| # | Title | Artist | Rating | Length |
|---|
| 1 | Urgent- assistant engineer:
- Edwin Hobgood and Michael Sauvage
- engineer:
- Tony Platt , Brad Samuelsohn and Dave Wittman
- producer:
- Mick Jones and Robert John “Mutt” Lange
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar [lead guitar]:
- Mick Jones
- keyboard:
- Michael Fonfara and Mick Jones
- saxophone:
- Mark Rivera
- solo saxophone:
- Junior Walker
- synthesizer:
- Thomas Dolby
- background vocals:
- Dennis Elliott, Mick Jones , Robert John “Mutt” Lange , Ian Lloyd , Mark Rivera and Rick Wills
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1981, in 2002), WEA International Inc. (in 1981) and Rhino Entertainment Company (in 2009)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Urgent
- lyricist and composer:
- Mick Jones
- publisher:
- Intersong Music Ltd. and Somerset Songs Publishing Inc.
- sub-publisher:
- Fuji Pacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Foreigner | 4.15 | 4:32 |
| 2 | Stray Cat Strut | Stray Cats | | 3:18 |
| 3 | We Got the Beat- additional assistant recording engineer:
- James Ball, Eric Kortee and Darroll Gustamachio
- assistant recording engineer:
- Ted Blechta and John Terelle
- recording engineer and mixer:
- Rob Freeman
- producer:
- Rob Freeman and Richard Gottehrer
- assistant mixer:
- Gray Russell
- bass guitar and guitar:
- Kathy Valentine
- drums (drum set) and percussion:
- Gina Schock
- guitar [lead guitar] and keyboard:
- Charlotte Caffey
- guitar [rhythm guitar]:
- Jane Wiedlin
- lead vocals:
- Belinda Carlisle
- vocals:
- Charlotte Caffey and Jane Wiedlin
- phonographic copyright (℗) by:
- I.R.S., Inc. (in 1981)
- additionally recorded at:
- Sound Mixers Studio in New York, New York, United States and The Record Plant in Midtown Manhattan, New York, New York, United States
- recorded at:
- Pennylane Studios in New York, New York, United States
- mixed at:
- Sound Mixers Studio in New York, New York, United States
- recording of:
- We Got the Beat
- lyricist and composer:
- Charlotte Caffey
- writer:
- Go‐Go’s
- publisher:
- Daddy-Oh Music and Universal Music–MGB Songs
| The Go‐Go’s | 4.5 | 2:32 |
| 4 | Shining Star | The Manhattans | | 4:42 |
| 5 | I Love a Rainy Night | Eddie Rabbitt | | 3:11 |
| 6 | Slow Hand- associate producer:
- Trevor Lawrence
- producer:
- Richard Perry
- mixer:
- Bill Schnee
- bass guitar:
- Nate Watts
- drums (drum set):
- John Robinson
- guitar:
- Paul Jackson, Jr. and Tim May
- organ:
- William Smith
- percussion:
- Paulinho da Costa
- lead vocals:
- Anita Pointer
- vocals arranger:
- The Pointer Sisters
- phonographic copyright (℗) by:
- BMG Entertainment (in 1981), Planet Records (in 1981) and Planet Records Inc. (in 1981)
- mixed at:
- Studio 55 in Los Angeles, California, United States
- recording of:
- Slow Hand
- lyricist:
- John Bettis
- composer:
- Michael Clark
- publisher:
- Flying Dutchman Music Co., Sweet Harmony Music, Inc. , Warner Chappell Music Ltd. , Warner–Tamerlane Publishing Corp. , Warner/Chappell Music Ltd. , ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| The Pointer Sisters | 5 | 3:54 |
| 7 | Lost in Love- engineer and mixer:
- William Wittman
- producer:
- Rick Chertoff, Charles Fisher and Robie Porter
- bass guitar:
- Criston Barker
- drums (drum set):
- Ralph Cooper
- guitar [lead guitar]:
- David Moyse
- guitar [rhythm guitar]:
- Graham Russell
- keyboard:
- Frank Esler‐Smith and Sam McNally
- background vocals:
- Criston Barker, Tommy Dassalo , Russell Hitchcock, David Moyse, Nancy Nash and Graham Russell
- lead vocals:
- Russell Hitchcock
- vocals:
- Graham Russell
- arranger:
- Air Supply and Robie Porter
- orchestrator:
- Frank Esler‐Smith and Robie Porter
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1980) and Wizard Records Pty. Ltd. (in 1980)
- recorded at:
- Trafalgar Studios in Annandale, Sydney, New South Wales, Australia
- mixed at:
- Soundmixers in Midtown Manhattan, New York, New York, United States
