The 80s U.S. Playlist

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1CD
#TitoloArtistaValutazioneDurata
1Don’t Stop Believin’
assistente tecnico:
Wally Buck
tecnico:
Kevin Elson
produttore:
Kevin Elson e Mike Stone (producer and engineer, 1960s–80s)
batteria e percussione :
Steve Smith (US drummer most associated with Journey) (dal 1981-04 al 1981-06)
chitarra :
Neal Schon (dal 1981-04 al 1981-06)
chitarra basso :
Ross Valory (dal 1981-04 al 1981-06)
tastiera e pianoforte :
Jonathan Cain (dal 1981-04 al 1981-06)
voce di accompagnamento:
Jonathan Cain (dal 1981-04 al 1981-06), Neal Schon (dal 1981-04 al 1981-06) e Ross Valory (dal 1981-04 al 1981-06)
voce principale:
Steve Perry (former lead singer of Journey) (dal 1981-04 al 1981-06)
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1981), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1981), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti (dal 1981-04 al 1981-06)
mixata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti
parte di:
SWR1 Hitparade 2022 (Baden-Württemberg) (numero: 10), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (numero: 34), Billboard Hot 100: 2026-07-18 (numero: 35), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 51) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 133)
registrazione di:
Don’t Stop Believin’ (Journey song) (dal 1981-04 al 1981-06)
autore:
Jonathan Cain, Steve Perry (former lead singer of Journey) e Neal Schon
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) e Weedhigh‐Nightmare Music
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Journey4.34:08
2Never Too Much
tecnico di registrazione e tecnico di missaggio:
Michael H. Brauer (engineer)
assistente tecnico:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) e Don Wershba (engineer)
tecnico:
Carl Beatty (engineer)
produttore:
Luther Vandross
produttore esecutivo:
Larkin Arnold
archi e corno [horns] :
Paul Riser
basso :
Marcus Miller (jazz musician)
batteria :
Buddy Williams (drummer)
chitarra :
Georg Wadenius (guitarist, bassist, keyboardist, singer, composer, producer)
congas :
Bashiri Johnson
percussione :
Crusher Bennett
tastiera [keyboards] :
Nat Adderley, Jr.
voce di accompagnamento [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis e Sybil Thomas
voce di accompagnamento [male backup vocals] e voce principale:
Luther Vandross
arrangiatore:
Nat Adderley, Jr. e Paul Riser
arrangiatore voci:
Luther Vandross
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1981), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981)
registrata presso:
Mediasound Studios in New York, New York, Stati Uniti
video musicali:
Never Too Much di Luther Vandross
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 468) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 466)
registrazione di:
Never Too Much
paroliere e compositore:
Luther Vandross
editore:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. e Uncle Ronnie’s Music Company Inc.
Luther Vandross3.93:49
3Poison
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1989)
registrazione di:
Poison
autore:
Desmond Child, Alice Cooper (the singer, active as a solo artist 1975–present) e John McCurry
editore:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, dal 1989 a oggi), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, dal 1989 al ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Ezra Music Corp. (dal 1989 a oggi)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper3:57
4State of Shock
programmazione degli strumenti:
Michael Jackson (“King of Pop”)
produttore:
Michael Jackson (“King of Pop”)
basso e chitarra :
David Williams (session guitarist and songwriter)
battimani e voce principale:
Michael Jackson (“King of Pop”)
percussione :
Paulinho da Costa (Brazilian percussionist)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5), Marlon Jackson, Michael Jackson (“King of Pop”) e Johnny Ray Nelson
voce principale ospite:
Mick Jagger (The Rolling Stones)
arrangiatore:
Michael Jackson (“King of Pop”)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984)
registrazione di:
State of Shock
paroliere:
Randy Hansen e Michael Jackson (“King of Pop”)
compositore:
Michael Jackson (“King of Pop”)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Jacksons34:30
5Rosanna
produttore:
Toto (US rock group)
basso :
David Hungate
batteria e percussione :
Jeff Procaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
tastiera :
David Paich e Steve Porcaro
voce:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Steve Porcaro
arrangiatore:
David Paich e Jerry Hey
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
registrazione di:
Rosanna
paroliere e compositore:
D. Paich
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Spirit Two Music e Hudmar Publishing Co. Inc. (nel 1982)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Toto3.84:02
6It’s Like That
registrazione di:
It’s Like That
autore:
Darryl McDaniels (rapper Darryl McDaniels), Joseph Simmons (US rapper Rev. Run of Run-D.M.C) e Larry Smith (US hip hop producer)
editore:
Protoons Inc., Rush-Groove e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Run‐DMC4:47
7Hangin’ Tough
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1988)
registrazione di:
Hangin’ Tough
