Work From Home With John Williams

~ Pubblicazione di John Williams (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Copyright: © 2020 UMG Recordings, Inc.
℗ 2020 UMG Recordings, Inc. FP

Annotazione modificata l'ultima volta il 2025-02-05 04:15 UTC.

Elenco tracce

1▼Supporto digitale
#TitoloArtistaValutazioneDurata
1Hedwig's Theme (From "Harry Potter And The Sorcerer’s Stone")
tecnico di registrazione:
Geoff Foster (sound engineer) (il 2017-11-20)
orchestra:
London Symphony Orchestra (il 2017-11-20)
direttore d'orchestra:
Gavin Greenaway (il 2017-11-20)
primo violino:
Carmine Lauri (violinist) (il 2017-11-20)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 2017-11-20)
registrazione di:
Hedwig’s Theme (Harry Potter and the Philosopher’s Stone)
compositore:
John Williams (American score composer and conductor)
editore:
Warner–Barham Music LLC
parte di:
Harry Potter and the Philosopher’s Stone (Harry Potter and the Philosopher's Stone, 2001 film score)
London Symphony Orchestra, Gavin Greenaway & John Williams5:08
2Three Pieces From Schindler's List For Solo Violin And Orchestra: Theme From "Schindler's List"
violino :
Gil Shaham (violinist) (nel 1999-10)
orchestra:
Boston Symphony Orchestra (nel 1999-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1999-10)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 2000-10)
registrazione di:
Main Theme (Schindler’s List)
compositore:
John Williams (American score composer and conductor) (nel 1993)
editore:
Chester Music Ltd., MCA Music Ltd. e Universal/MCA Music (music publisher; do not use as release label!)
parte di:
Schindler's List
parte di:
Three Pieces from Schindler’s List
Gil Shaham, Boston Symphony Orchestra & John Williams4:41
3Hymn To The Fallen (From "Saving Private Ryan")
tecnico di registrazione:
Geoff Foster (sound engineer) (il 2017-11-20)
cori:
Brighton Festival Chorus
orchestra:
London Symphony Orchestra (il 2017-11-20)
direttore d'orchestra:
Gavin Greenaway (il 2017-11-20)
primo violino:
Carmine Lauri (violinist) (il 2017-11-20)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 2017-11-20)
registrazione di:
Hymn to the Fallen (Saving Private Ryan)
compositore:
John Williams (American score composer and conductor)
editore:
Cherry Lane Music Ltd. e Universal Music Publishing MGB
parte di:
Saving Private Ryan (1998 film score)
London Symphony Orchestra & Gavin Greenaway6:26
4The Tale Of Viktor Navorski
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ken Wannberg e Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso e mixata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti
registrazione di:
Viktor’s Tale (The Terminal)
compositore:
John Williams (American score composer and conductor)
parte di:
The Terminal (2004 film score)
John Williams4:13
5Remembrances (From "Schindler's List")
assistente tecnico di registrazione:
Robert Wolff (engineer)
tecnico di registrazione:
Shawn Murphy (producer/engineer)
produttore:
Bernhard Güttler (engineer)
produttore esecutivo:
Ute Fesquet
tecnico di missaggio:
Bernhard Güttler (engineer) e Tobias Lehmann
violino :
Anne‐Sophie Mutter (violinist) (nel 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (nel 2019-04)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2019-04)
registrata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti (nel 2019-04)
registrazione di:
Remembrances (Schindler’s List) (nel 2019-04)
compositore:
John Williams (American score composer and conductor)
parte di:
Schindler's List
parte di:
Three Pieces from Schindler’s List
Anne‐Sophie Mutter, Recording Arts Orchestra of Los Angeles & John Williams6:17
6E.T. - Flying Theme
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1982)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1982)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (nel 1982) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1982)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1982)
registrazione di:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (nel 1982)
compositore:
John Williams (American score composer and conductor) (nel 1982)
parte di:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
Boston Pops Orchestra & John Williams3:45
7Jurassic Park - Main Title
cori:
Los Angeles Master Chorale
orchestra:
Hollywood Bowl Orchestra
direttore d'orchestra:
John Mauceri (conductor)
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1994)
registrazione di:
Theme From Jurassic Park (Jurassic Park)
compositore:
John Williams (American score composer and conductor) (nel 1993)
parte di:
Jurassic Park (1993 film score)
Los Angeles Master Chorale, Hollywood Bowl Orchestra, John Mauceri & John Williams3:18
8Superman: Love Theme
