Ultra-Lounge: Cocktails With Cole Porter

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Just One of Those Things
registrazione cover di:
Just One of Those Things (il 1957-07-31)
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
Nat King Cole2:15
2Its De‐Lovely
tecnico:
Val Valentin
produttore:
Norman Granz
batteria :
Alvin Stoller (il 1956-02-09)
chitarra :
Barney Kessel (il 1956-02-09)
contrabbasso :
Joe Mondragon (il 1956-02-09)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-02-09)
sassofono baritono :
Chuck Gentry (il 1956-02-09)
sassofono contralto :
Herb Geller (il 1956-02-09) e Bud Shank (il 1956-02-09)
sassofono tenore :
Bob Cooper (US jazz saxophonist) (il 1956-02-09) e Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1956-02-09)
tromba :
Pete Candoli (il 1956-02-09), Harry “Sweets” Edison (il 1956-02-09), Maynard Ferguson (il 1956-02-09) e Conrad Gozzo (il 1956-02-09)
trombone :
Milt Bernhart (il 1956-02-09), Joe Howard (american trombone player) (il 1956-02-09) e Lloyd Ulyate (American trombonist (1927-2004)) (il 1956-02-09)
trombone basso :
George Roberts (american bass trombone) (il 1956-02-09)
voce principale:
Ella Fitzgerald (American jazz singer) (dal 1956-02-09 al 1956)
direttore d'orchestra:
Buddy Bregman (il 1956-02-09)
arrangiatore:
Buddy Bregman
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-02-09)
registrazione cover di:
It’s De‐Lovely (il 1956-02-09)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
parte di:
Anything Goes
parte di:
Red, Hot and Blue (1936 Cole Porter musical)
Ella Fitzgerald2:44
3True Love
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1960)
registrazione cover di:
True Love (High Society) (nel 1960)
paroliere e compositore:
Cole Porter (composer) (nel 1956)
editore:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
Warner Chappel Music Belgium NV
parte di:
The 29th Academy Award for Best Original Song (numero: 2)
parte di:
High Society (stage musical)
parte di:
High Society (1956 film)
Dean Martin2:33
4Anything Goes
registrazione di:
Anything Goes
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Chappell Music (UK), Chappell Music Ltd. e Warner Bros., Inc. (not for release label use!)
Tony Bennett2:22
5Easy to Love
registrazione cover di:
Easy to Love
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Anything Goes
parte di:
Born to Dance
Sammy Davis Jr.2:26
6C’est magnifque
Kay Starr2:20
7Night and Day
registrazione cover di:
Night and Day (Cole Porter; from “The Gay Divorce”)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
Steve Lawrence2:15
8My Heart Belongs to Daddy
produttore:
Richard Bock (record producer)
batteria e membranofono :
Colin Bailey (drummer) (il 1965-07-12)
chitarra :
Joe Pass (jazz guitarist) (il 1965-07-12)
contrabbasso :
Monty Budwig (il 1965-07-12)
legni :
Bud Shank (il 1965-07-12)
pianoforte :
Russ Freeman (pianist) (il 1965-07-12)
strumenti:
The Bud Shank Quintet (il 1965-07-12)
voce:
Julie London (il 1965-07-12)
arrangiatore:
Russ Freeman (pianist)
registrata presso:
Pacific Jazz Studios in Los Angeles, California, Stati Uniti (il 1965-07-12)
registrazione cover di:
My Heart Belongs to Daddy (il 1965-07-12)
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell (library/production music), Chappell & Co. e Chappell Music Ltd.
Julie London2:43
9Ridin’ High
registrazione cover di:
Ridin’ High
paroliere e compositore:
Cole Porter (composer) (nel 1936)
Peggy Lee2:11
10High Society Calypso
registrazione di:
High Society Calypso (High Society, 1956 film)
paroliere e compositore:
Cole Porter (composer) (nel 1956)
editore:
Chappell Music Ltd.
parte di:
High Society (1956 film)
Louis Armstrong2:15
11What Is This Thing Called Love
registrazione di:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Harms, Inc., Warner Bros., Inc. (not for release label use!) e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Wake Up and Dream (1929 revue)
Keely Smith1:55
12I Love Paris
registrazione di:
I Love Paris (Can-Can [Pistache, Company])
paroliere e compositore:
Cole Porter (composer) (nel 1953)
editore:
Chappell (library/production music), Chappell & Co., Inc. (USA) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
Can‐Can
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
Kay Starr2:47
13You’d Be So Nice to Come Home To
produttore:
Brad Benedict
direttore d'orchestra:
Jimmy Jones (jazz pianist, active years 1936-1975)
remixer:
Bob Norberg
registrazione cover di:
You’d Be So Nice to Come Home To
paroliere e compositore:
Cole Porter (composer) (nel 1943)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
The 16th Academy Award for Best Original Song (numero: 2)
Nancy Wilson2:37
14I Happen to Like New York
registrata a:
London (Greater London), England, Regno Unito (il 1960-08-03)
voce:
Judy Garland (il 1960-08-03)
direttore d'orchestra:
Norrie Paramor (il 1960-08-03)
registrazione di:
I Happen to Like New York (The New Yorkers musical) (il 1960-08-03)
paroliere e compositore:
Cole Porter (composer) (nel 1930)
editore:
Warner Bros. Music (publisher; do NOT use as release label)
Judy Garland2:58
15I’ve Got You Under My Skin
produttore:
Voyle Gilmore (il 1959-01-02)
sassofono tenore :
Sam Butera (il 1959-01-02)
tromba :
Louis Prima (il 1959-01-02)
voce:
Louis Prima (il 1959-01-02) e Keely Smith (il 1959-01-02)
orchestra:
The Witnesses (il 1959-01-02)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1959-01-02)
registrazione cover di:
I’ve Got You Under My Skin (il 1959-01-02)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
Louis Prima & Keely Smith2:39
16Looking at You
Liza Minnelli2:41
17Always True to You in My Fashion
bonghi :
Armando Peraza (percussionist) (il 1959-04-29)
chitarra :
Toots Thielemans (il 1959-04-29)
contrabbasso :
Carl Pruitt (Double bass player) (il 1959-04-29)
pianoforte :
George Shearing (British jazz pianist) (il 1959-04-29)
vibrafono :
Ray Alexander (il 1959-04-29)
voce:
Peggy Lee (jazz vocalist) (il 1959-04-29)
registrazione cover di:
Always True to You in My Fashion (il 1959-04-29)
paroliere e compositore:
Cole Porter (composer) (nel 1948)
parte di:
Kiss Me, Kate (musical)
Peggy Lee and George Shearing1:58
18Let’s Do It
registrazione cover di:
Let’s Do It (Let’s Fall in Love) (Paris musical)
paroliere e compositore:
Cole Porter (composer) (nel 1928)
parte di:
Can‐Can (1960 musical film)
parte di:
Paris (1928 musical)
Duke Ellington & Ella Fitzgerald4:21
19Miss Otis Regrets
registrazione di:
Miss Otis Regrets
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1934)
Nat King Cole4:32
20Ev’ry Time We Say Goodbye
basso :
George Duvivier (il 1961-07-18)
chitarra :
Mundell Lowe (il 1961-07-18)
voce:
Sarah Vaughan (il 1961-07-18)
registrata presso:
RKO-Pathé Studios in New York, New York, Stati Uniti (il 1961-07-18)
registrazione cover di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (il 1961-07-18)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sarah Vaughan2:25

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