Smash Hits Love Songs

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1I Want to Know What Love Is
assistente tecnico:
Bobby Cohen (engineer), Tim Crich e Scott “Abada” Mabuchi
tecnico:
Frank Filipetti
tecnico aggiunto:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla e Howie Lindeman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Alex Sadkin
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
tastiera aggiunto:
Tom Bailey (Thompson Twins)
cori:
The New Jersey Mass Choir
voce aggiuntiva:
Jennifer Holliday
voce di accompagnamento:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984), Warner Music International (trademark of Warner Music International the company) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984, nel 2018) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata in aggiunta presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 476)
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner3.954:57
2True (single edit)
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1983) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:28
3Stars (2013 Song Book version)
tecnico e tecnico di missaggio:
Daren Klein (American sound/mixing engineer)
co-produttore:
Mick Hucknall (lead singer of Simply Red)
produttore:
Stewart Levine (record producer and saxophonist)
registrazione di:
Stars
paroliere e compositore:
Mick Hucknall (lead singer of Simply Red)
Simply Red34:08
4The Best
tecnico:
Chris Lord‐Alge
produttore:
Dan Hartman e Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989)
edit di:
The Best di Tina Turner
video musicali:
The Best di Tina Turner
registrazione cover di:
The Best
autore:
Holly Knight e Michael Chapman (Australian producer and songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.854:09
5My Best Friend’s Girl
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist)
tecnico:
Geoff Workman
produttore:
Roy Thomas Baker (producer), Jay Faires e Tricia Holloway
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1978, nel 1979)
registrata presso e mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (nel 1978-02)
registrazione di:
My Best Friend’s Girl (nel 1978-02)
paroliere e compositore:
Ric Ocasek
editore:
Lido Music, Inc., Universal/MCA Music Publishing Pty Ltd e Lido Music (not for release label use!) (nel 1978)
The Cars4.353:43
6Come Undone
registrazione di:
Come Undone
paroliere e compositore:
Warren Cuccurullo, Simon Le Bon (singer for Duran Duran), Nick Rhodes e John Taylor (UK bassist for Duran Duran)
Duran Duran34:17
7Crying in the Rain
tecnico di registrazione e tecnico di missaggio:
Nick Davis (producer, engineer)
produttore:
Christopher Neil
basso :
Jørun Bøgeberg
batteria :
Per Hillestad
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1990) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1990)
parte di:
The Downloader’s Music Source Book (numero: 274)
registrazione cover di:
Crying in the Rain (Everly Brothers song)
paroliere:
Howard Greenfield
autore:
Carole King
editore:
Screen Gems–EMI Music Ltd.
a‐ha3.54:20
8I’ll Stand by You
tecnico:
Steve Williams (UK recording engineer, aka Syco)
produttore:
Ian Stanley
batteria :
Jimmy Copley e J.F.T. Hood
chitarra :
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) e Adam Seymour
voce:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1994, nel 2000) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1994)
registrazione di:
I’ll Stand by You
autore:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders), Tom Kelly (songwriter) e Billy Steinberg
editore:
B. Steinbereg Music, Clive Banks Songs, D. Barry Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Hynde House of Hits Music, Kobalt Music Publishing Australia P/L e Kobalt Publishing Ltd.
