Rhythm & Blues 1956

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Annotazione

Track durations obtained from software.

Starting around 1996, Time-Life repackaged many of the Rhythm & Blues (Time Life Music) series releases for the Solid Gold Soul series. The Solid Gold Soul releases included updated artwork and packaging, but the used same track listings, masterings, and (usually) the same matrix number on the disc.

Time-Life released this disc as Rhythm & Blues 1956 (RHD-05) in the Rhythm & Blues (Time Life Music) series and Solid Gold Soul 1956 (R838-24) in the Solid Gold Soul series. The two discs are digitally identical.

Other Identifiers
Matrix / Runout: 10 OPCD 2616-2 SRC**06

Annotazione modificata l'ultima volta il 2024-06-01 19:45 UTC.

Elenco tracce

1CD
#TitoloArtistaValutazioneDurata
1Why Do Fools Fall in Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 307)
registrazione di:
Why Do Fools Fall in Love (nel 1955-11)
autore:
Morris Levy e Frankie Lymon
autore aggiunto:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) e Herman Santiago (singer for Frankie Lymon & The Teenagers)
editore:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Frankie Lymon and The Teenagers4.52:19
2Let the Good Times Roll
registrazione di:
Let the Good Times Roll
autore:
Shirley Goodman e Leonard Lee (rhythm & blues and doo wop singer and songwriter)
editore:
Atlantic Music Corp. (BMI), Pixley Music (publisher), Travis Music Co. e Unart Music Corp.
Shirley & Lee2:25
3Rip It Up
batteria :
Earl Palmer (il 1956-05-09)
chitarra :
Edgar Blanchard (il 1956-05-09)
chitarra basso :
Frank Fields (il 1956-05-09)
pianoforte e voce principale:
Little Richard (il 1956-05-09)
sassofono baritono :
Alvin “Red” Tyler (American jazz saxophonist) (il 1956-05-09)
sassofono tenore :
Lee Allen (US jazz tenor saxophonist) (il 1956-05-09)
registrata presso:
J&M Music Shop in New Orleans, Louisiana, Stati Uniti (il 1956-05-09)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 4)
registrazione di:
Rip It Up (il 1956-05-09)
autore:
Robert “Bumps” Blackwell e John Marascalco
editore:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC e Venice Music
Little Richard4.52:25
4I'm in Love Again
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
Everest Records (classical) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Stati Uniti
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 6)
registrazione di:
I’m in Love Again (il 1955-10-15)
autore:
Antoine Dominique Domino (Fats Domino) e Dave Bartholomew
Fats Domino51:59
5Eddie My Love
sassofono tenore :
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 31)
registrazione di:
Eddie My Love
autore:
Aaron Collins (US R&B singer/songwriter), Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) e Sam Ling
The Teen Queens3:14
6The Great Pretender
registrata a:
Chicago, Illinois, Stati Uniti (nel 1955-09)
voce principale:
Tony Williams (lead singer for The Platters)
diritti fonografici (℗) detenuti da:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 352)
registrazione di:
The Great Pretender (nel 1955-09)
paroliere e compositore:
Buck Ram
editore:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) e Southern Music Publishing Company Limited
The Platters52:40
7Honky Tonk (Part 2)
Bill Doggett2:36
8Smoke Stack Lightning
registrazione di:
Smokestack Lightning
paroliere e compositore:
Chester Arthur Burnett
editore:
Arc Music (U.S. rock & blues publisher) e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Howlin’ Wolf3:04
9Please Please Please
registrata a:
Cincinnati, Ohio, Stati Uniti (il 1956-02-04)
produttore:
Ralph Bass
basso :
Clarence Mack (US bassist) (il 1956-02-04)
batteria :
Edison Gore (il 1956-02-04)
chitarra :
Nafloyd Scott (il 1956-02-04)
pianoforte :
Lucas "Fats" Gonder (US pianist and organist from Macon, GA) (il 1956-02-04)
sassofono tenore :