produttore:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (nel 1980-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1980-06)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1980-06)
registrazione di:
Can You Read My Mind (Superman: The Movie, love theme) (nel 1980-06)
paroliere:
Leslie Bricusse
compositore:
John Williams (American score composer and conductor)
editore:
Warner–Barham Music LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
versione di:
Flying Part III (Superman: The Movie)
parte di:
Superman: The Movie (1978 film soundtrack)
Boston Pops Orchestra & John Williams4:48
9Gupta's Deliverance
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ken Wannberg e Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso e mixata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti
registrazione di:
Gupta's Deliverance (The Terminal)
compositore:
John Williams (American score composer and conductor)
parte di:
The Terminal (2004 film score)
John Williams3:19
10Star Wars - Princess Leia
registrata a:
Boston, Massachusetts, Stati Uniti (nel 1980-06)
produttore:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (nel 1980-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1980-06)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1980-06)
registrazione di:
Princess Leia’s Theme (Star Wars, Episode IV: A New Hope) (nel 1980-06)
orchestratore:
Herbert W. Spencer (composer and orchestrator)
compositore:
John Williams (American score composer and conductor)
parte di:
Star Wars, Episode IV: A New Hope (film soundtrack)
Boston Pops Orchestra & John Williams4:06
11The Attack On The Car (Original Motion Picture Soundtrack)
direttore d'orchestra:
John Williams (American score composer and conductor)
registrazione di:
The Attack on the Car (War of the Worlds)
compositore:
John Williams (American score composer and conductor)
parte di:
War of the Worlds (2005 film score)
John Williams2:44
12Probing The Basement (Original Motion Picture Soundtrack)
direttore d'orchestra:
John Williams (American score composer and conductor)
registrazione di:
Probing the Basement (War of the Worlds)
compositore:
John Williams (American score composer and conductor)
parte di:
War of the Worlds (2005 film score)
John Williams4:12
13The Separation Of The Family (Original Motion Picture Soundtrack)
direttore d'orchestra:
John Williams (American score composer and conductor)
registrazione di:
The Separation of the Family (War of the Worlds)
compositore:
John Williams (American score composer and conductor)
parte di:
War of the Worlds (2005 film score)
John Williams2:37
14The Wedding Of Officer Torres
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ken Wannberg e Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso e mixata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti
registrazione di:
The Wedding of Officer Torres (The Terminal)
compositore:
John Williams (American score composer and conductor)
parte di:
The Terminal (2004 film score)
John Williams5:02
15E.T. - Adventures On Earth
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1983-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1983-06)
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1983)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1983-06)
registrazione di:
E.T. The Extra-Terrestrial: Adventure on Earth (concert arrangement) (nel 1983-06)
compositore:
John Williams (American score composer and conductor) (nel 1982)
parte di:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
Boston Pops Orchestra & John Williams9:14
16Epilogue (Original Motion Picture Soundtrack)
direttore d'orchestra:
John Williams (American score composer and conductor)
registrazione di:
Epilogue (War of the Worlds)
compositore:
John Williams (American score composer and conductor)
parte di:
War of the Worlds (2005 film score)
John Williams & Morgan Freeman3:11
17Nice to Be Around (From "Cinderella Liberty")
assistente tecnico di registrazione:
Robert Wolff (engineer)
tecnico di registrazione:
Shawn Murphy (producer/engineer)
produttore:
Bernhard Güttler (engineer)
produttore esecutivo:
Ute Fesquet
tecnico di missaggio:
Bernhard Güttler (engineer) e Tobias Lehmann
violino :
Anne‐Sophie Mutter (violinist) (nel 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (nel 2019-04)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2019-04)
registrata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti (nel 2019-04)
registrazione di:
Nice to Be Around (nel 2019-04)
paroliere:
Paul Williams (US songwriter/soft rock vocalist)
compositore:
John Williams (American score composer and conductor)
parte di:
The 46th Academy Award for Best Original Song (numero: 2)
Anne‐Sophie Mutter, Recording Arts Orchestra of Los Angeles & John Williams4:02
18A Happy Navorski Ending!
