Swing Me an Old Song

~ Pubblicazione di Julie London (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloValutazioneDurata
1Come On‐a‐My House
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2Evening
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3Send for Me
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4Everyday I Have the Blues
produttore:
Si Waronker
voce:
Julie London
direttore d'orchestra:
Jimmy Rowles
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5Yes Indeed
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6T’Ain’t What You Do (It’s the Way That You Do It)
produttore:
Si Waronker
voce:
Julie London
direttore d'orchestra:
Jimmy Rowles
registrazione di:
It Ain’t What You Do (It’s the Way That You Do It)
autore:
Sy Oliver e Trummy Young
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7The Boy From Ipanema
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8Every Chance I Get
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9Must Be Catchin’
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10I’m Coming Back to You
tecnico:
Eddie Brackett
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
direttore d'orchestra:
Ernie Freeman
arrangiatore:
Ernie Freeman
registrazione di:
I’m Coming Back to You
autore:
Arthur Kent e Ed Warren (US songwriter Edward C. Warren)
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11Can’t Get Used to Losing You
tecnico:
Eddie Brackett
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
direttore d'orchestra:
Ernie Freeman
arrangiatore:
Ernie Freeman
registrazione cover di:
Can’t Get Used to Losing You
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Carlin Music Corporation
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12Watermelon Man
tecnico:
Dayton “Bones” Howe
produttore:
Richard Bock (record producer)
voce:
Julie London
arrangiatore:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
registrazione di:
Watermelon Man (with Lyrics)
paroliere:
Jon Hendricks
compositore:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
si basa su:
Watermelon Man
versione di:
Watermelon Man
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13But Not for Me
tecnico:
John Kraus (1950s US engineer)
produttore:
Si Waronker
voce:
Julie London (nel 1960-08)
direttore d'orchestra:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (nel 1960-08)
arrangiatore:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (nel 1960-08)
registrazione cover di:
But Not for Me (nel 1960-08)
paroliere:
Ira Gershwin (nel 1930)
compositore:
George Gershwin (composer) (nel 1930)
editore:
WB Music Corp. (1929–2019) (fino al 2019-05-28), New World Music Co. (nel 1930) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Girl Crazy (1930 Musical)
parte di:
When the Boys Meet the Girls (1965 film)
4?:??
14Why Don’t You Do Right?
produttore:
Felix Slatkin
voce:
Julie London
registrazione di:
Why Don’t You Do Right?
paroliere e compositore:
Kansas Joe McCoy
editore:
Edwin Morris Music e Morley Music Co
versione di:
Weed Smoker’s Dream
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15Fly Me to the Moon
tecnico:
David Hassinger
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
direttore d'orchestra:
Ernie Freeman
arrangiatore:
Ernie Freeman
diritti fonografici (℗) detenuti da:
Liberty (a division of UMG Recordings, Inc.) (nel 1964)
registrazione cover di:
Fly Me to the Moon
paroliere e compositore:
Bart Howard (nel 1954)
eseguita per la prima volta da:
Kaye Ballard (nel 1954)
editore:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC e TRO Essex Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
4?:??
16Desafinado
registrazione di:
Off Key (Gene Lees version)
paroliere:
Gene Lees
compositore:
Antônio Carlos Jobim
si basa su:
Desafinado
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17An Occasional Man
registrazione di:
An Occasional Man
autore:
Ralph Blane e Hugh Martin
editore:
Saunders Publications
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18My Heart Belongs to Daddy
produttore:
Richard Bock (record producer)
batteria e membranofono :
Colin Bailey (drummer) (il 1965-07-12)
chitarra :
Joe Pass (jazz guitarist) (il 1965-07-12)
contrabbasso :
Monty Budwig (il 1965-07-12)
legni :
Bud Shank (il 1965-07-12)
pianoforte :
Russ Freeman (pianist) (il 1965-07-12)
strumenti:
The Bud Shank Quintet (il 1965-07-12)
voce:
Julie London (il 1965-07-12)
arrangiatore:
Russ Freeman (pianist)
registrata presso:
Pacific Jazz Studios in Los Angeles, California, Stati Uniti (il 1965-07-12)
registrazione cover di:
My Heart Belongs to Daddy (il 1965-07-12)
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell (library/production music), Chappell & Co. e Chappell Music Ltd.
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19Daddy
tecnico:
Ted Keep
produttore:
Felix Slatkin e Bobby Troup
voce:
Julie London (nel 1957-10)
orchestra:
The Jimmy Rowles Orchestra (nel 1957-10)
direttore d'orchestra:
Jimmy Rowles (nel 1957-10)
registrazione cover di:
Daddy (nel 1957-10)
paroliere e compositore:
Robert W. Troup, Jr.
4?:??
20Tired
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21Fools Rush In
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22I Want to Find Out for Myself
tecnico:
Dave Hassinger
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
arrangiatore:
Ernie Freeman
registrazione di:
I Want to Find Out for Myself
autore:
Sylvia Dee (American lyricist) e Arthur Kent
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23Wives and Lovers
tecnico:
Dave Hassinger
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
arrangiatore:
Ernie Freeman
registrazione cover di:
Wives and Lovers
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
10 Music Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) e Virgin Music (Publishers) Ltd.
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24Baby Come Home
produttore:
Si Waronker
voce:
Julie London
direttore d'orchestra:
Jimmy Rowles
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25Our Day Will Come
tecnico:
David Hassinger
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
direttore d'orchestra:
Ernie Freeman
arrangiatore:
Ernie Freeman
registrazione cover di:
Our Day Will Come
paroliere:
Bob Hilliard
compositore:
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Francis, Day & Hunter, Leeds Music Corp., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
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26Back Home Again in Indiana
tecnico:
Ted Keep
produttore:
Bobby Troup
voce:
Julie London (nel 1957-10)
orchestra:
Jimmy Rowles and His Orchestra (nel 1957-10)
direttore d'orchestra:
Jimmy Rowles (nel 1957-10)
registrazione di:
Indiana (Back Home Again in Indiana) (nel 1957-10)
paroliere:
Ballard MacDonald (nel 1917)
compositore:
James F. Hanley (nel 1917)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946)
4?:??
27The End of a Love Affair
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28You Don’t Have to Be a Baby to Cry
tecnico:
Dave Hassinger
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
arrangiatore:
Ernie Freeman
registrazione di:
You Don’t Have to Be a Baby to Cry
paroliere:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
compositore:
Terry Shand (jazz pianist/composer)
editore:
Frank Music Corp.
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29Cry Me a River
tecnico:
John Kraus (1950s US engineer) (nel 1955-08)
produttore:
Bobby Troup
chitarra :
Barney Kessel
contrabbasso [bass] :
Ray Leatherwood
voce:
Julie London (nel 1955-08)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1957)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 15)
registrazione di:
Cry Me a River (nel 1955-08)
paroliere e compositore:
Arthur Hamilton
editore:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (nel 1982) e Song and Dance Music Co. (nel 1982)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
4.65?:??
30Moments Like This
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31The End of the World
tecnico:
David Hassinger
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
direttore d'orchestra:
Ernie Freeman
arrangiatore:
Ernie Freeman
registrazione cover di:
The End of the World
paroliere:
Sylvia Dee (American lyricist)
compositore:
Arthur Kent
editore:
Music Sales Corporation (American copyright holder in both popular and classical music) e Summit Music Corp, (ASCAP-affiliated)
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
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