Ray Felder (il 1956-02-04) e Wilbert Smith (il 1956-02-04)
voce di accompagnamento:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) (il 1956-02-04), Nashpendle Knox (il 1956-02-04), Sylvester Keels (member of James Brown & The Famous Flames) (il 1956-02-04) e Johnny Terry (bass vocals, member of James Brown & The Famous Flames) (il 1956-02-04)
voce principale:
James Brown (The Godfather of Soul) (il 1956-02-04)
esecutore:
James Brown & The Famous Flames (il 1956-02-04)
diritti fonografici (℗) detenuti da:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1956)
registrata presso:
King Studios in Cincinnati, Ohio, Stati Uniti (il 1956-02-04)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 142)
registrazione di:
Please, Please, Please (il 1956-02-04)
paroliere e compositore:
James Brown (The Godfather of Soul) e Johnny Terry (bass vocals, member of James Brown & The Famous Flames)
editore:
Intersong Music, Intersong Music Ltd. e Jadar Music Corp.
James Brown2:46
10Fever
registrata a:
Cincinnati, Ohio, Stati Uniti (il 1956-03-01)
basso :
Edwyn Conley (il 1956-03-01)
batteria [drums] :
Edison Gore (il 1956-03-01)
chitarra :
Bill Jennings (1950s US jazz guitarist) (il 1956-03-01)
pianoforte :
Jon Thomas (R&B/rock'n'roll organist and pianist) (il 1956-03-01)
sassofono tenore :
Ray Felder (il 1956-03-01) e Rufus Gore (US R&B saxophonist) (il 1956-03-01)
voce:
Little Willie John (il 1956-03-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 3) e Blues Hall of Fame: Classic of Blues Recording Single (numero: 2010)
registrazione di:
Fever (il 1956-03-01)
autore:
Eddie Cooley e John Davenport (songwriter Otis Blackwell)
editore:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. e Trio Music Company
parte di:
The Adjustment Bureau
Little Willie John42:43
11In the Still of the Nite
produttore:
Marty Kugell
batteria [drums] :
Bobby Mapp (nel 1956-02)
contrabbasso :
Doug Murray (double bassist) (nel 1956-02)
pianoforte :
Curlee Glover (nel 1956-02)
sassofono solista :
Vinny Mazzetta (nel 1956-02)
voce:
Al Denby (nel 1956-02), Jim Freeman (American singer and songwriter) (nel 1956-02), Ed Martin (nel 1956-02), Nat Mosley (nel 1956-02) e Fred Parris (nel 1956-02)
diritti fonografici (℗) detenuti da:
Standard Records (nel 1956)
registrata presso:
Saint Bernadette Catholic School (New Haven) in New Haven, Connecticut, Stati Uniti (nel 1956-02)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 90) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 170)
registrazione di:
In the Still of the Night (Five Satins doo-wop song) (nel 1956-02)
paroliere e compositore:
Fred Parris
editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Llee Corp. (LLEE Corporation) (nel 1956)
The Five Satins4.53:02
12Long Tall Sally
batteria :
Earl Palmer (il 1956-02-07)
chitarra :
Edgar Blanchard (il 1956-02-07)
chitarra basso :
Frank Fields (il 1956-02-07)
pianoforte e voce principale:
Little Richard (il 1956-02-07)
sassofono baritono :
Alvin “Red” Tyler (American jazz saxophonist) (il 1956-02-07)
sassofono tenore :
Lee Allen (US jazz tenor saxophonist) (il 1956-02-07)
registrata presso:
J&M Music Shop in New Orleans, Louisiana, Stati Uniti (il 1956-02-07)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 13) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 56)
registrazione di:
Long Tall Sally (il 1956-02-07)
autore:
Enotris Johnson (il 1955-11-29), Richard Wayne Penniman (il 1955-11-29) e Robert Alexander Blackwell (il 1955-11-29)
editore:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music e Venice Music
Little Richard42:10
13Speedoo
The Cadillacs2:23
14Brown-Eyed Handsome Man
produttore:
Leonard & Phil Chess (legendary US production duo)
batteria :
Melvin Billups (il 1956-04-19)
chitarra e voce principale:
Chuck Berry (il 1956-04-19)
contrabbasso :
