben Rogerson (cellist), Max Ruisi (cellist), Frank Schaefer (cellist), Hannah Sloane (cellist), Jonathan Tunnell (cellist), Rachel van der Tang (Classical cellist), Božidar Vukotić (cellist), Juliet Welchman (Cellist), Will Schofield (cellist), Jonathan Williams (cellist), Tony Woollard (Cellist) and Chris Worsey (cellist)
clarinet:
Alan Andrews (clarinetist), Duncan Ashby (clarinetist / saxophonist), Jon Carnac (clarinetist), David Fuest (clarinet), Max Welford (Clarinetist), Anthony Pike (clarinetist), Paul Richards (clarinetist) and Martin Robertson (saxophonist & clarinetist)
double bass:
Paul Kimber, Roger Linley (double bassist), Steve Mair (bass player), Andy Marshall (double bassist), Andy Pask, Richard Pryce (double bassist), Mary Scully (double bassist), Lucy Shaw (double bassist), Allen Walley (double bassist) and Steve Williams (double bassist)
drums (drum set):
Jason Bonham
electric guitar:
Johnny Marr
flute:
David Cuthbert, Paul Edmund-Davies (flautist), Andy Findon, Tom Hancox (Flautist), Helen Keen (flautist), Anna Noakes (flautist) and Rowland Sutherland
French horn:
Richard Bissill (British horn player and composer), Nigel Black (horn player), Laurence Davies (hornist), Anna Douglass (Hornist), Tim Jones (classical horn player), Mike Kidd, Andrew Littlemore, Mike Thompson (British horn player and conductor), Nick Korth (horn player), Martin Owen (horn player), Phillip Eastop (horn player), Simon Rayner (French horn), Hugh Sisley (British hornist), Phillippa Slack (Hornist), John Thurgood (hornist), Alexei Watkins, Richard Watkins (hornist), Jonathan Williams (cellist) and Phil Woods (French hornist from the UK)
guitar:
Amir John Haddad (german-spanish multi instrumentalist)
harp:
Skaila Kanga (harpist)
percussion:
Paul Clarvis (percussionist), Luís Jardim, Gary Kettel (percussionist) and Frank Ricotti (percussionist)
trombone:
Dudley Bright (British trombone player and composer), Barry Clements (bass trombonist), Mark Frost (trombone), Tracy Holloway (trombonist), Dan Jenkins (trombonist), Lyndon Meredith (trombonist), Pete Moore (trombonist), Mark Nightingale (trombonist), Dave Stewart (trombonist), Ed Tarrant (trombone player), Helen Vollam (Trombonist) and Andy Wood (trombonist)
trumpet:
Andy Crowley (trumpet player), Louis Dowdeswell, Mike Lovatt, Tom Rees‐Roberts, Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer) and Tom Walsh (UK brass player)
tuba:
Owen Slade (tuba player)
viola:
Rachel Bolt (violist), Roger Chase (violist), Reiad Chibah (violist), Clive Howard (Violinist), Helen Kamminga (violist), Julia Knight (viola), Peter Lale (violist), Lydia Lowndes‐Northcott (violist), Andy Parker (violist), Sue Dench (violist), Edward Vanderspar (violist) and Fiona Winning (violist)
violin:
Mark Berrow (violinist), Daniel Bhattacharya, Natalia Bonner (violinist), Thomas Bowes (violinist), Emil Chakalov (violinist), Dai Emanuel (violin), Jonathan Evans‐Jones (violinist), Peter Hanson (violinist), Ian Humphries (violinist), Jackie Hartley (violinist), Magnus Johnston (violinist), Patrick Kiernan (violinist), Boguslaw Kostecki (violinist), Gabrielle Lester (orchestra leader and violinist), Rita Manning (violinist), Dorina Markoff (violinist), Lorraine McAslan (violinist), John Mills (violinist), Perry Montague‐Mason (violinist), Steve Morris (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Pippa Ibbotson (violinist), Debbie Preece (violinist), Jackie Shave, Cathy Thompson (violinist), Clare Thompson (violinist), Chris Tombling (violinist), Debbie Widdup (violinist), Paul Willey (violinist) and Warren Zielinski (violinist)
woodwind [Woodwinds]:
Pedro Eustache
choir vocals:
London Voices
conductor:
John Altman and Matt Dunkley
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
arranger:
Steven Doar (production music)
orchestrator:
Òscar Senén
phonographic copyright (℗) by:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 2021) and Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) (in 2021)
recording of:
Gun Barrel
composer:
Hans Zimmer (German score composer)
part of:
No Time To Die
Hans Zimmer, Matt Dunkley & John Altman20:56
5Earth - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Earth (Gladiator)
composer:
Hans Zimmer (German score composer)
part of:
Gladiator
Hans Zimmer, Gavin Greenaway & The Lyndhurst Orchestra23:02
6Main Theme [Rain Man] - Edit
Hans Zimmer4:49
7Elysium - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Elysium (Gladiator)
composer:
Klaus Badelt (German score composer) and Lisa Gerrard
publisher:
SKG Songs
part of:
Gladiator
Klaus Badelt, Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra2.52:41
