Arrival (Original Motion Picture Soundtrack) (24bit/48kHz)

~ Veröffentlichung von Jóhann Jóhannsson (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Titelliste

1▼Digitales Medium
Nr.	Titel	Bewertung	Länge
1	Arrival Sound-Engineering: Preben Iwan (Chorgesang [Theatre of Voices]) zusätzliches Sound-Engineering: Francesco Donadello und Ólafur Björn Ólafsson assistierende(r) Techniker(in): Michal Hradisky und Vitek Kral (engineer) Techniker(in): Jan Holzner Produzent(in): Jóhann Jóhannsson (Icelandic musician and score composer) Mix: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) und Daniel Kresco Bass-Gesang: Jakob Bloch Jespersen und Jakob Soelberg (bass vocalist) Hochgesang: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) und Elenor Wiman Soprangesang: Signe Asmussen und Else Torp Tenor-Gesang: Paul Bentley-Angell (Australian tenor) und Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) Orchester: The City of Prague Philharmonic Orchestra (Prager Philharmoniker) conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) und Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) und Owen Roberts Orchestrator(in): Jóhann Jóhannsson (Icelandic musician and score composer) und Anthony Weeden (Conductor and orchestrator) zusätzliche(r) Orchestrator(in): Thomas Bryla concertmaster: Lucie Svehlova aufgenommen bei: Smecky Music Studios in Praha (Prague), Tschechien recording of: Arrival Komponist(in): Jóhann Jóhannsson (Icelandic musician and score composer)		2:51
2	Heptapod B Sound-Engineering: Preben Iwan (Chorgesang [Theatre of Voices]) zusätzliches Sound-Engineering: Francesco Donadello und Ólafur Björn Ólafsson assistierende(r) Techniker(in): Michal Hradisky und Vitek Kral (engineer) Techniker(in): Jan Holzner Produzent(in): Jóhann Jóhannsson (Icelandic musician and score composer) Mix: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) und Daniel Kresco Bass-Gesang: Jakob Bloch Jespersen und Jakob Soelberg (bass vocalist) Hochgesang: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) und Elenor Wiman Soprangesang: Signe Asmussen und Else Torp Tenor-Gesang: Paul Bentley-Angell (Australian tenor) und Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) Orchester: The City of Prague Philharmonic Orchestra (Prager Philharmoniker) conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) und Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) und Owen Roberts Orchestrator(in): Jóhann Jóhannsson (Icelandic musician and score composer) und Anthony Weeden (Conductor and orchestrator) zusätzliche(r) Orchestrator(in): Thomas Bryla concertmaster: Lucie Svehlova aufgenommen bei: Smecky Music Studios in Praha (Prague), Tschechien recording of: Heptapod B Komponist(in): Joan La Barbara (American vocalist and composer) und Jóhann Jóhannsson (Icelandic musician and score composer)		3:42
3	Sapir‐Whorf Sound-Engineering: Preben Iwan (Chorgesang [Theatre of Voices]) zusätzliches Sound-Engineering: Francesco Donadello und Ólafur Björn Ólafsson assistierende(r) Techniker(in): Michal Hradisky und Vitek Kral (engineer) Techniker(in): Jan Holzner Produzent(in): Jóhann Jóhannsson (Icelandic musician and score composer) Mix: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) und Daniel Kresco Bass-Gesang: Jakob Bloch Jespersen und Jakob Soelberg (bass vocalist) Hochgesang: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) und Elenor Wiman Soprangesang: Signe Asmussen und Else Torp Tenor-Gesang: Paul Bentley-Angell (Australian tenor) und Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) Orchester: The City of Prague Philharmonic Orchestra (Prager Philharmoniker) conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) und Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) und Owen Roberts Orchestrator(in): Jóhann Jóhannsson (Icelandic musician and score composer) und Anthony Weeden (Conductor and orchestrator) zusätzliche(r) Orchestrator(in): Thomas Bryla concertmaster: Lucie Svehlova aufgenommen bei: Smecky Music Studios in Praha (Prague), Tschechien recording of: Sapir‐Whorf Komponist(in): Jóhann Jóhannsson (Icelandic musician and score composer)		1:17
