Campus Classics 3

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Crash (95 mix)
phonographisches Urheberrecht (℗) von:
BMG Music
recording of:
Crash
Verfasser(in):
Paul Court (of "The Primitives"), Steve Dullaghan und Tracy Louise Spencer
publisher:
Complete Music Ltd.
The Primitives33:15
2Baby I Don’t Care
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1989)
recording of:
Baby I Don’t Care (Transvision Vamp) (am 1989-03-20)
Texter und Komponist(in):
Nick Christian Sayer
publisher:
Notting Hill Music (publisher)
Transvision Vamp4.54:40
3Walk This World
recording engineer und Mix:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in):
Youth (producer/bassist Martin Glover)
phonographisches Urheberrecht (℗) von:
Big Life Records (not for release label use; UK record company behind the "Big Life" imprint) (in 1994)
recording of:
Walk This World
Texter und Komponist(in):
Heather Nova
publisher:
Butterfly Recordings
Heather Nova4.653:49
4Two Princes
Techniker(in):
Frank Aversa und Spin Doctors
Produzent(in):
Frank Aversa, Peter Denenberg, Frankie LaRocka und Spin Doctors
Mix:
Peter Denenberg, Frankie LaRocka und Spin Doctors
Bassgitarre:
Mark White (Spin Doctors)
Gitarre:
Eric Schenkman
Hammond-Orgel, Schlagzeug und Perkussion:
Aaron Comess
Gast Hintergrundgesang:
John Popper
vocals:
Chris Barron
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1991), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1991) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Two Princes (original version)
Verfasser(in):
Chris Barron, Aaron Comess, Eric Schenkman und Mark White (Spin Doctors)
publisher:
Mow B'jow Music, Sony Songs Inc. und Sony/ATV Music Publishing Ltd.
recording of:
Two Princes (Muppets parody)
Parodieversion von:
Two Princes (original version)
Spin Doctors4.24:18
5Personal Jesus
Techniker(in):
Dennis Mitchell (engineer)
Produzent(in):
Depeche Mode und Flood (British producer Mark Ellis)
Mix:
François Kevorkian
Sologesang:
Dave Gahan
recording of:
Personal Jesus
Texter und Komponist(in):
Martin L. Gore
publisher:
EMI Music Publishing (do not use as a release label!)
Depeche Mode4.13:45
6Our HouseMadness3.93:21
7The King of Rock ’n’ Roll
Produzent(in):
Thomas Dolby
Mix:
David Leonard (US producer and engineer)
Keyboard:
Thomas Dolby
Sologesang:
Paddy McAloon
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.)
recording of:
The King of Rock ’n’ Roll
Texter und Komponist(in):
Paddy McAloon
publisher:
EMI Songs Ltd.
Prefab Sprout44:24
8Wonderful
Adam Ant3:51
9Dignity
Produzent(in):
Jon Kelly (engineer at Air London Studios) (von 1986-12 bis 1987-02)
Bassgitarre:
Ewen Vernal (von 1986-12 bis 1987-02)
Gitarre:
Graeme Kelling (von 1986-12 bis 1987-02)
Keyboard:
James Prime (von 1986-12 bis 1987-02)
Perkussion und Schlagzeug:
Dougie Vipond (von 1986-12 bis 1987-02)
Hintergrundgesang:
Lorraine McIntosh (vocalist for Deacon Blue) (von 1986-12 bis 1987-02)
Sologesang:
Ricky Ross (Scottish singer-songwriter) (von 1986-12 bis 1987-02)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1987)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (von 1986-12 bis 1987-02)
recording of:
Dignity (von 1986-12 bis 1987-02)
Texter und Komponist(in):
Ricky Ross (Scottish singer-songwriter)
publisher:
ATV Music und Sony/ATV Music Publishing
Deacon Blue4.253:59
10I’m Gonna Be (500 Miles)
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 21)
recording of:
I’m Gonna Be (500 Miles)
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:38
11A Little Respect
Techniker(in):
Bob Kraushaar
Produzent(in):
Stephen Hague
recording of:
A Little Respect
Verfasser(in):
Andy Bell (singer / songwriter for Erasure) und Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Sony/ATV Music Publishing
Erasure43:32
12How Bizarre
Techniker(in) und Produzent(in):
Alan Jansson
zusätzliche(r) Techniker(in) und zusätzliche(r) Mix:
Rick Huntington
accordion:
Hershal Herscher
Gitarre:
Lee Baker (NZ guitarist)
Trompete:
George Chisholm (jazz trombonist (1915-1997))
Hintergrundgesang:
Sina Saipaia
phonographisches Urheberrecht (℗) von:
Universal Music NZ Ltd. (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (in 1995)
recording of:
How Bizarre
Verfasser(in):
