The Notebook of Anna Magdalena Bach

~ Release by Igor Kipnis, Judith Blegen, Benjamin Luxon, Catharina Meints (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Aria, Erbauliche Gedanken Eines Tobackrauchers, In G Minor, BWV 515a
recording engineer:
Bud Graham (classical sound engineer) (from 1980-09 until 1980-10)
assistant producer:
Susan Herl-Conroy (producer)
producer:
Eric Salzman
harpsichord:
Igor Kipnis (from 1980-09 until 1980-10)
viola da gamba:
Catharina Meints (from 1980-09 until 1980-10)
baritone vocals:
Benjamin Luxon (baritone) (from 1980-09 until 1980-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1980-09 until 1980-10)
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: VII, Erbauliche Gedanken eines Tabakrauchers, BWV 515 (from 1980-09 until 1980-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 20)
Melody: Gottfried Heinrich Bach? & Bass: J.S. Bach5:44
2Minuet Fait Par Mons. Böhm In G
recording engineer:
Bud Graham (classical sound engineer) (from 1980-09 until 1980-10)
assistant producer:
Susan Herl-Conroy (producer)
producer:
Eric Salzman
clavichord:
Igor Kipnis (from 1980-09 until 1980-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1980-09 until 1980-10)
recording of:
Minuet in G major “per Monsieur Böhm”, BWV deest (Clavier-büchlein für Anna Magdalena Bach 1725) (from 1980-09 until 1980-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 21) and Bach-Werke-Verzeichnis (number: BWV deest)
Böhm1:15
3Musette In D, BWV Anh. 126
recording engineer:
Bud Graham (classical sound engineer) (from 1980-09 until 1980-10)
assistant producer:
Susan Herl-Conroy (producer)
producer:
Eric Salzman
clavichord:
Igor Kipnis (from 1980-09 until 1980-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1980-09 until 1980-10)
recording of:
Musette in D major, BWV Anh. 126 (from 1980-09 until 1980-10)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 22) and Bach-Werke-Verzeichnis (number: BWV Anh. 126)
unknown0:57
4March In E, BWV Anh. 127
recording engineer:
Bud Graham (classical sound engineer) (from 1980-09 until 1980-10)
assistant producer:
Susan Herl-Conroy (producer)
producer:
Eric Salzman
harpsichord:
Igor Kipnis (from 1980-09 until 1980-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1980-09 until 1980-10)
recording of:
Marche Es-dur, BWV Anh. 127 (from 1980-09 until 1980-10)
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Repertorium Carl Philipp Emanuel Bach (BR‑CPEB) (number: BR‑CPEB A‑Juv 6.3), Notebook for Anna Magdalena Bach (1725) (number: 23), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 127) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 127)
unknown1:39
5(Polonaise) In D Minor, BWV Anh. 128
recording engineer:
Bud Graham (classical sound engineer) (from 1980-09 until 1980-10)
assistant producer:
Susan Herl-Conroy (producer)
producer:
Eric Salzman
harpsichord:
Igor Kipnis (from 1980-09 until 1980-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1980-09 until 1980-10)
recording of:
Polonaise d-Moll, BWV Anh. 128 (from 1980-09 until 1980-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 24), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 128) and Bach-Werke-Verzeichnis (number: BWV Anh. 128)
unknown1:05
6Aria, Bist Du Bei Mir, BWV 508
recording engineer:
Bud Graham (classical sound engineer) (from 1980-09 until 1980-10)
assistant producer:
Susan Herl-Conroy (producer)
producer:
Eric Salzman
clavichord:
Igor Kipnis (from 1980-09 until 1980-10)
soprano vocals:
Judith Blegen (soprano) (from 1980-09 until 1980-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1980-09 until 1980-10)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (from 1980-09 until 1980-10)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
G.H. Stölzel?3:01
7Aria (Sarabande), BWV 988/1
recording engineer:
Bud Graham (classical sound engineer) (from 1980-09 until 1980-10)
assistant producer:
Susan Herl-Conroy (producer)
producer:
Eric Salzman
clavichord:
Igor Kipnis (from 1980-09 until 1980-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1980-09 until 1980-10)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (from 1980-09 until 1980-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
J.S. Bach4:28
8Sonata In E, BWV Anh. 129
recording engineer:
Bud Graham (classical sound engineer) (from 1980-09 until 1980-10)
assistant producer:
Susan Herl-Conroy (producer)
producer:
Eric Salzman
harpsichord:
Igor Kipnis (from 1980-09 until 1980-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1980-09 until 1980-10)
recording of:
Keyboard Sonata in E-flat major, Wq. 65 no. 7, BWV Anh. 129, H. 16 (from 1980-09 until 1980-10)
composer:
Carl Philipp Emanuel Bach (German classical composer) (in 1736)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
