The Greatest Mod and Northern Soul Album

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1You Keep Me Hangin’ On
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
cover recording of:
You Keep Me Hangin’ On (in 1966)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
recording of:
You Keep Me Hangin’ On
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Supremes3.42:41
2Chain of Fools
recorded in:
New York, New York, Vereinigte Staaten
recording engineer und Mix:
Tom Dowd
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-06-23)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-06-23) und Joe South (am 1967-06-23)
Hybrid-Piano:
Spooner Oldham (am 1967-06-23)
Klavier:
Aretha Franklin (am 1967-06-23)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-06-23)
Chorgesang:
Carolyn Franklin (am 1967-06-23), Erma Franklin (am 1967-06-23), Ellie Greenwich (am 1967-06-23) und The Sweet Inspirations (am 1967-06-23)
vocals:
Aretha Franklin (am 1967-06-23)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-06-23)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 249) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 306)
recording of:
Chain of Fools (am 1967-06-23)
Texter und Komponist(in):
Don Covay
publisher:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adaptations:
Verlga norih
Aretha Franklin4.252:43
3Do I Love You (Indeed I Do)
recording of:
Do I Love You (Indeed I Do)
Texter und Komponist(in):
Frank Wilson (Motown singer/songwriter)
publisher:
Stone Agate Music
Frank Wilson2:20
4Going to a Go‐Go
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Going to a Go‐Go
Verfasser(in):
Warren “Pete” Moore, Smokey Robinson, Bobby Rogers und Marvin Tarplin
publisher:
EMI Music (do not use as release label! this is a music publisher) und Jobete Music (appears also as: Jobete Msc.)
The Miracles2:47
5You’re Ready Now
Frankie Valli2:19
6Seven Days Too Long (mono)
Chuck Wood2:21
7Tighten Up
recording of:
Tighten Up
Texter:
Billy Butler (60-70s R&B singer)
Komponist(in):
Archie Bell (vocals, of Archie Bell & the Drells)
Archie Bell & the Drells3:13
8Cool Jerk
The Capitols2:36
9I’m a Man
The Spencer Davis Group2:56
10Tainted Love
Techniker(in):
Mike Stavrou (producer/engineer) und Gary Ulmer
Produzent(in):
Marc Bolan und Gloria Jones (US singer/songwriter, known for “Tainted Love”)
recording of:
Tainted Love (in 1976)
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Gloria Jones32:43
11Dancing in the Street
Produzent(in):
William Stevenson (Motown songwriter)
andere Instrumente [tire iron]:
Ivy Jo Hunter (am 1964-06-29)
baritone saxophone:
Thomas Bowles (am 1964-06-29)
Bassgitarre:
James Jamerson (am 1964-06-29)
Gitarre:
Joe Messina (am 1964-06-29), Robert White (US funk/soul guitarist) (am 1964-06-29) und Eddie Willis (am 1964-06-29)
Perkussion, Tamburin und Vibraphon [vibes]:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-06-29)
Posaune:
George Bohanon (am 1964-06-29) und Paul Riser (am 1964-06-29)
Schlagzeug:
Marvin Gaye (am 1964-06-29)
Tenorsaxophon:
Henry Cosby (am 1964-06-29)
Trompete:
Russell Conway (trumpet player) (am 1964-06-29) und Herbert Williams (trumpet player) (am 1964-06-29)
Hintergrundgesang:
Rosalind Ashford (am 1964-06-29), Ivy Jo Hunter (am 1964-06-29), Betty Kelly (am 1964-06-29) und William Stevenson (Motown songwriter) (am 1964-06-29)
Sologesang:
Martha Reeves (am 1964-06-29)
Herausgeber:
EMI Music Publishing (do not use as a release label!)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 130) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 403)
recording of:
Dancing in the Street (am 1964-06-29)
Verfasser(in):
I. Hunter, M. Gaye und W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Martha Reeves and the Vandellas3.552:39
12Knock on Wood