Pauly Fuemana und Alan Jansson
publisher:
Lamont Music
Teil von:
APRA Top 100 New Zealand Songs of All Time (Nummer: 34)
OMC3.953:47
13King for a Day (remix)
recording of:
King for a Day
Verfasser(in):
Tom Bailey (Thompson Twins), Alannah Currie und Joe Leeway
Thompson Twins6:00
14Rotterdam (or Anywhere)
Techniker(in):
John Brough
Produzent(in):
Jon Kelly (engineer at Air London Studios)
zusätzliche(r) Produzent(in):
John Brough
recording of:
Rotterdam (or Anywhere)
Texter:
Paul Heaton
Komponist(in):
Paul Heaton und Dave Rotheray
The Beautiful South33:37
15The Tide Is High
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gast-Perkussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) und Emil Richards (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Hintergrundgesang:
Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) und Frank Infante (in 1980)
Sologesang:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) und Chrysalis Records, Inc. (not for release label use!) (in 1980)
aufgenommen bei:
United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
cover recording of:
The Tide Is High (in 1980)
Verfasser(in):
John Holt (in 1967)
zusätzliche(r) Verfasser(in):
Howard Barrett (in 1967) und Tyrone Evans (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group und Sparta Florida Music Group Ltd.
Blondie4.453:52
16Woman in Chains
Produzent(in):
David Bascombe und Tears for Fears
membranophone:
Phil Collins (of Genesis)
Gast Sologesang:
Oleta Adams
Interpret(in):
Oleta Adams
recording of:
Woman in chains
Komponist(in):
Tears for Fears
recording of:
Woman in Chains
Texter und Komponist(in):
Roland Orzabal (UK musician, songwriter and producer)
publisher:
EMI Virgin Music Publishing
Tears for Fears3.86:27
17Africa
recording engineer:
David Leonard (US producer and engineer), Greg Ladanyi, Jamie Ledner, Jim Horn (saxophonist, hornist, flutist and oboist), Lon LeMaster, Niko Bolas, Peggy McCreary, Al Schmitt, Terry Christian (US recording and mixing engineer) und Tom Knox
Techniker(in):
Al Schmitt, Bruce Heigh, David Paich, Dick Gall (engineer/guitar technician), Greg Ladanyi, Steve Porcaro und Tom Knox
zusätzliche(r) Techniker(in):
Bruce Heigh (Aufgabe: additional recording), David Paich (Aufgabe: additional recording), Dick Gall (engineer/guitar technician) (Aufgabe: additional recording) und Steve Porcaro (Aufgabe: additional recording)
Produzent(in):
Bruce Dickinson (engineer and producer) und Toto (US rock group)
Mix:
Elliot Scheiner (Aufgabe: for 5.1 surround sound) und Greg Ladanyi
Akustikgitarre:
Timothy B. Schmit
Bass:
David Hungate und Michael Porcaro
Bassgitarre:
David Hungate
Conga:
Lenny Castro
E-Gitarre und Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
gong und Schlagzeug:
Jeff Porcaro
Instrumente:
Lenny Castro
Keyboard:
David Paich und Steve Porcaro
Keyboard und Klavier:
David Paich
Marimba:
Joe Porcaro
Perkussion:
Lenny Castro, Jeff Porcaro und Joe Porcaro
recorder:
Jim Horn (saxophonist, hornist, flutist and oboist)
Synthesizer:
Steve Porcaro
Hintergrundgesang:
Bobby Kimball, Steve Lukather (guitarist, vocalist, composer, producer and arranger), David Paich und Timothy B. Schmit
Sologesang:
Jean-Michel Byron, Bobby Kimball und David Paich
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
Musikvideos:
Africa von Toto (US rock group)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 105) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 452)
recording of:
Africa (Toto)
Verfasser(in):
Jeffrey Porcaro und David Paich
publisher:
Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Spirit Two Music, Cowbella Music (US work publisher) (in 1982) und Hudmar Publishing Co. Inc. (in 1982)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto44:58
18Mustang Sally
Hintergrundgesang:
Angeline Ball, Maria Doyle Kennedy und Bronagh Gallagher (Irish singer and actress)
vocals:
Andrew Strong (Irish singer)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1991) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1991)
cover recording of:
Mustang Sally
Texter und Komponist(in):
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The Commitments4.54:01
19Johnny Calls the Chemist
Wonderboom3:23

Nennungen