revised by:
Carl Philipp Emanuel Bach (German classical composer) (in 1744)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 16) and Notebook for Anna Magdalena Bach (1725) (number: 27)
part of:
Vollständige sammlung aller ungedruckten Clavier-Sonaten, Wq. 65
C.P.E. Bach5:16
9Polonaise In G, BWV Anh. 130
recording engineer:
Bud Graham (classical sound engineer) (from 1980-09 until 1980-10)
assistant producer:
Susan Herl-Conroy (producer)
producer:
Eric Salzman
clavichord:
Igor Kipnis (from 1980-09 until 1980-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1980-09 until 1980-10)
recording of:
Polonaise, BWV Anh. 130 (from 1980-09 until 1980-10)
composer:
Johann Adolf Hasse (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 28), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 130 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 130)
J.A. Hasse1:45
10Menuet In D Minor, BWV Anh. 132
recording engineer:
Bud Graham (classical sound engineer) (from 1980-09 until 1980-10)
assistant producer:
Susan Herl-Conroy (producer)
producer:
Eric Salzman
clavichord:
Igor Kipnis (from 1980-09 until 1980-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1980-09 until 1980-10)
recording of:
Menuett in d-Moll, BWV Anh. 132 (from 1980-09 until 1980-10)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 36), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 132) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 132)
unknown0:49
11Praeludium In C, BWV 846/1
recording engineer:
Bud Graham (classical sound engineer) (from 1980-09 until 1980-10)
assistant producer:
Susan Herl-Conroy (producer)
producer:
Eric Salzman
clavichord:
Igor Kipnis (from 1980-09 until 1980-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1980-09 until 1980-10)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (from 1980-09 until 1980-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
J.S. Bach2:02
12(Ringaudon) IN F, BWV Anh. 131
recording engineer:
Bud Graham (classical sound engineer) (from 1980-09 until 1980-10)
assistant producer:
Susan Herl-Conroy (producer)
producer:
Eric Salzman
harpsichord:
Igor Kipnis (from 1980-09 until 1980-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1980-09 until 1980-10)
recording of:
March in F, BWV Anh. 131 (from 1980-09 until 1980-10)
composer:
Johann Christian Bach (German composer, son of JSB)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johann Christian Bach, Thematic catalog (number: W. A22), Notebook for Anna Magdalena Bach (1725) (number: 32), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 131 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 131)
J.C. Bach0:38
13Aria, Warum Betrubst Du Dich, BWV 516
recording engineer:
Bud Graham (classical sound engineer) (from 1980-09 until 1980-10)
assistant producer:
Susan Herl-Conroy (producer)
producer:
Eric Salzman
harpsichord:
Igor Kipnis (from 1980-09 until 1980-10)
viola da gamba:
Catharina Meints (from 1980-09 until 1980-10)
baritone vocals:
Benjamin Luxon (baritone) (from 1980-09 until 1980-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1980-09 until 1980-10)
recording of:
Aria “Warum betrübst du dich”, BWV 516 (from 1980-09 until 1980-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 33) and Bach-Werke-Verzeichnis (number: BWV 516)
unknown1:25
14Recitative, Ich Habe Genug; Aria, Schlummert Ein, Ihr Matten Augen, BWV 82/2,3
recording engineer:
Bud Graham (classical sound engineer) (from 1980-09 until 1980-10)
assistant producer:
Susan Herl-Conroy (producer)
producer:
Eric Salzman
harpsichord:
Igor Kipnis (from 1980-09 until 1980-10)
viola da gamba:
Catharina Meints (from 1980-09 until 1980-10)
soprano vocals:
Judith Blegen (soprano) (from 1980-09 until 1980-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1980-09 until 1980-10)
recording of:
Kantate, BWV 82a "Ich habe genug": III. Aria (Soprano) "Schlummert ein, ihr matten Augen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
J.S. Bach8:22
15Chorale: Schaffs Mit Mir, Gott, BWV 514
recording engineer:
Bud Graham (classical sound engineer) (from 1980-09 until 1980-10)
assistant producer:
Susan Herl-Conroy (producer)
producer:
Eric Salzman
harpsichord:
Igor Kipnis (from 1980-09 until 1980-10)
viola da gamba:
Catharina Meints (from 1980-09 until 1980-10)
baritone vocals:
Benjamin Luxon (baritone) (from 1980-09 until 1980-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1980-09 until 1980-10)
recording of:
Choral “Schaffs mit mir, Gott”, BWV 514 (from 1980-09 until 1980-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Benjamin Schmolck
part of:
Notebook for Anna Magdalena Bach (1725) (number: 35), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 514), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 514) and Bach Compendium (number: BC F 216)