- part of:
- The Downloader’s Music Source Book (number: 295)
- recording of:
- Lost in Love
- lyricist and composer:
- Graham Russell
- publisher:
- Nottsongs, Universal Music Careers and Warner/Chappell Music Ltd.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Air Supply | 5 | 3:55 |
| 8 | Just the Two of Us | Bill Withers & Grover Washington, Jr. | | 3:32 |
| 9 | Arthur’s Theme (Best That You Can Do)- additional engineer:
- John Guess, Lee Herschberg, Mark Linett and Richard Mullen
- assistant engineer:
- Stuart Gitlin and Margaret Gwynne
- producer:
- Michael Omartian
- mixer:
- Chet Himes
- lead vocals:
- Christopher Cross
- conductor:
- Michael Omartian
- strings arranger:
- Michael Omartian
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- concertmaster:
- Assa Drori
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1981, in 1983)
- recorded at and mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
- recording of:
- Arthur’s Theme (Best That You Can Do)
- writer:
- Peter Allen , Burt Bacharach, Carole Bayer Sager and Christopher Cross
- publisher:
- Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing , Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America and Woolnough Music
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
| Christopher Cross | 5 | 3:55 |
| 10 | Magic | The Cars | 3.2 | 4:00 |
| 11 | Mickey | Toni Basil | | 3:28 |
| 12 | Too Hot | Kool & the Gang | | 3:51 |
| 13 | Desire | Andy Gibb | 5 | 4:31 |
| 14 | Jesse | Carly Simon | | 4:20 |
| 15 | I Keep Forgettin’ (Every Time You’re Near) | Michael McDonald | 4 | 3:43 |
| 16 | Steal Away- engineer:
- Gary Brandt
- congas:
- Miguel Rivera
- guitar:
- Bob Bordy, Dennis Herring, Bill LaBounty, Robert Palmer and Brian Ray
- harmonica:
- Robbie Dupree
- keyboard:
- Rick Chudacoff and Bill Elliott
- marimba:
- Alan Estes
- percussion:
- Peter Bunetta, Robbie Dupree, Alan Estes, Arno Lucas and Miguel Rivera
- saxophone:
- Jerry Peterson
- synthesizer:
- Michael Boddicker and Bill Elliott
- background vocals:
- Kal David, Bill LaBounty, Arno Lucas and Michael McDonald
- arranger:
- Bill Elliott
- phonographic copyright (℗) by:
- Elektra Entertainment (in 1980) and Elektra/Asylum Records (in 1980)
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 64)
- recording of:
- Steal Away
- lyricist:
- Rick Chudacoff
- composer:
- Robbie Dupree
- publisher:
- Big Ears Music, Inc., Chrome Willie Music, EMI April Music Inc., EMI Blackwood Music Inc., Gouda Music Co., Grandma Annie Music, Oozle Music, フジパシフィックミュージック , イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Robbie Dupree | | 3:31 |
| 17 | Theme From Hill Street Blues | Mike Post | 4 | 3:14 |
| 18 | The Tide Is High- assistant engineer:
- Gary Boatner and Doug Schwartz
- engineer:
- Lenise Bent
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1980)
- drums (drum set):
- Clem Burke (in 1980)
- guest percussion:
- Alex Acuña (in 1980), Ollie E. Brown (in 1980) and Emil Richards (in 1980)
- guitar:
- Frank Infante (in 1980) and Chris Stein (in 1980)
- keyboard:
- Jimmy Destri (in 1980)
- timpani:
- Chris Stein (in 1980)
- background vocals [girl-group backup vocals]:
- The ‘B’ Girls and Deborah Harry
- lead vocals:
- Deborah Harry (in 1980)
- instruments arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2001), Capitol Records (in 2001), Capitol Records, Inc. (in 2001) and Capitol Records, LLC (in 2001)
- recorded at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
- cover recording of:
- The Tide Is High (in 1980)
- additional writer:
- Howard Barrett (in 1967) and Tyrone Evans (in 1967)
- writer:
- John Holt (in 1967)
- publisher:
- B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control , Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
| Blondie | 4.15 | 4:45 |
| 19 | Clones (We’re All) | Alice Cooper | 4.3 | 2:53 |
| 20 | Cars | Gary Numan | 4.2 | 3:56 |
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