Funky Midnight Mover: The Atlantic Studio Recordings 1962-1978

~ Veröffentlichung von Wilson Pickett (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1I Found a Love
recorded in:
Detroit, Michigan, Vereinigte Staaten (in 1961-06)
Produzent(in):
Robert West (US songwriter)
alto saxophone:
Ralph "Pee Wee" Middlebrook
Bass:
Marshall Jones (US bassist & songwriter, member of Ohio Players)
Bass [electric bass]:
Marshall Jones (US bassist & songwriter, member of Ohio Players) (in 1961-06)
Blechblasinstrumente:
Ralph "Pee Wee" Middlebrook (in 1961-06)
Gitarre:
Lance Finnie, Lance Finnie (in 1961-06) und Robert Ward (guitar, blues musician) (in 1961-06)
Klarinette und Klavier:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1961)
Schlagzeug:
Cornelius Johnson (Drummer in The Ohio Untouchables) (, in 1961-06)
Tenorsaxophon:
Clarence Satchell (, in 1961-06)
Sologesang:
Wilson Pickett
vocals:
Eddie Floyd (in 1961-06), Mack Rice (in 1961-06), Ben Night (in 1961-06), Wilson Pickett (in 1961-06) und Joe Stubbs (in 1961-06)
zusätzlich vocals:
Eddie Floyd und Sir Mack Rice
Interpret(in):
The Ohio Untouchables (in 1961-06)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
King Studios in Cincinnati, Ohio, Vereinigte Staaten (in 1962-01)
recording of:
I Found a Love (in 1961-06)
Verfasser(in):
Wilson Pickett, Willie Schofield und Robert L. West (US songwriter)
publisher:
Alibri Music Co, C & B West Publishing Co., Lupine Music, Progressive Music (publisher), Rightsong Music und Unichappell Music, Inc.
The Falcons2:59
2Let’s Kiss and Make Up
Produzent(in):
Robert West (US songwriter)
alto saxophone:
Ralph "Pee Wee" Middlebrook
Bass:
Marshall Jones (US bassist & songwriter, member of Ohio Players)
Gitarre:
Lance Finnie und Robert Ward (guitar, blues musician)
Schlagzeug:
Cornelius Johnson (Drummer in The Ohio Untouchables)
Tenorsaxophon:
Clarence Satchell
Sologesang:
Wilson Pickett
zusätzlich vocals:
Eddie Floyd und Sir Mack Rice
aufgenommen bei:
King Studios in Cincinnati, Ohio, Vereinigte Staaten (am 1962-10-19)
recording of:
Let’s Kiss and Make Up
Texter und Komponist(in):
Willie Schofield
The Falcons2:35
3Take This Love I’ve Got
Produzent(in):
Robert West (US songwriter)
alto saxophone:
Ralph “Pee Wee” Middlebrooks
Bass:
Marshall Jones (US bassist & songwriter, member of Ohio Players)
Gitarre:
Lance Finnie und Robert Ward (guitar, blues musician)
Schlagzeug:
Cornelius Johnson (Drummer in The Ohio Untouchables)
Tenorsaxophon:
Clarence Satchell
Sologesang:
Wilson Pickett
zusätzlich vocals:
Eddie Floyd und Sir Mack Rice
aufgenommen bei:
King Studios in Cincinnati, Ohio, Vereinigte Staaten (am 1962-10-19)
recording of:
Take This Love I’ve Got
Verfasser(in):
Bonny Rice, Eddie Floyd und Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) und Lupine Music
The Falcons2:16
4My Heart Belongs to You
vocals:
Wilson Pickett
aufgenommen bei:
United Sound Systems in Detroit, Michigan, Vereinigte Staaten (in 1962)
recording of:
My Heart Belongs to You
Texter und Komponist(in):
Wilson Pickett
Wilson Pickett2:22
5Let Me Be Your Boy
vocals:
Wilson Pickett
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
produced for:
Correc-Tone Recording Co.
aufgenommen bei:
United Sound Systems in Detroit, Michigan, Vereinigte Staaten (in 1962)
recording of:
Let Me Be Your Boy (in 1962)
Texter und Komponist(in):
Wilbur Harbert
publisher:
Lark Music Inc.