4	Hydraulic Lift Sound-Engineering: Preben Iwan (Chorgesang [Theatre of Voices]) zusätzliches Sound-Engineering: Francesco Donadello und Ólafur Björn Ólafsson assistierende(r) Techniker(in): Michal Hradisky und Vitek Kral (engineer) Techniker(in): Jan Holzner Produzent(in): Jóhann Jóhannsson (Icelandic musician and score composer) Mix: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) und Daniel Kresco Bass-Gesang: Jakob Bloch Jespersen und Jakob Soelberg (bass vocalist) Hochgesang: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) und Elenor Wiman Soprangesang: Signe Asmussen und Else Torp Tenor-Gesang: Paul Bentley-Angell (Australian tenor) und Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) Orchester: The City of Prague Philharmonic Orchestra (Prager Philharmoniker) conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) und Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) und Owen Roberts Orchestrator(in): Jóhann Jóhannsson (Icelandic musician and score composer) und Anthony Weeden (Conductor and orchestrator) zusätzliche(r) Orchestrator(in): Thomas Bryla concertmaster: Lucie Svehlova aufgenommen bei: Smecky Music Studios in Praha (Prague), Tschechien recording of: Hydraulic Lift Komponist(in): Jóhann Jóhannsson (Icelandic musician and score composer)		3:32
5	First Encounter Sound-Engineering: Preben Iwan (Chorgesang [Theatre of Voices]) zusätzliches Sound-Engineering: Francesco Donadello und Ólafur Björn Ólafsson assistierende(r) Techniker(in): Michal Hradisky und Vitek Kral (engineer) Techniker(in): Jan Holzner Produzent(in): Jóhann Jóhannsson (Icelandic musician and score composer) Mix: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) und Daniel Kresco Bass-Gesang: Jakob Bloch Jespersen und Jakob Soelberg (bass vocalist) Hochgesang: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) und Elenor Wiman Soprangesang: Signe Asmussen und Else Torp Tenor-Gesang: Paul Bentley-Angell (Australian tenor) und Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) Orchester: The City of Prague Philharmonic Orchestra (Prager Philharmoniker) conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) und Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) und Owen Roberts Orchestrator(in): Jóhann Jóhannsson (Icelandic musician and score composer) und Anthony Weeden (Conductor and orchestrator) zusätzliche(r) Orchestrator(in): Thomas Bryla concertmaster: Lucie Svehlova aufgenommen bei: Smecky Music Studios in Praha (Prague), Tschechien recording of: First Encounter Komponist(in): Jóhann Jóhannsson (Icelandic musician and score composer)		4:50
6	Transmutation at a Distance Sound-Engineering: Preben Iwan (Chorgesang [Theatre of Voices]) zusätzliches Sound-Engineering: Francesco Donadello und Ólafur Björn Ólafsson assistierende(r) Techniker(in): Michal Hradisky und Vitek Kral (engineer) Techniker(in): Jan Holzner Produzent(in): Jóhann Jóhannsson (Icelandic musician and score composer) Mix: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) und Daniel Kresco Bass-Gesang: Jakob Bloch Jespersen und Jakob Soelberg (bass vocalist) Hochgesang: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) und Elenor Wiman Soprangesang: Signe Asmussen und Else Torp Tenor-Gesang: Paul Bentley-Angell (Australian tenor) und Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) Orchester: The City of Prague Philharmonic Orchestra (Prager Philharmoniker) conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) und Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) und Owen Roberts Orchestrator(in): Jóhann Jóhannsson (Icelandic musician and score composer) und Anthony Weeden (Conductor and orchestrator) zusätzliche(r) Orchestrator(in): Thomas Bryla concertmaster: Lucie Svehlova aufgenommen bei: Smecky Music Studios in Praha (Prague), Tschechien recording of: Transmutation at a Distance Komponist(in): Jóhann Jóhannsson (Icelandic musician and score composer)		1:35