paroliere e compositore:
Maurice Starr
New Kids on the Block4:16
8Jump (for My Love)
tecnico:
Gary Skardina
produttore:
Richard Perry (producer)
produttore associato:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) e Gary Skardina
tecnico di missaggio:
Michael Brooks (mixer) e James C. Tract
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1982)
registrazione di:
Jump (for My Love)
autore:
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron e Gary Skardina
editore:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sony/ATV Songs LLC
The Pointer Sisters43:59
9Broken Wings
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (nel 1985) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1985)
edit di:
Broken Wings di Mr. Mister (American pop rock band)
registrazione di:
Broken Wings
autore:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
editore:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister44:23
10CriticizeAlexander O’Neal43:59
11Tell It to My HeartTaylor Dayne3:19
12The Way It Is
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1986)
registrazione di:
The Way It Is
paroliere e compositore:
B.R. Hornsby
editore:
BMG Music Ltd., Bob‐a‐Lew Songs (ASCAP), Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) e Zappo Music (dal 1986 a oggi)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby & the Range4.353:58
13Let’s Hear It for the Boy
produttore:
George Duke
tecnico di missaggio:
Tom Perry (engineer), Tommy Vicari e Erik Zobler
batteria elettronica [Linn Drums] , minimoog [Mini-Moog] , moog [Memory Moog] e sintetizzatore analogico [Prophet V] :
George Duke
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussione :
Paulinho da Costa (Brazilian percussionist)
voce di accompagnamento:
George Merrill, Shannon Rubicam e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Let’s Hear It for the Boy
paroliere:
Dean Pitchford
compositore:
Thomas Snow (US keyboardist/songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Deniece Williams3.64:19
14Just Be Good to Me
registrazione di:
Just Be Good to Me
compositore:
James Harris III (James Harris of Jam & Lewis) e Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
S.O.S. Band4:24
15Love Come Down
registrazione di:
Love Come Down
paroliere e compositore:
Kashif (Michael Jones, B.T. Express)
editore:
MCA Music Ltd.
Evelyn “Champagne” King4.53:17
16I’ll House You
produttore:
Jungle Brothers (US hip hop group) e Todd Terry (US house DJ, producer and remixer)
campionamenti:
Can You Party di Royal House (Todd Terry alias) e Move Your Body di Marshall Jefferson
registrazione di:
I’ll House You
autore:
Michael Small (US rapper Michael Small, member of Jungle Brothers), Nathaniel Hall (Nathaniel Hall) e Todd Terry (US house DJ, producer and remixer)
Jungle Brothers44:56
17Love Struck Baby
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983)
registrazione di:
Love Struck Baby
paroliere e compositore:
Stevie Ray Vaughan
editore:
Bug Music Ltd. e Ray Vaughan Music
Stevie Ray Vaughan & Double Trouble2:22
18Baby, I Love Your Way / Freebird
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1988)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 97)
registrazione cover di:
Baby, I Love Your Way
paroliere e compositore:
Peter Frampton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
registrazione di:
Baby, I Love Your Way
paroliere e compositore:
Peter Frampton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
registrazione di:
Baby, I Love Your Way / Freebird
paroliere e compositore:
Allen Collins, Peter Frampton e Ronnie Van Zant
editore:
Anidraks Music (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Duchess Music Corporation (BMI-affiliated), Hustler Inc. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
medley di:
Baby, I Love Your Way
medley di:
Free Bird
Will to Power44:04
19Going Back to My Roots
registrazione cover di:
Going Back to My Roots
paroliere e compositore:
Lamont Dozier
editore:
EMI Blackwood Music Inc., EMI Songs Ltd., Maurice Starr Music, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Odyssey53:25
20Don’t Wanna Lose You
programmazione:
Jorge Casas e Clay Ostwald
assistente tecnico aggiunto:
Mauricio Guerrero (Chilean drummer) e Greg Laney
tecnico:
Eric Schilling
produttore:
Jorge Casas, Emilio Estefan, Jr. e Clay Ostwald
tecnico di missaggio:
Humberto Gatica
chitarra acustica :
Jorge Casas
chitarra elettrica :
Michael Thompson (session guitarist)
voce:
Gloria Estefan
voce di accompagnamento:
Jon Secada
voce principale:
Gloria Estefan
arrangiatore:
Jorge Casas, Gloria Estefan e Clay Ostwald
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1989)
registrazione di:
Don’t Wanna Lose You
paroliere e compositore:
Gloria Estefan
editore:
EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), EMI Songs Ltd., Foreign Imported Productions & Publishing, Inc. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Gloria Estefan3.654:01
2CD
3CD

Accreditamenti

Pubblicazione

fabbricata a:the EU (Europa)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (nel 2017)
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 2017)
commercializzata da:Crimson (UK budget comps; imprint of Crimson Productions Ltd.)
Discogs:https://www.discogs.com/release/11328699 [info]
ASIN:UK: B072DXBX6R [info]