100 Años de cine: Vol 2

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

1. La Máscara
2. Tiburón
3. Forrest Gump
4. Shaft
5. Aladdin
6. La lista de Schindler
7. Cabaret
8. La muerte tenia un precio
9. Cuando un hombre ama a una mujer
10. Asesinos natos
11. Nueve semanas y media
12. Charada
13. Terciopelo azul
14. Cinema paradiso
15. El alamo
16. Memorias de africa
17. El hombre que sabia demasiado
18. Psicosis
19. Magnolia (Show Boat)
20. El golpe
21. Cantando bajo la lluvia
22. ¿Arde Paris?
23. Una cara con ángel
24. Love Story
25. Los hermanos Marx en el oeste

1. La guerra de las galaxias
2. Top Gun
3. Fame
4. Footlose
5. Lawrence de arabia
6. Regreso al futuro
7. Hatari!
8. Cuatro bodas y un funeral
9. Historia de o
10. Reservoir Dogs
11. El tercer hombre
12. Con faldas y a lo loco
13. Anonimo veneciano
14. Thelma & Louise
15. Super Fly
16. Exodo
17. 55 Dias en Pekin
18. Lo que el viento se llevó
19. Gilda
20. La huella
21. Casablanca
22. Bugsy
23. Candilejas
24. La naranja mecánica
25. Bilitis

Annotation last modified on 2011-08-20 01:20 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Cuban Pete (C&C Popo radio edit)
Jim Carrey3:35
2Jaws: Theme
a cappella versions:
The shark song by David Thorne (designer)
John Williams3:00
3Turn! Turn! Turn!
producer:
Terry Melcher
part of:
New York Post: 100 Greatest Covers (2007) (number: 95)
cover recording of:
Turn! Turn! Turn! (To Everything There Is a Season)
lyricist:
[traditional] (special purpose artist)
composer:
Pete Seeger (in 1959)
publisher:
Melody Trails and TRO Essex Music Ltd.
The Byrds4.853:37
4Shaft
producer:
Isaac Hayes
bass guitar:
James Alexander (US soul bassist, singer and songwriter)
bongos and congas:
Gary Jones (percussionist)
electric piano:
Lester Snell (Pianist/keyboardist, songwriter and producer)
electric piano, organ, piano and vibraphone and lead vocals:
Isaac Hayes
guitar:
Charles Pitts and Michael Toles
membranophone and tambourine:
Willie "Too Big" Hall
phonographic copyright (℗) by:
Stax Records (not for release) (in 1971)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 303)
recording of:
Theme From Shaft (Shaft, 1971)
lyricist and composer:
Isaac Hayes
publisher:
Irving Music, Inc.
part of:
The 44th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1971 winner)
part of:
Shaft (1971 film soundtrack)
Isaac Hayes3.654:38
5Whole New World (Aladdin’s Theme)
recording of:
A Whole New World (Aladdin)
lyricist:
Tim Rice
composer:
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) (in 1992) and Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1992)
part of:
The 65th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1992 winner)
part of:
Aladdin (1992 film soundtrack)
part of:
Aladdin (stage musical based on the 1992 Disney animated film)
Peabo Bryson/Regina Belle4:06
6Schindler’s List (Theme)
recording of:
Main Theme (Schindler’s List)
composer:
John Williams (American score composer and conductor) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
John Williams1:59
7Cabaret
Liza Minnelli3:33
8La muerte tenia un precio (Main Title)
Ennio Morricone2:52
9When a Man Loves a Woman
producer:
Marlin Greene (’60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene (’60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis, Percy Sledge and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI‐affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:59
10Waiting for the Miracle
recording of:
Waiting for the Miracle
writer:
Leonard Cohen (Canadian singer‐songwriter and poet) and Sharon Robinson (singer songwriter)
publisher:
EMI April Music Inc., Sharon Robinson Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Wixen Music Publishing, Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Leonard Cohen3:35
11You Can Leave Your Hat On
engineer:
Brian Reeves
producer:
Richie Zito
mixer:
Rik Pekkonen
bass and synthesizer:
Arthur Barrow
guitar:
Richie Zito
horn:
Dick Hyde, Steve Madaio and Joel Peskin
membranophone:
Michael Baird
background vocals:
Maxine Sharp, Julia Waters and Maxine Waters
lead vocals:
Joe Cocker
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
cover recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (1929–2019) (in 1972, in 1976)
recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (1929–2019) (in 1972, in 1976)
Joe Cocker3.854:15
12Charade - Main Title
Henry Mancini2:11
13Blue Velvet
producer:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
cover recording of:
Blue Velvet
writer:
Lee Morris (US songwriter) and Bernie Wayne
publisher:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:51
14Cinema paradiso
Ennio Morricone3:00
15The Green Leaves of Summer
The Brothers Four2:57
16Out of Africa
John Barry2:45
17Que Sera, Sera (Whatever Will Be, Will Be)
Doris Day2:07
18Psycho
The City of Prague Philharmonic/Paul Bateman3:02
19Ol’ Man River
William Warfield3:51
20The Entertainer
Percy Faith3:07
21Singin’ in the Rain
Gene Kelly2:58
22Is Paris Burning?
Maurice Jarre2:11
23’s Wonderful
vocals:
Fred Astaire and Audrey Hepburn (UK actress & singer)
recording of:
’S Wonderful
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
Audrey Hepburn y Fred Astaire2:10
24Theme From Love Story
Francis Lai2:33
25Ridin’ the Range
Los Hermanos Marx2:48
2▶CD