Swing It Back!

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1All the Things You Are
engineer:
Dennis Sands (American sound engineer)
producer:
Norman Granz
alto saxophone:
Bobby Plater (from 1981-02-16 until 1981-05-16) and Danny Turner (jazz saxophonist) (from 1981-02-16 until 1981-05-16)
baritone saxophone:
Johnny Williams (jazz saxophonist) (from 1981-02-16 until 1981-05-16)
bass trombone:
Bill Hughes (jazz trombonist) (from 1981-02-16 until 1981-05-16)
double bass:
Andy Simpkins (from 1981-02-16 until 1981-05-16)
guitar:
Freddie Green (from 1981-02-16 until 1981-05-16)
piano:
George Gaffney (from 1981-02-16 until 1981-05-16)
saxophone:
Eric Dixon (woodwind) (from 1981-02-16 until 1981-05-16)
tenor saxophone:
Kenny Hing (from 1981-02-16 until 1981-05-16)
trombone:
Grover Mitchell (trombone) (from 1981-02-16 until 1981-05-16), Dennis Wilson (jazz trombonist) (from 1981-02-16 until 1981-05-16) and Booty Wood (from 1981-02-16 until 1981-05-16)
trumpet:
Sonny Cohn (from 1981-02-16 until 1981-05-16), Willie Cook (US jazz trumpeter) (from 1981-02-16 until 1981-05-16), Dale Carley (from 1981-02-16 until 1981-05-16), Bob Summers (trumpet) (from 1981-02-16 until 1981-05-16) and Frank Szabo (from 1981-02-16 until 1981-05-16)
vocals:
Sarah Vaughan (from 1981-02-16 until 1981-05-16)
conductor:
Sam Nestico (from 1981-02-16 until 1981-05-16)
arranger:
Sammy Nestico
recorded at:
Group IV Studios in Hollywood, Los Angeles, California, United States (from 1981-02-16 until 1981-05-16)
cover recording of:
All the Things You Are (from “Very Warm for May”) (in 1981)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
Sarah Vaughan & The Count Basie Orchestra3:51
2Love Is Here to Stay
Helyne Stewart3:24
3I Get a Kick Out of You
recording engineer:
Val Valentin
producer:
Norman Granz
bass trombone:
Christopher Riddle (on 1972-06-13)
clarinet:
Mahlon Clark (on 1972-06-13) and William Green (woodwind) (on 1972-06-13)
double bass:
John Heard (on 1972-06-13)
drums (drum set):
Louie Bellson (on 1972-06-13)
flute:
Harry Klee (on 1972-06-13) and Wilbur Schwartz (on 1972-06-13)
guitar:
Ralph Grasso (on 1972-06-13)
oboe:
Norman Benno (on 1972-06-13) and Gordon Schoneberg (on 1972-06-13)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1972-06-13)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1972-06-13), Dick Noel (trombone) (on 1972-06-13) and Bill Watrous (on 1972-06-13)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1972-06-13), Carroll Lewis (trumpeter) (on 1972-06-13), Shorty Sherock (on 1972-06-13) and Charles Turner (US jazz trumpeter) (on 1972-06-13)
tuba:
Don Chrislieb (on 1972-06-13) and Robert Tricarico (on 1972-06-13)
vocals:
Ella Fitzgerald (American jazz singer) (on 1972-06-13)
conductor:
Nelson Riddle (on 1972-06-13)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Salle Records
recorded at:
MGM Recording Studios (Los Angeles) in Los Angeles, California, United States (on 1972-06-13)
cover recording of:
I Get a Kick Out of You (on 1972-06-13)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Ella Fitzgerald4:19
4Satin Doll
recording of:
Satin Doll
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
Duke Ellington3:32
5Shaking the Blues Away
Anita O’Day3:47
6Baby Won’t You Please Come Home
cover recording of:
Baby Won’t You Please Come Home
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
Helen Humes3:28
7What’s New?