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ken Wannberg e Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso e mixata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti
registrazione di:
A Happy Navorski Ending! (The Terminal)
compositore:
John Williams (American score composer and conductor)
parte di:
The Terminal (2004 film score)
John Williams2:47
19Reaching The Country (Original Motion Picture Soundtrack)
timpani :
Donald J. Williams (US percussionist, composer, arranger) (nel 2005)
direttore d'orchestra:
John Williams (American score composer and conductor)
registrazione di:
Reaching the Country (War of the Worlds)
compositore:
John Williams (American score composer and conductor)
parte di:
War of the Worlds (2005 film score)
John Williams3:24
20The Reunion (Original Motion Picture Soundtrack)
voce parlata:
Morgan Freeman (actor)
direttore d'orchestra:
John Williams (American score composer and conductor)
registrazione di:
The Reunion (War of the Worlds)
compositore:
John Williams (American score composer and conductor)
parte di:
War of the Worlds (2005 film score)
John Williams3:17
21A Legend Is Born
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ken Wannberg e Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso e mixata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti
registrazione di:
A Legend Is Born (The Terminal)
compositore:
John Williams (American score composer and conductor)
parte di:
The Terminal (2004 film score)
John Williams3:17
22The Empire Strikes Back - Yoda's Theme
produttore:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (nel 1980-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1980-06)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (nel 1980)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1980-06)
registrazione di:
Yoda's Theme (Star Wars, Episode V: The Empire Strikes Back) (nel 1980-06)
orchestratore:
Herbert W. Spencer (composer and orchestrator)
compositore:
John Williams (American score composer and conductor)
parte di:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
Boston Pops Orchestra & John Williams3:22
23The Flight To Neverland (Original Motion Picture Soundtrack)
tecnico di registrazione:
Geoff Foster (sound engineer) (il 2017-11-20)
orchestra:
London Symphony Orchestra (il 2017-11-20)
direttore d'orchestra:
Gavin Greenaway (il 2017-11-20)
primo violino:
Carmine Lauri (violinist) (il 2017-11-20)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 2017-11-20)
registrazione di:
Flight to Neverland (Hook)
compositore:
John Williams (American score composer and conductor)
parte di:
Hook
London Symphony Orchestra, Gavin Greenaway & John Williams4:56
24Finding Coins and Learning To Read
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ken Wannberg e Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso e mixata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti
registrazione di:
Finding Coins and Learning to Read (The Terminal)
compositore:
John Williams (American score composer and conductor)
parte di:
The Terminal (2004 film score)
John Williams4:03
25Return of The Jedi - Luke & Leia Theme
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1983-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1983-06)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1983)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1983-06)
registrazione di:
Luke and Leia (Star Wars, Episode VI: Return of the Jedi) (nel 1983-06)
compositore:
John Williams (American score composer and conductor)
editore:
Fox Fanfare Music Inc.
