Now That’s What I Call the 80s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD
2▶CD
3▶CD
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5▼CD
Nr.TitelKünstlerBewertungLänge
1Dancing in the Dark
recording engineer:
Toby Scott (am 1984-02-14)
assistierende(r) Techniker(in):
John R. Davenport (engineer), Jeff Hendrickson (sound engineer), Bruce Lampcov, Billy Straus und Zoë Yanakas
Produzent(in):
Jon Landau, Little Steven, Chuck Plotkin und Bruce Springsteen
Mix:
Bob Clearmountain (von 1984-02 bis 1984-03-08)
Bassgitarre:
Garry Tallent (am 1984-02-14)
Gitarre und Sologesang:
Bruce Springsteen (am 1984-02-14)
Klavier und Synthesizer:
Roy Bittan (am 1984-02-14)
Orgel:
Danny Federici (am 1984-02-14)
Perkussion und Saxophon:
Clarence Clemons (am 1984-02-14)
Schlagzeug:
Max Weinberg (am 1984-02-14)
phonographisches Urheberrecht (℗) von:
Bruce Springsteen (in 1984)
phonographisches Urheberrecht (℗) von:
Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1984-02-14)
mixed at:
The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 234)
recording of:
Dancing in the Dark (am 1984-02-14)
publisher:
Bruce Springsteen (in 1984)
Texter und Komponist(in):
Bruce Springsteen (in 1984)
publisher:
Bruce Springsteen Music, Jonathan Msc. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Bruce Springsteen4.454:03
2Livin’ on a Prayer
Bon Jovi3:46
3Easy Lover
Produzent(in):
Phil Collins (of Genesis)
recording of:
Easy Lover (in 1984)
Verfasser(in):
Philip Bailey, Phil Collins (of Genesis) und Nathan East
publisher:
Concord Music GmbH, Concord Music Publishing LLC, Concord Sounds, Musik-Edition Discoton GmbH, Pun Music Inc., Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing International Ltd., Universal Music Publishing International MGB Ltd., Hit & Run Music (Publishing) Ltd (in 1984), New East Music (in 1984), Philip Collins Ltd. (in 1984), Sir & Trini Music (in 1984) und Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1984)
Philip Bailey & Phil Collins3.54:45
4The Best
Techniker(in):
Chris Lord‐Alge
Produzent(in):
Dan Hartman und Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
Bearbeitung von:
The Best von Tina Turner
Musikvideos:
The Best von Tina Turner
cover recording of:
The Best
Verfasser(in):
Holly Knight und Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.854:11
5If I Could Turn Back Time
recording engineer und Mix:
Frank Wolf (engineer at Skyline Recording)
assistierende(r) Techniker(in):
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) und Duane Seykora
zusätzliche(r) Techniker(in):
Guy Roche
Produzent(in):
Guy Roche und Diane Warren (US songwriter)
Bassgitarre:
John Pierce (US session bassist)
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
Alan Pasqua und Guy Roche
Schlagzeug und Tamburin:
Mark T. Williams
zusätzlich Gitarre:
Gene Black und Glenn Sciurba
Hintergrundgesang:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain und Maria Vidal (American singer-songwriter)
Sologesang:
Cher
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1989), The David Geffen Company (legal rights relating to Geffen Records) (in 1989), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Bill Schnee Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Criterion Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 386)
recording of:
If I Could Turn Back Time
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing (do not use as a release label!) und Realsongs (in 1989)
Cher3.754:01
6Eye of the Tiger
assistierende(r) Techniker(in):
Hill Swimmer
Techniker(in):
Phil Bonnano und Mike Clink
Produzent(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographisches Urheberrecht (℗) von:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
aufgenommen bei:
Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 28) und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 63)
recording of:
Eye of the Tiger
Verfasser(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1982 nominee)
Survivor4.24:03
7Gimme All Your Lovin’
recording of:
Gimme All Your Lovin’
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Hamstein Music Company (publisher), Music of Stage Three und Songs of Mosaic
ZZ Top4:00
8Total Eclipse of the Heart
vocals:
Bonnie Tyler (in 1983)
Interpret(in):
Rory Dodd (in 1983)
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1983), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1983) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
recording of:
Total Eclipse of the Heart (in 1983)
Texter und Komponist(in):
Jim Steinman
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) und Virgin Music (Publishers) Ltd.