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-07-13)
Produzent(in):
Steve Cropper
baritone saxophone:
probably Floyd Newman
Bassgitarre [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1966-07-13)
Gitarre:
Steve Cropper (am 1966-07-13)
Klavier:
Isaac Hayes (am 1966-07-13) und Booker T. Jones (am 1966-07-13)
Orgel:
Booker T. Jones (am 1966-07-13)
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer) (am 1966-07-13)
Tenorsaxophon:
probably Andrew Love (am 1966-07-13)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1966-07-13)
vocals:
Eddie Floyd (am 1966-07-13)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recording of:
Knock on Wood (am 1966-07-13)
Verfasser(in):
Steve Cropper und Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
adaptations:
Potkraj na les
Eddie Floyd43:04
13In the Midnight Hour
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records) und Jerry Wexler
baritone saxophone:
Floyd Newman (am 1965-05-12)
E-Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-05-12)
Gitarre:
Steve Cropper (am 1965-05-12)
Klavier:
Joe Hall (Memphis pianist) (am 1965-05-12)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1965-05-12)
Tenorsaxophon:
Charles “Packy” Axton (am 1965-05-12) und Andrew Love (am 1965-05-12)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-05-12)
vocals:
Wilson Pickett (am 1965-05-12)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965, in 1992) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 134) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 218)
recording of:
In the Midnight Hour (am 1965-05-12)
Verfasser(in):
Steve Cropper und Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. und Irving Music, Inc.
Wilson Pickett32:37
14I Can’t Wait Until I See My Baby’s Face
Dusty Springfield3.52:41
15I’m Gonna Run Away From You
recording of:
I’m Gonna Run Away From You
Texter und Komponist(in):
Bert Russell Berns
Tami Lynn2:51
16You Hit Me (Right Where It Hurt Me)
Alice Clark2:53
17I’ll Be Loving You
Soul Brothers Six2:19
18Angel Baby (Don’t You Ever Leave Me) (single)
Darrell Banks2:57
19High Heal Sneakers
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1963)
Produzent(in):
Herb Abramson
Bassgitarre [bass]:
Brenda Lee Jones (in 1963)
Gitarre:
Dean "Cousin Sugar" Young (in 1963)
Klavier und Orgel:
Tommy Tucker (blues) (in 1963)
vocals:
Tommy Tucker (blues) (in 1963)
recording of:
Hi‐Heel Sneakers (in 1963)
Texter und Komponist(in):
Robert Higginbotham (blues)
publisher:
Lily Pond Music und Robert Higginbotham Publisher
Tommy Tucker42:51
20Green Onions
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1962-06)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
Bassgitarre [bass]:
Lewie Steinberg (in 1962-06)
Gitarre:
Steve Cropper (in 1962-06)
Hammond-Orgel:
Booker T. Jones (in 1962-06)
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer) (in 1962-06)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 181) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 418)
recording of:
Green Onions (in 1962-06)
Komponist(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones und Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. und Irving Music (BMI)
Booker T. & the MG’s3.852:55
21Time
Edwin Starr3:01
22Afternoon of the Rhino
Mike Post Coalition2:19
23Night Train
E-Bass [bass]:
Hubert Perry (US bassist) (am 1961-02-09)
Gitarre:
Les Buie (am 1961-02-09)
Orgel:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) (am 1961-02-09)
Schlagzeug und Sologesang:
James Brown (The Godfather of Soul) (am 1961-02-09)
Tenorsaxophon:
J.C. Davis (am 1961-02-09)
Trompete:
Roscoe Patrick (am 1961-02-09)
Interpret(in):
The James Brown Band (am 1961-02-09)
aufgenommen bei:
King Studios in Cincinnati, Ohio, Vereinigte Staaten (am 1961-02-09)
recording of:
Night Train (James Brown lyrics version) (am 1961-02-09)