7	Around the Clock News Sound-Engineering: Preben Iwan (Chorgesang [Theatre of Voices]) zusätzliches Sound-Engineering: Francesco Donadello und Ólafur Björn Ólafsson assistierende(r) Techniker(in): Michal Hradisky und Vitek Kral (engineer) Techniker(in): Jan Holzner Produzent(in): Jóhann Jóhannsson (Icelandic musician and score composer) Mix: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) und Daniel Kresco Bass-Gesang: Jakob Bloch Jespersen und Jakob Soelberg (bass vocalist) Hochgesang: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) und Elenor Wiman Soprangesang: Signe Asmussen und Else Torp Tenor-Gesang: Paul Bentley-Angell (Australian tenor) und Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) Orchester: The City of Prague Philharmonic Orchestra (Prager Philharmoniker) conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) und Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) und Owen Roberts Orchestrator(in): Jóhann Jóhannsson (Icelandic musician and score composer) und Anthony Weeden (Conductor and orchestrator) zusätzliche(r) Orchestrator(in): Thomas Bryla concertmaster: Lucie Svehlova aufgenommen bei: Smecky Music Studios in Praha (Prague), Tschechien recording of: Around the Clock News Komponist(in): Jóhann Jóhannsson (Icelandic musician and score composer)		1:35
8	Xenolinguistics Sound-Engineering: Preben Iwan (Chorgesang [Theatre of Voices]) zusätzliches Sound-Engineering: Francesco Donadello und Ólafur Björn Ólafsson assistierende(r) Techniker(in): Michal Hradisky und Vitek Kral (engineer) Techniker(in): Jan Holzner Produzent(in): Jóhann Jóhannsson (Icelandic musician and score composer) Mix: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) und Daniel Kresco Bass-Gesang: Jakob Bloch Jespersen und Jakob Soelberg (bass vocalist) Hochgesang: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) und Elenor Wiman Soprangesang: Signe Asmussen und Else Torp Tenor-Gesang: Paul Bentley-Angell (Australian tenor) und Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) Orchester: The City of Prague Philharmonic Orchestra (Prager Philharmoniker) conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) und Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) und Owen Roberts Orchestrator(in): Jóhann Jóhannsson (Icelandic musician and score composer) und Anthony Weeden (Conductor and orchestrator) zusätzliche(r) Orchestrator(in): Thomas Bryla concertmaster: Lucie Svehlova aufgenommen bei: Smecky Music Studios in Praha (Prague), Tschechien recording of: Xenolinguistics Komponist(in): Jóhann Jóhannsson (Icelandic musician and score composer)		3:29
9	Ultimatum Sound-Engineering: Preben Iwan (Chorgesang [Theatre of Voices]) zusätzliches Sound-Engineering: Francesco Donadello und Ólafur Björn Ólafsson assistierende(r) Techniker(in): Michal Hradisky und Vitek Kral (engineer) Techniker(in): Jan Holzner Produzent(in): Jóhann Jóhannsson (Icelandic musician and score composer) Mix: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) und Daniel Kresco Bass-Gesang: Jakob Bloch Jespersen und Jakob Soelberg (bass vocalist) Hochgesang: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) und Elenor Wiman Soprangesang: Signe Asmussen und Else Torp Tenor-Gesang: Paul Bentley-Angell (Australian tenor) und Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) Orchester: The City of Prague Philharmonic Orchestra (Prager Philharmoniker) conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) und Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) und Owen Roberts Orchestrator(in): Jóhann Jóhannsson (Icelandic musician and score composer) und Anthony Weeden (Conductor and orchestrator) zusätzliche(r) Orchestrator(in): Thomas Bryla concertmaster: Lucie Svehlova aufgenommen bei: Smecky Music Studios in Praha (Prague), Tschechien recording of: Ultimatum Komponist(in): Jóhann Jóhannsson (Icelandic musician and score composer)		1:52
