100 Hits Blues Ballads

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Daten-CD
Nr.TitelKünstlerBewertungLänge
1Since I’ve Been Loving You
Techniker(in):
Andrew Johns und Terry Manning (US recording engineer)
leitende(r) Produzent(in):
Peter Grant (English manager, notably of Led Zeppelin, Bad Company, and The Yardbirds among others)
Produzent(in):
Jimmy Page
Mix:
Andy Johns
aufgenommen bei:
Headley Grange (Grade II listed building, best known for its use as a recording and rehearsal venue in the 1960s–70s) in Hampshire, England, Vereinigtes Königreich (von 1970-05 bis 1970-06)
mixed at:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
recording of:
Since I’ve Been Loving You
Texter:
Robert Plant (of Led Zeppelin)
Komponist(in):
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) und Jimmy Page
publisher:
Flames of Albion Music, Inc., Succubus Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Led Zeppelin3.957:23
2I Love You More Than You'll Ever Know
recording of:
I Love You More Than You’ll Ever Know
Texter und Komponist(in):
Al Kooper
publisher:
Little A Music und Unichappell Music, Inc.
Blood, Sweat & Tears5:56
3I Loved Another Woman
recording of:
I Loved Another Woman
Texter und Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
EMI United Partnership Ltd.
Fleetwood Mac3.42:54
4Red House
Techniker(in):
Eddie Kramer (engineer) und Dave Siddle (engineer)
Produzent(in):
Chas Chandler
E-Bass:
Noel Redding (von 1966-12-13 bis 1967-04)
E-Gitarre und Sologesang:
Jimi Hendrix (von 1966-12-13 bis 1967-04)
Schlagzeug:
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (von 1966-12-13 bis 1967-04)
phonographisches Urheberrecht (℗) von:
Experience Hendrix, L.L.C. (in 1997)
aufgenommen bei:
CBS Studios (London, 1964 - 1967) in London (Greater London), England, Vereinigtes Königreich (am 1966-12-13), DeLane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1967-02) und Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1967-04)
recording of:
Red House (von 1966-12-13 bis 1967-04)
Texter und Komponist(in):
Jimi Hendrix
publisher:
Bella Godiva Music und Experience Hendrix, L.L.C.
Jimi Hendrix43:50
5Cry Baby
Techniker(in):
Phil Macy (50s-70s engineer)
Produzent(in):
Paul A. Rothchild
Bassgitarre:
Brad Campbell (bassist, member of Full Tilt Boogie)
Gast-Bongos, Gast-Bongos und Conga und Gast-Conga:
Bobbye Hall
Gast-Tamburin:
Sandra Crouch
Gitarre:
John Till (rock guitarist)
Klavier:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin)
Orgel:
Ken Pearson
Schlagzeug:
Clark Pierson
Hintergrundgesang:
Phil Badella, Richard Bell (Canadian keyboardist for The Band/Janis Joplin), Brad Campbell (bassist, member of Full Tilt Boogie), John Cooke, Janis Joplin, Vince Mitchell, Ken Pearson, Clark Pierson und John Till (rock guitarist)
Sologesang:
Janis Joplin (am 1970-09-05)
Interpret(in):
Full Tilt Boogie (am 1970-09-05)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1970-09-05)
cover recording of:
Cry Baby (am 1970-09-05)
Verfasser(in):
Bert Russell Berns und Jerry Ragovoy
Janis Joplin3.74:00
6Oh! Darling
Techniker(in):
Geoff Emerick (British recording engineer), Jeff Jarratt (producer) und Phil McDonald (engineer and producer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Chris Thomas (UK record producer / remixer)
E-Bass:
George Harrison (The Beatles) (am 1969-04-20)
E-Gitarre:
John Lennon (The Beatles) (am 1969-04-20)
Klavier:
Paul McCartney (The Beatles) (am 1969-04-20)
Schlagzeug:
Ringo Starr (The Beatles) (am 1969-04-20)
Hintergrundgesang:
George Harrison (The Beatles) (am 1969-08-11), John Lennon (The Beatles) (am 1969-08-11) und Paul McCartney (The Beatles) (am 1969-08-11)