Texter:
James Brown (The Godfather of Soul)
Komponist(in):
Jimmy Forrest
Version von:
Night Train (Jimmy Forrest’s original instrumental version)
James Brown23:32
24I’m on My Way
recording of:
I'm On My Way
Texter:
Doug Morris (record executive)
Komponist(in):
Eliot Greenberg
Dean Parrish2:40
25Walking the Dog
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Rufus Thomas (US blues & funk singer & songwriter)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 24)
recording of:
Walking the Dog (in 1963)
Texter und Komponist(in):
Rufus Thomas (US blues & funk singer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und East/Memphis Music
Rufus Thomas32:30
26Hold On, I’m Coming
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-03-08)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Sam & Dave (am 1966-03-08)
recording of:
Hold On, I’m Comin’ (am 1966-03-08)
Verfasser(in):
Isaac Hayes, Hayes, Porter und David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) und Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave52:36
27Sweet Soul Music
Techniker(in):
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
Produzent(in):
Otis Redding
Gitarre:
Moses Dillard (am 1967-01-20)
vocals:
Arthur Conley (am 1967-01-20)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-01-20)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 351)
recording of:
Sweet Soul Music (am 1967-01-20)
Verfasser(in):
Arthur Conley, Sam Cooke (American singer and songwriter, “King of Soul”) und Otis Redding
publisher:
ABKCO Music und Rondor
basiert auf:
Yeah Man
Arthur Conley42:21
28Just One Look
recorded in:
New York, New York, Vereinigte Staaten (am 1963-03-05)
Produzent(in):
Artie Ripp
Bass:
Barney Richmond (am 1963-03-05)
Gitarre:
Napoleon "Snags" Allen (am 1963-03-05)
Klavier:
Horace Ott (am 1963-03-05)
Schlagzeug:
Bruno Carr (am 1963-03-05)
Hintergrundgesang [harmony vocals] und Sologesang:
Doris Troy (am 1963-03-05)
vocals:
Doris Troy (am 1963-03-05)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 7) und Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 29)
recording of:
Just One Look (am 1963-03-05)
Verfasser(in):
Gregory Carroll und Doris Payne
publisher:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Troy2:29
29Comin’ Home Baby
Mel Tormé2:39
30Stormy
Produzent(in):
Henry Cosby
cover recording of:
Stormy
Verfasser(in):
Buddy Buie und J. R. Cobb
publisher:
Low‐Sal Music, Inc.
Diana Ross & The Supremes53:05
31Mr. Pitiful
recording of:
Mr. Pitiful
Texter und Komponist(in):
Steve Cropper und Otis Redding
publisher:
Irving Music, Inc.
Otis Redding2:32
32That’s When the Tears Start (single version)
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter)
conductor:
Ernie Freeman
arranger:
Ernie Freeman
aufgenommen bei:
United Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1965)
The Blossoms2:25
33I Can’t Break the News to Myself
recording of:
I Can’t Break the News to Myself
Verfasser(in):
Larry Harrison und Jimmy Williams (50s/60s US funk/soul songwriter)
Ben E. King42:32
34Stupidity
Produzent(in):
Bert Russell Berns
vocals:
Solomon Burke
recording of:
Stupidity
Verfasser(in):
Solomon Burke
publisher:
Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Solomon Burke1:56
35Baby Help Me
recording of:
Baby Help Me
Texter und Komponist(in):
Bobby Womack
Percy Sledge2:33
36You Got to Pay Your Dues
The Drifters2:35
37Can’t You See (You’re Losing Me)
recording of:
Can’t You See (You’re Losing Me)
Verfasser(in):
Barrett Strong und Nolan Strong
Mary Wells2:46
38Somebody (Somewhere) Needs Me
recording of:
Somebody, Somewhere Needs You
Verfasser(in):
Marc Gordon (soul songwriter, producer, and manager) und Frank Wilson (Motown singer/songwriter)
publisher:
EMI Music Publishing (do not use as a release label!)
