Titelliste

1CD
2CD
Nr.TitelKünstlerBewertungLänge
1Flashdance… What a Feeling
Produzent(in):
Giorgio Moroder
vocals:
Irene Cara
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) und Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 38) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 492)
recording of:
Flashdance… What a Feeling
Texter:
Irene Cara und Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1983 winner)
Irene Cara3.653:49
2Maniac - BOF Flashdance
Produzent(in):
Phil Ramone und Michael Sembello
vocals:
Michael Sembello (in 1983)
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1983)
recording of:
Maniac (in 1983)
Verfasser(in):
Dennis Matkosky und Michael Sembello
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1983 nominee)
Michael Sembello4.154:09
3Grease MegaMix
Sologesang:
Olivia Newton‐John (British‐Australian singer, actress and activist) und John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (duo)
DJ-Mixer:
Ian Curnow und Phil Harding (engineer, producer and remixer)
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1990, in 2003)
DJ-Mix von und Mashup von:
You’re the One That I Want von John Travolta (American actor and singer) & Olivia Newton‐John (British‐Australian singer, actress and activist), Greased Lightnin' von John Travolta (American actor and singer) und Summer Nights von John Travolta (American actor and singer), Olivia Newton‐John (British‐Australian singer, actress and activist) & Cast ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
recording of:
The Grease Megamix
Verfasser(in):
Warren Casey, John Farrar und Jim Jacobs
Medley von:
You’re the One That I Want (Grease, 1978 film)
Medley von:
Greased Lightnin’ (Grease, 1971 musical)
Medley von:
Summer Nights (Grease, 1971 musical)
John Travolta & Olivia Newton‐John3.554:51
4Don’t Let Me Be Misunderstood
phonographisches Urheberrecht (℗) von:
Casablanca (label that Tommy Mottola founded circa 2003, part of UMG) (in 1977)
cover recording of:
Don’t Let Me Be Misunderstood
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
Santa Esmeralda3:25
5The Shoop Shoop Song (It’s in His Kiss)
Produzent(in):
Peter Asher
Sologesang:
Cher
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1990)
Musikvideos:
The Shoop Shoop Song (It’s in His Kiss) von Cher
cover recording of:
It’s in His Kiss (The Shoop Shoop Song)
Texter und Komponist(in):
Rudy Clark (US songwriter)
publisher:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. und Trio Music Company
Cher3.352:52
6Always Look on the Bright Side of Life
assistierende(r) Techniker(in):
James Saunders (United Kingdom experimental composer/musician)
Techniker(in) und Mix:
André Jacquemin
Produzent(in):
Eric Idle und André Jacquemin
Sologesang:
Eric Idle
arranger:
John Altman
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1991)
aufgenommen bei und mixed at:
Redwood Studios in Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Always Look on the Bright Side of Life
Texter und Komponist(in):
Eric Idle
publisher:
Oops Publishing Ltd.
sub-publisher:
EMI Music Publishing Hong Kong (division of EMI Music Publishing Group Hong Kong Ltd. that existed as early as 2000)
Version von:
Look on the Bright Side of Life (All Things Dull and Ugly)
Teil von:
Part Five: Miserere Loves Company
Monty Python4.53:33
7Beinhart
recording of:
Beinhart
Verfasser(in):
Klaus Büchner (singer and songwriter, Klaus & Klaus) und Raymond Voß
Torfrock3:21
8Axel F.
Produzent(in):
Harold Faltermeyer
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 70)
recording of:
Axel F (Beverly Hills Cop)
Komponist(in):
Harold Faltermeyer
Harold Faltermeyer4.153:03
9When the Rain Begins to Fall
Produzent(in):
Jack White (German producer Horst Nußbaum)
vocals:
Jermaine Jackson (soul/pop singer, of Jackson 5) und Pia Zadora
arranger:
Michael Boddicker und Peter Leudemann (songwriter, producer and engineer)
phonographisches Urheberrecht (℗) von:
Mike Curb Records, Inc. (company, not a label) (in 1984)
recording of:
When the Rain Begins to Fall
Texter und Komponist(in):
Michael Bradley (Paul Revere & Raiders, Robotech), Peggy March (US pop singer) und Steve Wittmack
publisher:
BMG/Ufa (not for release label use! this is a music publisher), Edition Sunrise Publishing Inc. und Edition Sunset Publishing, Inc.
Jermaine Jackson & Pia Zadora3.54:06
10From Zero to Hero
recording of:
From Zero to Hero
Texter und Komponist(in):
Kay Denar und Rob Tyger
Sarah Connor3:49
11Gangsta’s Paradise
Produzent(in):
Doug Rasheed
Hintergrundgesang:
Trinna Simmons
vocals:
L.V. (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”)
Samples:
Pastime Paradise von Stevie Wonder
Musikvideos:
Gangsta’s Paradise von Coolio (US rapper, actor, chef & record producer) feat. L.V. (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 98) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 166)
recording of:
Gangsta’s Paradise
Verfasser(in):
Artis L. Ivey Jr. (US rapper, actor, chef & record producer), Larry James Sanders (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”), Doug Rasheed und Stevie Wonder
publisher:
IQ Music Ltd., Jobete Music (appears also as: Jobete Msc.) und Polygram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
basiert auf:
Pastime Paradise
Coolio feat. L.V.3.954:03
12(I Can’t Help) Falling in Love With YouUB4053:26
13Never Ending Story
Produzent(in):
Giorgio Moroder
Hintergrundgesang:
Beth Andersen (US pop vocalist)
Sologesang:
Limahl
vocals:
Beth Anderson (US pop vocalist) und Limahl
Interpret(in):
Limahl
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) und Neue Constantin Film Productions GmbH
Teil von:
Cachitos Nochevieja 2022 (Nummer: 51)
recording of:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
Texter:
Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Limahl3.353:31
14Reality
Richard Sanderson3:59
15Purple Rain
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984) und NPG Records, Inc. (in 2017)
aufgenommen bei:
First Avenue in Minneapolis, Minnesota, Vereinigte Staaten (am 1983-08-03) und Sunset Sound, Studio 3 in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1983-08 bis 1983-09)
Bearbeitung von:
Purple Rain (live, 1983‐08‐03: First Avenue, Minneapolis, MN, USA, with overdubs; album version) von Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
live recording of:
Purple Rain (am 1983-08-03)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Because Éditions, Controversy Music und Island Music Ltd.
recording of:
Purple Rain
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Because Éditions, Controversy Music und Island Music Ltd.
Prince & The Revolution34:06
16Licence to Kill
Produzent(in):
Walter Afanasieff und Narada Michael Walden
vocals:
Gladys Knight (soul and r&b music singer-songwriter)
arranger:
Walter Afanasieff und Narada Michael Walden
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1989)
recording of:
Licence to Kill
Verfasser(in):
Walter Afanasieff, Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) und Narada Michael Walden
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und SBK Songs Ltd. (in 1989)
Teil von:
James Bond themes
quotes music from:
Goldfinger
Gladys Knight3.355:18
17Son of a Preacher Man
Techniker(in):
Ed Kollis
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bassgitarre:
Tommy Cogbill (in 1968-09)
Gitarre und Sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
Hybrid-Piano und Orgel:
Bobby Emmons (in 1968-09)
Schlagzeug:
Gene Chrisman (in 1968-09)
Hintergrundgesang:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
Blechblasinstrumente arranger:
Tom Dowd
Blechblasinstrumente und Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1968)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 168) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 240)
recording of:
Son of a Preacher Man (in 1968-09)
Verfasser(in):
John Hurley und Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Dusty Springfield4.452:27
18Porqué te vas?
Sologesang:
Jeanette (Spanish singer) (in 1974)
conductor:
Juan Márquez (Spanish composer and singer) (in 1974)
arranger:
Juan Márquez (Spanish composer and singer)
recording of:
Porque te vas (in 1974)
Texter und Komponist(in):
José Luis Perales
Jeanette4.53:23
19Goldfinger
Techniker(in):
John Richards (engineer)
Produzent(in):
John Barry (English score composer) und George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
vocals:
Shirley Bassey (Welsh singer) (in 1964-07)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
Columbia Pictures Industries, Inc. (in 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
Goldfinger (in 1964-07)
Texter:
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. und Sony/ATV Songs LLC
Teil von:
James Bond themes
Teil von:
Goldfinger
Shirley Bassey4.252:51
20Das Boot
Klaus Doldinger4:28
21Theme From Rocky
cover recording of:
Eye of the Tiger (in 1985)
Verfasser(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1982 nominee)
cover recording of:
Gonna Fly Now (in 1985)
Texter:
Carol Connors und Ayn Robbins
Komponist(in):
Bill Conti
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI Unart Catalog Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 49th Academy Award for Best Original Song (Nummer: 2)
Round One6:25

Nennungen

Veröffentlichungsgruppe

Teil von:Die ultimative Chart Show (Nummer: 2009-10-30) (Reihenfolge: 49)