10	Principle of Least Time Sound-Engineering: Preben Iwan (Chorgesang [Theatre of Voices]) zusätzliches Sound-Engineering: Francesco Donadello und Ólafur Björn Ólafsson assistierende(r) Techniker(in): Michal Hradisky und Vitek Kral (engineer) Techniker(in): Jan Holzner Produzent(in): Jóhann Jóhannsson (Icelandic musician and score composer) Mix: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) und Daniel Kresco Bass-Gesang: Jakob Bloch Jespersen und Jakob Soelberg (bass vocalist) Hochgesang: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) und Elenor Wiman Soprangesang: Signe Asmussen und Else Torp Tenor-Gesang: Paul Bentley-Angell (Australian tenor) und Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) Orchester: The City of Prague Philharmonic Orchestra (Prager Philharmoniker) conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) und Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) und Owen Roberts Orchestrator(in): Jóhann Jóhannsson (Icelandic musician and score composer) und Anthony Weeden (Conductor and orchestrator) zusätzliche(r) Orchestrator(in): Thomas Bryla concertmaster: Lucie Svehlova aufgenommen bei: Smecky Music Studios in Praha (Prague), Tschechien recording of: Principle of Least Time Komponist(in): Jóhann Jóhannsson (Icelandic musician and score composer)		1:20
11	Hazmat Sound-Engineering: Preben Iwan (Chorgesang [Theatre of Voices]) zusätzliches Sound-Engineering: Francesco Donadello und Ólafur Björn Ólafsson assistierende(r) Techniker(in): Michal Hradisky und Vitek Kral (engineer) Techniker(in): Jan Holzner Produzent(in): Jóhann Jóhannsson (Icelandic musician and score composer) Mix: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) und Daniel Kresco Bass-Gesang: Jakob Bloch Jespersen und Jakob Soelberg (bass vocalist) Hochgesang: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) und Elenor Wiman Soprangesang: Signe Asmussen und Else Torp Tenor-Gesang: Paul Bentley-Angell (Australian tenor) und Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) Orchester: The City of Prague Philharmonic Orchestra (Prager Philharmoniker) conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) und Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) und Owen Roberts Orchestrator(in): Jóhann Jóhannsson (Icelandic musician and score composer) und Anthony Weeden (Conductor and orchestrator) zusätzliche(r) Orchestrator(in): Thomas Bryla concertmaster: Lucie Svehlova aufgenommen bei: Smecky Music Studios in Praha (Prague), Tschechien recording of: Hazmat Komponist(in): Jóhann Jóhannsson (Icelandic musician and score composer)		4:49
12	Hammers and Nails Sound-Engineering: Preben Iwan (Chorgesang [Theatre of Voices]) zusätzliches Sound-Engineering: Francesco Donadello und Ólafur Björn Ólafsson assistierende(r) Techniker(in): Michal Hradisky und Vitek Kral (engineer) Techniker(in): Jan Holzner Produzent(in): Jóhann Jóhannsson (Icelandic musician and score composer) Mix: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) und Daniel Kresco Bass-Gesang: Jakob Bloch Jespersen und Jakob Soelberg (bass vocalist) Hochgesang: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) und Elenor Wiman Soprangesang: Signe Asmussen und Else Torp Tenor-Gesang: Paul Bentley-Angell (Australian tenor) und Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) Orchester: The City of Prague Philharmonic Orchestra (Prager Philharmoniker) conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) und Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) und Owen Roberts Orchestrator(in): Jóhann Jóhannsson (Icelandic musician and score composer) und Anthony Weeden (Conductor and orchestrator) zusätzliche(r) Orchestrator(in): Thomas Bryla concertmaster: Lucie Svehlova aufgenommen bei: Smecky Music Studios in Praha (Prague), Tschechien recording of: Hammers and Nails Komponist(in): Jóhann Jóhannsson (Icelandic musician and score composer)	3	2:32