Wilson Pickett42:46
6If You Need Me
recorded in:
Detroit, Michigan, Vereinigte Staaten (in 1963)
Produzent(in):
Robert Bateman (R&B singer/songwriter/record producer)
Bass:
James Jamerson
Gitarre:
Robert White (US funk/soul guitarist) und Eddie Willis
Klavier:
Joe Hunter (of the Motown "Funk Brothers" studio ensemble)
Schlagzeug:
Benny Benjamin (US drummer)
vocals:
Wilson Pickett
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
United Sound Systems in Detroit, Michigan, Vereinigte Staaten (in 1963)
recording of:
If You Need Me (in 1963)
Verfasser(in):
Robert Bateman (R&B singer/songwriter/record producer), Wilson Pickett und Sonny Sanders
publisher:
Belinda (beendet), Cotillion Music Inc. (BMI) und Lupine Music
Wilson Pickett2:36
7Baby Call on Me
Produzent(in):
Robert Bateman (R&B singer/songwriter/record producer)
Bass:
James Jamerson
Gitarre:
Robert White (US funk/soul guitarist) und Eddie Willis
Schlagzeug:
Benny Benjamin (US drummer)
vocals:
Wilson Pickett
aufgenommen bei:
United Sound Systems in Detroit, Michigan, Vereinigte Staaten (in 1963)
recording of:
Baby Call on Me
Texter und Komponist(in):
Don Juan Mancha
Wilson Pickett2:27
8It’s Too Late
recorded in:
Detroit, Michigan, Vereinigte Staaten (in 1963)
Produzent(in):
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
United Sound Systems in Detroit, Michigan, Vereinigte Staaten (in 1963)
recording of:
It’s Too Late
Texter und Komponist(in):
Wilson Pickett
publisher:
Correc-Tone und Cotillion Music Inc. (BMI)
Wilson Pickett3:11
9I’m Gonna Love You
Produzent(in):
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
aufgenommen bei:
United Sound Systems in Detroit, Michigan, Vereinigte Staaten (in 1963)
recording of:
I'm Gonna Love You
Texter und Komponist(in):
Robert Bateman (R&B singer/songwriter/record producer)
Wilson Pickett2:14
10I’m Down to My Last Heartbreak
Produzent(in):
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
aufgenommen bei:
United Sound Systems in Detroit, Michigan, Vereinigte Staaten (in 1963)
recording of:
I’m Down to My Last Heartbreak
Verfasser(in):
Dee Ervin und James Willingham, Jr.
Wilson Pickett2:39
11I Can’t Stop
Produzent(in):
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
aufgenommen bei:
United Sound Systems in Detroit, Michigan, Vereinigte Staaten (in 1963)
recording of:
I Can’t Stop
Texter und Komponist(in):
Willie Schofield
Wilson Pickett2:32
12Baby Don’t You Weep
Produzent(in):
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
aufgenommen bei:
United Sound Systems in Detroit, Michigan, Vereinigte Staaten (in 1963)
cover recording of:
Baby Don’t You Weep
Verfasser(in):
Fred Bridges und Harrison Smith (British saxophonist, clarinetist and composer)
Wilson Pickett2:12
13Peace Breaker
Produzent(in):
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
aufgenommen bei:
United Sound Systems in Detroit, Michigan, Vereinigte Staaten (in 1963)
recording of:
Peace Breaker
Texter und Komponist(in):
Wilson Pickett
Wilson Pickett2:40
14I’ll Never Be the Same
Produzent(in):
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
aufgenommen bei:
United Sound Systems in Detroit, Michigan, Vereinigte Staaten (in 1963)
Wilson Pickett2:41
15Give All Your Lovin’ Right Now
Produzent(in):
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
aufgenommen bei:
United Sound Systems in Detroit, Michigan, Vereinigte Staaten (in 1963)
Wilson Pickett2:20
16I’m Gonna Cry (Cry Baby)
recorded in:
New York, New York, Vereinigte Staaten (am 1964-05-12)
Produzent(in):
Wilson Pickett
vocals:
Wilson Pickett (am 1964-05-12)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
United Sound Systems in Detroit, Michigan, Vereinigte Staaten (am 1964-05-12)
recording of:
I’m Gonna Cry (am 1964-05-12)
Verfasser(in):
Don Covay und Wilson Pickett
publisher:
Correc-Tone und Cotillion Music Inc. (BMI)
Wilson Pickett2:21
17For Better or Worse
recorded in:
New York, New York, Vereinigte Staaten (am 1964-05-12)
Produzent(in):
Wilson Pickett
vocals:
Wilson Pickett (am 1964-05-12)
aufgenommen bei:
United Sound Systems in Detroit, Michigan, Vereinigte Staaten (am 1964-05-12)
recording of:
For Better or Worse (am 1964-05-12)
Verfasser(in):
Don Juan Mancha und Wilson Pickett
Wilson Pickett2:47
18Teardrops Will Fall
Produzent(in):
Bert Berns
baritone saxophone:
Haywood Henry (US jazz saxophonist)
Bass:
Jimmy Lewis (jazz bassist)
Bassposaune:
Tony Studd
Gitarre:
Cornell Dupree und Wally Richardson (US jazz/R&B guitarist)
Klavier:
Paul Griffin (American pianist, session musician)
Schlagzeug:
Panama Francis (US swing jazz drummer) und Ted Sommer
Tenorsaxophon:
Joe Grimaldi (flute and saxophone player)
Trompete:
Jack Cortner (New York-based Broadway and television composer/arranger), Ernie Royal und Clark Terry (American swing trumpeter)
Sologesang:
Wilson Pickett
zusätzlich vocals:
Tami Lynn
arranger:
Teacho Wiltshire
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-11-13)
recording of:
Teardrops Will Fall
Verfasser(in):
David H. Alldred und Marion Smith
Wilson Pickett feat. Tami Lynn2:32
19Come Home Baby
recorded in:
New York, New York, Vereinigte Staaten (am 1964-11-13)
Produzent(in):
Bert Berns
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1964-11-13)
Bass [electric bass]:
Jimmy Lewis (jazz bassist) (am 1964-11-13)
Bassposaune:
Tony Studd (am 1964-11-13)
Gitarre:
Cornell Dupree (am 1964-11-13) und Wally Richardson (US jazz/R&B guitarist) (am 1964-11-13)
Klavier:
Paul Griffin (American pianist, session musician) (am 1964-11-13)
Schlagzeug:
Panama Francis (US swing jazz drummer) und Ted Sommer
Tenorsaxophon:
Joe Grimaldi (flute and saxophone player) und Joe Grimaldi (am 1964-11-13)
Trompete:
Jack Cortner (New York-based Broadway and television composer/arranger) (am 1964-11-13), Ernie Royal (am 1964-11-13) und Clark Terry (American swing trumpeter) (am 1964-11-13)
Sologesang:
Wilson Pickett
vocals:
Cissy Houston (am 1964-11-13) und Wilson Pickett (am 1964-11-13)
zusätzlich vocals:
Tami Lynn
conductor:
Teacho Wiltshire (am 1964-11-13)
arranger:
Teacho Wiltshire
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-11-13)
recording of:
Come Home Baby (am 1964-11-13)
Verfasser(in):
Barry Mann und Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Wilson Pickett feat. Tami Lynn2:37
20Take a Little Love
Produzent(in):
Bert Berns
baritone saxophone:
Haywood Henry (US jazz saxophonist)
Bass:
Jimmy Lewis (jazz bassist)
Bassposaune:
Tony Studd
Gitarre:
Cornell Dupree und Wally Richardson (US jazz/R&B guitarist)
Klavier:
Paul Griffin (American pianist, session musician)
Schlagzeug:
Panama Francis (US swing jazz drummer) und Ted Sommer
Tenorsaxophon:
Joe Grimaldi (flute and saxophone player)
Trompete:
Jack Cortner (New York-based Broadway and television composer/arranger), Ernie Royal und Clark Terry (American swing trumpeter)
Sologesang:
Wilson Pickett
arranger:
Teacho Wiltshire
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-11-13)
recording of:
Take a Little Love
Texter und Komponist(in):
Wilson Pickett
Wilson Pickett2:24
21Don’t Fight It
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records) und Jerry Wexler
baritone saxophone:
Floyd Newman
Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
Gitarre:
Steve Cropper
Klavier:
Joe Hall (Memphis pianist)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer)
Tenorsaxophon:
Charles “Packy” Axton und Andrew Love
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Wilson Pickett
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
recording of:
Don’t Fight It
Verfasser(in):
Steve Cropper und Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) und Irving Music, Inc.