Sologesang:
Paul McCartney (The Beatles) (am 1969-07-23)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969, in 2009)
aufgenommen bei:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1969-04-20, am 1969-07-23) und Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1969-08-11)
recording of:
Oh! Darling (von 1969-04-20 bis 1969-08-11)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP)
The Beatles3.853:25
7Tears of Rage
recording of:
Tears of Rage
Texter:
Bob Dylan (in 1967)
Komponist(in):
Richard Manuel (in 1967)
publisher:
Sony/ATV Music Publishing (UK) Ltd. und Dwarf Music (vom 1968 bis heute)
The Band5:20
8Long as I Can See the Light
Produzent(in):
John Fogerty
E-Bass:
Stu Cook (in 1969)
E-Gitarre:
John Fogerty (in 1969) und Tom Fogerty (in 1969)
Gitarre:
Tom Fogerty
Hybrid-Piano, Saxophon und Sologesang:
John Fogerty (in 1969)
Schlagzeug:
Doug Clifford (in 1969)
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
recording of:
Long as I Can See the Light (in 1969)
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Jondora Music und Prestige Music ltd.
Creedence Clearwater Revival4.253:30
9Merry Go Round
Fleetwood Mac4:07
10Babe I’m Gonna Leave You
Techniker(in):
Glyn Johns
leitende(r) Produzent(in):
Peter Grant (English manager, notably of Led Zeppelin, Bad Company, and The Yardbirds among others)
Produzent(in):
Jimmy Page
Bass und E-Bass:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (in 1968-10)
Gitarre:
Jimmy Page (in 1968-10)
Schlagzeug:
John Bonham (in 1968-10)
vocals:
Robert Plant (of Led Zeppelin) (in 1968-10)
arranger:
Jimmy Page und Robert Plant (of Led Zeppelin)
aufgenommen bei und mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1968-10)
recording of:
Babe I’m Gonna Leave You (Led Zeppelin version) (von 1968-09 bis 1968-10)
Verfasser(in):
Anne Bredon, Jimmy Page und Robert Plant (of Led Zeppelin)
publisher:
Flames of Albion Music, Inc., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Productions et Éditions Cinématographiques Françaises, Songs of PolyGram International, Inc., Superhype Publishing, Inc., Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal Music Publishing International Ltd., Universal–Songs of PolyGram International, Inc., Vogue Music, Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Version von:
Babe, I’m Gonna Leave You
Led Zeppelin4.256:41
11Presence of the Lord
Techniker(in):
Andy Johns
Produzent(in) und Mix:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
Bass:
Ric Grech (in 1969-02)
Gitarre:
Eric Clapton (in 1969-02)
Keyboard:
Steve Winwood (in 1969-02)
Schlagzeug:
Ginger Baker (in 1969-02)
vocals:
Steve Winwood (in 1969-02)
arranger:
Robert Stigwood
phonographisches Urheberrecht (℗) von:
RSO Records Ltd. (in 1969), Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1969) und Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2001)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1969-02)
recording of:
Presence of the Lord (in 1969-02)
Texter und Komponist(in):
Eric Clapton
publisher:
Casserole Music Corp., Throat Music Ltd., Warner/Chappell Music International Ltd. und Throat Music (in 1973)
Blind Faith2.754:47
12Don't Let Me Down
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
E-Bass:
Paul McCartney (The Beatles) (am 1969-01-28)
E-Gitarre:
George Harrison (The Beatles) (am 1969-01-28) und John Lennon (The Beatles) (am 1969-01-28)
Hybrid-Piano:
Billy Preston (am 1969-01-28)
Schlagzeug:
Ringo Starr (The Beatles) (am 1969-01-28)
Hintergrundgesang:
George Harrison (The Beatles) (am 1969-01-28) und Paul McCartney (The Beatles) (am 1969-01-28)
Sologesang:
John Lennon (The Beatles) (am 1969-01-28)
