Skye & Gryphon for Café Après‐midi

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1You Are the Sunshine of My Life
vocals:
Mel Tormé (“The Velvet Fog”) (in 1978-01)
cover recording of:
You Are the Sunshine of My Life (in 1978-01)
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Co., Inc. (in 1972) and Stein & Van Stock, Inc. (in 1972)
part of:
The Real Book (compilation of jazz standards, volume I)
Mel Tormé & Buddy Rich4:29
2What’s Going On
producer:
Norman Schwartz
congas:
Titos Sompa (from 1978-10-09 until 1978-10-12)
double bass [bass]:
Cecil McBee (from 1978-10-09 until 1978-10-12)
drums (drum set):
Louis Hayes (from 1978-10-09 until 1978-10-12)
percussion:
Portinho (from 1978-10-09 until 1978-10-12)
piano:
Harold Mabern (American jazz pianist) (from 1978-10-09 until 1978-10-12)
woodwind:
Frank Strozier (from 1978-10-09 until 1978-10-12)
recorded at:
Generation Sound Studios in New York, New York, United States (from 1978-10-09 until 1978-10-12)
instrumental recording of:
What’s Going On (in 1978-10)
lyricist and composer:
Renaldo Benson, Al Cleveland (songwriter 1930-1996) and Marvin Gaye
publisher:
EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd. and Stone Agate Music Corp.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Louis Hayes Group5:57
3You’ll Never Get to Heaven
recorded in:
United States (in 1968)
bassoon:
George Berg (in 1968)
drums (drum set):
Jim Keltner (in 1968)
flugelhorn:
Marvin Stamm (in 1968)
French horn:
Ray Alonge (french horn) (in 1968)
oboe:
Lew Del Gatto (in 1968)
organ:
Mike Melvoin (in 1968)
reeds:
Jerry Dodgion (in 1968), George Marge (in 1968) and Jerome Richardson (in 1968)
trombone:
Garnett Brown (in 1968)
vibraphone:
Cal Tjader (in 1968)
instrumental recording of:
You’ll Never Get to Heaven (If You Break My Heart) (in 1968)
lyricist:
Hal David
composer:
Burt Bacharach
Cal Tjader3:13
4My Cherie Amour
phonographic copyright (℗) by:
Muzak, Inc.
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (in 1969-09)
cover recording of:
My Cherie Amour
writer:
Henry Cosby, Sylvia Moy and Stevie Wonder
publisher:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽 (Taiyō Music)
Gary McFarland3:17
5I Say a Little Prayer
recorded in:
United States (in 1968)
bassoon:
George Berg (in 1968)
drums (drum set):
Jim Keltner (in 1968)
flugelhorn:
Marvin Stamm (in 1968)
French horn:
Ray Alonge (french horn) (in 1968)
oboe:
Lew Del Gatto (in 1968)
organ:
Mike Melvoin (in 1968)
reeds:
Jerry Dodgion (in 1968), George Marge (in 1968) and Jerome Richardson (in 1968)
trombone:
Garnett Brown (in 1968)
vibraphone:
Cal Tjader (in 1968)
instrumental recording of:
I Say a Little Prayer (in 1968)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Cal Tjader3:30
6Sunday Will Never Be the Same
sound engineer:
Dave Sanders (engineer)
producer:
Gary McFarland
arranger:
Gary McFarland
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1968-01-29 until 1968-01-31)
cover recording of:
Sunday Will Never Be the Same
writer:
Terry Cashman and Eugene Pistilli
Gary McFarland & Co.2:18
7Change Partners
recording engineer:
Keith Grant (classical recording engineer) (on 1977-11-09)
engineer:
Dick Baxter (Mastering engineer at BMG / RCA Studios, New York) and Keith Grant (classical recording engineer)
producer:
Norman Schwartz
double bass [bass]:
Steve Gilmore (jazz bassist) (on 1977-11-09)
drums (drum set):
Bill Goodwin (jazz drummer, producer) (on 1977-11-09)
guitar:
Harry Leahey (on 1977-11-09)
piano:
Mike Melillo (on 1977-11-09)
saxophone:
Phil Woods (US jazz woodwind player) (on 1977-11-09)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1977-11-09)
instrumental recording of:
Change Partners (from “Carefree”) (on 1977-11-09)
lyricist and composer:
Irving Berlin (in 1938)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