8Honor Him - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Honor Him (Gladiator)
composer:
Hans Zimmer (German score composer)
part of:
Gladiator
Hans Zimmer, Gavin Greenaway & The Lyndhurst Orchestra41:20
9Progeny - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Progeny (Gladiator)
composer:
Hans Zimmer (German score composer)
part of:
Gladiator
Hans Zimmer, Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard1.52:14
10The Wheat - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
The Wheat (Aftermath, Gladiator)
composer:
Lisa Gerrard
publisher:
SKG Songs
part of:
Gladiator
Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra11:03
11The Battle - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
The Battle (Gladiator)
composer:
Hans Zimmer (German score composer)
part of:
Gladiator
Hans Zimmer, Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra2.510:02
12Sorrow - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Sorrow (Gladiator)
composer:
Klaus Badelt (German score composer) and Lisa Gerrard
Lisa Gerrard, Klaus Badelt, Gavin Greenaway & The Lyndhurst Orchestra1:26
13To Zuccabar - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
To Zuccabar
recording of:
To Zucchabar (Gladiator)
composer:
Ջիվան Գասպարյան (Djivan Gasparyan, duduk player) and Hans Zimmer (German score composer)
part of:
Gladiator
Hans Zimmer, Djivan Gasparyan, Gavin Greenaway & The Lyndhurst Orchestra43:16
14Patricide - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Patricide (Gladiator)
composer:
Hans Zimmer (German score composer)
part of:
Gladiator
Hans Zimmer, Gavin Greenaway & The Lyndhurst Orchestra14:08
15The Emperor Is Dead - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
The Emperor Is Dead (Gladiator)
composer:
Klaus Badelt (German score composer) and Lisa Gerrard
Lisa Gerrard, Klaus Badelt, Gavin Greenaway & The Lyndhurst Orchestra1:22
16The Might Of Rome - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
The Might of Rome (Gladiator)
composer:
Hans Zimmer (German score composer)
part of:
Gladiator
Hans Zimmer, Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard15:18
17Strength And Honor - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Strength and Honor (Gladiator)
composer:
Hans Zimmer (German score composer)
part of:
Gladiator
Hans Zimmer, Gavin Greenaway & The Lyndhurst Orchestra12:10
18Reunion - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Reunion (Gladiator)
composer:
Klaus Badelt (German score composer) and Lisa Gerrard
recording of:
Reunion
Lisa Gerrard, Klaus Badelt, Gavin Greenaway & The Lyndhurst Orchestra31:14
19Slaves To Rome - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Slaves to Rome (Gladiator)
composer:
Hans Zimmer (German score composer)
part of:
Gladiator
Hans Zimmer, Gavin Greenaway & The Lyndhurst Orchestra11:00
20Barbarian Horde - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Barbarian Horde (Gladiator)
composer:
Nick Glennie‐Smith and Hans Zimmer (German score composer)
part of:
Gladiator
Hans Zimmer, Gavin Greenaway & The Lyndhurst Orchestra110:33
21Am I Not Merciful? - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Am I Not Merciful? (Gladiator)
composer:
Hans Zimmer (German score composer)
publisher:
SKG Songs and Universal‐MCA Music Publishing (US)
part of:
Gladiator
Hans Zimmer, Gavin Greenaway & The Lyndhurst Orchestra16:33
22Duduk Of The North - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
engineer:
Kevin Globerman and Gregg Silk
producer:
Klaus Badelt (German score composer), Alan Meyerson and Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
remixed at:
Lectroluv Studio in East Village, New York, New York, United States
recording of:
Duduk of the North
composer:
Hans Zimmer (German score composer)
Hans Zimmer, Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra5:33
23Homecoming - From “Gladiator” Soundtrack
Hans Zimmer, Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra3:36
24The General Who Became A Slave - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
engineer:
Kevin Globerman and Gregg Silk
producer:
Klaus Badelt (German score composer), Alan Meyerson and Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
remixed at:
Lectroluv Studio in East Village, New York, New York, United States
recording of:
The General Who Became a Slave
composer:
Hans Zimmer (German score composer)
Hans Zimmer, Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra3:03
25The Slave Who Became A Gladiator - From “Gladiator” Soundtrack
Hans Zimmer, Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra6:12
26Secrets - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
engineer:
Kevin Globerman and Gregg Silk
producer:
Klaus Badelt (German score composer), Alan Meyerson and Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
remixed at:
Lectroluv Studio in East Village, New York, New York, United States
recording of:
Secrets
composer:
Klaus Badelt (German score composer) and Lisa Gerrard
recording of:
Secrets
Hans Zimmer, Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra1:59
27Rome Is The Light - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
engineer:
Kevin Globerman and Gregg Silk
producer:
Klaus Badelt (German score composer), Alan Meyerson and Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
remixed at:
Lectroluv Studio in East Village, New York, New York, United States
recording of:
Rome Is the Light
composer:
Klaus Badelt (German score composer), Lisa Gerrard and Hans Zimmer (German score composer)
Hans Zimmer, Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra2:44
28All That Remains - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
engineer:
Kevin Globerman and Gregg Silk
producer:
Klaus Badelt (German score composer), Alan Meyerson and Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
remixed at:
Lectroluv Studio in East Village, New York, New York, United States
recording of:
All That Remains
composer:
Hans Zimmer (German score composer)
Hans Zimmer, Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra0:55
29Maximus - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
engineer:
Kevin Globerman and Gregg Silk
producer:
Klaus Badelt (German score composer), Alan Meyerson and Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
remixed at:
Lectroluv Studio in East Village, New York, New York, United States
recording of:
Maximus
composer:
Hans Zimmer (German score composer)
Hans Zimmer, Lisa Gerrard, Heitor Pereira, Gavin Greenaway & The Lyndhurst Orchestra1:09
30Marrakesh Marketplace - From “Gladiator” Soundtrack
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2001)
recording of:
Marrakesh Marketplace
composer:
Jeff Rona
Jeff Rona, Gavin Greenaway, The Lyndhurst Orchestra & Hans Zimmer0:42
31The Gladiator Waltz - From “Gladiator” Soundtrack
Hans Zimmer, Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra8:25
32Figurines - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
engineer:
Kevin Globerman and Gregg Silk
producer:
Klaus Badelt (German score composer), Alan Meyerson and Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
remixed at:
Lectroluv Studio in East Village, New York, New York, United States
recording of:
Figurines
composer:
Lisa Gerrard
Hans Zimmer & Lisa Gerrard1:02
33The Mob - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
engineer:
Kevin Globerman and Gregg Silk
producer:
Klaus Badelt (German score composer), Alan Meyerson and Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
remixed at:
Lectroluv Studio in East Village, New York, New York, United States
recording of:
The Mob
composer:
Lisa Gerrard and Hans Zimmer (German score composer)
Hans Zimmer, Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra2:23
34Busy Little Bee - From “Gladiator” Soundtrack
Hans Zimmer, Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra3:48
35Death Smiles At All Of Us - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
engineer:
Kevin Globerman and Gregg Silk
producer:
Klaus Badelt (German score composer), Alan Meyerson and Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
remixed at:
Lectroluv Studio in East Village, New York, New York, United States
recording of:
Death Smiles at Us All
composer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
Hans Zimmer, Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra2:29
36Not Yet - From “Gladiator” Soundtrack
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
engineer:
Kevin Globerman and Gregg Silk
producer:
Klaus Badelt (German score composer), Alan Meyerson and Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
remixed at:
Lectroluv Studio in East Village, New York, New York, United States
recording of:
Not Yet
composer:
Klaus Badelt (German score composer) and Lisa Gerrard
Hans Zimmer, Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra1:33
37L’Esprit Des Gabriel
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Jake Jackson (recording engineer)
mixer:
Al Clay and Alan Meyerson
editor:
Simon Changer (editor)
phonographic copyright (℗) by:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) and Universal Music Classical (in 2006)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
L’Esprit des Gabriel (The Da Vinci Code)
composer:
Hans Zimmer (German score composer)
part of:
The Da Vinci Code
Hans Zimmer & Richard Harvey1.52:49
38The Paschal Spiral