phonographisches Urheberrecht (℗) von:
The Gramophone Co., Ltd. (UK record company) (in 1969) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
aufgenommen bei:
Apple Studios in London (Greater London), England, Vereinigtes Königreich (am 1969-01-28)
Musikvideos:
Don’t Let Me Down von The Beatles (UK rock band, “The Fab Four”)
recording of:
Don’t Let Me Down (am 1969-01-28)
Verfasser(in):
Paul McCartney (The Beatles) und John Lennon (The Beatles) (vom 1968 bis heute)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs Ltd. und Sony/ATV Music Publishing LLC (1995–2020)
The Beatles feat. Billy Preston3.73:33
13I Put a Spell on You
Produzent(in):
John Fogerty und Saul Zaentz
Bassgitarre:
Stu Cook (in 1968-02)
Gitarre [lead guitar] und Sologesang:
John Fogerty (in 1968-02)
Gitarre [rhythm guitar]:
Tom Fogerty (in 1968-02)
Schlagzeug:
Doug Clifford (in 1968-02)
arranger:
John Fogerty und Saul Zaentz
phonographisches Urheberrecht (℗) von:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
aufgenommen bei:
Coast Recorders in San Francisco, California (Kalifornien), Vereinigte Staaten (in 1968-02)
cover recording of:
I Put a Spell on You (in 1968-02)
Texter und Komponist(in):
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) und EMI United Partnership Ltd. (in 1956)
Creedence Clearwater Revival44:31
14The Wind Cries Mary
Techniker(in):
Dave Siddle (DeLane Lea) (engineer) (in 1967-02) und Eddie Kramer (Olympic) (engineer) (in 1967-02)
Produzent(in):
Chas Chandler
E-Bass:
Noel Redding (in 1967-02)
E-Gitarre und Sologesang:
Jimi Hendrix (in 1967-02)
Schlagzeug:
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (in 1967-02)
phonographisches Urheberrecht (℗) von:
PolyGram International Music B.V. (not for release label use!) (in 1967) und Experience Hendrix, L.L.C. (in 2010)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1967-02) und Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (am 1967-02-08)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 371)
recording of:
The Wind Cries Mary (in 1967-02)
Texter und Komponist(in):
Jimi Hendrix
publisher:
Bella Godiva Music, Experience Hendrix, L.L.C. und Sea-Lark Enterprises, Inc.
The Jimi Hendrix Experience3.93:20
15Be My Friend
Techniker(in):
Andy Johns
Produzent(in):
Free (60s/70s UK blues rock group)
aufgenommen bei:
Island Studios (aka the Fallout Shelter, located in Hammersmith, London) in Hammersmith, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
recording of:
Be My Friend
Verfasser(in):
Andy Fraser (English bassist, member of Free) und Paul Rodgers
Free4.55:44
16Heartbreaker
Produzent(in):
Terry Knight
recording of:
Heartbreaker
Texter und Komponist(in):
Mark Farner
publisher:
Storybook Music und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Grand Funk Railroad4.656:33
17Spider in My Web
recording of:
Spider in My Web
Texter und Komponist(in):
Alvin Lee
Ten Years After7:10
18Call the Doctor
recording engineer:
James Long (engineer) (von 1970-09-29 bis 1970-09-30)
Gitarre:
J.J. Cale
Steel-Gitarre:
Weldon Myrick
vocals:
J.J. Cale
aufgenommen bei:
Moss Rose Studio in Nashville, Tennessee, Vereinigte Staaten (von 1970-09-29 bis 1970-09-30)
recording of:
Call the Doctor (von 1970-09-29 bis 1970-09-30)
Texter und Komponist(in):
J.J. Cale
J.J. Cale42:28
19The Spy
Techniker(in):
Bruce Botnick
Produzent(in):
Paul A. Rothchild
Gitarre:
Robby Krieger (American guitarist, member of The Doors)
Keyboard:
Ray Manzarek
Schlagzeug:
John Densmore
vocals:
Jim Morrison (lead vocalist of the Doors)
recording of:
The Spy
Texter und Komponist(in):
Jim Morrison (lead vocalist of the Doors)
publisher:
Nipper Music und Rondor Music
