The Nation's Favourite Carpenters Songs

~ Veröffentlichung von Carpenters (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1(They Long to Be) Close to You
Techniker(in):
Dick Bogert (Recording and mixing engineer) und Ray Gerhardt (Recording and mixing engineer)
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter) und Danny Woodhams (Bassist, drummer, vocalist and songwriter)
Holzblasinstrumente [woodwinds]:
Doug Strawn (American woodwinds and saxophonist), Jim Horn (saxophonist, hornist, flutist and oboist) und Bob Messenger (Woodwind and bass player)
Schlagzeug [Ludwig drums]:
Hal Blaine (U.S. studio drummer and percussionist) und Karen Carpenter
Wurlitzer Electric Piano [Wurlizer pianos]:
Richard Carpenter (The Carpenters)
Sologesang [all vocals]:
Karen Carpenter und Richard Carpenter (The Carpenters)
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 2) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 171)
cover recording of:
(They Long to Be) Close to You (am 1970-03-24)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Albert Music Publishing, Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Casa David LP, J. Albert & Son Pty. Ltd., Jac Music, Inc., New Hidden Valley Music Co., U.S. Songs, Inc., Universal/MCA Music Ltd. (not for release label use!), Windswept Music (London) Ltd. und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
44:31
2We've Only Just Begun
Techniker(in):
Dick Bogert (Recording and mixing engineer) und Ray Gerhardt (Recording and mixing engineer)
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter) und Danny Woodhams (Bassist, drummer, vocalist and songwriter)
Holzblasinstrumente [woodwinds]:
Doug Strawn (American woodwinds and saxophonist), Jim Horn (saxophonist, hornist, flutist and oboist) und Bob Messenger (Woodwind and bass player)
Klarinette:
Doug Strawn (American woodwinds and saxophonist)
Schlagzeug [Ludwig drums]:
Hal Blaine (U.S. studio drummer and percussionist) und Karen Carpenter
Wurlitzer Electric Piano [Wurlizer pianos]:
Richard Carpenter (The Carpenters)
Hintergrundgesang und Sologesang [all vocals]:
Karen Carpenter und Richard Carpenter (The Carpenters)
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 65) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 405)
cover recording of:
We’ve Only Just Begun
Texter:
Paul Williams (US songwriter/soft rock vocalist)
Komponist(in):
Roger Nichols (musician/songwriter)
publisher:
Irving Music (BMI)
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
We’ve Only Just Begun
Texter:
Paul Williams (US songwriter/soft rock vocalist)
Komponist(in):
Roger Nichols (musician/songwriter)
publisher:
Irving Music (BMI)
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.43:06
3For All We Know
assistierende(r) Techniker(in):
Norm Kinney
Techniker(in):
Dick Bogert (Recording and mixing engineer) und Ray Gerhardt (Recording and mixing engineer)
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Bassgitarre:
Joe Osborn (American bass guitar player, session musician and songwriter)
Keyboard [keyboards]:
Richard Carpenter (The Carpenters)
Oboe:
Earle Dumler (multi-instrumentalist)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Hintergrundgesang:
Karen Carpenter und Richard Carpenter (The Carpenters)
Hintergrundgesang und Sologesang und Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1971) und A&M Records, Ltd. (in 1971)
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1970 bis 1971)
cover recording of:
For All We Know (Lovers and Other Strangers, 1970) (von 1970 bis 1971)
Texter:
Arthur James (soft rock singer/songwriter/guitarist) und Robb Wilson
Komponist(in):
Fred Karlin
publisher:
MCA Music Ltd. (beendet), Pamco Music Inc. (beendet), EMI Al Gallico Music Corp., Songs of Universal, Inc. (BMI) und Universal Music Corp. (USA, affiliated with ASCAP)
Teil von:
The 43rd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1970 winner)
recording of:
For All We Know (Lovers and Other Strangers, 1970)
Texter:
Arthur James (soft rock singer/songwriter/guitarist) und Robb Wilson
Komponist(in):
Fred Karlin
publisher:
MCA Music Ltd. (beendet), Pamco Music Inc. (beendet), EMI Al Gallico Music Corp., Songs of Universal, Inc. (BMI) und Universal Music Corp. (USA, affiliated with ASCAP)
Teil von:
The 43rd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1970 winner)
42:32
4Rainy Days and Mondays
assistierende(r) Techniker(in):
Norm Kinney
Techniker(in):
Ray Gerhardt (Recording and mixing engineer)
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Bassgitarre:
Joe Osborn (American bass guitar player, session musician and songwriter)
Keyboard [keyboards] und Hintergrundgesang:
Richard Carpenter (The Carpenters)
Mundharmonika:
Tommy Morgan (Harmonica player)
Saxophon:
Bob Messenger (Woodwind and bass player)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Hintergrundgesang und Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1971)
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1971-01)
recording of:
Rainy Days and Mondays (am 1971-01-25)
Texter:
Paul Williams (US songwriter/soft rock vocalist)
Komponist(in):
Roger Nichols (musician/songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Rondor Music (London) Ltd.