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Jake Jackson (recording engineer)
mixer:
Al Clay and Alan Meyerson
editor:
Simon Changer (editor)
phonographic copyright (℗) by:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) and Universal Music Classical (in 2006)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
The Paschal Spiral (The Da Vinci Code)
composer:
Hans Zimmer (German score composer)
part of:
The Da Vinci Code
Hans Zimmer & Richard Harvey1.52:49
39Fructus Gravis
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Jake Jackson (recording engineer)
mixer:
Al Clay and Alan Meyerson
editor:
Simon Changer (editor)
phonographic copyright (℗) by:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) and Universal Music Classical (in 2006)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Fructus gravis (The Da Vinci Code)
composer:
Hans Zimmer (German score composer)
part of:
The Da Vinci Code
Hans Zimmer & Richard Harvey22:50
40Malleus Maleficarum
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Jake Jackson (recording engineer)
mixer:
Al Clay and Alan Meyerson
editor:
Simon Changer (editor)
phonographic copyright (℗) by:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) and Universal Music Classical (in 2006)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Malleus maleficarum (The Da Vinci Code)
composer:
Hans Zimmer (German score composer)
part of:
The Da Vinci Code
Hans Zimmer & Richard Harvey22:19
41Salvete Virgines
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Jake Jackson (recording engineer)
mixer:
Al Clay and Alan Meyerson
editor:
Simon Changer (editor)
phonographic copyright (℗) by:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) and Universal Music Classical (in 2006)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Salvete virgines (The Da Vinci Code)
lyricist:
Abhay Manusmare
composer:
Hans Zimmer (German score composer)
part of:
The Da Vinci Code
Hans Zimmer & Richard Harvey13:14
42Hunger
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson and Greg Townley (producer/mixer)
assistant engineer:
Kevin Globerman, Gregg Silk, T.J. Lingren and Jason Wormer (american engineer)
producer:
Bob Badami, Pietro Scalia and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
assistant editor:
Del Spiva
editor:
Marc Streitenfeld (German score composer)
vocals:
Baaba Maal
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
Hans Zimmer26:36
43Vale Of Plenty
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson and Greg Townley (producer/mixer)
assistant engineer:
Kevin Globerman, Gregg Silk, T.J. Lingren and Jason Wormer (american engineer)
producer:
Bob Badami, Pietro Scalia and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
assistant editor:
Del Spiva
editor:
Marc Streitenfeld (German score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Vale Of Plenty
composer:
Hans Zimmer (German score composer)
Hans Zimmer12:28
44Chant
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson and Greg Townley (producer/mixer)
assistant engineer:
Kevin Globerman, Gregg Silk, T.J. Lingren and Jason Wormer (american engineer)
producer:
Bob Badami, Pietro Scalia and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
assistant editor:
Del Spiva
editor:
Marc Streitenfeld (German score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Chant (Black Hawk Down)
composer:
Hans Zimmer (German score composer)
Hans Zimmer12:34
45Still
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson and Greg Townley (producer/mixer)
assistant engineer:
Kevin Globerman, Gregg Silk, T.J. Lingren and Jason Wormer (american engineer)
producer:
Bob Badami, Pietro Scalia and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
assistant editor:
Del Spiva
editor:
Marc Streitenfeld (German score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Still (Black Hawk Down)
composer:
Hans Zimmer (German score composer)
Hans Zimmer14:48
46Mogadishu Blues
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson and Greg Townley (producer/mixer)
assistant engineer:
Kevin Globerman, Gregg Silk, T.J. Lingren and Jason Wormer (american engineer)
producer:
Bob Badami, Pietro Scalia and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
assistant editor:
Del Spiva
editor:
Marc Streitenfeld (German score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Mogadishu Blues
composer:
Hans Zimmer (German score composer)
Hans Zimmer12:54
47Synchrotone - From “Black Hawk Down” Soundtrack
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson and Greg Townley (producer/mixer)
assistant engineer:
Kevin Globerman, Gregg Silk, T.J. Lingren and Jason Wormer (american engineer)
producer:
Bob Badami, Pietro Scalia and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