Wilson Pickett2:35
22That’s a Man’s Way
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records) und Jerry Wexler
baritone saxophone:
Floyd Newman (am 1965-05-12)
Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-05-12)
Gitarre:
Steve Cropper (am 1965-05-12)
Klavier:
Joe Hall (Memphis pianist) (am 1965-05-12)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1965-05-12)
Tenorsaxophon:
Charles “Packy” Axton (am 1965-05-12) und Andrew Love (am 1965-05-12)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-05-12)
vocals:
Wilson Pickett (am 1965-05-12)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
recording of:
That’s a Man’s Way (am 1965-05-12)
Verfasser(in):
Steve Cropper und Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) und Irving Music (BMI)
Wilson Pickett2:24
23In the Midnight Hour
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records) und Jerry Wexler
baritone saxophone:
Floyd Newman (am 1965-05-12)
E-Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-05-12)
Gitarre:
Steve Cropper (am 1965-05-12)
Klavier:
Joe Hall (Memphis pianist) (am 1965-05-12)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1965-05-12)
Tenorsaxophon:
Charles “Packy” Axton (am 1965-05-12) und Andrew Love (am 1965-05-12)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-05-12)
vocals:
Wilson Pickett (am 1965-05-12)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965, in 1992) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 134) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 218)
recording of:
In the Midnight Hour (am 1965-05-12)
Verfasser(in):
Steve Cropper und Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. und Irving Music, Inc.
Wilson Pickett32:34
24I’m Not Tired
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records) und Jerry Wexler
baritone saxophone:
Floyd Newman (am 1965-05-12)
Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-05-12)
Gitarre:
Steve Cropper (am 1965-05-12)
Klavier:
Joe Hall (Memphis pianist) (am 1965-05-12)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1965-05-12)
Tenorsaxophon:
Charles “Packy” Axton (am 1965-05-12) und Andrew Love (am 1965-05-12)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-05-12)
vocals:
Wilson Pickett (am 1965-05-12)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
recording of:
I’m Not Tired (am 1965-05-12)
Verfasser(in):
Steve Cropper und Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) und Irving Music, Inc.
