Motown 50: Yesterday, Today, Forever

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 10 vorhanden)

Anmerkung

Disc catalogue number: 5313465

Disc catalogue number: 5313466

Disc catalogue number: 5314537

Packaging is 4-section Gatefold Digipak in a card slip-case.

Anmerkung zuletzt geändert am 2017-08-01 05:47 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I Heard It Through the Grapevine
Produzent(in):
Norman Whitfield
Bass [1962 Fender Precision Bass]:
James Jamerson (von 1967-02-03 bis 1967-04-10)
Conga und Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (von 1967-02-03 bis 1967-04-10)
Gitarre [1964 Gibson Firebird III]:
Eddie Willis (von 1967-02-03 bis 1967-04-10)
Gitarre [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (von 1967-02-03 bis 1967-04-10)
Hammond-Orgel [B-3]:
Earl Van Dyke (von 1967-02-03 bis 1967-04-10)
Instrumente:
The Funk Brothers (von 1967-02-03 bis 1967-04-10)
Schlagzeug:
Uriel Jones (von 1967-02-03 bis 1967-04-10)
Tom Tom:
Richard "Pistol" Allen (von 1967-02-03 bis 1967-04-10)
Waldhorn:
Don Ozga (von 1967-02-03 bis 1967-04-10) und Edwin Jones (von 1967-02-03 bis 1967-04-10)
Wurlitzer Electric Piano:
Johnny Griffith (von 1967-02-03 bis 1967-04-10)
Hintergrundgesang:
The Andantes (von 1967-02-03 bis 1967-04-10), Marlene Barrow (von 1967-02-03 bis 1967-04-10), Louvain Demps (von 1967-02-03 bis 1967-04-10) und Jackie Hicks (von 1967-02-03 bis 1967-04-10)
Sologesang:
Marvin Gaye (von 1967-02-03 bis 1967-04-10)
Orchester:
Detroit Symphony Orchestra (von 1967-02-03 bis 1967-04-10)
Saiteninstrumente arranger:
Paul Riser (von 1967-02-03 bis 1967-04-10)
Orchestrator(in):
Paul Riser (von 1967-02-03 bis 1967-04-10)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1968)
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1967-02-03 bis 1967-04-10)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 80), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 119) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 307)
cover recording of:
I Heard It Through the Grapevine (von 1967-02-03 bis 1967-04-10)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.73:17
2Dancing in the Street
Produzent(in):
William Stevenson (Motown songwriter)
andere Instrumente [tire iron]:
Ivy Jo Hunter (am 1964-06-29)
baritone saxophone:
Thomas Bowles (am 1964-06-29)
Bassgitarre:
James Jamerson (am 1964-06-29)
Gitarre:
Joe Messina (am 1964-06-29), Robert White (US funk/soul guitarist) (am 1964-06-29) und Eddie Willis (am 1964-06-29)
Perkussion, Tamburin und Vibraphon [vibes]:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-06-29)
Posaune:
George Bohanon (am 1964-06-29) und Paul Riser (am 1964-06-29)
Schlagzeug:
Marvin Gaye (am 1964-06-29)
Tenorsaxophon:
Henry Cosby (am 1964-06-29)
Trompete:
Russell Conway (trumpet player) (am 1964-06-29) und Herbert Williams (trumpet player) (am 1964-06-29)
Hintergrundgesang:
Rosalind Ashford (am 1964-06-29), Ivy Jo Hunter (am 1964-06-29), Betty Kelly (am 1964-06-29) und William Stevenson (Motown songwriter) (am 1964-06-29)
Sologesang:
Martha Reeves (am 1964-06-29)
Herausgeber:
EMI Music Publishing (do not use as a release label!)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 130) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 403)
recording of:
Dancing in the Street (am 1964-06-29)
Verfasser(in):
I. Hunter, M. Gaye und W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Martha and the Vandellas3.552:37
3Baby Love
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (am 1964-08-13)
Bass:
James Jamerson (am 1964-08-13)
foot stomps [footstomps]:
Michael Valvano (am 1964-08-13)
Gitarre:
Eddie Willis (am 1964-08-13)
Instrumente:
The Funk Brothers (am 1964-08-13)
Klavier:
Earl Van Dyke (am 1964-08-13)
Schlagzeug:
Richard "Pistol" Allen (am 1964-08-13)
Tenorsaxophon:
Henry Cosby (am 1964-08-13)
Vibraphon:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-08-13)
Hintergrundgesang:
Florence Ballard (am 1964-08-13) und Mary Wilson (am 1964-08-13)
Sologesang:
Diana Ross (am 1964-08-13)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-08-13)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 324) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 499)
recording of:
