The Vocal Works: Cantatas / Passions / Oratorios / Masses / Motets

~ Release by Johann Sebastian Bach; Bach Collegium Japan, Masaaki Suzuki (see all versions of this release, 1 available)

Tracklist

1▼Hybrid SACD: The Sacred Cantatas disc 1
#TitleArtistRatingLength
1Cantata no. 4, BWV 4 "Christ lag in Todesbanden": I. Sinfonia
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:14
2Cantata no. 4, BWV 4 "Christ lag in Todesbanden": II. Versus I. Coro "Christ Lag in Todes Banden"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:03
3Cantata no. 4, BWV 4 "Christ lag in Todesbanden": III. Versus II. Duetto "Den Tod niemand zwingen kunnt"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
countertenor vocals:
太刀川昭 (Akira Tachikawa) (from 1995-06 until 1995-07)
soprano vocals:
Yumiko Kurisu (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:41
4Cantata no. 4, BWV 4 "Christ lag in Todesbanden": IV. Versus III. Aria "Jesus Christus, Gottes Sohn" (Tenore)
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
tenor vocals:
Koki Katano (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:56
5Cantata no. 4, BWV 4 "Christ lag in Todesbanden": V. Versus IV. Coro "Es war ein wunderlicher Krieg"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:28
6Cantata no. 4, BWV 4 "Christ lag in Todesbanden": VI. Versus V. Aria "Hier ist das rechte Osterlamm" (Basso)
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:38
7Cantata no. 4, BWV 4 "Christ lag in Todesbanden": VII. Versus VI. Duetto "So feiern wir das hohe Fest" (Soprano, Tenore)
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
soprano vocals:
Yumiko Kurisu (from 1995-06 until 1995-07)
tenor vocals:
Koki Katano (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:29
8Cantata no. 4, BWV 4 "Christ lag in Todesbanden": VIII. Versus VII. Choral "Wir essen und leben wohl"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:24
9Cantata no. 150, BWV 150 "Nach Dir, Herr, verlanget mich": I. Sinfonia
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": I. Sinfonia (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:40
10Cantata no. 150, BWV 150 "Nach Dir, Herr, verlanget mich": II. Coro "Nach Dir, Herr, verlanget mich"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": II. Coro "Nach dir, Herr, verlanget mich" (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach3:29
11Cantata no. 150, BWV 150 "Nach Dir, Herr, verlanget mich": III. Aria "Doch bin und bleibe ich vergnügt" (Soprano)
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
soprano vocals:
Yumiko Kurisu (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": III. Aria (Sopran) "Doch bin und bleibe ich vergnügt" (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:28
12Cantata no. 150, BWV 150 "Nach Dir, Herr, verlanget mich": IV. Coro "Leite mich in deiner Wahrheit"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": IV. Coro "Leite mich in deiner Wahrheit" (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:47
13Cantata no. 150, BWV 150 "Nach Dir, Herr, verlanget mich": V. Aria "Zedern müssen von den Winden" (Terzetto: Alto, Tenore, Basso)
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 1995-06 until 1995-07)
countertenor vocals:
太刀川昭 (Akira Tachikawa) (from 1995-06 until 1995-07)
tenor vocals:
Koki Katano (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": V. Aria (Terzetto Alt, Tenor, Bass) "Zedern müssen von den Winden" (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:12
14Cantata no. 150, BWV 150 "Nach Dir, Herr, verlanget mich": VI. Coro "Meine Augen sehen stets zu dem Herrn"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VI. Coro "Meine Augen sehen stets zu dem Herrn" (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach2:03
15Cantata no. 150, BWV 150 "Nach Dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide" (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach3:06
16Cantata no. 196, BWV 196 "Der Herr denket an uns": I. Sinfonia
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": I. Sinfonia (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach1:47
17Cantata no. 196, BWV 196 "Der Herr denket an uns": II. Coro "Der Herr denket an uns"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": II. Coro "Der Herr denket an uns" (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach2:11
18Cantata no. 196, BWV 196 "Der Herr denket an uns": III. Aria "Er segnet, die den Herrn fürchten" (Soprano)
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
soprano vocals:
Yumiko Kurisu (from 1995-06 until 1995-07)
orchestra:
Bach Collegium Japan (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": III. Aria (Sopran) "Er segnet, die den Herrn fürchten" (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach2:30
19Cantata no. 196, BWV 196 "Der Herr denket an uns": IV. Duetto "Der Herr segnet euch" (Tenore, Basso)
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 1995-06 until 1995-07)
tenor vocals:
Koki Katano (from 1995-06 until 1995-07)
orchestra:
Bach Collegium Japan (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": IV. Duetto (Tenor, Bass) "Der Herr segne euch je mehr und mehr" (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach1:52
20Cantata no. 196, BWV 196 "Der Herr denket an uns": V. Coro "Ihr seid die Gesegneten des Herrn"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
orchestra:
Bach Collegium Japan (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": V. Coro "Ihr seid die Gesegneten des Herrn" (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach3:12
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41▶Hybrid SACD: The Sacred Cantatas disc 41
42▶Hybrid SACD: The Sacred Cantatas disc 42
43▶Hybrid SACD: The Sacred Cantatas disc 43
44▶Hybrid SACD: The Sacred Cantatas disc 44
45▶Hybrid SACD: The Sacred Cantatas disc 45
46▶Hybrid SACD: The Sacred Cantatas disc 46
47▶Hybrid SACD: The Sacred Cantatas disc 47
48▶Hybrid SACD: The Sacred Cantatas disc 48
49▶Hybrid SACD: The Sacred Cantatas disc 49
50▶Hybrid SACD: The Sacred Cantatas disc 50
51▶Hybrid SACD: The Sacred Cantatas disc 51
52▶Hybrid SACD: The Sacred Cantatas disc 52
53▶Hybrid SACD: The Sacred Cantatas disc 53
54▶Hybrid SACD: The Sacred Cantatas disc 54
55▶Hybrid SACD: The Sacred Cantatas disc 55
56▶Hybrid SACD: The Secular Cantatas disc 1
57▶Hybrid SACD: The Secular Cantatas disc 2
58▶Hybrid SACD: The Secular Cantatas disc 3
59▶Hybrid SACD: The Secular Cantatas disc 4
60▶Hybrid SACD: The Secular Cantatas disc 5
61▶Hybrid SACD: The Secular Cantatas disc 6
62▶Hybrid SACD: The Secular Cantatas disc 7
63▶Hybrid SACD: The Secular Cantatas disc 8
64▶Hybrid SACD: The Secular Cantatas disc 9
65▶Hybrid SACD: The Secular Cantatas disc 10
66▶Hybrid SACD: St. John Passion
67▶Hybrid SACD: St. John Passion
68▶Hybrid SACD: St. Matthew Passion
69▶Hybrid SACD: St. Matthew Passion
70▶Hybrid SACD: Weihnachts-Oratorium
71▶Hybrid SACD: Weihnachts-Oratorium
72▶Hybrid SACD: Mass in B minor
73▶Hybrid SACD: Mass in B minor
74▶Hybrid SACD: Lutheran Masses I
75▶Hybrid SACD: Lutheran Masses II
76▶Hybrid SACD: Easter Oratorio / Ascension Oratorio
77▶Hybrid SACD: Motets
78▶Hybrid SACD: Various Vocal Works

Credits