The Doors44:14
20Summertime
Produzent(in):
John Simon (US producer, arranger, composer, songwriter and musician)
Bass und Gitarre:
Peter Albin (am 1968-05-28) und Sam Andrew (am 1968-05-28)
Gitarre:
James Gurley (am 1968-05-28)
Schlagzeug:
Dave Getz (drummer and songwriter) (am 1968-05-28)
Sologesang:
Janis Joplin (am 1968-05-28)
arranger:
Sam Andrew
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1999)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1968-05-28)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Janis Joplin3.73:57
21You Shook Me
Techniker(in):
Glyn Johns
leitende(r) Produzent(in):
Peter Grant (English manager, notably of Led Zeppelin, Bad Company, and The Yardbirds among others)
Produzent(in):
Jimmy Page
E-Bass:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (in 1968-10)
Gitarre:
Jimmy Page (in 1968-10)
Mundharmonika:
Robert Plant (of Led Zeppelin)
Schlagzeug:
John Bonham (in 1968-10)
vocals:
Robert Plant (of Led Zeppelin) (in 1968-10)
aufgenommen bei und mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1968-10)
cover recording of:
You Shook Me (von 1968-09 bis 1968-10)
Texter und Komponist(in):
Willie Dixon
zusätzliche(r) Verfasser(in):
J.B. Lenoir
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) und Hoochie Coochie Music
Led Zeppelin3.66:28
22Stormy Monday
recording engineer:
Ray Colcard (am 1970-07-05) und Harry Zerler (am 1970-07-05)
Techniker(in):
Tim Geelan, Russ Payne und Norbert Ward
Mix:
Thom Cadley
Bassgitarre:
Berry Oakley (US bassist, The Allman Brothers Band) (am 1970-07-05)
Gitarre:
Duane Allman (am 1970-07-05) und Dickey Betts (am 1970-07-05)
Orgel:
Gregg Allman (am 1970-07-05)
Perkussion und Schlagzeug:
Jai Johanny Johanson (am 1970-07-05) und Butch Trucks (am 1970-07-05)
vocals:
Gregg Allman (am 1970-07-05)
aufgenommen bei:
Middle Georgia Raceway in Byron, Georgia, Vereinigte Staaten (am 1970-07-05)
live cover recording of:
Call It Stormy Monday (but Tuesday Is Just as Bad) (am 1970-07-05)
Texter und Komponist(in):
T‐Bone Walker (US blues musician & songwriter, 1910–1975)
publisher:
Wixen Music Publishing, Inc. (beendet), Burlington Music Co., Ltd., Songs Of The Knoll, 日音 Synch事業部 (NICHION, INC. Synch Division), Peermusic III, Ltd. (BMI) (bis 2018-11-01), Gregmark Music Inc (Gregmark) (vom 1959 bis heute), Lord and Walker Publishing (vom 1959 bis heute) und Raleigh Music Group (RALEIGH MUSIC PUBLISHING LLC) (vom 2018-11-01 bis heute)
sub-publisher:
EMI Music Scandinavia AB (in 1994)
The Allman Brothers Band9:03
23Angel
Techniker(in):
Eddie Kramer (engineer)
Produzent(in):
Jimi Hendrix, Eddie Kramer (engineer) und Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others)
Mix:
Eddie Kramer (engineer) (am 1970-11-12) und Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (am 1970-11-12)
E-Bass:
Billy Cox (von 1970-07-23 bis 1970-08-20)
E-Gitarre und Sologesang:
Jimi Hendrix (von 1970-07-23 bis 1970-08-20)
Schlagzeug:
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (am 1970-10-19)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (am 1970-07-23, am 1970-08-20, am 1970-10-19)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (am 1970-11-12)
recording of:
Angel (von 1970-07-23 bis 1970-10-19)
Texter und Komponist(in):
Jimi Hendrix
publisher:
Bella Godiva Music, Experience Hendrix, L.L.C., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Jimi Hendrix2.954:22
24Worried Dream
recording of:
Worried Dream
Texter und Komponist(in):
B.B. King
Fleetwood Mac5:21
25Black Magic Woman
recording of:
Black Magic Woman
Texter und Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. und Murbo Music Publishers, Inc.