parte di:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
Boston Pops Orchestra & John Williams4:26
26Refusing To Escape
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ken Wannberg e Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso e mixata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti
registrazione di:
Refusing to Escape (The Terminal)
compositore:
John Williams (American score composer and conductor)
parte di:
The Terminal (2004 film score)
John Williams3:01
27Jazz Autographs
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ken Wannberg e Peter Myles (editing Engineer)
contrabbasso [bass] :
Michael Valerio (double bassist)
pianoforte :
Randy Kerber
orchestra:
Hollywood Studio Symphony
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso e mixata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti
registrazione di:
Jazz Autographs (The Terminal)
compositore:
John Williams (American score composer and conductor)
parte di:
The Terminal (2004 film score)
John Williams3:46
28Ray And Rachel (Original Motion Picture Soundtrack)
direttore d'orchestra:
John Williams (American score composer and conductor)
registrazione di:
Ray and Rachel (War of the Worlds)
compositore:
John Williams (American score composer and conductor)
parte di:
War of the Worlds (2005 film score)
John Williams2:42
29Looking For Work
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ken Wannberg e Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso e mixata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti
registrazione di:
Looking for Work (The Terminal)
compositore:
John Williams (American score composer and conductor)
parte di:
The Terminal (2004 film score)
John Williams3:17
30Krakozhia National Anthem and Homesickness
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ken Wannberg e Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso e mixata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti
registrazione di:
Krakozhia National Anthem and Homesickness (The Terminal)
compositore:
John Williams (American score composer and conductor)
parte di:
The Terminal (2004 film score)
John Williams1:50
31Return Of The Jedi - The Forest Battle
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1983-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1983-06)
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1983)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1983-06)
registrazione di:
The Forest Battle (Star Wars, Episode VI: Return of the Jedi) (nel 1983-06)
compositore:
John Williams (American score composer and conductor)
parte di:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
Boston Pops Orchestra & John Williams4:05
32End Credits
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt e Ken Wannberg
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Stati Uniti
registrazione di:
End Credits (Munich)
compositore:
John Williams (American score composer and conductor)
parte di:
Munich (2005 film score)
John Williams4:06
33Return Of The Jedi - Jabba The Hutt
produttore:
John McClure (recording engineer and record producer)
tuba :
Chester Schmitz (tubist) (nel 1983-06)
orchestra:
Boston Pops Orchestra (nel 1983-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1983-06)
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1983)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1983-06)
registrazione di:
Jabba the Hutt (Star Wars, Episode VI: Return of the Jedi) (nel 1983-06)
compositore:
John Williams (American score composer and conductor)
Boston Pops Orchestra & John Williams3:34
34Munich, 1972
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt e Ken Wannberg
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Stati Uniti
registrazione di:
Munich, 1972 (Munich)
compositore:
John Williams (American score composer and conductor)
parte di:
Munich (2005 film score)
John Williams42:37
35Remembering Munich
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt e Ken Wannberg
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Stati Uniti
registrazione di:
Remembering Munich (Munich)
compositore:
John Williams (American score composer and conductor)
parte di:
Munich (2005 film score)
John Williams4:38
36Close Encounters Of The Third Kind - Suite
produttore:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (nel 1980-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1980-06)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (nel 1980)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1980-06)
registrazione di:
Close Encounters of the Third Kind: Suite (nel 1980-06)
compositore:
John Williams (American score composer and conductor)
editore:
EMI Music Publishing (do not use as a release label!)
Boston Pops Orchestra & John Williams10:07
37Theme (From
assistente tecnico di registrazione:
Robert Wolff (engineer)
tecnico di registrazione:
Shawn Murphy (producer/engineer)
produttore:
Bernhard Güttler (engineer)
produttore esecutivo:
Ute Fesquet
tecnico di missaggio:
Bernhard Güttler (engineer) e Tobias Lehmann
violino :
Anne‐Sophie Mutter (violinist) (nel 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (nel 2019-04)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2019-04)
registrata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti (nel 2019-04)
registrazione di:
Theme From Sabrina (nel 2019-04)
compositore:
John Williams (American score composer and conductor)
parte di:
Sabrina (1995 film score)
Anne‐Sophie Mutter, Recording Arts Orchestra of Los Angeles & John Williams4:59
38Mission Theme: Theme from N.B.C. News
tecnico di registrazione:
Erdo Groot (sound engineer for recordings of classical music)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-05)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1987-05)
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-05)
registrazione di:
The Mission (NBC News theme) (nel 1987-05)
compositore:
John Williams (American score composer and conductor)
Boston Pops Orchestra & John Williams3:23
39The Imperial March - Star Wars Ep. V - The Empire Strikes Back - Live At Walt Disney Concert Hall
tecnico di registrazione:
Alexander Lipay e Dmitriy Lipay (recording engineer & producer)
produttore:
Dmitriy Lipay (recording engineer & producer)
orchestra:
Los Angeles Philharmonic (dal 2019-01-24 al 2019-01-27)
direttore d'orchestra:
Gustavo Dudamel (conductor and violinist) (dal 2019-01-24 al 2019-01-27)
registrata presso:
Walt Disney Concert Hall (Los Angeles Music Center) in Los Angeles, California, Stati Uniti (dal 2019-01-24 al 2019-01-27)
registrazione dal vivo di:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme) (dal 2019-01-24 al 2019-01-27)
orchestratore:
Herbert W. Spencer (composer and orchestrator)
compositore:
John Williams (American score composer and conductor)
editore:
Fox Fanfare Music Inc.