4.353:37
5Superstar
assistierende(r) Techniker(in):
Norm Kinney
Techniker(in):
Ray Gerhardt (Recording and mixing engineer)
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Bassgitarre:
Joe Osborn (American bass guitar player, session musician and songwriter)
Keyboard [keyboards] und Hintergrundgesang:
Richard Carpenter (The Carpenters)
Oboe:
Earle Dumler (multi-instrumentalist)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Hintergrundgesang und Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1971)
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1971)
cover recording of:
Superstar (in 1971-03)
Verfasser(in):
Bonnie Bramlett und Leon Russell
publisher:
Black Bull Music, Delbon Publishing Co., Embassy Music Corporation, Jobete Music (UK) Ltd., Reservoir One America, Rondor Music (London) Ltd., Skyhill Pub. Co., Inc., Solo Copyright Bureau, Stuck On Music und Teddy Jack Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4.353:50
6Hurting Each Other
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972)
cover recording of:
Hurting Each Other
Texter:
Peter Udell
Komponist(in):
Gary Geld
publisher:
PolyGram Music Publishing Ltd. und Sydney Bron Music (also spelled “Sydney”)
4.52:43
7Goodbye to Love
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
E-Gitarre:
Tony Peluso (American writer, producer and multi-instrumentalist)
recording of:
Goodbye to Love
komponiert in:
London (Greater London), England, Vereinigtes Königreich (in 1971)
Texter:
John Bettis (in 1972)
Komponist(in):
Richard Carpenter (The Carpenters) (von 1971 bis 1972)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music und Rondor Music (London) Ltd.
4.54:00
8It's Going to Take Some Time
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
cover recording of:
It’s Going to Take Some Time
Texter und Komponist(in):
Carole King und Toni Stern
publisher:
Screen Gems–Columbia Music, Inc.
4.52:57
9Sing
Produzent(in):
Karen Carpenter und Richard Carpenter (The Carpenters)
Chorgesang:
The Jimmy Joyce Children’s Chorus
cover recording of:
Sing
Texter und Komponist(in):
Joe Raposo (piano, composer, Sesame Street)
publisher:
Green Fox Music Inc., The Joe Raposo Music Group, Inc. und Jonico Music Inc. (in 1971)
recording of:
Sing
Texter und Komponist(in):
Joe Raposo (piano, composer, Sesame Street)
publisher:
Green Fox Music Inc., The Joe Raposo Music Group, Inc. und Jonico Music Inc. (in 1971)
recording of:
Sing (Japanese concert version)
Texter und Komponist(in):
Joe Raposo (piano, composer, Sesame Street)
Arrangement von:
Sing
43:17
10Yesterday Once More
Produzent(in):
Karen Carpenter und Richard Carpenter (The Carpenters)
recording of:
Yesterday Once More (am 1973-03-14)
Texter:
John Bettis
Komponist(in):
Richard Carpenter (The Carpenters)
publisher:
Rondor Music (London) Ltd., Almo Music (USA, affiliated with ASCAP) (in 1973), Hammer & Nails Music (in 1973) und Sweet Harmony Music (US publisher) (in 1973)
4.63:55
11Top of the World
Produzent(in):
Karen Carpenter, Richard Carpenter (The Carpenters) und Jack Daugherty (American Multi-instrumentalist and music producer)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972)
spätere Veröffentlichungen:
Top of the World (original recording used in the album "A Song for You") von Carpenters
recording of:
Top of the World (am 1973-08-15)
Texter:
John Bettis
Komponist(in):
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music, Inc. und Rondor Music (London) Ltd.
3.52:59
12I Won't Last a Day Without You
recording of:
I Won’t Last a Day Without You
Texter:
Paul Williams (US songwriter/soft rock vocalist)
Komponist(in):
Roger Nichols (musician/songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Rondor Music (London) Ltd.
4:31
13Jambalaya (On the Bayou)
Produzent(in):
Karen Carpenter und Richard Carpenter (The Carpenters)
Schlagzeug [drums]:
Hal Blaine (U.S. studio drummer and percussionist)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1973)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 29)
recording of:
Jambalaya (On the Bayou)
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Acuff-Rose Music Limited (UK), Acuff-Rose-Opryland Music Limited (UK), Fred Rose Music, Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1952-07-28)
3.53:41
14Please Mr. Postman
Techniker(in):
Ray Gerhardt (Recording and mixing engineer)
Partner-Produzent(in):
Karen Carpenter
Produzent(in):
Richard Carpenter (The Carpenters)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1974)
cover recording of:
Please Mr. Postman (am 1974-07-22)
Verfasser(in):
Robert Bateman (R&B singer/songwriter/record producer) (in 1961), Georgia Dobbins (in 1961), William Garrett (in 1961), Freddie Gorman (in 1961) und Brian Holland (Motown producer & songwriter) (in 1961)
publisher:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division und United Partnership Ltd.