Pretenders3.554:01
9As Long as You Follow (2002 remaster)
tecnico:
Greg Ladanyi
produttore:
Fleetwood Mac e Greg Ladanyi
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1988)
registrazione di:
As Long as You Follow
autore:
Christine McVie e Eddy Quintela
editore:
Bright Music Ltd. (publisher)
Fleetwood Mac34:18
10Power of Love
produttore:
David Kershenbaum
registrazione cover di:
The Power of Love (Jennifer Rush song)
autore:
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge), Gunther Mende e Jennifer Rush
editore:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (fino al 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Laura Branigan5:25
11Always
registrazione di:
Always
autore:
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) e Wayne Lewis (member of Atlantic Starr)
Atlantic Starr3:52
12Glory of Love
tecnico e tecnico di missaggio:
Terry Christian (US recording and mixing engineer) e John Guess
produttore:
Michael Omartian
voce di accompagnamento ospite:
Kenny Cetera
voce principale:
Peter Cetera
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1986) e Warner Music International (trademark of Warner Music International the company) (nel 1986)
registrata presso e mixata presso:
Lion Share Studios in Los Angeles, California, Stati Uniti
registrazione di:
Glory of Love
autore:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Diane Nini
editore:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30), Air Bear Music (nel 1986), Fall Line Orange Music (nel 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
parte di:
The 59th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1986 nominee)
Peter Cetera4.24:20
13I’m Gonna Be (500 Miles)
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
batteria :
Paul Robinson (UK drummer, also Turning Point member)
chitarra acustica :
Jerry Donahue e Charlie Reid
chitarra basso :
Phil Cranham
chitarra elettrica :
Jerry Donahue
chitarra steel :
Gerry Hogan
fisarmonica :
Dave Whetstone
mandolino e tin whistle :
Stuart Nisbet
tastiera :
Pete Wingfield (keyboardist, singer, producer, songwriter)
violino folk :
Steve Shaw (Steve Brennan)
voce:
Charlie Reid e Craig Reid
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1988) e Chrysalis Records, Inc. (not for release label use!) (nel 1988)
registrata presso e mixata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 21)
registrazione di:
I’m Gonna Be (500 Miles)
autore:
Charlie Reid e Craig Reid
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:39
14It Must Have Been Love (from “Pretty Woman”)
programmazione:
Clarence Öfwerman (dal 1987 al 1990)
tecnico:
Anders Herrlin e Alar Suurna
produttore:
Clarence Öfwerman
tecnico di missaggio:
Humberto Gatica
batteria :
Pelle Alsing (dal 1987 al 1990)
chitarra elettrica [electric guitars] :
Jonas Isacsson (dal 1987 al 1990)
synclavier e tastiera [keyboards] :
Clarence Öfwerman (dal 1987 al 1990)
voce:
Marie Fredriksson (dal 1987 al 1990) e Per Gessle (Swedish singer and guitarist) (dal 1987 al 1990)
diritti fonografici (℗) detenuti da:
EMI Svenska AB (not for release label use!) (nel 1990) e Parlophone Music Sweden AB (not for release label use, for copyrights use only) (nel 1990)
registrata presso:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Svezia (dal 1987 al 1990) e EMI Studios in Stockholm, Stockholms län (Stockholm county), Svezia (dal 1987 al 1990)
mixata presso:
Ground Control Studios in Santa Monica, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 466)
registrazione di:
It Must Have Been Love (dal 1987 al 1990)
paroliere e compositore:
Per Håkan Gessle (Swedish singer and guitarist)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jimmy Fun Music
Roxette3.154:19
15Kiss From a Rose
assistente produttore:
Richard Lowe (UK producer/engineer)
produttore:
Trevor Horn
assistente tecnico di missaggio:
Tom Elmhirst (mixing engineer)
tecnico di missaggio:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
voce principale:
Seal (English‐born singer and songwriter)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1994), Warner Music Argentina S.A. (nel 2009) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2009)
è stato produttore per:
Horn Productions
registrata presso e mixata presso:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 308)
registrazione di:
Kiss From a Rose
paroliere e compositore:
Seal (English‐born singer and songwriter) (nel 1987)
editore:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) e SPZ Music Incorporated (BMI affiliated)
Seal3.854:48
16Don’t Let Go (Love)
registrazione di:
Don't Let Go (Love)
autore:
Marqueze Ethridge, Andrea Martin (singer/songwriter for various dance/soul artists), Ivan Matias, Organized Noize (Atlanta hip-hop production group), Patrick Brown, Raymon Murray (American producer, songwriter & multi-instrumentalist) e Rico Wade
En Vogue44:03
17The Boy Is Mine (radio edit)
produttore:
Dallas Austin, Brandy (US R&B singer) e Rodney Jerkins
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1998) e WEA International, Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
è stato produttore per:
Brand Nu, Inc., Darkchild Entertainment, Inc. e Darp, Inc.
