TM Century: GoldDisc 121

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Take On Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 Steve Barron version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), The Downloader’s Music Source Book (Nummer: 284) und BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.253:52
2Two Out of Three Ain't Bad (radio edit)
recording of:
Two Out of Three Ain’t Bad
Texter und Komponist(in):
Jim Steinman
publisher:
Carlin Music Corporation und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Meat Loaf4:04
3Let's Hear It for the Boy
Produzent(in):
George Duke
Mix:
Tom Perry (engineer), Tommy Vicari und Erik Zobler
Analoger Synthesizer [Prophet V], elektronisches Schlagzeug / E-Drums [Linn Drums], Minimoog [Mini-Moog] und Moog [Memory Moog]:
George Duke
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Hintergrundgesang:
George Merrill, Shannon Rubicam und Deniece Williams (US soul/funk vocalist/songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
Texter:
Dean Pitchford
Komponist(in):
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Deniece Williams3.64:24
4Heaven
assistierende(r) Techniker(in):
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov und Michael Sauvage
Techniker(in):
Bob Clearmountain (von 1983-06-06 bis 1983-06-07)
Partner-Produzent(in):
Jim Vallance
Produzent(in):
Bryan Adams (Canadian singer/songwriter) und Bob Clearmountain
Mix:
Bob Clearmountain (am 1983-06-16)
E-Bass [bass]:
Dave (Bass player (Bryan Adams) and engineer) (von 1983-06-06 bis 1983-06-07)
Gitarre:
Keith (Canadian guitarist) (von 1983-06-06 bis 1983-06-07)
Keyboard [keyboards]:
Rob Sabino (von 1983-06-06 bis 1983-06-07)
Klavier, Perkussion und Sologesang:
BA (Canadian singer/songwriter) (von 1983-06-06 bis 1983-06-07)
Schlagzeug [drums]:
Steve Smith (US drummer most associated with Journey) (von 1983-06-06 bis 1983-06-07)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1983, in 1984, in 1985) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1983)
aufgenommen bei:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1983-06-06 bis 1983-06-07)
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (am 1983-06-16)
Teil von:
The Downloader’s Music Source Book (Nummer: 166)
recording of:
Heaven (von 1983-06-06 bis 1983-06-07)
geschrieben in:
West Vancouver, Vancouver, British Columbia, Kanada (in 1983)
Verfasser(in):
Bryan Adams (Canadian singer/songwriter) (in 1983) und Jim Vallance (in 1983)
publisher:
Adams Communications Inc. (in 1983, in 1984), Almo Music Corp. (USA, affiliated with ASCAP) (in 1983), Irving Music, Inc. (in 1983), Testatyme Music (in 1983), Calypso Toonz (in 1984) und Rondor Music (London) Ltd. (in 1984)
Bryan Adams4.24:08
5Out of Touch
recording of:
Out of Touch
Texter und Komponist(in):
Daryl Hall und John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Gelfand, Rennert & Feldman, Hot Cha Music Co., Intersong Music, Unichappell Music, Inc., Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell Music, Inc. und Warner/Chappell North America
Hall & Oates4:11
6Papa Don't Preach
recording of:
Papa Don’t Preach
Texter und Komponist(in):
Brian Elliot (singer‐songwriter, also wrote “Papa Don’t Preach”)
zusätzlicher Texter:
Madonna (“Queen of Pop”)
publisher:
Elliot/Jacobsen Music Publishing und Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.)
Madonna3:51
7One Lonely Night
recording of:
One Lonely Night
Texter und Komponist(in):
Neal Doughty (keyboards)
publisher:
Part-Time Publishing
REO Speedwagon3:26
8Talk to Me
recording engineer:
Chas Sandford und Gabe Veltri
Produzent(in):
Jimmy Iovine und Chas Sandford
Mix:
Chas Sandford, Don Smith (producer, engineer and mixer) und Shelly Yakus
Bassgitarre, drum machine, Gitarre, Synthesizer, zwölfsaitige Gitarre und zusätzlich vocals:
Chas Sandford
kettle drum [tympani]:
Greg Phillinganes
Saxophon:
Barney Wilens
Hintergrundgesang:
Sharon Celani, Lori Perry und Maria Vidal (American singer-songwriter)
Sologesang:
Stevie Nicks
aufgenommen bei:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten und Super Bear Studios in Berre-les-Alpes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, Frankreich