Ike & Tina Turner2:36
39Last Night
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1961-09)
Produzent(in):
Chips Moman und Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
Gitarre:
Steve Cropper (in 1961-09)
Orgel:
Booker T. Jones (in 1961-09)
Schlagzeug:
Terry Johnson (drums) (in 1961-09)
Tenorsaxophon:
Charles Axton (in 1961-09)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 28)
recording of:
Last Night (in 1961-09)
Verfasser(in):
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith und Floyd Newman
Komponist(in):
The Mar‐Keys
The Mar‐Keys42:38
40Love Don’t You Go Through No Changes on Me
Produzent(in):
Bert DeCoteaux und Tony Silvester (Panama‐born soul/R&B singer)
recording of:
Love Don’t Go Through No Changes on Me
Verfasser(in):
Patrick Grant (Afro-American songwriter, singer & multi-instrumentalist a.k.a. Haras Fyre) und Gwen Guthrie (US singer, songwriter & pianist)
Sister Sledge3:24
41Beggin’
Produzent(in):
Bob Crewe
conductor:
Bob Crewe
arranger:
Artie Schroeck
recording of:
Beggin’ (in 1967)
Verfasser(in):
Peggy Farina und Bob Gaudio
publisher:
EMI Longitude Music, Saturday Music, Inc. und Seasons Four Music Corp.
The Four Seasons2:46
42Looking for a Fox
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1967-11-10)
Gitarre:
Clarence Carter (am 1967-11-10)
Orgel:
Barry Beckett (am 1967-11-10)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-11-10)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-11-10), Andrew Love (am 1967-11-10) und Aaron Varnell (am 1967-11-10)
Trompete:
Gene Miller (American trumpeter) (am 1967-11-10) und Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1967-11-10)
vocals:
Clarence Carter (am 1967-11-10)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-11-10)
recording of:
Looking for a Fox
Verfasser(in):
Clarence Carter, Marcus Daniel, Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) und Wilbur Terrell
Clarence Carter2:18
43Open the Door to Your Heart
Darrell Banks2:37
44Dance Dance Dance (mono)
recording of:
Dance, Dance, Dance (Casualeers song)
Verfasser(in):
John Giametta und Rod McBrien
The Casualeers2:42
45Don’t Pity Me
Joanie Sommers2:46
46Mr. Creator
recording of:
Mr. Creator
Verfasser(in):
Nickolas Ashford und Valerie Simpson
The Apollas2:39
47Breakout
recording of:
Breakout
Verfasser(in):
Herb Bernstein und Gary A. Knight
Mitch Ryder & The Detroit Wheels3:16
48Man With the Golden Touch
Charles Thomas52:35
49I Love Her So Much It Hurts Me (single version)
David & Ruben2:14
50Something Good (Is Going to Happen to You)
vocals:
Carla Thomas
Carla Thomas2:38
51Satisfied (single version)
Ben Aiken2:37
52Number One in Your Heart
cover recording of:
Number One in Your Heart
Verfasser(in):
Wilburt Jackson und Clyde Wilson (R&B singer and songwriter)
Herbie Goins & The Nightimers2:45
53Stirrin’ Up Some Soul
The Marketts2:23
54Hold On (I’m Coming) (mono)
cover recording of:
Hold On, I’m Comin’
Verfasser(in):
Isaac Hayes, Hayes, Porter und David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) und Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Cliff Bennett & the Rebel Rousers2:21
55Me and My Baby
recording of:
Me and My Baby
Verfasser(in):
Sonny Sanders und Barrett Strong
Mary Wells2:03
56Contact
Produzent(in):
Richard Barrett (US soul producer/singer)
The Three Degrees2:34
57Something’s Burnin’
The Marvellos2:44
58You Said You Loved Me
recording of:
You Said You Loved Me
Texter und Komponist(in):
Deon Jackson
Deon Jackson2:33
59You’ve Got That Something Wonderful
Percy Sledge2:24
60B‐A‐B‐Y
recording of:
B-A-B-Y (in 1966)
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner/Chappell North America
Carla Thomas4.252:55
61Here I Go Again
recorded in:
Philadelphia, Pennsylvania, Vereinigte Staaten (am 1969-05-16)
Bass [electric bass]:
Ronnie Baker (bass) (am 1969-05-16)
Gitarre:
Roland Chambers (am 1969-05-16) und Norman Harris (American Philly Soul guitarist, producer, and songwriter) (am 1969-05-16)