edit di:
The Boy Is Mine (album version) di Brandy (US R&B singer) & Monica (US R&B singer)
registrazione di:
The Boy Is Mine
autore:
Brandy Norwood (US R&B singer), LaShawn Daniels (US contemporary R&B songwriter), Fred Jerkins, Rodney Jerkins e Japhe Tejeda
editore:
Bran-Bran Music, EMI April Music Inc., EMI Blackwood Music Inc., Ensign Music Publishing, Famous Music Publishing, Fred Jerkins Publishing, Henchi Music e Sony/ATV Melody
Brandy & Monica44:00
18Freak Me
registrazione di:
Freak Me
autore:
Anthony Johnson (a.k.a. Anthony "Teno" Johnson), Roy Murray (Producer, songwriter, keyboardist, worked with Keith Sweat) e Keith Sweat
Silk4:27
19You Might Need Somebody
tecnico di registrazione e tecnico:
Ben ‘Jammin’ Robbins (UK producer, engineer, songwriter, arranger and keyboardist) e Ed Lover
programmazione degli strumenti:
Ed Baden Powell
produttore:
D’Influence
archi :
Stephen Hussey
chitarra basso :
Ed Baden Powell
corno :
D-I Horny Horns, Steve Marston e Kenny Wellington
tastiera aggiunto:
Kwame Kwaten
voce di accompagnamento e voce principale:
Shola Ama
esecutore:
D-I Horny Horns
arrangiatore archi :
Ed Baden Powell
arrangiatore:
D’Influence
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1997)
registrata presso:
R G Jones in Wimbledon, Merton, London (Greater London), England, Regno Unito e The D Lab
registrazione cover di:
You Might Need Somebody
compositore:
Nan O’Byrne (American songwriter and composer) e Tom Snow (US keyboardist/songwriter)
Shola Ama3.654:50
20Breathless
tecnico di registrazione:
Michel Gallone e Tim Martin (engineer)
programmazione:
Richard Meyer (American folk singer-songwriter)
programmazione aggiuntiva:
Cory Churko e Kevin Churko
assistente tecnico:
Michel Gallone, Frances Murphy e Keith Roche
produttore:
Robert John “Mutt” Lange (Robert John Lange)
assistente tecnico di missaggio:
Adam Olmsted (engineer)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
batteria , bodhrán e percussione :
Caroline Corr
chitarra e tastiera :
Jim Corr
chitarra [lead guitar] :
Anthony Drennan
chitarra basso :
Keith Duffy (bass player for the Corrs)
tin whistle :
Andrea Corr
violino :
Sharon Corr
voce:
Andrea Corr
voce di accompagnamento:
Caroline Corr, Jim Corr e Sharon Corr
registrata in aggiunta presso:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irlanda
registrata presso:
Westland Studios in Dublin, County Dublin, Leinster, Irlanda
mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Breathless di The Corrs
registrazione di:
Breathless
autore:
Andrea Corr, Caroline Corr, Jim Corr, Sharon Corr e Robert John “Mutt” Lange (Robert John Lange)
The Corrs3.653:28
21Dov’è l’amore
programmazione aggiuntiva:
Lawrence Dermer (producer, singer-songwriter, synthesizer player) e Emilio Estefan, Jr.
tecnico di missaggio:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
remixer:
Lawrence Dermer (producer, singer-songwriter, synthesizer player) e Emilio Estefan, Jr.
remix di:
Dov’è l’amore di Cher
registrazione di:
Dov’è l’amore
autore:
Paul Barry (songwriter/musician) e Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
editore:
Rive Droite Music
Cher4.253:44
22The Harder I Try
produttore:
Stock Aitken Waterman
registrazione di:
The Harder I Try
compositore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music International AG, All Boys Music Ltd. (, nel 1988), Mike Stock Publishing Limited, Sid’s Songs Limited, Universal Music Careers, Universal–Songs of PolyGram International, Inc. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Brother Beyond13:29
23I Love You Always Forever (edit)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1996)
registrazione di:
I Love You Always Forever
paroliere e compositore:
Donna Lewis
editore:
donna lewis ltd e Warner/Chappell Music, Inc.
Donna Lewis33:20
24Love Like This
registrazione di:
Love Like This
autore:
Schon-Jomel Crawford, Bernard Edwards (American bassist and record producer), Clarence Emery, Faith Evans, Ron Lawrence (US hip-hop producer aka Amen-Ra), Nile Rodgers e Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy)
Faith Evans44:36
25Never Ever (radio edit)
registrazione di:
Never Ever
autore:
Robert Jazayeri (aka Esmail or Afshin Jazayeri), Shaznay Lewis e Sean Mather (US DJ and producer Sean Mather)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rickidy Raw Productions Inc. e STL Songs Ltd.
All Saints5:12
26Mysterious Girl
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1997)
registrazione di:
Mysterious Girl
autore:
Peter Andre, Glen Goldsmith, Phillip Jacobs, Oliver Jacobs e Bubbler Ranx
editore:
Int. Music Network, Mushroom Music (Mushroom label’s publishing company), Perfect Songs (UK publisher, affiliated with BMI), Roll Over Music e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Peter Andre3:36
27Oh Baby I
registrazione di:
Oh Baby I…
autore:
Tommy Faragher e Lotti Golden
Eternal45:30
28Sleeping Satellite
registrazione di:
Sleeping Satellite
autore:
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) e John Hughes (Writer, Producer, Musician)
editore:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer44:19
29The Way You Love Me
tecnico di registrazione e tecnico di missaggio:
Jon Gass
assistente tecnico:
Toni Greene (engineer)
produttore:
L.A. & Babyface (US R&B songwriting/production duo)
produttore esecutivo:
Benny Medina e Leonard Richardson (US hip-hop producer)
batteria [drums] e percussione :
L.A.