Willie Dixon (il 1956-04-19)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (il 1956-04-19)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 2003)
registrata presso:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (il 1956-04-19)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 375)
registrazione di:
Brown Eyed Handsome Man (il 1956-04-19)
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Chuck Berry32:18
15Corrine Corrina
registrata a:
New York, New York, Stati Uniti (il 1956-02-04)
produttore:
Ahmet Ertegun (US songwriter/producer) e Jerry Wexler
batteria [drums] :
Panama Francis (US swing jazz drummer) (il 1956-02-04)
chitarra :
George Barnes (il 1956-02-04) e Billy Mure (il 1956-02-04)
contrabbasso [bass] :
Lloyd Trotman (US jazz bassist) (il 1956-02-04)
pianoforte :
Ernie Hayes (American pianist, organist and arranger) (il 1956-02-04)
sassofono contralto :
Earl Warren (il 1956-02-04)
sassofono tenore :
Sam Taylor (US jazz/blues saxophonist 1916-1990) (il 1956-02-04)
tromba :
Jimmy Nottingham (il 1956-02-04) e Dick Vance (US jazz trumpeter and arranger) (il 1956-02-04)
voce:
Big Joe Turner (il 1956-02-04)
voce di accompagnamento:
The Cookies (50s girl group) (il 1956-02-04)
registrazione di:
Corrine, Corrina (il 1956-02-04)
paroliere:
[traditional] (special purpose artist), Armetia Chatman (blues musician, aka Bo Chatmon) (nel 1929), J. Mayo ‘Ink’ Williams (nel 1929) e Mitchell Parish (nel 1932)
compositore:
[traditional] (special purpose artist)
editore:
Belwin-Mills Publishing Corp., EMI Music Publishing France e Gotham Music Service, Inc. (il 1932-03-18)
Joe Turner52:55
16Blueberry Hill
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (nel 1957) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
Master Recorders in Hollywood, Los Angeles, California, Stati Uniti
edit di:
Blueberry Hill (Imperial) di Fats Domino
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 81) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 147)
registrazione cover di:
Blueberry Hill (il 1956-06-27)
paroliere:
Al Lewis (Tin Pan Alley era lyricist) e Larry Stock
autore:
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) e Larry Stock
compositore:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company e Victoria Music Publishing Co. Ltd.
parte di:
12 Monkeys Soundtrack
Fats Domino4.652:23
17Oh What a Nite
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 260)
registrazione di:
Oh, What a Night (nel 1956-05)
autore:
Johnny Funches e Marvin Junior
editore:
Conrad Music (publisher; do NOT use as release label)
The Dells2:54
18Treasure of Love
Clyde McPhatter2:10
19Stranded in the Jungle
diritti fonografici (℗) detenuti da:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (dal 1956 a oggi)
registrazione cover di:
Stranded in the Jungle
autore:
James E. Johnson (The Jayhawks/Vibrations) e Ernestine Smith
editore:
APRS (American Performing Rights Society, Inc.(BMI)), Peermusic (UK) Limited e Shag Publications
The Cadets3:05
20Slow Walk
Sil Austin2:41
21A Thousand Miles Away
registrazione di:
A Thousand Miles Away (nel 1956-08)
autore:
William Miller (US songwriter, A&R executive, label owner) e James “Shep” Sheppard (American Doo-Wop/R&B singer)
editore:
Nom Music, Inc.
The Heartbeats32:26
22Goodnight My LoveJesse Belvin3:06

Accreditamenti

Pubblicazione

produttore:Steve Carr (Washington, DC area producer and engineer) (incarico: compilation producer)
Joe Sasfy (incarico: compilation producer)
fabbricata da e diritti fonografici (℗) detenuti da:Warner Special Products
copyright (©) detenuto da:Time-Life Books Inc.
mastering effettuato presso:Hit and Run Studios (Rockville, MD based studio) in Rockville, Maryland, Stati Uniti
Discogs:https://www.discogs.com/release/14211587 [info]

Gruppo di pubblicazioni

parte di:Rhythm & Blues (Time-Life Music) (numero: 1956) (ordine: 3)
Discogs:https://www.discogs.com/master/1723854 [info]