recording of:
Talk to Me
Texter und Komponist(in):
Chas Sandford
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Stevie Nicks4.654:15
9Everything She Wants
recording of:
Everything She Wants
Texter und Komponist(in):
George Michael
publisher:
Chappell Music (UK)
Wham!5:32
10Takin' It to the Streets
recording of:
Takin’ It to the Streets
Texter und Komponist(in):
Michael McDonald (R&B & soul singer)
publisher:
Tauripin Tunes
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The Doobie Brothers3:24
11Invisible Touch
assistierende(r) Techniker(in):
Paul Gomersall
Techniker(in):
Hugh Padgham
Produzent(in):
Genesis (English rock band) und Hugh Padgham
Bass und Gitarre:
Mike Rutherford (von 1985-10 bis 1986-02)
Bass-Synthesizer und Keyboard:
Tony Banks (Genesis) (von 1985-10 bis 1986-02)
Perkussion, Schlagzeug und Sologesang:
Phil Collins (of Genesis) (von 1985-10 bis 1986-02)
phonographisches Urheberrecht (℗) von:
Charisma Records Ltd.
aufgenommen bei und mixed at:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich (von 1985-10 bis 1986-02)
recording of:
Invisible Touch (von 1985-10 bis 1986-02)
Texter:
Phil Collins (of Genesis)
Komponist(in):
Tony Banks (Genesis), Phil Collins (of Genesis) und Mike Rutherford
publisher:
Anthony Banks Ltd., Concord Music GmbH, Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem, Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd. und Philip Collins Ltd.
geschrieben bei:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich
Genesis3.153:31
12Flashdance... What a Feeling
Produzent(in):
Giorgio Moroder
vocals:
Irene Cara
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) und Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 38) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 492)
recording of:
Flashdance… What a Feeling
Texter:
Irene Cara und Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1983 winner)
Irene Cara3.653:59
13Head Over Heels
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1985)
Musikvideos:
Head Over Heels (music video) von Tears for Fears
recording of:
Head Over Heels
Verfasser(in):
Roland Orzabal (UK musician, songwriter and producer) und Curt Smith
Tears for Fears44:18
14Sweet Freedom (Theme From Running Scared)
Produzent(in):
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer), Bruce Swedien und Rod Temperton
Michael McDonald4:07
15Main Street
Techniker(in):
Jerry Masters (US bassist & engineer, in The Hombres) und Steve Melton (engineer)
Produzent(in):
M. S. R. S. und Bob Seger
Mix:
Jim Bruzzese
Bassgitarre:
David Hood (Muscle Shoals, AL guitarist and trombonist)
Gitarre:
Pete Carr (US guitarist) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
Orgel und Klavier:
Barry Beckett
Schlagzeug:
Roger Hawkins (drummer and producer)
vocals:
Bob Seger
phonographisches Urheberrecht (℗) von:
Hideout Records & Distributors, Inc. (in 1976)
aufgenommen bei:
Muscle Shoals Sound Studio in Sheffield, Alabama, Vereinigte Staaten
mixed at:
Pampa Studios in Warren, Michigan, Vereinigte Staaten
recording of:
Mainstreet
Texter und Komponist(in):
Bob Seger
publisher:
Gear Publishing Co (in 1976)
Bob Seger & the Silver Bullet Band43:44
16[silence]
[no artist]1.70:10
17[silence]
[no artist]1.70:10
18[silence]
[no artist]1.70:10
19[silence]
[no artist]1.70:10
20Two Out of Three Ain't Bad
Techniker(in), Produzent(in) und Mix:
Todd Rundgren
Bassgitarre:
Kasim Sultan
Gitarre:
Todd Rundgren
Klavier:
Roy Bittan
Schlagzeug:
John Wilcox
Synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
Hintergrundgesang:
Rory Dodd und Todd Rundgren
Sologesang:
Meat Loaf
Saiteninstrumente arranger:
Kenny Ascher
arranger:
Todd Rundgren und Jim Steinman
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Two Out of Three Ain’t Bad
Texter und Komponist(in):
Jim Steinman
publisher:
Carlin Music Corporation und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Meat Loaf45:24

Nennungen

Veröffentlichungsgruppe

Teil von:TM Century: GoldDisc (licensed for sale to radio stations) (Nummer: 121) (Reihenfolge: 7)