Baby Love (am 1964-08-13)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music Division
The Supremes4.352:36
4I Can’t Help Myself (Sugar Pie, Honey Bunch)
recording of:
I Can’t Help Myself (Sugar Pie, Honey Bunch)
Texter:
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
Four Tops2:46
5Needle in a Haystack
Produzent(in):
Norman Whitfield
Sologesang:
Caldin "Carolyn" Gill
recording of:
Needle in a Haystack (von 1964-07-17 bis 1964-07-30)
Verfasser(in):
N. Whitfield und W. Stevenson (Motown songwriter)
publisher:
EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd. und Jobete Music (UK) Ltd.
The Velvelettes2:31
6Get Ready
Produzent(in):
Smokey Robinson
Instrumente:
The Funk Brothers (von 1965-12-05 bis 1965-12-29)
Hintergrundgesang:
Melvin Franklin (von 1965-12-05 bis 1965-12-29), David Ruffin (soul singer, member of The Temptations) (von 1965-12-05 bis 1965-12-29), Otis Williams (US baritone singer, member of The Temptations & The Distants) (von 1965-12-05 bis 1965-12-29) und Paul Williams (member of The Temptations) (von 1965-12-05 bis 1965-12-29)
Sologesang:
Melvin Franklin (von 1965-12-05 bis 1965-12-29) und Eddie Kendricks (von 1965-12-05 bis 1965-12-29)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1965-12-05 bis 1965-12-29)
recording of:
Get Ready (von 1965-12-05 bis 1965-12-29)
Texter und Komponist(in):
William “Smokey” Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations42:34
7You Can’t Hurry Love
recording engineer:
Russ Terrana
Techniker(in):
Lamont Dozier
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Bass:
James Jamerson (am 1966-06-11)
Blechblasinstrumente [horns]:
Detroit Symphony Orchestra (am 1966-06-11)
Gitarre [Gibson L-5]:
Robert White (US funk/soul guitarist) (am 1966-06-11)
Instrumente:
The Funk Brothers (am 1966-06-11)
Klavier:
Earl Van Dyke (am 1966-06-11)
Schlagzeug:
Benny Benjamin (US drummer) (am 1966-06-11)
Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1966-06-11)
Hintergrundgesang:
Florence Ballard (am 1966-07-05) und Mary Wilson (am 1966-07-05)
Sologesang:
Diana Ross (am 1966-07-05)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1966) und Motown Records (not for label use; use “Motown” instead) (in 2015, in 2017)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1966-06-11 bis 1966-07-05)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 280)
recording of:
You Can’t Hurry Love (von 1966-06-11 bis 1966-07-05)
Verfasser(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Jobete Music (UK) Ltd. (in 1965) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Supremes4.752:47
8Heaven Must Have Sent You
recording of:
Heaven Must Have Sent You (am 1966-06-02)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobette-Carlin Music Ltd.
The Elgins22:33
9Nowhere to Run
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 359)
recording of:
Nowhere to Run
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Verfasser(in):
Holland–Dozier–Holland
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Martha and the Vandellas4.652:58
10Jimmy Mack
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1966)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-03-02) und Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1964-03-02 bis 1967-01-17)
recording of:
Jimmy Mack (von 1964-03-02 bis 1967-01-17)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete (now‐defunct US music publisher, affiliated with BMI) und Stone Agate Music Division
Martha and the Vandellas12:55
11This Old Heart of Mine (Is Weak for You)
Produzent(in):
Lamont Dozier, Holland–Dozier (with Brian Holland) und Brian Holland (Motown producer & songwriter)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1966)
recording of:
This Old Heart of Mine (Is Weak for You)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Verfasser(in):
Holland–Dozier–Holland
Komponist(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Sylvia Moy
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.) und Stone Agate Music Division
The Isley Brothers4.252:47
12The Tears of a Clown
Gitarre:
Marvin Tarplin (am 1966-09-26)
Instrumente:
The Funk Brothers (am 1966-09-26)
Hintergrundgesang:
Warren “Pete” Moore (am 1966-09-26), Claudette Robinson (am 1966-09-26), Bobby Rogers (am 1966-09-26) und Ronald White (soul singer, founding member of The Miracles) (am 1966-09-26)
Sologesang:
Smokey Robinson (am 1966-09-26)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1970)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1966-09-26)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 190) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 313)
recording of:
The Tears of a Clown (am 1966-09-26)
Texter:
Smokey Robinson
Komponist(in):
Henry Cosby, Smokey Robinson und Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Ltd und Jobette Music (UK) Ltd.
Smokey Robinson & The Miracles3.93:05
13ABC
Produzent(in):
The Corporation (Motown songwriters)
E-Bass:
Wilton Felder (in 1970-01) und Bob West (US session bassist, producer & songwriter) (in 1970-01)
Gitarre:
Don Peake (in 1970-01), Louis Shelton (in 1970-01) und David T. Walker (in 1970-01)
Keyboard:
Freddie Perren (in 1970-01)
Schlagzeug:
Gene Pello (in 1970-01)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Marlon Jackson (in 1970-01) und Tito Jackson (in 1970-01)
Hintergrundgesang und Sologesang:
Michael Jackson (“King of Pop”) (in 1970-01)
Sologesang:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1970-01) und Tito Jackson (in 1970-01)
arranger:
The Corporation (Motown songwriters)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1970)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1970-01)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 174)
recording of:
ABC (in 1970-01)
Verfasser(in):
Berry Gordy, Fonce Mizell, Freddie Perren und Deke Richards (American songwriter and record producer)
Komponist(in):
Erik Huber (audio engineer, producer, composer)
publisher:
Jobete Music Co., Inc.
sub-publisher:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Teil von:
MJ: The Musical
The Jackson 54.13:00
14It Takes Two
vocals:
Kim Weston
recording of:
It Takes Two
Verfasser(in):
Sylvia Moy und William Stevenson (Motown songwriter)
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music
Marvin Gaye & Kim Weston32:57
15My Guy
Bass:
James Jamerson (in 1964)
Gitarre:
Robert White (US funk/soul guitarist) (in 1964) und Eddie Willis (in 1964)
Instrumente:
The Funk Brothers (in 1964)
Klavier:
Johnny Griffith (in 1964)
Orgel:
Earl Van Dyke (in 1964)
Posaune:
George Bohanon (in 1964) und Paul Riser (in 1964)
Schlagzeug:
Benny Benjamin (US drummer) (in 1964)
Trompete:
Russell Conway (trumpet player) (in 1964) und Herbert Williams (trumpet player) (in 1964)
Vibraphon:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
Hintergrundgesang:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) und Jackie Hicks (in 1964)
Sologesang:
Mary Wells (Motown singer) (in 1964)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1964)
recording of:
My Guy (in 1964)
Texter und Komponist(in):
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:49
16Do You Love Me
Produzent(in):
Berry Gordy Jr.
Gitarre:
Huey Davis (guitarist) (am 1962-06-03)
Instrumente:
The Funk Brothers (am 1962-06-03)
Hintergrundgesang:
Billy Hoggs (in 1962), Joe Billingslea (soul vocalist, songwriter) (am 1962-06-03), Hubert Johnson (singer) (am 1962-06-03) und Sylvester Potts (am 1962-06-03)
Sologesang:
Billy Gordon (The Contours) (am 1962-06-03)
zusätzlich Sologesang:
Billy Hoggs (am 1962-06-03)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1962-06-03)
Musikvideos:
Do You Love Me (music video) von The Contours (60s soul)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 9)
recording of:
Do You Love Me (am 1962-06-03)
Texter und Komponist(in):
Berry Gordy
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
The Contours4.352:54
17Do I Love You (Indeed I Do)
recording of:
Do I Love You (Indeed I Do)
Texter und Komponist(in):
Frank Wilson (Motown singer/songwriter)
publisher:
Stone Agate Music
Frank Wilson2:22
18There’s a Ghost in My House
recording of:
There’s a Ghost in My House (in 1966)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und R. Dean Taylor (Canadian singer, songwriter and record producer)
R. Dean Taylor2:15
19Stop! In the Name of Love
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Instrumente:
The Funk Brothers (von 1965-01-05 bis 1965-01-11)
