The Golden Era of Rock ’n’ Roll: 1954–1963

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Rock Around the Clock
E-Gitarre [lead guitar]:
Danny Cedrone (am 1954-04-12)
E-Gitarre [rhythm guitar] und Sologesang:
Bill Haley (am 1954-04-12)
Klavier:
Johnny Grande (am 1954-04-12)
Kontrabass:
Marshall Lytle (am 1954-04-12)
Schlagzeug:
Billy Gussak (am 1954-04-12)
Steel-Gitarre:
William F. ‘Billy’ Williamson (am 1954-04-12)
Tenorsaxophon:
Joey D'Ambrosio (am 1954-04-12)
phonographisches Urheberrecht (℗) von:
Sonet Music AB (in 1954) und MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (in 1955)
aufgenommen bei:
Pythian Temple in Lincoln Square, New York, New York, Vereinigte Staaten (am 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (am 1954-04-12)
Texter und Komponist(in):
Jimmy De Knight (in 1952) und Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. und Myers Music, Inc.
Version von:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets4.352:10
2Gee
The Crows2:13
3Shake, Rattle and Roll
recorded in:
New York, New York, Vereinigte Staaten (am 1954-02-15)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1954-02-15)
Gitarre:
Mickey Baker (am 1954-02-15)
Klavier:
Jesse Stone (am 1954-02-15)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1954-02-15)
Posaune:
Wilbur DeParis (am 1954-02-15)
Schlagzeug [drums]:
Connie Kay (am 1954-02-15)
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1954-02-15)
vocals:
Big Joe Turner (am 1954-02-15)
arranger:
Jesse Stone
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2001)
cover recording of:
Shake, Rattle and Roll (am 1954-02-15)
zusätzlicher Texter:
Daryl Bosteels
Verfasser(in):
Charles Calhoun und Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music und Unichappell Music, Inc.
recording of:
Shake, Rattle and Roll
zusätzlicher Texter:
Daryl Bosteels
Verfasser(in):
Charles Calhoun und Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music und Unichappell Music, Inc.
Big Joe Turner53:00
4Sincerely
Bassgitarre:
Willie Dixon (in 1954-10)
Gitarre:
Walter Scott (US blues guitarist) (in 1954-10)
Klavier:
Johnny Young (jazz pianist) (in 1954-10)
Schlagzeug:
Wesley Landers (Jazz drummer) (in 1954-10)
Tenorsaxophon:
Eddie Chamblee (in 1954-10)
Baritongesang:
Harvey Fuqua (in 1954-10)
Bass-Gesang:
Prentiss Barnes (in 1954-10)
Sologesang:
Bobby Lester (rhythm & blues and soul vocalist and songwriter) (in 1954-10)
Tenor-Gesang:
Pete Graves (US doo-wop vocalist, member of The Moonglows) (in 1954-10)
recording of:
Sincerely
Verfasser(in):
Alan Freed (American disc jockey) (bis 1954-10) und Harvey Fuqua (bis 1954-10)
publisher:
Alan Freed Music, Arc Music (U.S. rock & blues publisher), Irving Music (BMI), Quazical Music, Regent Music Corp. (BMI) und ロックンロール ミュージック (Rock ’n’ Roll Music)
The Moonglows3:10
5Maybellene
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1955-05-21)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1955-05-21)
Kontrabass:
Willie Dixon (am 1955-05-21)
Maracas / Rumba-Rasseln [possibly]:
Leonard Chess (am 1955-05-21) und Jerome Green (am 1955-05-21)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 2003)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1955-05-21)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 102)
recording of:
Maybellene (am 1955-05-21)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und Salee Music Company
Chuck Berry3.92:21
6Earth Angel
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 151)
recording of:
Earth Angel (Will You Be Mine) (in 1954)
Verfasser(in):
Jesse Belvin, Gaynel Hodge (doo-wop singer and songwriter), Curtis Williams (1950s doo-wop singer, member of The Penguins) und Dootsie Williams (band leader, record producer and record label owne)
publisher:
Dootsie Williams Music (publisher) (in 1986)
Teil von:
Back to the Future: the Musical
The Penguins52:57
7Ain’t That a Shame
recording of:
Ain’t That a Shame
Verfasser(in):
Antoine Domino (Fats Domino) und Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) und United Artists Music Ltd. (vom 1977 bis heute)
Fats Domino2:25
8Only You
Klavier:
Buck Ram (am 1955-04-26)
Sologesang:
Tony Williams (lead singer for The Platters) (am 1955-04-26)
Sprecher [dialogue]:
Wolfman Jack (US disc jockey) (am 1955-04-26)
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1955), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1955) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 10)
recording of:
Only You (am 1955-04-26)
Texter und Komponist(in):
Buck Ram
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music und Sherwin Music (publisher) (in 1973)
The Platters2:37
9Bo Diddley
Gitarre:
Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1955-03-02)
Maracas / Rumba-Rasseln:
Jerome Green (am 1955-03-02)
Schlagzeug:
Clifton James (am 1955-03-02)
vocals:
Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1955-03-02)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 62), Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2017) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 277)
recording of:
Bo Diddley (am 1955-03-02)
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (bis 1955-03-02)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Good Music Ltd.