Santana3:49
26I Got the Blues
Produzent(in):
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
Bassgitarre:
Bill Wyman
Gitarre:
Keith Richards (Rolling Stones guitarist) und Mick Taylor
Orgel:
Billy Preston
Saxophon:
Bobby Keys (American saxophonist)
Schlagzeug:
Charlie Watts (drummer in The Rolling Stones)
Trompete:
Jim Price (horn session musician)
vocals:
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
recording of:
I Got the Blues
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
The Rolling Stones3.653:54
27Just Got Back From Baby’s
recording of:
Just Got Back from Baby’s
Verfasser(in):
Billy Gibbons und Bill Ham (manager of ZZ Top)
publisher:
Billy G’s Hollywood Productions Inc. (publisher; do NOT use as release label), BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Burlington Music Co., Ltd., Fujipacific Music, Inc., Music of Stage Three, Songs of Mosaic und Stage Three Songs
ZZ Top54:14
28Wild Life
Assistent recording engineer:
Alan Parsons (of The Alan Parsons Project) (am 1971-07-26)
recording engineer:
Tony Clark (engineer, Abbey Road) (am 1971-07-26)
Produzent(in):
Linda McCartney und Paul McCartney (The Beatles)
assistierende(r) Mix:
Alan Parsons (of The Alan Parsons Project) (am 1971-10-15)
Mix:
Tony Clark (engineer, Abbey Road) (am 1971-10-15)
Akustikgitarre, Bass und Sologesang:
Paul McCartney (The Beatles) (am 1971-07-26)
E-Gitarre:
Denny Laine (am 1971-07-26) und Paul McCartney (The Beatles) (am 1971-07-26)
Keyboard:
Linda McCartney (am 1971-07-26)
Schlagzeug:
Denny Seiwell (US drummer) (am 1971-07-26)
Hintergrundgesang:
Denny Laine (am 1971-07-26), Linda McCartney (am 1971-07-26), Paul McCartney (The Beatles) (am 1971-07-26) und Denny Seiwell (US drummer) (am 1971-07-26)
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 2010) und MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 2010)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1971-07-26)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1971-10-15)
recording of:
Wild Life (am 1971-07-26)
Verfasser(in):
Linda McCartney und Paul McCartney (The Beatles)
publisher:
Kidney Punch Music und Northern Songs Ltd.