tastiera [keyboards] :
Babyface (R&B musician Kenny Edmonds)
timbales :
Daryl Simmons
voce di accompagnamento:
Babyface (R&B musician Kenny Edmonds), Shaun Earl, Kim Eurisa, Daryl Simmons e Karyn White
mixata per:
Ratstyle Productions
è stato produttore per:
La'Face, Inc. (production company)
registrata presso e mixata presso:
Elumba Recording Studio in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
The Way You Love Me
autore:
Babyface (R&B musician Kenny Edmonds), L.A. Reid e Daryl Simmons
editore:
Chappell Music Ltd., Green Skirt Music (publisher), Hip Trip (publisher) e Kear Music (publisher)
Karyn White34:55
30It Started With a Kiss
produttore:
Mickie Most (English record producer)
voce principale:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (nel 1982)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2011)
video musicali:
It Started With a Kiss di Hot Chocolate (70s and 80s British soul band)
registrazione di:
It Started With a Kiss (nel 1982)
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. e Universal Music Publishing MGB Australia
Hot Chocolate34:02
31Lost in Your Eyes
tecnico di registrazione:
Phil Castellano (brother of John, uncle of Richie) e Don Feinberg
programmazione degli strumenti:
Fred Zarr
tecnico:
Bill Esses, Jim Goatley e Matt Malles
produttore:
Debbie Gibson
tecnico di missaggio:
Debbie Gibson, Bob Rosa e Tom Vercillo
chitarra elettrica :
Tommy Williams (former Debbie Gibson musical director)
percussione :
Bashiri Johnson
pianoforte e voce di accompagnamento:
Debbie Gibson
tastiera :
Fred Zarr
arrangiatore:
Debbie Gibson e Fred Zarr
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1989) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1989)
registrazione di:
Lost in Your Eyes
paroliere e compositore:
Debbie Gibson
editore:
Music Sales Corporation (American copyright holder in both popular and classical music) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Debbie Gibson53:33
32Wuthering Heights (edit)
produttore:
Andrew Powell (known for contributions to Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrazione di:
Wuthering Heights
editore:
Kate Bush (dal 1978 a oggi)
paroliere e compositore:
Kate Bush (il 1977-03-05)
editore:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. e EMI Music Publishing Ltd. (PRS‐affiliated) (dal 1978 a oggi)
Kate Bush3:29
33Sweet Love (2012 remaster)
tecnico:
Barney Perkins
produttore:
Michael J. Powell
produttore esecutivo:
Anita Baker
chitarra :
Greg Moore (US guitarist & songwriter)
chitarra basso :
Freddie Washington (US session bassist)
membranofono :
Ricky Lawson
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Dean Gant
voce di accompagnamento:
Jim Gilstrap, Bunny Hull e Darryl Phinnessee
voce di accompagnamento e voce principale:
Anita Baker
video musicali:
Sweet Love di Anita Baker
registrazione di:
Sweet Love
compositore:
Anita Baker, Gary Bias (jazz saxophonist) e Louis A. Johnson
editore:
EMI Music (do not use as release label! this is a music publisher) e Jobete Music (appears also as: Jobete Msc.)