Bo Diddley2.452:45
10Tutti Frutti
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1955-09-14)
Produzent(in):
Robert Blackwell
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1955-09-14)
Gitarre:
Justin Adams (1950s session guitarist) (am 1955-09-14)
Klavier:
Melvin Dowden (am 1955-09-14)
Kontrabass:
Frank Fields (am 1955-09-14)
Schlagzeug:
Earl Palmer (am 1955-09-14)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1955-09-14)
Sologesang:
Little Richard (am 1955-09-14)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1955-09-14)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 35) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 43)
recording of:
Tutti Frutti (am 1955-09-14)
Texter:
Dorothy LaBostrie (American songwriter) und Richard Wayne Penniman
Komponist(in):
Dorothy LaBostrie (American songwriter), Joe Lubin und Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Phonogram GmbH (in 1983)
Little Richard4.12:24
11Be‐Bop‐A‐Lula
Gitarre [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (am 1956-05-04)
Gitarre [rhythm guitar]:
Willie Williams (50s rock guitarist) (am 1956-05-04)
Kontrabass [upright bass]:
Jack Neal (am 1956-05-04)
Schlagzeug [drums]:
Dickie Harrell (am 1956-05-04)
vocals:
Gene Vincent (am 1956-05-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (vom 1956 bis heute)
aufgenommen bei:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1956-05-04)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 9) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 102)
recording of:
Be‐Bop‐a‐Lula (am 1956-05-04)
Verfasser(in):
Bill “Tex” Davis und Gene Vincent
publisher:
Lowery Music Co. Inc.
Gene Vincent & His Blue Caps4.352:36
12Why Do Fools Fall in Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
Verfasser(in):
Morris Levy und Frankie Lymon
zusätzliche(r) Verfasser(in):
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) und Herman Santiago (singer for Frankie Lymon & The Teenagers)
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Frankie Lymon & The Teenagers4.52:20
13Let the Good Times Roll
recording of:
Let the Good Times Roll
Verfasser(in):
Shirley Goodman und Leonard Lee (rhythm & blues and doo wop singer and songwriter)
publisher:
Atlantic Music Corp. (BMI), Pixley Music (publisher), Travis Music Co. und Unart Music Corp.
Shirley & Lee2:23
14Blue Suede Shoes
recording of:
Blue Suede Shoes
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins2:17
15The Train Kept A‐Rollin’
Gitarre:
Paul Burlison (am 1956-07-02) und Johnny Burnette (am 1956-07-02)
Kontrabass:
Dorsey Burnette (am 1956-07-02)
Schlagzeug:
Murray M. "Buddy" Harman, Jr. (Session drummer and songwriter) (am 1956-07-02)
vocals:
Johnny Burnette (am 1956-07-02)
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (vom 1956 bis heute)
aufgenommen bei:
Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1956-07-02)
cover recording of:
The Train Kept A‐Rollin’ (am 1956-07-02)
Verfasser(in):
Tiny Bradshaw, Howard Kay und Lois Mann
publisher:
Bienstock Publishing Company (ASCAP affiliated), Fort Knox Music Co, Quartet Music Inc. und Trio Music, Inc. (publisher)
Teil von:
Twins (1988)
Johnny Burnette & the Rock ’n’ Roll Trio2:17
16Stranded in the Jungle
The Cadets3:05
17Jim Dandy
recorded in:
New York, New York, Vereinigte Staaten (am 1955-12-21)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Hintergrundgesang:
The Gliders (UK rock trio) (am 1955-12-21)
Sologesang:
LaVern Baker (US rhythm & blues singer) (am 1955-12-21)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 344)
recording of:
Jim Dandy (am 1955-12-21)
Texter und Komponist(in):
Lincoln Chase (songwriter)
publisher:
Embassy Music Corporation und Unichappell Music, Inc.
LaVern Baker4.52:13
18In the Still of the Night
Produzent(in):
Marty Kugell
Klavier:
Curlee Glover (in 1956-02)
Kontrabass:
Doug Murray (double bassist) (in 1956-02)
Schlagzeug [drums]:
Bobby Mapp (in 1956-02)
Solo-Saxophon:
Vinny Mazzetta (in 1956-02)
vocals:
Al Denby (in 1956-02), Jim Freeman (American singer and songwriter) (in 1956-02), Ed Martin (in 1956-02), Nat Mosley (in 1956-02) und Fred Parris (in 1956-02)
phonographisches Urheberrecht (℗) von:
Standard Records (in 1956)
aufgenommen bei:
Saint Bernadette Catholic School (New Haven) in New Haven, Connecticut, Vereinigte Staaten (in 1956-02)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 90) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 170)
recording of:
In the Still of the Night (Five Satins doo-wop song) (in 1956-02)
Texter und Komponist(in):
Fred Parris
publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Llee Corp. (LLEE Corporation) (in 1956)
The Five Satins4.53:03
19Little Darlin’
cover recording of:
Little Darlin’
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Campbell Connelly & Co. Ltd. und Excellorec Music
The Diamonds2:09
20Bye Bye Love
recording of:
Bye Bye Love
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers2:22
21Susie‐Q
Dale Hawkins2:13
2▶CD
3▶CD