Bonnie Tyler4.154:28
9China in Your Hand
T’Pau4:08
10Heaven Is a Place on Earth
recording engineer:
Steve McMillan
Schlagzeug [drum]-Programmierung:
Charles Judge (American guitarist, pianist, arranger and songwriter) und Rick Nowels
assistierende(r) Techniker(in):
Matthew Freeman (engineer), Clark Germaine, Brian Scheuble und Joe Schiff
zusätzliche(r) Techniker(in):
Stacy Baird (former audio engineer) und Robert Feist
Produzent(in):
Rick Nowels
zusätzliche(r) Produzent(in):
Robert Feist (sonstiger Gesang [vocal]) und Ellen Shipley (sonstiger Gesang [vocal])
Mix:
Shelly Yakus
Akustikgitarre [acoustic guitars]:
Rick Nowels
Bass:
John Pierce (US session bassist)
E-Gitarre [electric guitars]:
Dan Huff, John McCurry und Rick Nowels
Gitarre [air guitar] und Sologesang:
Belinda Carlisle
Keyboard [keyboards]:
Charles Judge (American guitarist, pianist, arranger and songwriter) und Rick Nowels
Klavier [acoustic piano]:
Charles Judge (American guitarist, pianist, arranger and songwriter)
Schlagzeug [drums]:
Kenny Aronoff und Curly Smith (Jo Jo Gunne musician)
Synthesizer [Fairlight]:
Rhett Lawrence
zusätzlich Gitarre:
Tim Pierce (US session guitarist)
zusätzlich Gitarre [guitars]:
Michael Landau
zusätzlich Keyboard [keyboards]:
Thomas Dolby
zusätzlich Perkussion:
Jimmy Bralower und Paulinho da Costa (Brazilian percussionist)
vocals:
Beth Anderson (US pop vocalist), Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips und Ellen Shipley
arranger:
Rick Nowels
phonographisches Urheberrecht (℗) von:
Artist Management Services Ltd. (in 1987), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1987), Virgin Records Ltd (not for release label use! for company relationships only) (in 1987) und Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2019)
aufgenommen bei:
American Recording und Ocean Way Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
zusätzlich aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Hollywood Sound in Los Angeles, California (Kalifornien), Vereinigte Staaten und Music Grinder Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 400)
recording of:
Heaven Is a Place on Earth
Verfasser(in):
Rick Nowels und Ellen Shipley
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), BMG Rights Management (see annotation), Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, EMI Virgin Music Publishing Australia Pty Ltd, Spirit Music Publishing Limited, Virgin Songs, Inc., Future Furniture Music (in 1987) und Shipwreck Music (publisher) (in 1987)
sub-publisher:
Fujipacific Music, Inc.
Belinda Carlisle4.153:53
11Manic Monday
Produzent(in):
David Kahne
Mix:
David Leonard (US producer and engineer)
Bassgitarre:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre:
Susanna Hoffs und Vicki Peterson
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
Sologesang:
Susanna Hoffs
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 208)
recording of:
Manic Monday
Texter und Komponist(in):
Christopher (Prince, “The Artist Formerly Known as…”)
publisher:
Bangophile Music, Controversy Music, EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und WB Music Corp. (1929–2019)
The Bangles43:04
12Down Under
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Ron Strykert
Holzblasinstrumente und Keyboard:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 21) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
Texter:
Colin Hay
Komponist(in):
Colin Hay und Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Men at Work3.953:39
13The Tide Is High
cover recording of:
The Tide Is High
Verfasser(in):
John Holt (in 1967)
zusätzliche(r) Verfasser(in):
Howard Barrett (in 1967) und Tyrone Evans (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group und Sparta Florida Music Group Ltd.
Blondie3:51
14Red Red Wine
Produzent(in):
Ray “Pablo” Falconer und UB40
arranger:
UB40
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983) und DEP International (UB40) (in 1983)
cover recording of:
Red Red Wine
Texter und Komponist(in):
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) und Bang Records (Bert Berns label) (in 1968)
UB403.83:01
15Pass the Dutchie
Produzent(in):
Peter Collins (producer)
Bassgitarre:
Patrick
Gitarre:
Kelvin
Keyboard:
Michael (Keyboard player for Musical Youth)
Schlagzeug:
Junior
vocals:
Dennis
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 25)
cover recording of:
Pass the Kouchie
Verfasser(in):
“Deadly” Headley Bennett, Lloyd “Judge” Ferguson, Huford Brown (Jamaican reggae deejay), Robbie Lyn, Jackie Mittoo, Leroy Sibbles (Jamaican reggae) und Fitzroy “Bunny” Simpson
Teil von:
My Kind of People
Musical Youth43:24
16Being With You
assistierende(r) Techniker(in):
Richie Griffin
Techniker(in):
Howard Lee Wolen und Mark Wolfson
Produzent(in):
George Tobin
Mix:
Mike Piccirillo (songwriter and producer) und George Tobin
arranger:
George Tobin
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981) und Motown Record Corporation (company credits only; do NOT use as release label) (in 1981)
