For LP Fans Only Special Edition

~ Pubblicazione di Elvis Presley (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD: The Original “For LP Fans Only” Lpm‐1990 Album
#TitoloValutazioneDurata
1That’s All Right
registrazione cover di:
That’s All Right
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music e Unichappell Music, Inc.
2:00
2Lawdy, Miss Clawdy
registrazione cover di:
Lawdy Miss Clawdy
paroliere e compositore:
Lloyd Price (US R&B/soul singer) (nel 1952-03)
editore:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC e Venice Music
2:11
3Mystery Train
registrazione cover di:
Mystery Train
autore:
Junior Parker e Sam Phillips (founder of Sun Records)
editore:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Hilo Music Inc. (nel 1953)
2:31
4Playing for Keeps
registrazione cover di:
Playing for Keeps
paroliere e compositore:
Stan Kesler (US session musician, composer and producer)
2:56
5Poor Boy
registrazione di:
Poor Boy (for copyright reasons, originally credited to Vera Matson and Elvis Presley)
paroliere e compositore:
Ken Darby
editore:
Elvis Presley Music, Elvis Presley Music Inc. e R&H Music
2:17
6My Baby Left Me
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-30, dal 1956-01-30 al 1956-02-03)
batteria :
D.J. Fontana (il 1956-01-30, dal 1956-01-30 al 1956-02-03)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10, dal 1956-01-30 al 1956-02-03) e Scotty Moore (American guitarist and recording engineer) (il 1956-01-30, dal 1956-01-30 al 1956-02-03)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-01-30, dal 1956-01-30 al 1956-02-03)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956) e BMG Music (nel 1956)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-01-30, dal 1956-01-30 al 1956-01-31, il 1956-02-03)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 29)
registrazione cover di:
My Baby Left Me (dal 1956-01-30 al 1956-02-03)
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. e Williamson Music Company
registrazione di:
My Baby Left Me
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. e Williamson Music Company
3.252:16
7I Was the One
registrazione di:
I Was the One
autore:
Hal Blair, Claude Demetrius, Bill Peppers e Aaron Schroeder (1950s~1960s US songwriter)
editore:
Anne-Rachel Music, Carlin Music Corporation, Chappell & Co., Inc. (USA), MCA Music Ltd. e Rachel’s Own Music
2:35
8Shake, Rattle and Roll
registrazione cover di:
Shake, Rattle and Roll
paroliere aggiunto:
Daryl Bosteels
autore:
Charles Calhoun e Jesse Stone
editore:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music e Unichappell Music, Inc.
2:30
9I’m Left, You’re Right, She’s Gone
registrazione cover di:
I’m Left, You’re Right, She’s Gone
autore:
Stan Kesler (US session musician, composer and producer) e Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
editore:
Hi Lo Music Inc. (BMI-affiliated)
2:39
10You’re a Heartbreaker
registrazione cover di:
You’re a Heartbreaker
autore:
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
2:15
11That’s All Right (takes 1–3)
registrazione cover di:
That’s All Right
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music e Unichappell Music, Inc.
2:17
12Harbor Lights (take 7)
registrazione cover di:
Harbour Lights
paroliere:
Jimmy Kennedy (Irish songwriter)
compositore:
Hugh Williams (aka Hugh Williams)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Peter Maurice Music Co. Ltd.
2:25
13I’m Left, You’re Right, She’s Gone (Slow version takes 4 & 5/M)
registrazione cover di:
I’m Left, You’re Right, She’s Gone
autore:
Stan Kesler (US session musician, composer and producer) e Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
editore:
Hi Lo Music Inc. (BMI-affiliated)
2:53
14When It Rains, It Really Pours
registrazione cover di:
When It Rains It Pours
paroliere e compositore:
Billy “The Kid” Emerson (rock ’n’ roll on Sun, Vee‐Jay & Chess Records)
editore:
Hi Lo Music Inc. (BMI-affiliated) e Riverline Music
2:07
15That’s All Right (October 16, 1954, the Louisiana Hayride, Municipal Auditorium, Shreveport)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (il 1954-10-16)
registrazione dal vivo cover di:
That’s All Right (il 1954-10-16)
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music e Unichappell Music, Inc.
2:53
16Blue Moon of Kentucky (October 16, 1954, the Louisiana Hayride, Municipal Auditorium, Shreveport)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (il 1954-10-16)
registrazione dal vivo cover di:
Blue Moon of Kentucky (il 1954-10-16)
paroliere e compositore:
Bill Monroe (“The Father of Bluegrass”) (nel 1946)
editore:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
2:23
17Fool, Fool, Fool (January 6, 1955, Radio Station Kdav, Lubbock, TX)
registrata a:
Lubbock, Texas, Stati Uniti (il 1955-01-06)
registrazione dal vivo cover di:
Fool, Fool, Fool (il 1955-01-06)
paroliere e compositore:
Ahmet Ertegun (US songwriter/producer)
editore:
Unichappell Music e Unichappell Music, Inc.
1:58
18Hearts of Stone (January 15, 1955, the Louisiana Hayride, Municipal Auditorium, Shreveport)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (il 1955-01-15)