42:45
15Only Yesterday
Partner-Produzent(in):
Karen Carpenter
Produzent(in):
Richard Carpenter (The Carpenters)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1975)
recording of:
Only Yesterday (am 1975-01-30)
Texter:
John Bettis
Komponist(in):
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music, Inc., Rondor Music (London) Ltd. und Sweet Harmony Music (US publisher)
3:45
16Solitaire
Partner-Produzent(in):
Karen Carpenter
Produzent(in):
Richard Carpenter (The Carpenters)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1975)
cover recording of:
Solitaire (in 1975)
Texter:
Phil Cody (of Neil Sedaka-fame)
Komponist(in):
Neil Sedaka
publisher:
EMI Jemaxal Music Inc., EMI Sosaha Music, Inc., Kirshner, Neil Sedaka Music (BMI-affiliated), R2M Publishing H. & R. Lastrada Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of SJL RSL Music Company, Sony/ATV Tunes LLC (ASCAP), Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
34:40
17There's a Kind of Hush
Bassgitarre [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
Gitarre [guitars]:
Tony Peluso (American writer, producer and multi-instrumentalist)
Harfe:
Gayle Levant (American studio musician, harpist)
Keyboard [keyboards]:
Richard Carpenter (The Carpenters)
Schlagzeug [drums]:
Jim Gordon (US drummer with Derek and the Dominos)
Tenorsaxophon [tenor sax]:
Bob Messenger (Woodwind and bass player)
cover recording of:
There’s a Kind of Hush
Texter und Komponist(in):
Les Reed und Geoff Stephens
publisher:
Donna Music Ltd. (publisher), Glenwood Music Corp., Peermusic (UK) Limited, Songs of Peer, Ltd. (ASCAP), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
43:02
18I Need to Be in Love
recording of:
I Need to Be in Love
Texter:
John Bettis und Albert Hammond
Komponist(in):
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI April Music Inc., Hammer and Nails Music, Inc. und Landers Roberts Music
3:46
19Calling Occupants of Interplanetary Craft (The Recognized Anthem of World Contact Day)
Techniker(in):
Ray Gerhardt (Recording and mixing engineer), Dave Iveland (Music Engineer) und Roger Young (engineer)
Partner-Produzent(in):
Karen Carpenter
Produzent(in):
Richard Carpenter (The Carpenters)
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
E-Gitarre und Sprecher [DJ]:
Tony Peluso (American writer, producer and multi-instrumentalist)
Hybrid-Piano, Klavier [acoustic piano] und Synthesizer:
Richard Carpenter (The Carpenters)
Oboe:
Earl Dumler (multi-instrumentalist)
Schlagzeug [drums]:
Ron Tutt (drummer)
Chorgesang:
Gregg Smith Singers
Sologesang:
Karen Carpenter
vocals:
Richard Carpenter (The Carpenters)
Orchester:
Overbudget Philharmonic
conductor:
Peter Knight (British arranger, conductor and composer)
chorus master:
Gregg Smith (choral conductor)
arranger:
Richard Carpenter (The Carpenters)
Orchestrator(in):
Richard Carpenter (The Carpenters) und Peter Knight (British arranger, conductor and composer)
cover recording of:
Calling Occupants of Interplanetary Craft
Verfasser(in):
Terry Draper und John Woloschuk
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Magentalane Music Ltd.
27:03
20Touch Me When We're Dancing
assistierende(r) Techniker(in):
Dave Iveland (Music Engineer)
Techniker(in):
Roger Young (engineer)
Produzent(in):
Richard Carpenter (The Carpenters)
Akustikgitarre und E-Gitarre:
Tim May (session/jazz guitarist) und Tony Peluso (American writer, producer and multi-instrumentalist)
Bassgitarre [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
Harfe:
Gayle Levant (American studio musician, harpist)
Keyboard [keyboards]:
Richard Carpenter (The Carpenters)
Oboe:
Earl Dumler (multi-instrumentalist)
Perkussion:
Paulinho DaCosta (Brazilian percussionist)
Schlagzeug [drums]:
Larrie Londin
Tenorsaxophon [tenor sax]:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Hintergrundgesang:
Karen Carpenter, Richard Carpenter (The Carpenters) und Carolyn Dennis (American singer)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
concertmaster:
Jimmy Getzoff (American concertmaster and violinist)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1981)
cover recording of:
Touch Me When We’re Dancing
Verfasser(in):
Ken Bell, Terry Nelson Skinner und J.L. Wallace (US songwriter and guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und PolyGram Music Publishing Ltd.
33:16