Teri Thornton4:11
8Let’s Face the Music and Dance
cover recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
Chris Connor2:39
9Young and Foolish
recording engineer:
Don Cody (from 1975-06-10 until 1975-06-13)
engineer:
Don Cody
executive producer:
Orrin Keepnews
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-06-10 until 1975-06-13)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) and Fantasy, Inc. (not for release label use!) (in 1975)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13)
cover recording of:
Young and Foolish (from 1975-06-10 until 1975-06-13)
lyricist:
Arnold Horwitt
composer:
Albert Hague
publisher:
Chappell & Co. and Chappell Music (UK)
Tony Bennett3:56
10Can’t Believe That You’re in Love With Me
assistant recording engineer:
Lance Neal (from 1990-05-24 until 1990-05-25)
recording engineer:
Scott Noll (from 1990-05-24 until 1990-05-25)
producer:
Helen Keane
bass [acoustic bass]:
Rufus Reid (jazz bassist / composer) (from 1990-05-24 until 1990-05-25)
drums (drum set):
Grady Tate (from 1990-05-24 until 1990-05-25)
keyboard [keyboards]:
Mike Renzi (from 1990-05-24 until 1990-05-25)
vocals:
Carol Sloane (US jazz vocalist) (from 1990-05-24 until 1990-05-25)
remixer:
Danny Kopelson
arranger:
Mike Renzi
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Home Base Recording in New York, New York, United States (from 1990-05-24 until 1990-05-25)
recording of:
I Can’t Believe That You’re in Love With Me (in 1990-05)
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
Carol Sloane4:07
11Come Rain or Come Shine
double bass:
Morty Corb (bass, USA) (on 1955-04-13)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1955-04-13)
guitar:
Barney Kessel (on 1955-04-13)
piano:
Stan Wrightsman (on 1955-04-13)
trumpet:
Bob Scobey (on 1955-04-13)
vocals:
Claire Austin (on 1955-04-13)
recording of:
Come Rain or Come Shine
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
Claire Austin4:10
12Fine and Mellow
Ruth Brown4:14
13Moten Swing
engineer:
Dennis Sands (American sound engineer)
producer:
Norman Granz
alto saxophone:
Danny Turner (jazz saxophonist) (from 1983-02-22 until 1983-02-28)
double bass:
Cleveland Eaton (American jazz bassist) (from 1983-02-22 until 1983-02-28)
drums (drum set):
Dennis Mackrel (from 1983-02-22 until 1983-02-28)
guitar:
Freddie Green (from 1983-02-22 until 1983-02-28)
piano:
Count Basie (pianist) (from 1983-02-22 until 1983-02-28)
tenor saxophone:
Eric Dixon (woodwind) (from 1983-02-22 until 1983-02-28)
trombone:
Bill Hughes (jazz trombonist) (from 1983-02-22 until 1983-02-28), Grover Mitchell (trombone) (from 1983-02-22 until 1983-02-28), Dennis Wilson (jazz trombonist) (from 1983-02-22 until 1983-02-28) and Mitchell Wood (from 1983-02-22 until 1983-02-28)
trumpet:
Sonny Cohn (from 1983-02-22 until 1983-02-28), Dale Carley (from 1983-02-22 until 1983-02-28), Stephen Furtado (from 1983-02-22 until 1983-02-28), Bob Summers (trumpet) (from 1983-02-22 until 1983-02-28) and Frank Szabo (from 1983-02-22 until 1983-02-28)
conductor:
Ernie Wilkins (from 1983-02-22 until 1983-02-28)
recorded at:
Group IV Studios in Hollywood, Los Angeles, California, United States (from 1983-02-22 until 1983-02-28)
recording of:
Moten Swing
writer:
Bennie Moten (jazz pianist)
composer:
Bennie Moten (jazz pianist), Ira E. "Buster" Moten, Count Basie (pianist) (in 1930) and Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1930)
Count Basie Big Band5:32
14It Don’t Mean a Thing (If It Ain’t Got That Swing)
Duffy Jackson2:33
15Route 66
bass:
Ron Carter (US jazz double-bassist)
drums (drum set):
Dennis Mackrel
keyboard:
Mike Renzi
woodwind:
Bill Easley (woodwind, US hard bop musician)
vocals:
Grady Tate
Grady Tate4:04
16Don’t Go to Strangers
recording engineer:
Rudy van Gelder (on 1960-06-21)
double bass:
George Duvivier (on 1960-06-21)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1960-06-21)
guitar:
Skeeter Best (on 1960-06-21)
piano:
Richard Wyands (on 1960-06-21)
woodwind:
Frank Wess (on 1960-06-21)
vocals:
Etta Jones (vocals, jazz) (on 1960-06-21)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-06-21)
cover recording of:
Don’t Go to Strangers (on 1960-06-21)
lyricist:
Redd Evans
composer:
Arthur Kent and David Mann (American songwriter)
Etta Jones3:55
17On the Sunny Side of the Street
Duke Heitger & His Swing Band3:50
18Let’s Take the Long Way Home
cover recording of:
Let’s Take the Long Way Home
lyricist:
Johnny Mercer
composer:
Harold Arlen
Chris Connor2:42
19I’m Walkin’
drums (drum set):
Louie Bellson (in 1978-06)
organ:
Jackie Davis (in 1978-06)
vocals:
Ella Fitzgerald (American jazz singer) (in 1978-06)
cover recording of:
I’m Walkin’ (in 1978-06)
lyricist and composer:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
writer:
A. Domino/D. Bartholomew (duo)
publisher:
Cordial MV, EMI Catalogue Partnership, EMI Unart Catalog Inc. and Rolf Budde Musikverlag (aka Budde Music)
Ella Fitzgerald5:40
20Mack the Knife
bass:
Arvell Shaw (in 1955)
clarinet:
Barney Bigard (in 1955)
drums (drum set):
Barrett Deems (in 1955)
piano:
Billy Kyle (in 1955)
trombone:
Trummy Young (in 1955)
trumpet and lead vocals:
Louis Armstrong (in 1955)
recording of:
Mack the Knife (1954 Blitzstein translation) (on 1955-09-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3.653:27