| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Vienna- Produzent(in):
- Conny Plank und Ultravox
- Bass:
- Chris Cross (in 1980-04)
- Gitarre:
- Midge Ure (in 1980-04)
- Keyboard und Geige / Violine:
- Billy Currie (in 1980-04)
- Schlagzeug:
- Warren Cann (in 1980-04)
- vocals:
- Midge Ure (in 1980-04)
- phonographisches Urheberrecht (℗) von:
- Chrysalis Records Ltd. (in 1981, in 2025)
- aufgenommen bei:
- RAK Studios in London , England, Vereinigtes Königreich (in 1980-04)
- mixed at:
- Conny’s Studio in Neunkirchen, Nordrhein-Westfalen, Deutschland (in 1980-05)
- Bearbeitung von:
- Vienna von Ultravox
- Musikvideos:
- Vienna von Ultravox und Vienna (uncut) von Ultravox
- recording of:
- Vienna (in 1980-04)
- Verfasser(in):
- Warren Cann, Chris Cross , Billy Currie und Midge Ure
- publisher:
- Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. , Sing Sing Songs Ltd. und Universal Music Publishing Ltd.
| Ultravox | 3.35 | 4:34 |
| 2 | Sweet Dreams (Are Made of This) | Eurythmics | | 3:31 |
| 3 | Don’t You Want Me | The Human League | 3.9 | 3:55 |
| 4 | Cars | Gary Numan | | 3:49 |
| 5 | Chant No 1 (I Don’t Need This Pressure On) | Spandau Ballet | 4 | 4:01 |
| 6 | Girls on Film | Duran Duran | 3.75 | 3:25 |
| 7 | Take on Me | a‐ha | 4.25 | 3:41 |
| 8 | Wouldn’t It Be Good- recording engineer:
- Julian Mendelsohn (in 1983)
- assistierende(r) Techniker(in):
- Roger Howorth
- Produzent(in):
- Peter Collins
- Mix:
- Julian Mendelsohn
- Sologesang:
- Nik Kershaw (in 1983)
- Horn arranger:
- Jerry Hey und Nik Kershaw
- arranger:
- Nik Kershaw
- phonographisches Urheberrecht (℗) von:
- MCA Records, Inc. (in 1983, in 1984) und MCA Records Ltd. (in 1984)
- mixed at:
- Sarm East Studios in Aldgate, Tower Hamlets, London , England, Vereinigtes Königreich
- Teil von:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 88)
- recording of:
- Wouldn’t It Be Good (in 1983)
- Texter und Komponist(in):
- Nik Kershaw
- publisher:
- Arctic King, Imagem Music GmbH , Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing , Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
- Teil von:
- Gotcha!
| Nik Kershaw | 4 | 4:26 |
| 9 | The Look of Love (Pt.1)- Techniker(in):
- Gary Langan
- Produzent(in):
- Trevor Horn
- Bassgitarre:
- Mark Lickley
- Keyboard:
- Mark White
- Sologesang:
- Martin Fry
- Saiteninstrumente arranger:
- Anne Dudley
- phonographisches Urheberrecht (℗) von:
- Mercury Records Ltd. (in 1982), Mercury Records Ltd. (London) (in 1982), Phonogram Ltd. (in 1982) und Phonogram Ltd. (London) (in 1982)
- mixed at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, Vereinigtes Königreich (in 1982)
- Teil von:
- TV Cream: Real 100 Best Singles Ever (Nummer: 4), The Downloader’s Music Source Book (Nummer: 73) und VH1: 100 Greatest Songs of the 80’s (Nummer: 43)
- teilweise recording of:
- The Look of Love
- Verfasser(in):
- Martin Fry, David Palmer , Stephen Singleton und Mark White
- publisher:
- 10 Music Ltd., Copyright Control , Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. und Virgin Music, Inc.
- Teil von:
- Mantrap
| ABC | 3.9 | 3:27 |
| 10 | Love & Pride | King | 4 | 3:19 |
| 11 | You Spin Me Round (Like a Record) | Dead or Alive | 4.15 | 3:12 |
| 12 | Too Shy | Kajagoogoo | 3.55 | 3:41 |
| 13 | Pearl in the Shell | Howard Jones | | 3:54 |
| 14 | Hold Me Now | Thompson Twins | | 4:38 |
| 15 | We Close Our Eyes | Go West | 3.2 | 3:39 |
| 16 | (Feels Like) Heaven | Fiction Factory | 4 | 3:27 |
| 17 | Don’t Talk to Me About Love | Altered Images | | 3:43 |
| 18 | Wishing (If I Had a Photograph of You) | A Flock of Seagulls | | 4:08 |
| 19 | Wood Beez | Scritti Politti | | 4:45 |
| 20 | Kiss Me | Stephen “Tin Tin” Duffy | 3.35 | 3:31 |