Julian Cannonball Adderley and Strings

~ Veröffentlichung von Julian Cannonball Adderley and Strings (alle Versionen dieser Veröffentlichung ansehen, 11 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1I Cover the Waterfront
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
I Cover the Waterfront (am 1955-10-28)
Texter:
Edward Heyman
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green) und Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell Music, Inc.
2:27
2A Foggy Day
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 2001) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
A Foggy Day (in London Town) (am 1955-10-28)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
2:41
3Surrey With the Fringe on Top
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
The Surrey With the Fringe on Top (am 1955-10-28)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Williamson Music Company (vom 1943 bis heute)
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:33
4Two Sleepy People
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Two Sleepy People (from the 1938 film "Thanks for the Memory") (am 1955-10-28)
Texter:
Frank Loesser
Komponist(in):
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK und Sony/ATV Music Publishing LLC (1995–2020)
3:01
5I’ll Never Stop Loving You
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 1999) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
I’ll Never Stop Loving You (am 1955-10-28)
Texter:
Sammy Cahn
Komponist(in):
Nicholas Brodzsky
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
2:41
6The Masquerade Is Over
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
I’m Afraid the Masquerade Is Over (am 1955-10-28)
Texter:
Herb Magidson
Komponist(in):
Allie Wrubel (US composer and songwriter)
publisher:
Chappell Morris Ltd. und Crawford Music Corp.
3:11
7I’ve Never Been in Love Before
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 1999) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
I’ve Never Been in Love Before (am 1955-10-28)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
Guys and Dolls (Broadway musical)
2:20
8Lonely Dreams
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Lonely Dreams (am 1955-10-28)
Komponist(in):
Terry Gibbs (jazz vibraphonist)
2:30
9Falling in Love With Love
recorded in:
New York, Vereinigte Staaten (am 1955-10-27)
alto saxophone:
Cannonball Adderley (am 1955-10-27)
conductor:
Richard Hayman (am 1955-10-27)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Falling in Love With Love (am 1955-10-27)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
The Boys From Syracuse
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:33
10Street of Dreams
recorded in:
New York, Vereinigte Staaten (am 1955-10-27)
alto saxophone:
Cannonball Adderley (am 1955-10-27)
conductor:
Richard Hayman (am 1955-10-27)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Street of Dreams (am 1955-10-27)
Texter:
Sam M. Lewis (1930s lyricist) (in 1932)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
publisher:
EMI Miller Catalog, Inc. und Miller Music Corp.
2:14
11Polka Dots and Moonbeams
recorded in:
New York, Vereinigte Staaten (am 1955-10-27)
alto saxophone:
Cannonball Adderley (am 1955-10-27)
conductor:
Richard Hayman (am 1955-10-27)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
Polka Dots and Moonbeams (am 1955-10-27)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher und Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:04
12You Are Too Beautiful
recorded in:
New York, Vereinigte Staaten (am 1955-10-27)
alto saxophone:
Cannonball Adderley (am 1955-10-27)
conductor:
Richard Hayman (am 1955-10-27)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
You Are Too Beautiful (am 1955-10-27)
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
2:55

Nennungen

Veröffentlichung

hergestellt in:Japan
Verwertungsgesellschaft:JASRAC (Japan rights society; do not use this as a label or work publisher!)
hergestellt von und vertrieben von:Nippon Phonogram Co., Ltd. (use as manufacturer and/or distributor only)
Discogs:https://www.discogs.com/release/2884918 [Info]