Walk a Mile in My Shoes: The Essential 70’s Masters

~ Veröffentlichung von Elvis Presley (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼CD: The Singles
Nr.TitelBewertungLänge
1The Wonder of You
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Imperials (gospel/CCM group), Millie Kirkham und The Sweet Inspirations
phonographisches Urheberrecht (℗) von:
BMG Music (in 1970) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
International Hotel in Winchester, Nevada, Vereinigte Staaten (am 1970-02-17)
live cover recording of:
The Wonder of You (am 1970-02-17)
Texter und Komponist(in):
Baker Knight
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Leeds Music Ltd., Universal Duchess Music Corp. und Universal/MCA Music Ltd. (not for release label use!)
2.62:37
2I’ve Lost You
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1970-06-04)
cover recording of:
I’ve Lost You (am 1970-06-04)
Verfasser(in):
Alan Blaikley und Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
publisher:
Carlin Music Corporation und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
13:32
3The Next Step Is Love
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1970-06-07)
recording of:
The Next Step Is Love (am 1970-06-07)
Verfasser(in):
Paul Evans (50s US rock n roll singer/songwriter) und Paul Parnes
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc. und Port Music, Inc.
13:34
4You Don’t Have to Say You Love Me
Techniker(in):
Al Pachucki
Produzent(in):
Felton Jarvis
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1970-06-06)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1970-06-06)
cover recording of:
You Don’t Have to Say You Love Me (am 1970-06-06)
Texter:
Simon Napier-Bell, Vito Pallavicini (Lyricist) und Vicki Wickham
Komponist(in):
Pino Donaggio (Italian singer‐songwriter and score composer)
publisher:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. und Miller Music Corp.
übersetzte Version von:
Io che non vivo (senza te)
32:32
5Patch It Up
Bass:
Norbert Putnam (am 1970-06-08)
Gitarre:
James Burton (guitarist) (am 1970-06-08), Elvis Presley (“The King of Rock and Roll”) (am 1970-06-08) und Chip Young (American session guitarist, bassist, producer in the genre of country) (am 1970-06-08)
Klavier:
David Briggs (English organist and composer) (am 1970-06-08)
Mundharmonika und Orgel:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1970-06-08)
Schlagzeug:
Jerry Carrigan (US drummer) (am 1970-06-08)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1970)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1970-06-08)
recording of:
Patch It Up (am 1970-06-08)
Verfasser(in):
Rory Bourke und Eddie Rabbitt (US country singer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music Inc. und S-P-R Music Inc.
23:10
6I Really Don’t Want to Know
phonographisches Urheberrecht (℗) von:
BMG Music (in 1970)
cover recording of:
I Really Don’t Want to Know
Texter:
Howard Barnes (US songwriter) (in 1953)
Komponist(in):
Don Robertson (“Happy Whistler” songwriter) (in 1953)
publisher:
Anne-Rachel Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Don Robertson Music Corp.
12:46
7There Goes My Everything
phonographisches Urheberrecht (℗) von:
BMG Music (in 1970)
cover recording of:
There Goes My Everything (1965 song) (am 1970-06-08)
Texter und Komponist(in):
Dallas Frazier (American songwriter and musician)
publisher:
Acuff-Rose Music Limited (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music Inc., Acuff-Rose Publications, Inc. (BMI) (am 1965-11-24), Blue Crest Music, Inc. (am 1965-11-24) und Husky Music (am 1965-11-24)
Version von:
En gång är ingen gång
23:00
8Rags to Riches
phonographisches Urheberrecht (℗) von:
BMG Music (in 1970)
cover recording of:
Rags to Riches (am 1970-09-22)
Verfasser(in):
Richard Adler (musical composer/lyricist) und Jerry Ross (musical composer/lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Saunders Publications Inc. (von 1953 bis 2010), J & J Ross Co. (vom 2011 bis heute) und Lakshmi Puja Music Ltd. (vom 2011 bis heute)
1:56
9Where Did They Go, Lord
recording of:
Where Did They Go, Lord
Verfasser(in):
Dallas Frazier (American songwriter and musician) und Arthur Leo “Doodle” Owens (American country music singer-songwriter)
publisher:
Elvis Presley Music
2:29
10Life
cover recording of:
Life
Texter und Komponist(in):
Shirl Milete (country music singer, guitarist, and songwriter)
publisher:
Elvis Presley Music, Elvis Presley Music Inc., Last Straw Music, Inc. und R&H Music
3:12
11I’m Leavin’
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971)
recording of:
I’m Leavin’
Verfasser(in):
Sonny Charles und Michael Jarrett (70s US artist, songwriter for Elvis)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Elvis Presley Music
3:53
12Heart of Rome
vocals:
Charlie Hodge
recording of:
Heart of Rome
Verfasser(in):
Alan Blaikley, Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director) und Geoff Stephens
publisher:
Gladys Music
22:55
13It’s Only Love
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971)
cover recording of:
It’s Only Love (am 1971-05-20)
Verfasser(in):
Mark James (Francis Zambon, composer of “Suspicious Minds”) und Steve Tyrell (American producer and vocalist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
2:43
14The Sound of Your Cry
recording of:
The Sound of Your Cry
Verfasser(in):
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) und Florence Kaye
3:15
15I Just Can’t Help Believin’
Techniker(in):
Al Pachucki
Produzent(in):
Felton Jarvis
vocals:
The Imperials (gospel/CCM group) (am 1970-08-11) und The Sweet Inspirations (am 1970-08-11)
arranger:
Glen D. Hardin
aufgenommen bei:
International Hotel in Winchester, Nevada, Vereinigte Staaten (am 1970-08-11)
live cover recording of:
I Just Can’t Help Believin’ (am 1970-08-11)
Verfasser(in):
Barry Mann und Cynthia Weil
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Screen Gems-Columbia Music Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
44:36
16How the Web Was Woven
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1970-06-05)
cover recording of:
How the Web Was Woven (am 1970-06-05)
Verfasser(in):
David Most und Clive Westlake (British songwriter)
publisher:
Elvis Presley Music Inc.