Paul McCartney & Wings26:39
29Mother
Produzent(in):
John Lennon (The Beatles), Yoko Ono (Japanese‐American musician and artist) und Phil Spector
Herausgeber:
Northern Songs Ltd. (in 1970)
recording of:
Mother
Texter, Verfasser(in) und Komponist(in):
John Lennon (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Sony/ATV Music Publishing LLC (1995–2020) und Universal Music Group (has logo with just “Universal Music Group”)
John Lennon5:00
30Don’t Go to Strangers
Bass:
Norbert Putnam
Gitarre:
J.J. Cale
Klavier:
Jerry Whitehurst (session pianist)
Schlagzeug:
Chuck Browning
vocals:
J.J. Cale
aufgenommen bei:
Bradley’s Barn in Mt. Juliet, Tennessee, Vereinigte Staaten (am 1971-06-09)
recording of:
Don’t Go to Strangers (am 1971-06-09)
Texter und Komponist(in):
J.J. Cale
J.J. Cale3.42:25
31Cars Hiss by My Window
Produzent(in):
Bruce Botnick und The Doors
Bassgitarre:
Jerry Scheff
Gitarre [lead guitar]:
Robby Krieger (American guitarist, member of The Doors)
Gitarre [rhythm guitar]:
Marc Benno
Keyboard:
Ray Manzarek
Schlagzeug:
John Densmore
Sologesang:
Jim Morrison (lead vocalist of the Doors)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1971)
aufgenommen bei:
The Doors Workshop in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1970)
recording of:
Cars Hiss by My Window (in 1970)
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company
The Doors2.954:08
32Rainy Night in Georgia
cover recording of:
Rainy Night in Georgia
Texter und Komponist(in):
Tony Joe White
publisher:
Combine Music Corp. und EMI Songs Limited
Ray Charles6:16
33Portrait of a Man
Screamin’ Jay Hawkins4:13
34Save Your Love
recording of:
Save Your Love
Texter und Komponist(in):
Robbie van Leeuwen
Shocking Blue42:47
35Have Mercy on the Criminal
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray
E-Gitarre:
Davey Johnstone
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Nigel Olsson
Orchestrator(in):
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder) (in 1973)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich
recording of:
Have Mercy on the Criminal
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal–Songs of PolyGram International, Inc.
Elton John2.655:57
36Turn the Page
Produzent(in):
Punch (Ed Andrews, Bob Seger's Manager) und Bob Seger
recording of:
Turn the Page (in 1972)
Texter:
Bob Seger
Komponist(in):
Bob Seger (in 1972)
publisher:
Gear Publishing (in 1973)
Bob Seger3.95:03
37I Feel the Same
Techniker(in):
John Haeny
Produzent(in):
John Hall (US guitarist/vocalist for Orleans, later US congressman)
Mix:
Rick Heenan
Akustikgitarre:
Bonnie Raitt
Fretless Bass [Fender fretless bass]:
Freebo
Hybrid-Piano und Klavier [acoustic piano]:
Bill Payne
Schlagzeug:
Earl Palmer
Slide-Gitarre [electric slide guitar]:
Lowell George
tabla:
Milt Holland
vocals:
Bonnie Raitt
cover recording of:
I Feel the Same
Texter und Komponist(in):
Chris Smither (folk musician)
publisher:
Homunculus Music und Poppy Music
Bonnie Raitt44:38
38Daydream
Produzent(in):
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
Bassgitarre:
James Dewar
Gitarre:
Robin Trower
Orgel:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
Schlagzeug:
Reg Isidore
vocals:
James Dewar
recording of:
Daydream
Verfasser(in):
James Dewar und Robin Trower
Robin Trower6:20
39House of the Rising Sun
cover recording of:
House of the Rising Sun
Texter und Komponist(in):
[traditional] (special purpose artist)
publisher:
Beechwood Music Corp., Ole Cantaloupe Music und Sonet Publishing Ltd.
