Music From Happy Days

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Happy Days
Fonzy’s Band2:51
2Rock Around the Clock
batteria :
Billy Gussak (il 1954-04-12)
chitarra elettrica [lead guitar] :
Danny Cedrone (il 1954-04-12)
chitarra elettrica [rhythm guitar] e voce principale:
Bill Haley (il 1954-04-12)
chitarra steel :
William F. ‘Billy’ Williamson (il 1954-04-12)
contrabbasso :
Marshall Lytle (il 1954-04-12)
pianoforte :
Johnny Grande (il 1954-04-12)
sassofono tenore :
Joey D'Ambrosio (il 1954-04-12)
diritti fonografici (℗) detenuti da:
Sonet Music AB (nel 1954) e MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (nel 1955)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1954-04-12)
registrazione di:
Rock Around the Clock (Bill Haley’s version) (il 1954-04-12)
paroliere e compositore:
Jimmy De Knight (nel 1952) e Max C. Freedman (American songwriter and lyricist) (nel 1952)
arrangiatore:
Harry Filler
editore:
Edward Kassner Music Co. Ltd. e Myers Music, Inc.
versione di:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets4.352:13
3Hound Dog
registrazione cover di:
Hound Dog
paroliere:
Jerry Leiber (il 1952-08-12)
compositore:
Mike Stoller (il 1952-08-12)
precedentemente attribuito a:
Johnny Otis
editore:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company e Williamson Music, Inc.
Elvis Presley2:14
4Tutti Frutti
registrazione di:
Tutti Frutti
paroliere:
Dorothy LaBostrie (American songwriter) e Richard Wayne Penniman
compositore:
Dorothy LaBostrie (American songwriter), Joe Lubin e Richard Wayne Penniman
editore:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Phonogram GmbH (nel 1983)
Little Richard2:24
5Blue Suede Shoes
registrazione di:
Blue Suede Shoes
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music) (nel 1955)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. e Wren Music Co.
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins2:14
6Ain’t That a Shame
registrazione di:
Ain’t That a Shame
autore:
Antoine Domino (Fats Domino) e Dave Bartholomew
editore:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (nel 1955, nel 1983) e United Artists Music Ltd. (dal 1977 a oggi)
Fats Domino2:27
7Be-Bop-A-Lula
batteria [drums] :
Dickie Harrell (il 1956-05-04)
chitarra [lead guitar] :
Cliff Gallup (lead guitarist for The Blue Caps) (il 1956-05-04)
chitarra [rhythm guitar] :
Willie Williams (50s rock guitarist) (il 1956-05-04)
contrabbasso [upright bass] :
Jack Neal (il 1956-05-04)
voce:
Gene Vincent (il 1956-05-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (dal 1956 a oggi)
registrata presso:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Stati Uniti (il 1956-05-04)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 9) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 102)
registrazione di:
Be‐Bop‐a‐Lula (il 1956-05-04)
autore:
Bill “Tex” Davis e Gene Vincent
editore:
Lowery Music Co. Inc.
Gene Vincent4.352:35
8Sixteen Tons
registrazione cover di:
Sixteen Tons
paroliere e compositore:
Merle Travis
arrangiatore:
Paul Brody
editore:
American Music, Inc. e Campbell Connelly & Co. Ltd.
Tennessee Ernie Ford2:36
9Only You
registrazione di:
Only You
paroliere e compositore:
Buck Ram
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music e Sherwin Music (publisher) (nel 1973)
The Platters2:38
10Crying in the Chapel
registrazione cover di:
Crying in the Chapel (il 1953-06-30)
paroliere e compositore:
Artie Glenn (nel 1953)
editore:
Chappell & Co., Inc. (USA), Chappell Morris Ltd., Hill & Range Songs, Inc. (publisher) e Mijac Music
The Orioles3:03
11Unchained Melody
registrazione di:
Unchained Melody (nel 1955)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
Les Baxter42:32
12Love Me Tender
banjo :
Luther "Red" Roundtree (dal 1956-08-24 al 1956-09-04)
basso :
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (dal 1956-08-24 al 1956-09-04)
batteria :
Richard Cornell (Percussion) (dal 1956-08-24 al 1956-09-04)
chitarra :
Vito Mumolo (Session Musician (Guitar)) (dal 1956-08-24 al 1956-09-04)
fisarmonica :
Carl Fortina (dal 1956-08-24 al 1956-09-04) e Dominic Frontiere (dal 1956-08-24 al 1956-09-04)
voce:
Jon Dodson (dal 1956-08-24 al 1956-09-04, il 1956-09-01), Charles Prescott (dal 1956-08-24 al 1956-09-04, il 1956-09-01) e Rad Robinson (dal 1956-08-24 al 1956-09-04, il 1956-09-01)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-09-01)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
20th Century Fox Music Stage 1 in Los Angeles, California, Stati Uniti (il 1956-08-24, il 1956-09-04)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 437)
registrazione di:
Love Me Tender (dal 1956-08-24 al 1956-09-04)
paroliere:
Ken Darby (nel 1956)
autore aggiunto:
Vera Matson (nel 1956) e Elvis Presley (“The King of Rock and Roll”) (nel 1956)
compositore:
George R. Poulton (nel 1861)
editore:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company e Elvis Presley Music (dal 1956 a oggi)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Aura Lea
Elvis Presley3.552:42
13Please, Please, Please
registrazione di:
Please, Please, Please
paroliere e compositore:
James Brown (The Godfather of Soul) e Johnny Terry (bass vocals, member of James Brown & The Famous Flames)
editore:
Intersong Music, Intersong Music Ltd. e Jadar Music Corp.