parte di:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
Los Angeles Philharmonic, Gustavo Dudamel & John Williams3:03
40Avner's Theme
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt e Ken Wannberg
chitarra solista :
Adam Del Monte
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Stati Uniti
registrazione di:
Avner's Theme (Munich)
compositore:
John Williams (American score composer and conductor)
parte di:
Munich (2005 film score)
John Williams3:07
41Bonding
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt e Ken Wannberg
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Stati Uniti
registrazione di:
Bonding (Munich)
compositore:
John Williams (American score composer and conductor)
parte di:
Munich (2005 film score)
John Williams1:57
42The Tarmac At Munich
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt e Ken Wannberg
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Stati Uniti
registrazione di:
The Tarmac at Munich (Munich)
compositore:
John Williams (American score composer and conductor)
parte di:
Munich (2005 film score)
John Williams3:59
43Discovering Hans
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt e Ken Wannberg
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Stati Uniti
registrazione di:
Discovering Hans (Munich)
compositore:
John Williams (American score composer and conductor)
parte di:
Munich (2005 film score)
John Williams2:47
44Letter Bombs
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt e Ken Wannberg
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Stati Uniti
registrazione di:
Letter Bombs (Munich)
compositore:
John Williams (American score composer and conductor)
parte di:
Munich (2005 film score)
John Williams2:49
45Hiding The Family
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt e Ken Wannberg
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Stati Uniti
registrazione di:
Hiding the Family (Munich)
compositore:
John Williams (American score composer and conductor)
parte di:
Munich (2005 film score)
John Williams1:26
46The Chairman's Waltz (From "Memoirs Of A Geisha")
assistente tecnico di registrazione:
Robert Wolff (engineer)
tecnico di registrazione:
Shawn Murphy (producer/engineer)
produttore:
Bernhard Güttler (engineer)
produttore esecutivo:
Ute Fesquet
tecnico di missaggio:
Bernhard Güttler (engineer) e Tobias Lehmann
violino :
Anne‐Sophie Mutter (violinist) (nel 2019-04)
violoncello :
Lynn Harrell (cellist) (nel 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (nel 2019-04)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2019-04)
registrata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti (nel 2019-04)
registrazione di:
The Chairman's Waltz (Memoirs of a Geisha) (nel 2019-04)
compositore:
John Williams (American score composer and conductor)
parte di:
Memoirs of a Geisha (2005 film score)
Anne‐Sophie Mutter, Lynn Harrell, Recording Arts Orchestra of Los Angeles & John Williams4:00
47A Prayer for Peace (From "Munich")
assistente tecnico di registrazione:
Robert Wolff (engineer)
tecnico di registrazione:
Shawn Murphy (producer/engineer)
produttore:
Bernhard Güttler (engineer)
produttore esecutivo:
Ute Fesquet
tecnico di missaggio:
Bernhard Güttler (engineer) e Tobias Lehmann
violino :
Anne‐Sophie Mutter (violinist) (nel 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (nel 2019-04)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2019-04)
registrata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti (nel 2019-04)
registrazione di:
A Prayer for Peace (Munich) (nel 2019-04)
compositore:
John Williams (American score composer and conductor)
parte di:
Munich (2005 film score)
Anne‐Sophie Mutter, Recording Arts Orchestra of Los Angeles & John Williams3:14
48TreeSong - 1. Doctor Hu And The Meta Sequoia
violino :
Gil Shaham (violinist) (nel 2000-10)
orchestra:
Boston Symphony Orchestra (nel 2000-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2000-10)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 2000-10)
registrazione di:
TreeSong for Violin and Orchestra: I. Dreamly. "Doctor Hu and the Metasequoia" (nel 2000-10)
compositore:
John Williams (American score composer and conductor) (nel 2000)
parte di:
TreeSong for Violin and Orchestra
Gil Shaham, Boston Symphony Orchestra & John Williams6:36
49TreeSong - 2. Trunks, Branches And Leaves
violino :
Gil Shaham (violinist) (nel 2000-10)
