100 Greatest Arias

~ Veröffentlichung von Enrico Caruso (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Nr.TitelBewertungLänge
1Libiam ne’ lieti calici
Chorgesang:
Metropolitan Opera Chorus (am 1914-04-20)
Soprangesang:
Alma Gluck (soprano) (am 1914-04-20)
Tenor-Gesang:
Enrico Caruso (tenor) (am 1914-04-20)
Orchester:
Victor Orchestra (original US orchestra, 1900s to 1930s) (am 1914-04-20)
conductor:
Giulio Setti (conductor) (am 1914-04-20)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (am 1914-04-20)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
3:08
2Sento una forza indomita
Chorgesang:
Metropolitan Opera Chorus (am 1914-04-20)
Soprangesang:
Emmy Destinn (soprano) (am 1914-04-20)
Tenor-Gesang:
Enrico Caruso (tenor) (am 1914-04-20)
Orchester:
Victor Orchestra (original US orchestra, 1900s to 1930s) (am 1914-04-20)
conductor:
Giulio Setti (conductor) (am 1914-04-20)
recording of:
Il Guarany: Atto I. Scena e duetto "Sento una forza indomita" (Pery, Cecilia) (am 1914-04-20)
Komponist(in):
Antônio Carlos Gomes (composer)
Librettist:
Carlo D'Ormeville und Antonio Scalvini
Teil von:
Il Guarany: Atto I
4:31
3Parle‐moi de ma mère!
Soprangesang:
Frances Alda (New Zealand-born, Australian-raised operatic soprano)
Tenor-Gesang:
Enrico Caruso (tenor) (am 1914-12-10)
Orchester:
Victor Orchestra (original US orchestra, 1900s to 1930s) (am 1914-12-10)
conductor:
Walter B. Rogers (American cornet player and conductor) (am 1914-12-10)
recording of:
Carmen : Acte I. No. 7 Duo « Parle-moi de ma mère ! » (Don José, Micaëla) (am 1914-12-10)
Komponist(in):
Georges Bizet (French composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
Teil von:
Carmen : Acte I
4:45
4Ingemisco
Tenor-Gesang:
Enrico Caruso (tenor) (am 1915-01-07)
Orchester:
Victor Orchestra (original US orchestra, 1900s to 1930s) (am 1915-01-07)
conductor:
Walter B. Rogers (American cornet player and conductor) (am 1915-01-07)
recording of:
Messa da requiem: IIh. Dies irae: Ingemisco (tenore) (am 1915-01-07)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1873 bis 1874)
Teil von:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
4:16
5Angelo casto e bel
Tenor-Gesang:
Enrico Caruso (tenor) (am 1915-01-07)
Orchester:
Victor Orchestra (original US orchestra, 1900s to 1930s) (am 1915-01-07)
conductor:
Walter B. Rogers (American cornet player and conductor) (am 1915-01-07)
recording of:
Il duca d'Alba: Atto IV. "Inosservato, penetrava in questo sacro recesso" ... "Angelo casto e bel" (Marcello) (am 1915-01-07)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Librettist:
Charles Duveyrier und Eugène Scribe
Übersetzer:
Angelo Zanardini
Teil von:
Il duca d'Alba
3:47
6Ah ! Tout est bien fini !
Tenor-Gesang:
Enrico Caruso (tenor) (am 1916-02-05)
Orchester:
Victor Orchestra (original US orchestra, 1900s to 1930s) (am 1916-02-05)
conductor:
Walter B. Rogers (American cornet player and conductor) (am 1916-02-05)
recording of:
Le Cid : Acte III, scène 3. « Ah ! tout est bien fini » ... No. 13 Prière « Ô souverain, ô juge, ô père » (Rodrigue, Saint Jacques, voix du ciel) (am 1916-02-05)
Komponist(in):
Jules Massenet (French Romantic composer)
Teil von:
Le Cid : Acte III
Teil von:
Le Cid : Acte III
4:09
7Faiblesse de la race humaine !
Tenor-Gesang:
Enrico Caruso (tenor) (am 1916-02-05)
Orchester:
Victor Orchestra (original US orchestra, 1900s to 1930s) (am 1916-02-05)
conductor:
Walter B. Rogers (American cornet player and conductor) (am 1916-02-05)
aufgenommen bei:
Victor’s Church Studio in Camden, New Jersey, Vereinigte Staaten (am 1916-02-05)
recording of:
La Reine de Saba : Acte II. « Faiblesse de la race humaine ! » … « Inspirez-moi, race divine » (Adoniram) (am 1916-02-05)
Komponist(in):
Charles Gounod (French composer)
Teil von:
La Reine de Saba
4:28
8O figli… Ah, la paterna mano
Tenor-Gesang:
Enrico Caruso (tenor)
recording of:
Macbeth: Atto IV. N°13a Scena "O figli, o figli miei!" (Macduff)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
Macbeth: Atto IV
recording of:
Macbeth: Atto IV. N°13b Aria "Ah, la paterna mano" (Macduff)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
Macbeth: Atto IV
3:22
9Vecchia zimarra
Tenor-Gesang:
Enrico Caruso (tenor) (am 1916-02-23)
Orchester:
Victor Orchestra (original US orchestra, 1900s to 1930s) (am 1916-02-23)
conductor:
Walter B. Rogers (American cornet player and conductor) (am 1916-02-23)
recording of:
La bohème: Atto IV. no. 24. “Vecchia zimarra, senti” (Colline, Schaunard) (am 1916-02-23)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
2:06
10Cantique de Noël
Tenor-Gesang:
Enrico Caruso (tenor) (am 1916-02-23)
Orchester:
Victor Orchestra (original US orchestra, 1900s to 1930s) (am 1916-02-23)
conductor:
Walter B. Rogers (American cornet player and conductor) (am 1916-02-23)
recording of:
Cantique de Noël “Minuit chrétiens” (French original of “O Holy Night”) (am 1916-02-23)
Texter:
Placide Cappeau
Komponist(in):
Adolphe Adam (French composer) (in 1847)
basiert auf:
Minuit, chrétiens (Poem)
4:14
11Sleale! Il segreto fu dunque violato!