aufgenommen bei und mixed at:
Studio Sound Recorders in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Being With You
Texter und Komponist(in):
Smokey Robinson
publisher:
Bertram Music Company, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. und Primary Wave Robinson
Smokey Robinson3.254:07
17Hello
Produzent(in):
James Anthony Carmichael und Lionel Richie
Interpret(in):
Ocobamba
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Hello
Texter und Komponist(in):
Lionel Richie
zusätzliche(r) Verfasser(in):
James Anthony Carmichael
publisher:
Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Lionel Richie3.854:08
18Ebony and Ivory
Assistent recording engineer:
Mike Stavrou (producer/engineer) (von 1981-02-28 bis 1981-10)
recording engineer:
Geoff Emerick (British recording engineer) (von 1981-02-28 bis 1981-10)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
assistierende(r) Mix:
Jon Jacobs (UK producer/engineer) (am 1982-01-19)
Mix:
Geoff Emerick (British recording engineer) (am 1982-01-19)
E-Bass, Gitarre, Klavier und Vocoder:
Paul McCartney (The Beatles) (von 1981-02-28 bis 1981-10)
Hybrid-Piano und Schlagzeug:
Stevie Wonder (von 1981-02-28 bis 1981-10)
Perkussion, Synthesizer und Hintergrundgesang und Sologesang:
Paul McCartney (The Beatles) (von 1981-02-28 bis 1981-10) und Stevie Wonder (von 1981-02-28 bis 1981-10)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Paul McCartney (The Beatles)
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1982)
aufgenommen bei:
AIR Studios Montserrat in Saint Peter, Montserrat (am 1981-02-28), Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (am 1981-03-30) und Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich (in 1981-10)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (am 1982-01-19)
recording of:
Ebony and Ivory (von 1981-02-28 bis 1981-10)
Texter und Komponist(in):
Paul McCartney (The Beatles)
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Parodieversion von:
Curdled Milk and Boot Polish
Paul McCartney feat. Stevie Wonder3.23:42
19Love of the Common People
cover recording of:
Love of the Common People
Texter und Komponist(in):
John Hurley und Ronnie Wilkins
publisher:
Kassner Associated Publishers, Sony/ATV Music Publishing Ltd., Tideland Music Publishing Corporation, Tree Pub. Co. Inc., TRO Essex Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) (in 1983) und Westminster Music Ltd. (in 1983)
Paul Young3:38
20Do They Know It’s Christmas
Programmierung:
Midge Ure (am 1984-11-25)
Produzent(in):
Trevor Horn und Midge Ure
E-Bass:
John Taylor (UK bassist for Duran Duran) (am 1984-11-25)
Gitarre:
Andy Taylor (of Duran Duran) (am 1984-11-25)
Keyboard:
Midge Ure (am 1984-11-25)
Schlagzeug:
Phil Collins (of Genesis) (am 1984-11-25)
Sologesang:
Bono (singer of U2) (am 1984-11-25), Boy George (am 1984-11-25), George Michael (am 1984-11-25), Simon Lebon (singer for Duran Duran) (am 1984-11-25) und Paul Young (English pop singer and musician) (am 1984-11-25)
sonstiger Gesang [chorus]:
Paul Weller (English singer‐songwriter and musician) (am 1984-11-24), Robert “Kool” Bell (am 1984-11-25), Pete Briquette (am 1984-11-25), Adam Clayton (am 1984-11-25), Phil Collins (of Genesis) (am 1984-11-25), Chris Cross (UK bassist for Ultravox) (am 1984-11-25), Simon Crowe (am 1984-11-25), Sara Dallin (am 1984-11-25), Siobhan Fahey (am 1984-11-25), Johnnie Fingers (am 1984-11-25), Bob Geldof (am 1984-11-25), Tony Hadley (am 1984-11-25), John Keeble (am 1984-11-25), Gary Kemp (am 1984-11-25), Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (am 1984-11-25), Jon Moss (am 1984-11-25), Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (am 1984-11-25), Rick Parfitt (UK guitarist for Status Quo) (am 1984-11-25), Nick Rhodes (am 1984-11-25), Francis Rossi (am 1984-11-25), Andy Taylor (of Duran Duran) (am 1984-11-25), James “J.T.” Taylor (US R&B vocalist for Kool & the Gang) (am 1984-11-25), John Taylor (UK bassist for Duran Duran) (am 1984-11-25), Roger Taylor (Duran Duran drummer) (am 1984-11-25), Dennis “D.T.” Thomas (Kool & The Gang) (am 1984-11-25), Midge Ure (am 1984-11-25), Martyn Ware (am 1984-11-25), Jody Watley (am 1984-11-25) und Keren Woodward (am 1984-11-25)
vocals:
Glenn Gregory (am 1984-11-25), Marilyn (British pop singer) (am 1984-11-25) und Sting (singer, songwriter & member of The Police) (am 1984-11-25)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1984) und The Band Aid Trust (in 2004)
aufgenommen bei:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (am 1984-11-25)
Musikvideos:
Do They Know It's Christmas? (music video) von Band Aid (UK charity supergroup)
recording of:
Do They Know It’s Christmas? (von 1984-11-24 bis 1984-11-25)
Verfasser(in):
Bob Geldof und Midge Ure
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Band Aid3.63:52

Nennungen

Veröffentlichungsgruppe

Teil von:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (Reihenfolge: 57)