13:26
17Until It’s Time for You to Go
Bass:
Norbert Putnam (am 1971-05-17)
Gitarre:
James Burton (guitarist) (am 1971-05-17) und Chip Young (American session guitarist, bassist, producer in the genre of country) (am 1971-05-17)
Klavier:
David Briggs (English organist and composer) (am 1971-05-17) und Joe Moscheo (am 1971-05-17)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1971-05-17)
Orgel:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1971-05-17) und Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter) (am 1971-05-17)
Perkussion:
Larry Londin (am 1971-05-17) und Charlie McCoy (white blues harmonica player, 1960s-present) (am 1971-05-17)
Schlagzeug:
Kenny Buttrey (am 1971-05-17) und Jerry Carrigan (US drummer) (am 1971-05-17)
vocals:
Ginger Holladay (American singer-songwriter) (am 1971-05-17), The Imperials (gospel/CCM group) (am 1971-05-17), Millie Kirkham (am 1971-05-17), June Page (am 1971-05-17) und Temple Riser (am 1971-05-17)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971, in 1972)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1971-05-17)
cover recording of:
Until It’s Time for You to Go (am 1971-05-17)
Texter und Komponist(in):
Buffy Sainte‐Marie
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) (beendet), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (beendet), Howe Sound Music Publishing LLC und Rondor Music (London) Ltd.
14:00
18We Can Make the Morning
recording of:
We Can Make the Morning
Texter und Komponist(in):
Jay Ramsey
publisher:
Elvis Presley Music
3:55
19An American Trilogy
phonographisches Urheberrecht (℗) von:
BMG Music (in 1972)
cover recording of:
An American Trilogy
Texter und arranger:
Mickey Newbury (American songwriter)
publisher:
Acuff-Rose Publications, Inc. (BMI) und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
Medley von:
Dixie
Medley von:
All My Trials
Medley von:
Battle Hymn of the Republic
24:32
20The First Time Ever I Saw Your Face
Bass:
Norbert Putnam (am 1971-03-15)
Gitarre:
James Burton (guitarist) (am 1971-03-15) und Chip Young (American session guitarist, bassist, producer in the genre of country) (am 1971-03-15)
Klavier:
David Briggs (English organist and composer) (am 1971-03-15)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1971-03-15)
Schlagzeug:
Jerry Carrigan (US drummer) (am 1971-03-15)
vocals:
Ginger Holladay (American singer-songwriter) (am 1971-03-15), Mary Holladay (am 1971-03-15), The Imperials (gospel/CCM group) (am 1971-03-15), Millie Kirkham (am 1971-03-15) und The Nashville Edition (am 1971-03-15)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1971-03-15)
cover recording of:
The First Time Ever I Saw Your Face (am 1971-03-15)
Texter und Komponist(in):
Ewan MacColl (folksinger, songwriter, actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex Music Publishing, Harmony Music Publishing (subsidiary of Viva Entertainment), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Stormking Music Inc. und Westbury Music Ltd.
3:44
21Burning Love
Produzent(in):
Felton Jarvis
Bass:
Emory Gordy (von 1972-02-27 bis 1972-02-29)
Gitarre:
Charlie Hodge (von 1972-02-27 bis 1972-02-29), Dennis Linde (von 1972-02-27 bis 1972-02-29), John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (von 1972-02-27 bis 1972-02-29) und James Burton (guitarist) (von 1972-03-27 bis 1972-03-29)
Klavier:
Glen D. Hardin (von 1972-02-27 bis 1972-02-29)
Perkussion:
Jerry Carrigan (US drummer) (von 1972-02-27 bis 1972-02-29)
Schlagzeug:
Ronnie Tutt (drummer) (von 1972-02-27 bis 1972-02-29)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
J.D. Sumner & The Stamps (von 1972-02-27 bis 1972-02-29)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1972) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Victor, Studio C in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1972-03-27 bis 1972-03-29, am 1972-03-28)
cover recording of:
Burning Love (von 1972-02-27 bis 1972-02-29)
Texter und Komponist(in):
Dennis Linde
publisher:
Combine Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. und Sony/ATV Songs LLC
live cover recording of:
Burning Love (am 1972-03-28)
Texter und Komponist(in):
Dennis Linde
publisher:
Combine Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. und Sony/ATV Songs LLC
cover recording of:
Burning Love (am 1972-03-28)
Texter und Komponist(in):
Dennis Linde
publisher:
Combine Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. und Sony/ATV Songs LLC
32:51
22It’s a Matter of Time
recording of:
It’s a Matter of Time
Texter und Komponist(in):
Clive Westlake (British songwriter)
publisher:
Carlin Music Corporation, Cherry River Music und Chrysalis Music (music publisher, ASCAP-affiliated)
3:04
23Separate Ways
Techniker(in):
Al Pachucki und Rick Ruggieri
Produzent(in):
Felton Jams
vocals:
J.D. Sumner & The Stamps (am 1972-03-27)
Saiteninstrumente arranger:
Glen D. Hardin
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) und BMG Entertainment UK & Ireland Ltd. (not for release label use!) (in 1997)
aufgenommen bei:
RCA's Studio C in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1972-03-27)
recording of:
Separate Ways (am 1972-03-27)
Verfasser(in):
Richard Mainegra und Red West
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:36
2▶CD: The Singles
3▶CD: Studio Highlights 1970-71
4▶CD: Studio Highlights 1971-76
5▶CD: The Elvis Presley Show