part of:
The 11th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1938 nominee)
The Phil Woods Quintet4:48
8Mixing
Airto4:23
9Suburbia: Two Poodles and a Plastic Jesus
Gary McFarland2:23
10Bluesette
vocals:
Mel Tormé (“The Velvet Fog”) (in 1978-01)
recording of:
Bluesette (English lyrics) (in 1978-01)
lyricist:
Norman Gimbel
composer:
Toots Thielemans
is based on:
Bluesette (Original instrumental version)
Mel Tormé & Buddy Rich3:29
11My Favorite Things
producer:
Norman Schwartz
congas:
Titos Sompa (from 1978-10-09 until 1978-10-12)
double bass [bass]:
Cecil McBee (from 1978-10-09 until 1978-10-12)
drums (drum set):
Louis Hayes (from 1978-10-09 until 1978-10-12)
percussion:
Portinho (from 1978-10-09 until 1978-10-12)
piano:
Harold Mabern (American jazz pianist) (from 1978-10-09 until 1978-10-12)
woodwind:
Frank Strozier (from 1978-10-09 until 1978-10-12)
recorded at:
Generation Sound Studios in New York, New York, United States (from 1978-10-09 until 1978-10-12)
instrumental recording of:
My Favorite Things (The Sound of Music) (in 1978-10)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
American Splendor
part of:
The Sound of Music (Rodgers & Hammerstein musical)
The Louis Hayes Group4:15
12La Pasionaria
alto saxophone:
Phil Woods (US jazz woodwind player) (in 1978-03)
baritone saxophone:
Gerry Mulligan (in 1978-03)
double bass:
Ron Carter (US jazz double-bassist) (in 1978-03)
drums (drum set):
Jimmy Madison (in 1978-03)
percussion:
Portinho (in 1978-03)
piano:
Michel Legrand (in 1978-03)
trumpet:
Jon Faddis (in 1978-03)
Michel Legrand3:36
13Tandoori
Barry Miles1:58
14Flea Market
sound engineer:
Dave Sanders (engineer)
producer:
Gary McFarland
arranger:
Gary McFarland
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1968-01-29 until 1968-01-31)
Gary McFarland & Co.2:17
15Let Yourself Go Another Time
Wendy & Bonnie2:35
16Spooky
engineer:
Andy Richardson (engineer)
executive producer:
Norman Schwartz
producer:
Gary McFarland
bass:
Jim McCabe (from 1969-02-20 until 1969-02-21)
congas:
Armando Peraza (percussionist) (from 1969-02-20 until 1969-02-21)
electric piano:
Al Zulaica (from 1969-02-20 until 1969-02-21)
percussion:
John Rae (US jazz drummer/vibraphonist) (from 1969-02-20 until 1969-02-21)
vibraphone:
Cal Tjader (from 1969-02-20 until 1969-02-21)
recorded at:
The Lighthouse Cafe in Hermosa Beach, California, United States (from 1969-02-20 until 1969-02-21)
live cover recording of:
Spooky (from 1969-02-20 until 1969-02-21)
lyricist:
Buddy Buie and J. R. Cobb
composer:
Harry Middlebrooks and Mike Shapiro (saxophonist, composer of Spooky)
publisher:
Bike Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
is based on:
Spooky (instrumental)
Cal Tjader4:14
17Dear Prudence
cover recording of:
Dear Prudence
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Northern Songs Ltd., Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN) and Sony/ATV Tunes LLC (ASCAP)
Gábor Szabó2:40
18Everybody’s Talkin’
phonographic copyright (℗) by:
Muzak, Inc.
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (in 1969-09)
cover recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music and Third Story Music, Inc.
Gary McFarland2:44
19Armando’s Bossa
recording of:
Armando's Bossa
composer:
Armando Peraza (percussionist)
Cal Tjader5:37
20Frevo
Airto2:36
21Don’t Fence Me in
Grady Tate2:20
22Theme From Peter Gunn
Chuck Rainey2:45
23Viva Peraza
Armando Peraza2:08
24Up Up and Away
sound engineer:
Dave Sanders (engineer)
producer:
Gary McFarland
arranger:
Gary McFarland
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1968-01-29 until 1968-01-31)
cover recording of:
Up, Up and Away
lyricist and composer:
Jim Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Johnny Rivers Music
Gary McFarland & Co.2:25