registrazione dal vivo cover di:
Hearts of Stone (il 1955-01-15)
autore:
Rudy Jackson (1950s-60s R&B vocalist) e Eddie Ray (US record company executive, producer & songwriter)
editore:
Regent Music (BMI)
2:05
19Shake, Rattle and Roll (January 19, 1955, Radio Station WJOI, Florence, AL)
registrata a:
Florence, Alabama, Stati Uniti (il 1955-01-19)
registrazione dal vivo cover di:
Shake, Rattle and Roll (il 1955-01-19)
paroliere aggiunto:
Daryl Bosteels
autore:
Charles Calhoun e Jesse Stone
editore:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music e Unichappell Music, Inc.
2:23
20Money Honey (January 22, 1955, the Louisiana Hayride, Municipal Auditorium, Shreveport)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (il 1955-01-22)
registrazione dal vivo cover di:
Money Honey (il 1955-01-22)
paroliere e compositore:
Jesse Stone
editore:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) e ZFC Music
2:46
21I Don’t Care If the Sun Don’t Shine (January 22, 1955, the Louisiana Hayride, Municipal Auditorium, Shreveport)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (il 1955-01-22)
registrazione dal vivo cover di:
I Don’t Care If the Sun Don’t Shine (il 1955-01-22)
paroliere e compositore:
Mack David (American lyricist and songwriter)
editore:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
2:34
22Little Mama (Likely March 5, 1955, the Louisiana Hayride, Municipal Auditorium, Shreveport)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (nel 1955)
registrazione dal vivo cover di:
Little Mama (nel 1955)
compositore:
Willis Carroll, Ahmet Ertegun (US songwriter/producer), Carmen Taylor (Alias: Elena Madera) e Jerry Wexler
editore:
Unichappell Music, Inc.
2:02
23You’re a Heartbreaker (Likely March 5, 1955, the Louisiana Hayride, Municipal Auditorium, Shreveport)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (nel 1955)
registrazione dal vivo cover di:
You’re a Heartbreaker (nel 1955)
autore:
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
2:06
24Good Rockin’ Tonight (Likely March 19, 1955, Eagles Hall, Houston, TX)
registrata presso:
Eagles Hall in Houston, Texas, Stati Uniti (nel 1955)
registrazione dal vivo cover di:
Good Rockin’ Tonight (nel 1955)
paroliere e compositore:
Roy Brown (blues musician) (nel 1947-07)
editore:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. e Wixen Music UK Ltd.
2:19
25I Got a Woman (Likely March 19, 1955, Eagles Hall, Houston, TX)
registrata presso:
Eagles Hall in Houston, Texas, Stati Uniti (nel 1955)
registrazione dal vivo cover di:
I Got a Woman (nel 1955)
autore:
Ray Charles (soul musician, singer and songwriter) e Renald Richard
editore:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:59
26Tweedlee Dee (April 30, 1955, the Louisiana Hayride (Remote), Gladewater High School, Gladewater)
registrata presso:
Gladewater High School in Gladewater, Texas, Stati Uniti (il 1955-04-30)
registrazione dal vivo cover di:
Tweedlee Dee (il 1955-04-30)
paroliere e compositore:
Winfield Scott (nel 1954)
editore:
Hill & Range Songs, Inc. (publisher) e Unichappell Music
2:48
27I’m Left, You’re Right, She’s Gone (July 2, 1955, the Louisiana Hayride, Municipal Auditorium, Shreveport)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (il 1955-07-02)
registrazione dal vivo cover di:
I’m Left, You’re Right, She’s Gone (il 1955-07-02)
autore:
Stan Kesler (US session musician, composer and producer) e Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
editore:
Hi Lo Music Inc. (BMI-affiliated)
3:17
28Baby Let’s Play House (August 20, 1955, the Louisiana Hayride, Municipal Auditorium, Shreveport)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (il 1955-08-20)
registrazione dal vivo cover di:
Baby Let’s Play House (il 1955-08-20)
paroliere e compositore:
Arthur Gunter
editore:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. e LPGV Music (BMI)
2:39
29Maybellene (August 20, 1955, the Louisiana Hayride, Municipal Auditorium, Shreveport)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (il 1955-08-20)
registrazione dal vivo cover di:
Maybellene (il 1955-08-20)
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e Salee Music Company
2:08
30I Forgot to Remember to Forget (October 29, 1955, the Louisiana Hayride, Municipal Auditorium, Shreveport)
registrata presso:
Shreveport Municipal Auditorium in Shreveport, Louisiana, Stati Uniti (il 1955-10-29)
registrazione dal vivo cover di:
I Forgot to Remember to Forget (il 1955-10-29)
autore:
Charlie Feathers e Stan Kesler (US session musician, composer and producer)
editore:
Carlin Music Corporation e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
3:28
2▶CD: Stage Show CBS (a.k.a. the Dorsey Brothers Show)

Accreditamenti

Pubblicazione

fabbricata a:Europa
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Follow That Dream Records (specializes in Elvis reissues and collectibles) (nel 2018)
licenziata da:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
Discogs:https://www.discogs.com/release/12928796 [info]