assistant editor:
Del Spiva
editor:
Marc Streitenfeld (German score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Synchrotone (Black Hawk Down)
composer:
Hans Zimmer (German score composer)
Hans Zimmer18:55
48Bakara
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson and Greg Townley (producer/mixer)
assistant engineer:
Kevin Globerman, Gregg Silk, T.J. Lingren and Jason Wormer (american engineer)
producer:
Bob Badami, Pietro Scalia and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
assistant editor:
Del Spiva
editor:
Marc Streitenfeld (German score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Bakara (Black Hawk Down)
composer:
Hans Zimmer (German score composer)
Hans Zimmer13:12
49Of The Earth
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson and Greg Townley (producer/mixer)
assistant engineer:
Kevin Globerman, Gregg Silk, T.J. Lingren and Jason Wormer (american engineer)
producer:
Bob Badami, Pietro Scalia and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
assistant editor:
Del Spiva
editor:
Marc Streitenfeld (German score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Of the Earth
composer:
Hans Zimmer (German score composer)
Hans Zimmer22:19
50Ashes To Ashes
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson and Greg Townley (producer/mixer)
assistant engineer:
Kevin Globerman, Gregg Silk, T.J. Lingren and Jason Wormer (american engineer)
producer:
Bob Badami, Pietro Scalia and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
assistant editor:
Del Spiva
editor:
Marc Streitenfeld (German score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
Hans Zimmer14:43
51Tribal War - From “Black Hawk Down” Soundtrack
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson and Greg Townley (producer/mixer)
assistant engineer:
Kevin Globerman, Gregg Silk, T.J. Lingren and Jason Wormer (american engineer)
producer:
Bob Badami, Pietro Scalia and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
assistant editor:
Del Spiva
editor:
Marc Streitenfeld (German score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Tribal War
composer:
Hans Zimmer (German score composer)
Hans Zimmer12:39
52Leave No Man Behind
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson and Greg Townley (producer/mixer)
assistant engineer:
Kevin Globerman, Gregg Silk, T.J. Lingren and Jason Wormer (american engineer)
producer:
Bob Badami, Pietro Scalia and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
assistant editor:
Del Spiva
editor:
Marc Streitenfeld (German score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Leave No Man Behind (Black Hawk Down)
composer:
Hans Zimmer (German score composer)
Hans Zimmer26:19
53Minstrel Boy - Film Verson
Joe Strummer, Scott Shields, Martin Slattery, Richard Flack, Paul Cook, Tymon Murray & Joe Strummer & the Mescaleros5:37
54Still Reprise - From “Black Hawk Down” Soundtrack
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson and Greg Townley (producer/mixer)
assistant engineer:
Kevin Globerman, Gregg Silk, T.J. Lingren and Jason Wormer (american engineer)
producer:
Bob Badami, Pietro Scalia and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
assistant editor:
Del Spiva
editor:
Marc Streitenfeld (German score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Still (Black Hawk Down)
composer:
Hans Zimmer (German score composer)
Hans Zimmer12:12
55This Is Going To Hurt
recording of:
This Is Going to Hurt (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench2:47
56Burning Tree
recording of:
Burning Tree (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench10:14
57Shelter Mountain
recording of:
Shelter Mountain (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench4:11
58The Ferry
recording of:
The Ferry (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench3:15
59I’ll Follow Your Voice
recording of:
I'll Follow Your Voice (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench6:28
60She Never Sleeps
recording of:
She Never Sleeps (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench2:17
61Dies Mercurii I Martius - From The Da Vinci Code Original Motion Picture Soundtrack
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Jake Jackson (recording engineer)
mixer:
Al Clay and Alan Meyerson
editor:
Simon Changer (editor)
phonographic copyright (℗) by:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) and Universal Music Classical (in 2006)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Dies Mercurii i Martius (The Da Vinci Code)
composer:
Hans Zimmer (German score composer)
part of:
The Da Vinci Code
Hans Zimmer & Richard Harvey36:03

Credits