orchestra:
Boston Symphony Orchestra (nel 2000-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2000-10)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 2000-10)
registrazione di:
TreeSong for Violin and Orchestra: II. Twice as fast - Deciso. "Trunks, Branches and Leaves" (nel 2000-10)
compositore:
John Williams (American score composer and conductor) (nel 2000)
parte di:
TreeSong for Violin and Orchestra
Gil Shaham, Boston Symphony Orchestra & John Williams8:24
50TreeSong - 3. The Tree Sings
violino :
Gil Shaham (violinist) (nel 2000-10)
orchestra:
Boston Symphony Orchestra (nel 2000-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2000-10)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 2000-10)
registrazione di:
TreeSong for Violin and Orchestra: III. Tempo primo. "The Tree Sings" (nel 2000-10)
compositore:
John Williams (American score composer and conductor) (nel 2000)
parte di:
TreeSong for Violin and Orchestra
Gil Shaham, Boston Symphony Orchestra & John Williams5:09
51By The Time I Get To Phoenix
tecnico di registrazione:
John Newton (editor, engineer mixer)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1987-06)
arrangiatore:
Richard Hayman
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-06)
registrazione di:
By the Time I Get to Phoenix (nel 1987-06)
paroliere e compositore:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
editore:
Charles Koppelman Music, Jonathan Three Music Co. e Martin Bandier Music
Boston Pops Orchestra & John Williams2:30
52Yes, Giorgio - If We Were In Love
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1982)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1982)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1982)
registrazione di:
If We Were in Love (Yes, Giorgio) (nel 1982)
paroliere:
Alan Bergman (American lyricist) e Marilyn Bergman
compositore:
John Williams (American score composer and conductor)
parte di:
The 55th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1982 nominee)
parte di:
Yes, Giorgio
Boston Pops Orchestra & John Williams4:57
53Concerto For Violin And Orchestra - 1. Moderato
violino :
Gil Shaham (violinist) (nel 1999-10)
orchestra:
Boston Symphony Orchestra (nel 1999-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1999-10)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 2000-10)
registrazione di:
Violin Concerto: I. Moderato (nel 1999-10)
compositore:
John Williams (American score composer and conductor) (nel 1976)
parte di:
Concerto for Violin and Orchestra (Violin Concerto, 1974-1976, rev. 1998)
Gil Shaham, Boston Symphony Orchestra & John Williams11:01
54Concerto For Violin And Orchestra - 2. Slowly (In Peaceful Contemplation)
violino :
Gil Shaham (violinist) (nel 1999-10)
orchestra:
Boston Symphony Orchestra (nel 1999-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1999-10)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 2000-10)
registrazione di:
Violin Concerto: II. Adagio (nel 1999-10)
compositore:
John Williams (American score composer and conductor) (nel 1976)
parte di:
Concerto for Violin and Orchestra (Violin Concerto, 1974-1976, rev. 1998)
Gil Shaham, Boston Symphony Orchestra & John Williams9:47
55Concerto For Violin And Orchestra - 3. Broadly (Maestoso) - Quickly
violino :
Gil Shaham (violinist) (nel 1999-10)
orchestra:
Boston Symphony Orchestra (nel 1999-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1999-10)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 2000-10)
registrazione di:
Violin Concerto: III. Maestoso - Presto (nel 1999-10)
compositore:
John Williams (American score composer and conductor) (nel 1976)
parte di:
Concerto for Violin and Orchestra (Violin Concerto, 1974-1976, rev. 1998)
Gil Shaham, Boston Symphony Orchestra & John Williams9:20
56Olympic Fanfare And Theme
tecnico di registrazione:
Erdo Groot (sound engineer for recordings of classical music)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-05)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1987-05)
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-05)
registrazione di:
Olympic Fanfare and Theme (1984 version) (nel 1987-05)
compositore:
John Williams (American score composer and conductor)
parte di:
Official Songs of the Olympic Games (numero: 1984)
Boston Pops Orchestra & John Williams4:24

Accreditamenti

Gruppo di pubblicazioni

parte di:Work From Home (ordine: 4)