The Lord of the Rings: The Return of the King: The Complete Recordings
~ Release by Howard Shore (see all versions of this release, 18 available)
Annotation
℗ «2018, 2007 Reprise Records for the U.S. and WEA International Inc. for the world outside the U.S. All Rights Reserved. Marketed by Rhino Entertainment Company, a Warner Music Group Company.»
Annotation last modified on 2024-06-28 21:36 UTC.
Tracklist
| 1Digital Media | ||||
|---|---|---|---|---|
| # | Title | Artist | Rating | Length |
| 1 | Roots and Beginnings
| Howard Shore | 6:31 | |
| 2 | Journey to the Cross‐roads
| Howard Shore | 2:17 | |
| 3 | The Road to Isengard
| Howard Shore | 2:18 | |
| 4 | The Foot of Orthanc
| Howard Shore | 4:45 | |
| 5 | Return to Edoras
| Howard Shore | 1:51 | |
| 6 | The Chalice Passed
| Howard Shore | 1:51 | |
| 7 | The Green Dragon
| Plan 9, Billy Boyd and Dominic Monaghan | 0:35 | |
| 8 | Gollum’s Villainy
| Howard Shore | 2:10 | |
| 9 | Éowyn’s Dream
| Howard Shore | 1:24 | |
| 10 | The Palantír
| Howard Shore | 3:10 | |
| 11 | Flight From Edoras
| Howard Shore | 2:19 | |
| 12 | The Grace of Undómiel
| Howard Shore feat. Renée Fleming | 6:21 | |
| 13 | The Eyes of the White Tower
| Howard Shore | 4:33 | |
| 14 | A Coronal of Silver and Gold
| Howard Shore | 8:27 | |
| 15 | The Lighting of the Beacons
| Howard Shore | 9:03 | |
| 2Digital Media |
|---|
| 3Digital Media |
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| 4Digital Media |
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Credits
Release
| art direction: | Ellen Wakayama |
|---|---|
| photography: | Benjamin Ealovega Ulrich Herkenhoff (German composer and panfluteist) Stewart McIlwham (flutist) Ayisha Winmai |
| liner notes: | Doug Adams (music journalist) |
| miscellaneous support: | Ann Barnard (task: music preparation) Ruth Cornes (task: music contractor) Chris Cozens (task: auricle operator) Dick Ihnatowicz (task: music preparation) Karen Elliott (task: scoring coordinator) Mark Findon (task: music preparation) Vic Fraser (task: music preparation) Alan Frey (task: album coordinating supervisor) Jeff Grace Jennifer Green (copyist) (task: music preparation) Isobel Griffiths (task: music contractor) Ian Hayter (task: music preparation) Mike Hornet (task: music preparation) Josie Leckie (task: soundtrack coordination) Kevin Mahonchuk (task: music preparation) Roy Moore (writer, arranger) (task: music preparation) Charles Portney (task: scoring coordinator) Jason Poss (task: music preparation) Edmund Sanders (task: music preparation) Sue Sinclair (task: music example preparation and album coordination) Jill Steater (task: music preparation) Gill Townend (task: music preparation) John Whitfield (British conductor & bassoonist) (task: music preparation) |
| mixer: | Peter Cobbin (recording engineer at Abbey Road Studios) |
| additional engineer: | Andy Bradfield Paul Hicks Tom Lazarus Jeffrey Lesser |
| assistant engineer: | Jim Bruening (music editor, mix engineer) Mike Cox (engineer) Lois Dilivio Bill Foley David Gould (engineer) Erik Jordan (engineer) Richard Lancaster Greg Laporta (pianist and composer) Sam Okell (engineer, Abbey Road Studios) Steve Pelluet Lowell Pickett Greg Rippin Mirek Stiles Tim Stritmater (engineer) Giancarlo Vulcano Toby Wood |
| associate producer: | Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production) |
| executive producer: | Jeff Aldrich (engineer) Paul Broucek Peter Jackson (director, producer and screenwriter) Fran Walsh |
| producer: | Howard Shore (Canadian score composer) |
| recording engineer: | John Kurlander (engineer) |
| editor: | Andrew Dudman (UK recording engineer and mixer, early 21c) Marie Ebbing Malcolm Fife Becca Gatrell Simon Kiln Michael Price (composer, conductor and producer of film and TV) Steven Price (English score composer) Jonathan Schultz (mastering) Nigel Scott (New Zealand technician and post production engineer) Tim Starnes (engineer) Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production) John Wriggle |
| mastering: | Peter Mew (senior sound engineer at Abbey Road Studios) |
| 12 string guitar [twelve string guitar] and guitar [six string guitar]: | John Parricelli |
| cimbalom: | Edward Cervenka (percussionist and cimbalom player) |
| fiddle [double violin], fiddle [Irish fiddle] and hardingfele [Hardanger]: | Dermot Crehan |
| low whistle and other instruments [rhaita]: | Jan Hendrickse |
| pan flute: | Ulrich Herkenhoff (German composer and panfluteist) |
| orchestra: | London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) |
| chorus master: | Terry Edwards (British choir director) Michael McCarthy (classical bass vocalist, choirmaster) |
| choir vocals: | The London Oratory School Schola London Voices |
| design: | Ryan Corey |
| recorded at: | Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom Air Lyndhurst (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom CTS Colosseum (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom |
|---|---|
| mixed at and mastered at: | Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom |
Release group
| associated singles/EPs: | Into the West by Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) |
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| part of: | Academy Award for Best Music (Original Score) (2004 - 76th (Winner and Nominees)) (number: 1) (order: 1) The Lord of the Rings: Original Motion Picture Soundtracks (number: 4) (order: 4) Academy Award winners for “Best Original Score” (soundtrack collection) (number: 76) (order: 57) |
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