13	Xenoanthropology Sound-Engineering: Preben Iwan (Chorgesang [Theatre of Voices]) zusätzliches Sound-Engineering: Francesco Donadello und Ólafur Björn Ólafsson assistierende(r) Techniker(in): Michal Hradisky und Vitek Kral (engineer) Techniker(in): Jan Holzner Produzent(in): Jóhann Jóhannsson (Icelandic musician and score composer) Mix: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) und Daniel Kresco Bass-Gesang: Jakob Bloch Jespersen und Jakob Soelberg (bass vocalist) Hochgesang: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) und Elenor Wiman Soprangesang: Signe Asmussen und Else Torp Tenor-Gesang: Paul Bentley-Angell (Australian tenor) und Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) Orchester: The City of Prague Philharmonic Orchestra (Prager Philharmoniker) conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) und Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) und Owen Roberts Orchestrator(in): Jóhann Jóhannsson (Icelandic musician and score composer) und Anthony Weeden (Conductor and orchestrator) zusätzliche(r) Orchestrator(in): Thomas Bryla concertmaster: Lucie Svehlova aufgenommen bei: Smecky Music Studios in Praha (Prague), Tschechien recording of: Xenoanthropology Komponist(in): Jóhann Jóhannsson (Icelandic musician and score composer)		3:08
14	Non‐Zero‐Sum Game Sound-Engineering: Preben Iwan (Chorgesang [Theatre of Voices]) zusätzliches Sound-Engineering: Francesco Donadello und Ólafur Björn Ólafsson assistierende(r) Techniker(in): Michal Hradisky und Vitek Kral (engineer) Techniker(in): Jan Holzner Produzent(in): Jóhann Jóhannsson (Icelandic musician and score composer) Mix: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) und Daniel Kresco Bass-Gesang: Jakob Bloch Jespersen und Jakob Soelberg (bass vocalist) Hochgesang: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) und Elenor Wiman Soprangesang: Signe Asmussen und Else Torp Tenor-Gesang: Paul Bentley-Angell (Australian tenor) und Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) Orchester: The City of Prague Philharmonic Orchestra (Prager Philharmoniker) conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) und Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) und Owen Roberts Orchestrator(in): Jóhann Jóhannsson (Icelandic musician and score composer) und Anthony Weeden (Conductor and orchestrator) zusätzliche(r) Orchestrator(in): Thomas Bryla concertmaster: Lucie Svehlova aufgenommen bei: Smecky Music Studios in Praha (Prague), Tschechien recording of: Non‐Zero‐Sum Game Komponist(in): Jóhann Jóhannsson (Icelandic musician and score composer)		4:18
15	Properties of Explosive Materials Sound-Engineering: Preben Iwan (Chorgesang [Theatre of Voices]) zusätzliches Sound-Engineering: Francesco Donadello und Ólafur Björn Ólafsson assistierende(r) Techniker(in): Michal Hradisky und Vitek Kral (engineer) Techniker(in): Jan Holzner Produzent(in): Jóhann Jóhannsson (Icelandic musician and score composer) Mix: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) und Daniel Kresco Bass-Gesang: Jakob Bloch Jespersen und Jakob Soelberg (bass vocalist) Hochgesang: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) und Elenor Wiman Soprangesang: Signe Asmussen und Else Torp Tenor-Gesang: Paul Bentley-Angell (Australian tenor) und Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) Orchester: The City of Prague Philharmonic Orchestra (Prager Philharmoniker) conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) und Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) und Owen Roberts Orchestrator(in): Jóhann Jóhannsson (Icelandic musician and score composer) und Anthony Weeden (Conductor and orchestrator) zusätzliche(r) Orchestrator(in): Thomas Bryla concertmaster: Lucie Svehlova aufgenommen bei: Smecky Music Studios in Praha (Prague), Tschechien recording of: Properties of Explosive Materials Komponist(in): Jóhann Jóhannsson (Icelandic musician and score composer)		3:31