Hintergrundgesang:
The Andantes (von 1965-01-05 bis 1965-01-11), Florence Ballard (von 1965-01-05 bis 1965-01-11) und Mary Wilson (von 1965-01-05 bis 1965-01-11)
Sologesang:
Diana Ross (von 1965-01-05 bis 1965-01-11)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1965)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1965-01-05 bis 1965-01-11)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 13) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 254)
recording of:
Stop! In the Name of Love (von 1965-01-05 bis 1965-01-11)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Supremes4.152:53
20Shotgun
recording engineer:
Lawrence T. Horn
Produzent(in):
Berry Gordy und Lawrence T. Horn
Bass:
James Jamerson (in 1964)
Gitarre:
Eddie Willis (in 1964) und Willie Woods (US guitarist & songwriter) (in 1964)
Hammond-Orgel [B-3]:
Johnny Griffith
membranophone:
Benny Benjamin (US drummer) (in 1964)
Orgel:
Vic Thomas (keyboard) und Victor Thomas (keyboardist) (in 1964)
Schlagzeug:
Benny Benjamin (US drummer)
Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (in 1964)
Tenorsaxophon und Sologesang:
Junior Walker (in 1964)
Hintergrundgesang:
Willie Woods (US guitarist & songwriter) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 27)
recording of:
Shotgun (in 1964)
Verfasser(in):
Autry De Walt
Komponist(in):
Autry De Walt und Junior Walker
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK), Jobete Music Co. und What Does It Take Publishing (BMI-affiliated)
Jr. Walker & the All Stars3:01
21Signed, Sealed, Delivered, I’m Yours
Produzent(in):
Stevie Wonder
Sologesang:
Stevie Wonder (in 1970)
arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 31)
recording of:
Signed, Sealed, Delivered I’m Yours (in 1970)
Verfasser(in):
Lee Garrett, Lula Mae Hardaway (songwriter), Syreeta (US singer‐songwriter active 1970s–80s) und Stevie Wonder
publisher:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music und 大洋音楽 (Taiyō Music)
Stevie Wonder4.32:40
22I Want You Back
Produzent(in):
The Corporation (Motown songwriters)
Bassgitarre:
Wilton Felder (in 1969-07)
Gitarre:
Donald Peake, David T. Walker und Tito Jackson (in 1969-07)
Gitarre [lead guitar]:
Louis Shelton (in 1969-07)
Keyboard:
Clarence McDonald und Ronnie Rancifer (in 1969-07)
Klavier:
Fonce Mizell, Freddie Perren, Joe Sample und Ronnie Rancifer (in 1969-07)
Perkussion:
Sandra Crouch und Marlon Jackson (in 1969-07)
Schlagzeug:
Gene Pello und Johnny Jackson (drummer for Jackson 5) (in 1969-07)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1969-07), Marlon Jackson (in 1969-07) und Tito Jackson (in 1969-07)
Sologesang:
Michael Jackson (“King of Pop”) (in 1969-07)
vocals:
Jackie Jackson (member of the Jackson 5) (in 1969-07)
arranger:
The Corporation (Motown songwriters)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
aufgenommen bei:
The Sound Factory West in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1969-07, von 1969-07 bis 1969-09)
Musikvideos:
I Want You Back von The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 23), Billboard Year-End Hot 100 singles of 1970 (Nummer: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 104) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 120)
recording of:
I Want You Back (in 1969-07)
Texter und Komponist(in):
The Corporation (Motown songwriters)
publisher:
EMI April Music Inc. und Jobete Music Co., Inc.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
MJ: The Musical
The Jackson 54.152:58
23You Are Everything
leitende(r) Produzent(in):
Berry Gordy
Produzent(in):
Hal Davis
arranger:
Dave Blumberg
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1973)
cover recording of:
You Are Everything
Verfasser(in):
Linda Creed und Thom Bell (keyboards, songwriter, producer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Diana Ross & Marvin Gaye2:55
24Ain’t No Mountain High Enough
Produzent(in):
Nickolas Ashford, Henry Cosby und Valerie Simpson
arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 6)
cover recording of:
Ain’t No Mountain High Enough
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
sub-publisher:
EMI Songs Australia Pty. Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Diana Ross4.153:36
2▶CD
3▶CD