James Brown2:45
14Blueberry Hill
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (nel 1957) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
Master Recorders in Hollywood, Los Angeles, California, Stati Uniti
edit di:
Blueberry Hill (Imperial) di Fats Domino
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 81) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 147)
registrazione cover di:
Blueberry Hill (il 1956-06-27)
paroliere:
Al Lewis (Tin Pan Alley era lyricist) e Larry Stock
autore:
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) e Larry Stock
compositore:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company e Victoria Music Publishing Co. Ltd.
parte di:
12 Monkeys Soundtrack
Fats Domino4.652:22
15Bo Diddley
registrazione di:
Bo Diddley
paroliere e compositore:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (fino al 1955-03-02)
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Good Music Ltd.
Bo Diddley2:41
16Shake, Rattle and Roll
Bill Haley & His Comets2:28
17Roll Over Beethoven
registrazione di:
Roll Over Beethoven
paroliere e compositore:
Chuck Berry (nel 1956-01)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-editore:
Fujipacific Music, Inc. e Rock ’n’ Roll Music
Chuck Berry2:26
18Long Tall Sally
registrazione di:
Long Tall Sally
autore:
Enotris Johnson (il 1955-11-29), Richard Wayne Penniman (il 1955-11-29) e Robert Alexander Blackwell (il 1955-11-29)
editore:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music e Venice Music
Little Richard2:09
19Ooby Dooby
registrazione di:
Ooby Dooby
paroliere e compositore:
Wade Moore e Dick Penner
editore:
Hi Lo Music, Peer International Corporation (BMI) e Southern Music Publishing Company Limited
Roy Orbison2:11
20I’ve Got a Woman
produttore:
Ahmet Ertegun (US songwriter/producer) e Jerry Wexler
basso :
Jimmy Bell (jazz bassist) (il 1954-11-18)
batteria :
Glenn Brooks (il 1954-11-18)
chitarra :
Wesley Jackson (US R&B guitarist) (il 1954-11-18)
pianoforte :
Ray Charles (soul musician, singer and songwriter) (il 1954-11-18)
sassofono baritono :
David “Fathead” Newman (American jazz saxophonist) (il 1954-11-18)
sassofono tenore solista :
Donald Wilkerson (US jazz/R&B saxophonist) (il 1954-11-18)
tromba :
Joe Bridgewater (il 1954-11-18) e Charles "Clanky" Whitley (il 1954-11-18)
voce:
Ray Charles (soul musician, singer and songwriter) (il 1954-11-18)
arrangiatore:
Ray Charles (soul musician, singer and songwriter)
registrata presso:
WGST Studio in Atlanta, Georgia, Stati Uniti (il 1954-11-18)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Blues Hall of Fame: Classic of Blues Recording Single (numero: 2019) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 235)
registrazione di:
I Got a Woman (il 1954-11-18)
autore:
Ray Charles (soul musician, singer and songwriter) e Renald Richard
editore:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles4.52:49
21Why Do Fools Fall in Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 307)
registrazione di:
Why Do Fools Fall in Love (nel 1955-11)
autore:
Morris Levy e Frankie Lymon
autore aggiunto:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) e Herman Santiago (singer for Frankie Lymon & The Teenagers)
editore:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Teenagers4.52:18
22The Great Pretender
registrata a:
Chicago, Illinois, Stati Uniti (nel 1955-09)
voce principale:
Tony Williams (lead singer for The Platters)
diritti fonografici (℗) detenuti da:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 352)
registrazione di:
The Great Pretender (nel 1955-09)
paroliere e compositore:
Buck Ram
editore:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) e Southern Music Publishing Company Limited
The Platters52:40
23Love Is a Many Splendored Thing
orchestra:
Jack Pleiss’ Orchestra
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1955)
registrazione di:
Love Is a Many‐Splendored Thing
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
editore:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) e WC Music Corp.