Wilson Pickett2:47
25It’s All Over
Produzent(in):
Jim Stewart (Guitarist, recorded with John Palumbo) und Jerry Wexler
baritone saxophone:
Floyd Newman (am 1965-09-16)
Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-09-16)
Gitarre:
Steve Cropper (am 1965-09-16)
Klavier:
Isaac Hayes (am 1965-09-16)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1965-09-16)
Tenorsaxophon:
Charles “Packy” Axton (am 1965-09-16) und Andrew Love (am 1965-09-16)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-09-16) und Gene “Bowlegs” Miller (American trumpeter) (am 1965-09-16)
vocals:
Wilson Pickett (am 1965-09-16)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (am 1965-09-16)
recording of:
It’s All Over (am 1965-09-16)
Verfasser(in):
Steve Cropper und Wilson Pickett
Wilson Pickett2:21
26Danger Zone
Produzent(in):
Jim Stewart (Guitarist, recorded with John Palumbo) und Jerry Wexler
baritone saxophone:
Floyd Newman (am 1965-09-16)
Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-09-16)
Gitarre:
Steve Cropper (am 1965-09-16)
Klavier:
Isaac Hayes (am 1965-09-16)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1965-09-16)
Tenorsaxophon:
Charles “Packy” Axton (am 1965-09-16) und Andrew Love (am 1965-09-16)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-09-16) und Gene “Bowlegs” Miller (American trumpeter) (am 1965-09-16)
vocals:
Wilson Pickett (am 1965-09-16)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (am 1965-09-16)
recording of:
Danger Zone (am 1965-09-16)
Verfasser(in):
Steve Cropper und Wilson Pickett
Wilson Pickett2:12
27I’m Drifting
Produzent(in):
Steve Cropper und Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman
Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
Gitarre:
Steve Cropper
Klavier:
Isaac Hayes
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer)
Tenorsaxophon:
Andrew Love
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Wilson Pickett
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (am 1965-12-20)
recording of:
I’m Drifting
Verfasser(in):
Homer Banks (soul singer and songwriter), Wilson Pickett und David Porter (US soul musician, producer & songwriter)
Wilson Pickett2:54
28634–5789 (Soulsville, U.S.A.)
Produzent(in):
Steve Cropper und Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman
Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
Gitarre:
Steve Cropper
Klavier:
Isaac Hayes
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer)
Tenorsaxophon:
Andrew Love
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Wilson Pickett
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (am 1965-12-20)
recording of:
634‒5789 (Soulsville, U.S.A.)
Verfasser(in):
Steve Cropper und Eddie Floyd
publisher:
Irving Music, Inc. und Pronto Music (publisher)
Wilson Pickett2:59
29Ninety‐Nine and a Half (Won’t Do)
Produzent(in):
Steve Cropper und Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman
Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
Gitarre:
Steve Cropper
Klavier:
Isaac Hayes
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer)
Tenorsaxophon:
Andrew Love
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Wilson Pickett
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (am 1965-12-20)
recording of:
Ninety‐Nine and a Half (Won’t Do)
Verfasser(in):
Steve Cropper, Eddie Floyd und Wilson Pickett
publisher:
Burlington Music Co., Ltd., Irving Music (BMI), Irving Music, Inc., Pronto Music (publisher) und Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Wilson Pickett2:43
30You’re So Fine
baritone saxophone:
Floyd Newman (von 1966-05-08 bis 1966-05-11)
Bass:
Tommy Cogbill (von 1966-05-08 bis 1966-05-11)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1966-05-08 bis 1966-05-11) und Chips Moman (von 1966-05-08 bis 1966-05-11)
Klavier:
Spooner Oldham (von 1966-05-08 bis 1966-05-11)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1966-05-08 bis 1966-05-11)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1966-05-08 bis 1966-05-11) und Andrew Love (von 1966-05-08 bis 1966-05-11)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1966-05-08 bis 1966-05-11)
vocals:
Wilson Pickett (von 1966-05-08 bis 1966-05-11)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1966-05-08 bis 1966-05-11)
cover recording of:
You’re So Fine (von 1966-05-08 bis 1966-05-11)
Verfasser(in):
Lance Finney, Willie Schofield und Bob West (US session bassist, producer & songwriter)
publisher:
C & B West Publishing Co., EMI United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Wilson Pickett2:37
2▶CD
3▶CD
4▶CD
5▶CD
6▶CD

Nennungen

Veröffentlichung

art direction:Jeff Lyons (Art director/designer)
Produzent(in):Bill Dahl
Michael Johnson (UK recording engineer and producer)
zusätzliche(r) Produzent(in):Bill Inglot (archival music producer/remastering engineer)
Assistent mastering:Ryan Powell (Ryan Powell, American dnb producer)
Mike Wilson (recording engineer)
mastering:Dan Hersch (mastering engineer)
Bill Inglot (archival music producer/remastering engineer)
mastered at:DigiPrep in Los Angeles, California (Kalifornien), Vereinigte Staaten
Discogs:https://www.discogs.com/release/3845785 [Info]