Sounds of the Sixties: 1964

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Shout! – The Greatest Hits of 1964
2▼CD: I Won’t Forget You – The Memories of 1964
Nr.TitelKünstlerBewertungLänge
1Hello, Dolly
recorded in:
New York, Vereinigte Staaten (am 1963-12-03)
Produzent(in):
Mickey Kapp
Banjo und Gitarre:
Anthony Gottuso (Tony Gottuso, guitar) (am 1963-12-03)
Bass:
Arvell Shaw (am 1963-12-03)
Klarinette:
Joe Darensbourg (am 1963-12-03)
Klavier:
Billy Kyle (am 1963-12-03)
Kontrabass:
Arvell Shaw
Posaune:
Trummy Young (am 1963-12-03)
Schlagzeug:
Danny Barcelona (am 1963-12-03)
Trompete:
Louis Armstrong
Sologesang:
Louis Armstrong (am 1963-12-03)
vocals:
Louis Armstrong
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
cover recording of:
Hello, Dolly! (am 1963-12-03)
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
live recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
live cover recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
Louis Armstrong42:23
2Can’t Buy Me Love
cover recording of:
Can’t Buy Me Love (in 1964)
Verfasser(in):
John Lennon (The Beatles) (in 1964-01) und Paul McCartney (The Beatles) (in 1964-01)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC, Sony/ATV Tunes LLC (ASCAP) und Unart Music Corp.
geschrieben bei:
George V Hotel in Paris, Île-de-France, Frankreich (von 1964-01 bis 1964-02)
Ella Fitzgerald2:38
3Stingray
vocals:
Gary Miller (English singer)
Orchester:
The Barry Gray Orchestra
conductor:
Barry Gray (soundtrack composer)
recording of:
Theme (Stingray)
Komponist(in):
Barry Gray (soundtrack composer)
publisher:
Ambassador Music Ltd.
Gary Miller & The Barry Gray Orchestra1:56
4Let Me Go, Lover
recording of:
Let Me Go, Lover
Texter:
Al Hill (Ben Weisman, Fred Wise, Kay Twomey)
Komponist(in):
Jenny Lou Carson
basiert auf:
Let Me Go, Devil
Kathy Kirby2:10
5Suspicion
recording of:
Suspicion
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc. und R&H Music
Terry Stafford4.52:30
6Is It True
recording of:
Is It True
Verfasser(in):
John Carter (songwriter & producer, b. 1942) und Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
publisher:
Carter-Lewis Music Publishing Co., Ltd. und Peermusic Ltd. (BMI)
Brenda Lee2:19
7Don’t Blame Me
cover recording of:
Don’t Blame Me
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) und Ireneadele Publishing
Frank Ifield2:16
8Girl Don’t Come
vocals:
Sandie Shaw (in 1964)
recording of:
Girl Don’t Come (in 1964)
Texter und Komponist(in):
Chris Andrews (UK singer-songwriter)
publisher:
Glissando Music Ltd.
Sandie Shaw2:12
9Stand by Me
Kenny Lynch3:27
10Spanish Harlem
Sounds Incorporated2:52
11You’re My World
recording of:
You’re My World
Texter:
Gino Paoli (singer, songwriter)
Komponist(in):
Umberto Bindi
Übersetzer:
Carl Sigman
publisher:
Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Welbeck Music Ltd.
übersetzte Version von:
Il mio mondo
Cilla Black3:00
12Walk Away
recording of:
Walk Away (based on Warum nur, warum)
Texter und Komponist(in):
Udo Jürgens (Austrian–Swiss composer, singer and songwriter)
Übersetzer:
Don Black (English lyricist)
publisher:
Hollis Music, Inc. und Montana GMBH-Co Musikverlagsgesellschaft Edit
übersetzte Version von:
Warum nur, warum
Matt Monro3:08
13How Soon
Produzent(in):
Joe Reisman
aufgenommen bei:
RCA’s Music Center of the World in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-11-12)
recording of:
How Soon
Verfasser(in):
Henry Mancini (US composer, conductor & arranger) und Al Stillman
Henry Mancini2:51
14I Won’t Forget You
Produzent(in):
Chet Atkins
recording of:
I Won’t Forget You (1961 song) (am 1961-11-10)
Texter und Komponist(in):
Harlan Howard
Jim Reeves2:04
15I Believe
The Bachelors2:00
16The Twelfth of Never
recording of:
The Twelfth of Never
Texter:
Paul Francis Webster
Komponist(in):
Jerry Livingston (songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hallmark Music Co. Inc. (ASCAP affiliated), Rondor Music (London) Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Webster Music Co.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
basiert auf:
The Riddle Song (aka “I Gave My Love a Cherry”)
Cliff Richard2:41
17Juliet
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (not for release label use!) (in 1964)
recording of:
Juliet (1964 song by the Four Pennies)
Verfasser(in):
Fritz Fryer, Lionel Morton (member of the Four Pennies) und Mike Wilsh
publisher:
Flamingo Music
The Four Pennies2:21
18‘Crossroads’ Theme
Orchester:
The Tony Hatch Orchestra
recording of:
Crossroads: Theme
Komponist(in):
Tony Hatch
publisher:
ATV Music Corp., ATV Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP) und Welbeck Music Ltd.
Tony Hatch2:03
19Goldfinger
Techniker(in):
John Richards (engineer)
Produzent(in):
John Barry (English score composer) und George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
vocals:
Shirley Bassey (Welsh singer) (in 1964-07)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
Columbia Pictures Industries, Inc. (in 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
Goldfinger (in 1964-07)
Texter:
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. und Sony/ATV Songs LLC
Teil von:
James Bond themes
Teil von:
Goldfinger
Shirley Bassey4.252:52
20Tokyo Melody
Helmut Zacharias3:02
21Happiness
Ken Dodd1:59
22Dominique
The Singing Nun2:53
3▶CD: The Wild Side of Life – The Rock’n’Roll of 1964

Nennungen

Veröffentlichungsgruppe

Teil von:Sounds of the Sixties (Reader’s Digest) (Reihenfolge: 4)