Horn:
Sam Reed and His Horn Section (am 1969-05-16)
Klavier:
Leon Huff (Philly soul producer, of Gamble & Huff) (am 1969-05-16)
Orgel:
Thom Bell (keyboards, songwriter, producer) (am 1969-05-16)
Saiteninstrumente:
Don Renaldo and His String Section (am 1969-05-16)
Schlagzeug:
Earl Young (am 1969-05-16)
Vibraphon:
Bobby Martin (US soul/R&B producer/arranger) (am 1969-05-16)
vocals:
Archie Bell (vocals, of Archie Bell & the Drells) (am 1969-05-16)
arranger:
Thom Bell (keyboards, songwriter, producer) und Leon Huff (Philly soul producer, of Gamble & Huff)
Archie Bell & the Drells52:06
62Crazy Baby (single version)
The Coasters2:01
63Land of 1000 Dances
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (von 1966-05-08 bis 1966-05-11)
Bassgitarre [bass]:
Tommy Cogbill (von 1966-05-08 bis 1966-05-11)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1966-05-08 bis 1966-05-11) und Chips Moman (von 1966-05-08 bis 1966-05-11)
Klavier:
Spooner Oldham (von 1966-05-08 bis 1966-05-11)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1966-05-08 bis 1966-05-11)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1966-05-08 bis 1966-05-11) und Andrew Love (von 1966-05-08 bis 1966-05-11)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1966-05-08 bis 1966-05-11)
vocals:
Wilson Pickett (von 1966-05-08 bis 1966-05-11)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1966-05-08 bis 1966-05-11)
cover recording of:
Land of 1000 Dances (von 1966-05-08 bis 1966-05-11)
Texter und Komponist(in):
Chris Kenner
zusätzliche(r) Verfasser(in):
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. und Tune-Kel
recording of:
Land of 1000 Dances
Texter und Komponist(in):
Chris Kenner
zusätzliche(r) Verfasser(in):
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. und Tune-Kel
Wilson Pickett42:27
64Respect
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bass:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Dewey "Spooner" Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Trompete:
Melvin Lastie (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Aretha Franklin42:27
65Bring Your Love Back to Me
Produzent(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
Linda Lyndell2:06
66Ooh Baby (single version)
Deon Jackson2:37
67I Just Can’t Live My Life (Without You Babe)
Linda Jones2:30
68Don’t You Even Care
Leslie Uggams2:04
69Skiing in the Snow
cover recording of:
Skiing in the Snow
Verfasser(in):
Sandy Linzer und Denny Randell
The Invitations2:40
70Philly Dog
recording of:
Philly Dog
Verfasser(in):
Rufus Thomas (US blues & funk singer & songwriter)
The Mar‐Keys2:18
71Some Kind of Wonderful
Soul Brothers Six2:38
72Somebody (Somewhere Needs You)
Darrell Banks2:33
73Change My Darkness Into Light
The Flirtations2:56
74Walkin’ Up a One Way Street
Willie Tee2:41
75Since You Said You’d Be Mine
Lou Ragland3:16
76Tell Me Why
Life+2:56
77Go for Yourself (single version)
Larry Laster2:35
78Catch Me I’m Falling
Esther Phillips2:38
79Soul Finger
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1967)
Produzent(in):
The Stax Staff
E-Bass [electric bass]:
James Alexander (US soul bassist, singer and songwriter) (in 1967)
Gitarre:
Jimmy King (US guitarist for The Bar‐Kays) (in 1967)
Orgel:
Ronnie Caldwell (in 1967)
Schlagzeug:
Carl Cunningham (drummer for The Bar‐Kays) (in 1967)
Tenorsaxophon:
Phalon Jones (in 1967)
Trompete:
Ben Cauley (in 1967)
recording of:
Soul Finger (in 1967)
Verfasser(in):
Ronnie Caldwell, Ben Cauley, Carl Cunningham (drummer for The Bar‐Kays), James Alexander (US soul bassist, singer and songwriter), Phalon Jones und Jimmy King (US guitarist for The Bar‐Kays)
The Bar‐Kays4.52:23

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Rhino UK (company credits only; do NOT use as release label) (in 2018)
kostenlos streamen:https://open.spotify.com/album/6Qjfi10MAcVAgEaF5IQgOp [Info]
https://www.deezer.com/album/77133182 [Info]