Anita Baker3.554:22
34Turn Your Love Around
produttore:
Jay Graydon
batteria :
Jeff Porcaro
chitarra :
Jay Graydon
flauto e sassofono :
Gary Herbig
piano Rhodes [Fender Rhodes] e pianoforte :
Jai Winding (pianist, composer, vocal)
piatti [Cymbals (payette)] :
Mike Baird (drummer)
sintetizzatore :
David Foster (Canadian music producer, arranger and composer) e Jay Graydon
sintetizzatore basso :
David Paich
tromba :
Chuck Findley (trumpet, trombone, horn player) e Jerry Hey
trombone :
Bill Reichenbach, Jr. (jazz trombonist)
voce:
George Benson (jazz guitarist/singer)
voce di accompagnamento:
Bill Champlin, Vennette Gloud e Carmen Twillie
arrangiatore corno :
Jerry Hey
arrangiatore:
Jay Graydon
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1981)
registrazione di:
Turn Your Love Around
autore:
Bill Champlin, Jay Graydon e Steve Lukather (guitarist, vocalist, composer, producer and arranger)
editore:
Garden Rake Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Rehtakul Veets Music, Universal Music–MGB Songs, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 大洋音楽 (Taiyō Music)
George Benson43:50
35Haven’t You Heard (single version)
registrazione di:
Haven't You Heard
autore:
Sheree Brown, Charles Mims Jr., Patrice Rushen e Freddie Washington (US session bassist)
Patrice Rushen6:44
36I Can’t Wait (2012 collection remaster)
produttore:
John Smith (Nu Shooz) e Rick Waritz (producer)
diritti fonografici (℗) detenuti da:
Injection (Netherlands) (nel 1986)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 60)
registrazione di:
I Can’t Wait
paroliere e compositore:
John Smith (Nu Shooz)
editore:
Poolside Music
Nu Shooz43:39
37Love Changes (Everything)
tecnico:
Mike Ging e Bob Kraushaar
produttore:
Stephen Hague
chitarra :
Neil Taylor (guitarist)
percussione aggiunto:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
tastiera :
Rob Fisher (UK keyboardist, in Naked Eyes)
voce:
Simon Climie
voce di accompagnamento:
Coral Gordon e Soultanas
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987)
registrazione di:
Love Changes (Everything)
autore:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) e Dennis Morgan (US songwriter)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:28
38Paradise
tecnico:
Michael Johnson (UK recording engineer and producer)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1986)
registrata presso:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, Regno Unito, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Regno Unito e Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irlanda
registrazione di:
Paradise
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company)
New Order53:53
39The Rose
produttore:
Paul A. Rothchild
produttore aggiunto:
Bill Gazecki
voce:
Bette Midler (nel 1979)
voce principale:
Bette Midler (nel 1979)
arrangiatore archi :
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arrangiatore:
Paul A. Rothchild
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrazione di:
The Rose (nel 1979)
paroliere e compositore:
Amanda McBroom
editore:
Cedos Music, Fox Fanfare Music Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bette Midler4.23:34
40True Companion
tecnico di registrazione, tecnico e tecnico di missaggio:
Ben Wisch
produttore:
Marc Cohn e Ben Wisch
chitarra :
Marc Cohn
organo :
John Leventhal
tastiera :
Eric Rehl e Ben Wisch
violino :
Robin Batteau
voce:
Marc Cohn
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (dal 1991 a oggi)
registrazione di:
True Companion
autore:
Marc Cohn
editore:
Sony/ATV Harmony
Marc Cohn4:10
41Got to Love Somebody (single edit)
produttore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
direttore d'orchestra:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
registrazione di:
Got to Love Somebody
autore e arrangiatore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Chic Music, Inc.
Sister Sledge3:33
42Love Will Tear Us Apart
produttore:
Joy Division e Martin Hannett
basso :
Peter Hook
batteria :
Stephen Morris (New Order)
chitarra :
Bernard Albrecht
voce:
Bernard Albrecht e Ian Curtis
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1988)
registrata presso:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Regno Unito
parte di:
triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (numero: 5), Q50 – December 2005 (numero: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 14), NME: Greatest “Indie” Anthems Ever: 2007 (numero: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 179)
registrazione di:
Love Will Tear Us Apart
paroliere:
Ian Curtis
compositore:
Ian Curtis, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:27
43Get It On (Bang a Gong)
tecnico:
Jason Corsaro (U.S. music engineer, and record producer)
produttore:
Bernard Edwards (American bassist and record producer)
tecnico di missaggio:
Jason Corsaro (U.S. music engineer, and record producer) e Bernard Edwards (American bassist and record producer)
batteria :
Tony Thompson (drummer, best known for his work in CHIC)
chitarra :
Andy Taylor (of Duran Duran)
chitarra basso :
John Taylor (UK bassist for Duran Duran)
voce principale:
Robert Palmer (English singer‐songwriter)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985)
registrazione cover di:
Get It On (Bang a Gong)
paroliere e compositore:
Marc Bolan
editore:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget (Swedish subsidiary of Essex Music), Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. e Westminster Music Ltd.
The Power Station3.253:45
44We Belong Together
registrazione cover di:
We Belong Together
autore:
Robert Carr, Johnny Mitchell e Hy Weiss
editore:
Planetary Nom (London) Ltd.
Los Lobos2:01
45Black Velvet
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 79)
registrazione di:
Black Velvet
autore:
David Tyson (Canadian producer/songwriter) e Christopher Ward (Canadian songwriter & veejay)
editore:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP e Zomba Music Publishing Ltd.
Alannah Myles4:33

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