unknown0:48
16Aria di Giovannini: Willst Du Dein Herz Mir Schenken, BWV 518
recording engineer:
Bud Graham (classical sound engineer) (from 1980-09 until 1980-10)
assistant producer:
Susan Herl-Conroy (producer)
producer:
Eric Salzman
harpsichord:
Igor Kipnis (from 1980-09 until 1980-10)
viola da gamba:
Catharina Meints (from 1980-09 until 1980-10)
soprano vocals:
Judith Blegen (soprano) (from 1980-09 until 1980-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1980-09 until 1980-10)
recording of:
Aria di Giovannini, BWV 518: Willst du dein Herz mir schenken (attribution doubtful) (from 1980-09 until 1980-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/An/13), Notebook for Anna Magdalena Bach (1725) (number: 37), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 518), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 518) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 518)
"Giovannini"2:30
17Chorale: Dir, dir, Jehovah, Will Ich Singren, BWV 299
recording engineer:
Bud Graham (classical sound engineer) (from 1980-09 until 1980-10)
assistant producer:
Susan Herl-Conroy (producer)
producer:
Eric Salzman
harpsichord:
Igor Kipnis (from 1980-09 until 1980-10)
viola da gamba:
Catharina Meints (from 1980-09 until 1980-10)
baritone vocals:
Benjamin Luxon (baritone) (from 1980-09 until 1980-10)
soprano vocals:
Judith Blegen (soprano) (from 1980-09 until 1980-11)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1980-09 until 1980-10)
recording of:
Choralsatz, BWV 299 [1] "Dir, dir, Jehova, will ich singen" (for choir, in Clavier-Büchlein for Anna Magdalena Bach) (from 1980-09 until 1980-10)
lyricist:
Bartholomäus Crasselius (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 39a), Breitkopf 389 Choralgesänge (number: 67) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 299 [1])
adaptations:
Geistliches Lied, BWV 452 "Dir, dir, Jehova, will ich singen" (for voice and basso continuo)
J.S. Bach6:06
18Chorale: Wie Wohl Ist Mir, O Freund Der Seelen, BWV 517
recording engineer:
Bud Graham (classical sound engineer) (from 1980-09 until 1980-10)
assistant producer:
Susan Herl-Conroy (producer)
producer:
Eric Salzman
harpsichord:
Igor Kipnis (from 1980-09 until 1980-10)
viola da gamba:
Catharina Meints (from 1980-09 until 1980-10)
baritone vocals:
Benjamin Luxon (baritone) (from 1980-09 until 1980-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1980-09 until 1980-10)
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: “Wie wohl ist mir, o Freund der Seelen”, BWV 517 (from 1980-09 until 1980-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Wolfgang Christoph Dessler (in 1692)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 40) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 517)
unknown1:16
19Aria: Gedenke Doch, Mein Geist, Zurücke, BWV 509
recording engineer:
Bud Graham (classical sound engineer) (from 1980-09 until 1980-10)
assistant producer:
Susan Herl-Conroy (producer)
producer:
Eric Salzman
harpsichord:
Igor Kipnis (from 1980-09 until 1980-10)
viola da gamba:
Catharina Meints (from 1980-09 until 1980-10)
soprano vocals:
Judith Blegen (soprano) (from 1980-09 until 1980-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1980-09 until 1980-10)
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: VI , Gedenke doch mein Geist, BWV 509 (attribution doubtful) (from 1980-09 until 1980-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 41) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 509)
unknown1:00
20Chorale: O Ewigkeit, Du Donnerwort, BWV 513
recording engineer:
Bud Graham (classical sound engineer) (from 1980-09 until 1980-10)
assistant producer:
Susan Herl-Conroy (producer)
producer:
Eric Salzman
harpsichord:
Igor Kipnis (from 1980-09 until 1980-10)
viola da gamba:
Catharina Meints (from 1980-09 until 1980-10)
soprano vocals:
Judith Blegen (soprano) (from 1980-09 until 1980-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1980-09 until 1980-10)
recording of:
O Ewigkeit, du Donnerwort, BWV 513 (from 1980-09 until 1980-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1642)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 42), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 513) and Bach Compendium (number: BC F 218)
J.S. Bach1:19

Credits

Release

art direction:Ron Coro (design)
miscellaneous support:Keith Holzman (task: production supervisor)
Elise Keen (task: production coordinator)
editor:Barry Harris (engineer)
mastering:Terry Dunavan
design:Denise Minobe
artwork:Joe Garnett (Illustrations, cover art, design, lettering) (task: cover painting)
edited at:Sound Ideas Studios in New York, New York, United States