16	Escalation Sound-Engineering: Preben Iwan (Chorgesang [Theatre of Voices]) zusätzliches Sound-Engineering: Francesco Donadello und Ólafur Björn Ólafsson assistierende(r) Techniker(in): Michal Hradisky und Vitek Kral (engineer) Techniker(in): Jan Holzner Produzent(in): Jóhann Jóhannsson (Icelandic musician and score composer) Mix: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) und Daniel Kresco Bass-Gesang: Jakob Bloch Jespersen und Jakob Soelberg (bass vocalist) Hochgesang: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) und Elenor Wiman Soprangesang: Signe Asmussen und Else Torp Tenor-Gesang: Paul Bentley-Angell (Australian tenor) und Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) Orchester: The City of Prague Philharmonic Orchestra (Prager Philharmoniker) conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) und Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) und Owen Roberts Orchestrator(in): Jóhann Jóhannsson (Icelandic musician and score composer) und Anthony Weeden (Conductor and orchestrator) zusätzliche(r) Orchestrator(in): Thomas Bryla concertmaster: Lucie Svehlova aufgenommen bei: Smecky Music Studios in Praha (Prague), Tschechien recording of: Escalation Komponist(in): Jóhann Jóhannsson (Icelandic musician and score composer)		2:02
17	Decyphering Sound-Engineering: Preben Iwan (Chorgesang [Theatre of Voices]) zusätzliches Sound-Engineering: Francesco Donadello und Ólafur Björn Ólafsson assistierende(r) Techniker(in): Michal Hradisky und Vitek Kral (engineer) Techniker(in): Jan Holzner Produzent(in): Jóhann Jóhannsson (Icelandic musician and score composer) Mix: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) und Daniel Kresco Bass-Gesang: Jakob Bloch Jespersen und Jakob Soelberg (bass vocalist) Hochgesang: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) und Elenor Wiman Soprangesang: Signe Asmussen und Else Torp Tenor-Gesang: Paul Bentley-Angell (Australian tenor) und Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) Orchester: The City of Prague Philharmonic Orchestra (Prager Philharmoniker) conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) und Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) Soprangesang arranger: Signe Asmussen vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) und Owen Roberts Orchestrator(in): Jóhann Jóhannsson (Icelandic musician and score composer) und Anthony Weeden (Conductor and orchestrator) zusätzliche(r) Orchestrator(in): Thomas Bryla concertmaster: Lucie Svehlova aufgenommen bei: Smecky Music Studios in Praha (Prague), Tschechien recording of: Decyphering Komponist(in): Jóhann Jóhannsson (Icelandic musician and score composer)		2:05
18	One of Twelve Sound-Engineering: Preben Iwan (Chorgesang [Theatre of Voices]) zusätzliches Sound-Engineering: Francesco Donadello und Ólafur Björn Ólafsson assistierende(r) Techniker(in): Michal Hradisky und Vitek Kral (engineer) Techniker(in): Jan Holzner Produzent(in): Jóhann Jóhannsson (Icelandic musician and score composer) Mix: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) und Daniel Kresco Bass-Gesang: Jakob Bloch Jespersen und Jakob Soelberg (bass vocalist) Hochgesang: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) und Elenor Wiman Soprangesang: Signe Asmussen und Else Torp Tenor-Gesang: Paul Bentley-Angell (Australian tenor) und Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) Orchester: The City of Prague Philharmonic Orchestra (Prager Philharmoniker) conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) und Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) und Owen Roberts Orchestrator(in): Jóhann Jóhannsson (Icelandic musician and score composer) und Anthony Weeden (Conductor and orchestrator) zusätzliche(r) Orchestrator(in): Thomas Bryla concertmaster: Lucie Svehlova aufgenommen bei: Smecky Music Studios in Praha (Prague), Tschechien recording of: One of Twelve Komponist(in): Jóhann Jóhannsson (Icelandic musician and score composer)		3:09