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1955 winner)
The Four Aces33:00
24Smile
produttore:
Lee Gillette
ance :
John Hacker (il 1954-07-27), Harry Klee (il 1954-07-27) e Dominic Mumolo (il 1954-07-27)
basso :
Charlie Harris (jazz bassist) (il 1954-07-27)
batteria :
Lee Young (40s-60s US jazz drummer, then producer/A&R) (il 1954-07-27)
chitarra :
John Collins (US jazz guitarist) (il 1954-07-27)
corno francese :
Vincent DeRosa (il 1954-07-27) e William Hinshaw (American horn player) (il 1954-07-27)
percussione :
Louis Singer (percussionist) (il 1954-07-27)
pianoforte :
Bill Miller (pianist) (il 1954-07-27)
trombone :
Francis Howard (trombone) (il 1954-07-27)
trombone basso :
George Roberts (american bass trombone) (il 1954-07-27)
viola :
Stanley Harris (US big band viola player) (il 1954-07-27), Paul Robyn (il 1954-07-27), Barbara Simons (il 1954-07-27) e Dave Sterkin (il 1954-07-27)
violino :
Leonard Atkins (il 1954-07-27), Victor Bay (il 1954-07-27), Alex Beller (il 1954-07-27), Harry Bluestone (il 1954-07-27), Walter Edelstein (il 1954-07-27), Nathan Ross (il 1954-07-27), Mischa Russell (violinist) (il 1954-07-27), Eudice Shapiro (Violinist) (il 1954-07-27), Paul Shure (il 1954-07-27), Felix Slatkin (il 1954-07-27), Marshall Sosson (il 1954-07-27) e Gerald Vinci (American violinist and strings conductor) (il 1954-07-27)
violoncello :
Cy Bernard (il 1954-07-27), Armand Kaproff (il 1954-07-27), Ray Kramer (il 1954-07-27) e Eleanor Slatkin (US cellist, b. Aller) (il 1954-07-27)
voce:
Nat King Cole (il 1954-07-27)
orchestra:
Nelson Riddle and His Orchestra (nel 1954)
direttore d'orchestra:
Nelson Riddle (il 1954-07-27)
arrangiatore:
Nelson Riddle
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-07-27)
registrazione cover di:
Smile (song version w/ lyrics) (il 1954-07-27)
paroliere:
Geoffrey Parsons (lyricist) e John Turner (lyricist)
compositore:
Charlie Chaplin (filmmaker)
editore:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. e Bourne Co. (not for release label use, this is a music publisher) (nel 1954)
sub-editore:
Editions Vedette Sprl e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Smile (Modern Times; original instrumental version)
parte di:
Chaplin
Nat King Cole2:54
25Bye Bye Baby
registrazione di:
Bye Bye Baby (Gentlemen Prefer Blondes)
paroliere:
Leo Robin (US composer, lyricist & songwriter)
compositore:
Jule Styne
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
parte di:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
Marilyn Monroe3:28
26Fever
registrata a:
Cincinnati, Ohio, Stati Uniti (il 1956-03-01)
basso :
Edwyn Conley (il 1956-03-01)
batteria [drums] :
Edison Gore (il 1956-03-01)
chitarra :
Bill Jennings (1950s US jazz guitarist) (il 1956-03-01)
pianoforte :
Jon Thomas (R&B/rock'n'roll organist and pianist) (il 1956-03-01)
sassofono tenore :
Ray Felder (il 1956-03-01) e Rufus Gore (US R&B saxophonist) (il 1956-03-01)
voce:
Little Willie John (il 1956-03-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 3) e Blues Hall of Fame: Classic of Blues Recording Single (numero: 2010)
registrazione di:
Fever (il 1956-03-01)
autore:
Eddie Cooley e John Davenport (songwriter Otis Blackwell)
editore:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. e Trio Music Company
parte di:
The Adjustment Bureau
Little Willie John42:41
27I’ve Got You Under My Skin
registrazione di:
I’ve Got You Under My Skin
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
Frank Sinatra3:43
28Cherry Pink and Apple Blossom White
Pérez Prado3:02
29That’s Amore
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (il 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (il 1953-08-13)
direttore d'orchestra:
Dick Stabile (il 1953-08-13)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1953)
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1953-08-13)
registrazione di:
That’s Amore (il 1953-08-13)
paroliere:
Jack Brooks (English–American lyricist)
compositore:
Harry Warren (US composer and lyricist)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) e Universal Songs (publisher)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!) e BMG Unisongs Music Publishers BV
parte di:
The 26th Academy Award for Best Original Song (numero: 2)
parte di:
The Real Book (compilation of jazz standards, volume I)
Dean Martin4.353:07
30Whatever Will Be, Will Be (Que Sera, Sera)
Doris Day2:03