Baritongesang:
Giuseppe De Luca (Italian operatic baritone) (am 1918-07-10)
Tenor-Gesang:
Enrico Caruso (tenor) (am 1918-07-10)
Orchester:
Victor Orchestra (original US orchestra, 1900s to 1930s) (am 1918-07-10)
conductor:
Josef Pasternack (conductor) (am 1918-07-10)
recording of:
La forza del destino: Atto III, scena 2. “Oh, tradimento! Sleale! Il segreto fu dunque violato?” (Alvaro, Carlo) (am 1918-07-10)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La forza del destino: Atto III
4:14
12Je viens cèlèbrer la victoire
Bass-Gesang:
Marcel Journet (French operatic bass) (am 1919-02-10)
Mezzosoprangesang:
Louise Homer (American operatic contralto) (am 1919-02-10)
Tenor-Gesang:
Enrico Caruso (tenor) (am 1919-02-10)
Orchester:
Victor Orchestra (original US orchestra, 1900s to 1930s) (am 1919-02-10)
conductor:
Josef Pasternack (conductor) (am 1919-02-10)
recording of:
Samson et Dalila : Acte I, scène 6. « Je viens célébrer la victoire » (Dalila, Samson, un vieillard hébreu) (am 1919-02-10)
Komponist(in):
Camille Saint‐Saëns (composer)
Teil von:
Samson et Dalila : Acte I
3:34
13Venti scudi
Baritongesang:
Giuseppe De Luca (Italian operatic baritone) (am 1919-02-10)
Tenor-Gesang:
Enrico Caruso (tenor) (am 1919-02-10)
Orchester:
Victor Orchestra (original US orchestra, 1900s to 1930s) (am 1919-02-10)
conductor:
Josef Pasternack (conductor) (am 1919-02-10)
teilweise recording of:
L’elisir d’amore: Atto II. Scena e Duetto “La donna è un animale stravagante” … “Venti scudi!” (Belcore, Nemorino) (am 1919-02-10)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
L’elisir d’amore: Atto II
4:09
14Mia piccirella
Tenor-Gesang:
Enrico Caruso (tenor)
recording of:
Salvatore Rosa: “Mia piccirella”
Komponist(in):
Antônio Carlos Gomes (composer)
Teil von:
Salvator Rosa
3:44
15Ombra mai fu
Tenor-Gesang:
Enrico Caruso (tenor)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (von 1737-12-26 bis 1738-01-09)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Serse, HWV 40: Atto I
4:13
16Rachel, quand du seigneur
Tenor-Gesang:
Enrico Caruso (tenor) (am 1920-09-14)
Orchester:
Victor Orchestra (original US orchestra, 1900s to 1930s) (am 1920-09-14)
conductor:
Josef Pasternack (conductor) (am 1920-09-14)
recording of:
La Juive : Acte IV. « Rachel, quand du Seigneur » (Éléazar) (am 1920-09-14)
Komponist(in):
Fromental Halévy (French composer)
Librettist:
Eugène Scribe
Teil von:
La Juive: Acte IV
4:27
17Deh, ch’io ritorni
Tenor-Gesang:
Enrico Caruso (tenor) (am 1920-09-16)
Orchester:
Victor Orchestra (original US orchestra, 1900s to 1930s) (am 1920-09-16)
conductor:
Josef Pasternack (conductor) (am 1920-09-16)
recording of:
L’africana: Atto IV, Scena III. "Deh! ch’io ritorni" (am 1920-09-16)
Komponist(in):
Giacomo Meyerbeer (composer)
Librettist:
Eugène Scribe
4:03
18Bois épais
Tenor-Gesang:
Enrico Caruso (tenor) (am 1920-09-16)
Orchester:
Victor Orchestra (original US orchestra, 1900s to 1930s) (am 1920-09-16)
conductor:
Josef Pasternack (conductor) (am 1920-09-16)
recording of:
Amadis de Gaule: Acte II. "Bois épais" (am 1920-09-16)
Komponist(in):
Jean‐Baptiste Lully (composer)
Librettist:
Philippe Quinault
Teil von:
Amadis de Gaule: Acte II
3:06
19Domine Deus
Tenor-Gesang:
Enrico Caruso (tenor) (am 1920-09-16)
Orchester:
Victor Orchestra (original US orchestra, 1900s to 1930s) (am 1920-09-16)
conductor:
Josef Pasternack (conductor) (am 1920-09-16)
recording of:
Petite Messe solennelle: II. Gloria: Domine Deus (T - tenor solo) (am 1920-09-16)
Komponist(in):
Gioachino Rossini (composer) (in 1863)
Teil von:
Petite Messe solennelle
4:32
20Crucifixus
Tenor-Gesang:
Enrico Caruso (tenor)
recording of:
Petite Messe solennelle: III. Credo: Crucifixus (S - soprano solo)
Komponist(in):
Gioachino Rossini (composer) (in 1863)
Teil von:
Petite Messe solennelle
3:09

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