19	Rise Sound-Engineering: Preben Iwan (Chorgesang [Theatre of Voices]) zusätzliches Sound-Engineering: Francesco Donadello und Ólafur Björn Ólafsson assistierende(r) Techniker(in): Michal Hradisky und Vitek Kral (engineer) Techniker(in): Jan Holzner Produzent(in): Jóhann Jóhannsson (Icelandic musician and score composer) Mix: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) und Daniel Kresco Bass-Gesang: Jakob Bloch Jespersen und Jakob Soelberg (bass vocalist) Hochgesang: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) und Elenor Wiman Soprangesang: Signe Asmussen und Else Torp Tenor-Gesang: Paul Bentley-Angell (Australian tenor) und Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) Orchester: The City of Prague Philharmonic Orchestra (Prager Philharmoniker) conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) und Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) und Owen Roberts Orchestrator(in): Jóhann Jóhannsson (Icelandic musician and score composer) und Anthony Weeden (Conductor and orchestrator) zusätzliche(r) Orchestrator(in): Thomas Bryla concertmaster: Lucie Svehlova aufgenommen bei: Smecky Music Studios in Praha (Prague), Tschechien recording of: Rise Komponist(in): Jóhann Jóhannsson (Icelandic musician and score composer)		1:47
20	Kangaru Sound-Engineering: Preben Iwan (Chorgesang [Theatre of Voices]) zusätzliches Sound-Engineering: Francesco Donadello und Ólafur Björn Ólafsson assistierende(r) Techniker(in): Michal Hradisky und Vitek Kral (engineer) Techniker(in): Jan Holzner Produzent(in): Jóhann Jóhannsson (Icelandic musician and score composer) Mix: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) und Daniel Kresco Bass-Gesang: Jakob Bloch Jespersen und Jakob Soelberg (bass vocalist) Hochgesang: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) und Elenor Wiman Soprangesang: Signe Asmussen und Else Torp Tenor-Gesang: Paul Bentley-Angell (Australian tenor) und Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) Orchester: The City of Prague Philharmonic Orchestra (Prager Philharmoniker) conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) und Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) und Owen Roberts Orchestrator(in): Jóhann Jóhannsson (Icelandic musician and score composer) und Anthony Weeden (Conductor and orchestrator) zusätzliche(r) Orchestrator(in): Thomas Bryla concertmaster: Lucie Svehlova aufgenommen bei: Smecky Music Studios in Praha (Prague), Tschechien recording of: Kangaru Komponist(in): Jóhann Jóhannsson (Icelandic musician and score composer)		2:56

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urheberrechtlich geschützt (©) von:	Paramount Pictures (in 2016)
phonographisches Urheberrecht (℗) von:	Paramount Pictures (in 2016) Xenolinguistics, LLC (in 2016)
lizenziert an:	Verve Label Group, a Division of UMG Recordings, Inc. (in 2016)

zum Herunterladen kaufen:	https://www.qobuz.com/us-en/album/arrival-johann-johannsson/0002894796785 [Info]
Streaming-Seite:	https://tidal.com/album/77697240 [Info]

Veröffentlichungsgruppe

Teil von:	Music from Denis Villeneuve Films (Reihenfolge: 3)

Wikipedia:	en: Arrival (soundtrack) [Info]
Discogs:	https://www.discogs.com/master/1098450 [Info]
IMDb:	https://www.imdb.com/title/tt2543164/ [Info]
Allmusic:	https://www.allmusic.com/album/mw0002985531 [Info]

Arrival (Original Motion Picture Soundtrack) (24bit/48kHz)

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