Geordie4:59
40Place in Line
Techniker(in):
Martin Birch
Produzent(in):
Deep Purple
Mix:
Roger Glover und Ian Paice
E-Bass:
Roger Glover (in 1972-10)
E-Gitarre:
Ritchie Blackmore (in 1972-10)
Hammond-Orgel:
Jon Lord (in 1972-10)
Schlagzeug:
Ian Paice (in 1972-10)
Sologesang:
Ian Gillan (in 1972-10)
recording of:
Place in Line (in 1972-10)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
Deep Purple46:30
41Loved and Lost
recording of:
Loved and Lost
Verfasser(in):
Pete Agnew (singer-songwriter and bassist), Manny Charlton (singer-songwriter and guitarist), Dan McCafferty (singer, songwriter) und Darrell Sweet (drummer and songwriter)
Nazareth5:14
42She’s Gone
recording of:
She’s Gone
Verfasser(in):
Geezer Butler, Tony Iommi, Ozzy Osbourne und Bill Ward
publisher:
Essex Music International Ltd., Westminster Music Ltd. und TRO Essex Music International, Inc. (in 1976)
Black Sabbath4:50
43Mistreated
Techniker(in) und Produzent(in):
Martin Birch
Bassgitarre:
Neil Murray (British bass guitar player) (am 1978-11-23)
Gitarre:
Bernie Marsden (am 1978-11-23) und Micky Moody (am 1978-11-23)
Keyboard:
Jon Lord (am 1978-11-23)
Schlagzeug:
Dave Dowle (am 1978-11-23)
Sologesang:
David Coverdale (am 1978-11-23)
aufgenommen bei:
Whitesnake at Hammersmith Odeon (1978-11-23)
phonographisches Urheberrecht (℗) von:
Sunburst Records Ltd. (holding company - file no releases here!) (in 1978)
produced for:
Sunburst Records (label for Whitesnake)
live recording of:
Mistreated (am 1978-11-23)
Verfasser(in):
Ritchie Blackmore und David Coverdale
publisher:
Deep Purple Music (Overseas) Ltd., Downtown Music UK Ltd. und 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Whitesnake510:27
44Vielleicht das nächste Mal (Maybe Next Time)
assistierende(r) Techniker(in):
Thomas Brekling und Clay Hutchinson (Engineer, who has worked at Kingdom Sound, New York)
Techniker(in):
Flemming Rasmussen
Produzent(in):
Roger Glover
Bassgitarre:
Roger Glover (in 1980-11)
Gitarre:
Ritchie Blackmore (in 1980-11)
Keyboard:
Don Airey (in 1980-11)
Schlagzeug:
Bob Rondinelli (in 1980-11)
phonographisches Urheberrecht (℗) von:
Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1981)
aufgenommen bei:
Sweet Silence Studio (at Strandlodsvej, 1976–1999) in Copenhagen (Kopenhagen), Capital Region of Denmark (Region Hovedstaden), Dänemark (in 1980-11)
recording of:
Vielleicht das nächste Mal (Maybe Next Time) (in 1980-11)
Komponist(in):
Don Airey und Ritchie Blackmore
publisher:
Blackmore Music, BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Thames Talent Publishing Ltd., フジパシフィックミュージック (Fujipacific Music, Inc.) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Rainbow3.53:18
45Steel and Glass
Produzent(in):
John Lennon (The Beatles)
Akustikgitarre:
John Lennon (The Beatles) und Eddie Mottau
Clavinet:
Ken Ascher
E-Bass:
Klaus Voormann
E-Gitarre:
Jesse ‘Ed’ Davis
Horn:
Little Big Horns
Klavier:
Nicky Hopkins (pianist and organist)
Perkussion:
Arthur Jenkins
Schlagzeug:
Jim Keltner
vocals:
John Lennon (The Beatles)
phonographisches Urheberrecht (℗) von:
Calderstone Productions Limited (in 2010)
recording of:
Steel and Glass
Texter und Komponist(in):
John Lennon (The Beatles)
publisher:
Lenono Music
John Lennon4:36
46You're Telling Me
Alan Price5:35
47Fever
cover recording of:
Fever
Verfasser(in):
Eddie Cooley und John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. und Trio Music Company
Teil von:
The Adjustment Bureau
Suzi Quatro3:48
48Today Is Yesterday's Tomorrow
recording of:
Today Is Yesterday Tomorrow
Texter und Komponist(in):
Artie Kaplan
Oscar Benton6:31
49Ooh Baby (You Know That I Love You)
Techniker(in):
Norman Kinney
Produzent(in):
George Harrison (The Beatles)
Bass:
Klaus Voormann
Gitarre:
George Harrison (The Beatles) und Jesse Ed Davis
Horn:
Chuck Findley (trumpet, trombone, horn player) und Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Hybrid-Piano:
Gary Wright (US singer/keyboardist)
Schlagzeug:
Jim Keltner
vocals:
George Harrison (The Beatles)
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Ooh Baby (You Know That I Love You)
Verfasser(in):
George Harrison (The Beatles)
gewidmet:
Smokey Robinson
publisher:
Umlaut
George Harrison13:58
50Old Dirt Road
Produzent(in):
John Lennon (The Beatles)
Akustikgitarre:
Eddie Mottau
E-Bass:
Klaus Voormann
E-Gitarre:
Jesse ‘Ed’ Davis
Hybrid-Piano:
Ken Ascher
Klavier:
Nicky Hopkins (pianist and organist) und John Lennon (The Beatles)
Perkussion:
Arthur Jenkins
Schlagzeug:
Jim Keltner
Hintergrundgesang:
Harry Nilsson (US singer-songwriter)
vocals:
John Lennon (The Beatles)
phonographisches Urheberrecht (℗) von:
Calderstone Productions Limited (in 2010)
recording of:
Old Dirt Road
Texter:
John Lennon (The Beatles) und Harry Nilsson (US singer-songwriter)
Komponist(in):
John Lennon (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30) und Lenono Music
John Lennon4:10
51To Shy to Say
recording of:
Too Shy to Say
Texter und Komponist(in):
Stevie Wonder
Stevie Wonder3:29
52The Piano Has Been Drinking (Not Me)
Tom Waits3:37
53Tired of Midnight Blue
Techniker(in):
Norman Kinney
Produzent(in):
George Harrison (The Beatles)
Bass:
Paul Stallworth
Gitarre:
George Harrison (The Beatles)
Klavier:
Leon Russell
Perkussion und Schlagzeug:
Jim Keltner
vocals:
George Harrison (The Beatles)
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Tired of Midnight Blue
Verfasser(in):
George Harrison (The Beatles)
publisher:
Umlaut
George Harrison34:50
54Light in My Windows
recording of:
Light in My Window
Verfasser(in):
Mick Bennison und Brian Johnson (AC/DC lead singer)
Geordie2:59
55Help From You
Alan Price6:31
56Sorry
recording of:
Sorry
Verfasser(in):
Evelyne Lenton und Albert Weyman
Belle Epoque6:17
57Sailing
Produzent(in):
Geoff Emerick (British recording engineer) und Robin Trower
Bassgitarre:
James Dewar
Gitarre:
Robin Trower
Schlagzeug:
Bill Lordan
vocals:
James Dewar
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1976)
cover recording of:
Sailing
Texter und Komponist(in):
Gavin Sutherland (UK folk rock artist, member of The Sutherland Brothers)
publisher:
Ackee Music Inc., Island Music (Island Music Ltd.) und Melodie der Welt J. Michel KG (German publisher; read annotation)
Robin Trower3:44
58(If Loving You Is Wrong) I Don’t Want to Be Right
Produzent(in):
Tom Dowd
Bassgitarre:
Phil Chen (Chinese-Jamaican bassist)
Gitarre:
Jim Cregan (producer & member of Family) und Steve Cropper
Hybrid-Piano:
David Foster (Canadian music producer, arranger and composer)
Klavier:
John Jarvis (American pianist, keyboardist and songwriter)
Saxophon:
Phil Kenzie
Schlagzeug:
Roger Bethelmy
Saiteninstrumente arranger:
Del Newman (British conductor, orchestrator, arranger)
cover recording of:
(If Loving You Is Wrong) I Don’t Want to Be Right
Verfasser(in):
Homer Banks (soul singer and songwriter), Carl Hampton (pianist, songwriter and producer) und Raymond Jackson (songwriter, guitarist and producer)
publisher:
East/Memphis Music, Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
(If Loving You Is Wrong) I Don’t Want to Be Right
Verfasser(in):
Homer Banks (soul singer and songwriter), Carl Hampton (pianist, songwriter and producer) und Raymond Jackson (songwriter, guitarist and producer)
publisher:
East/Memphis Music, Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Rod Stewart45:23
59The World Starts Tonight
Produzent(in):
David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
arranger:
David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead)
recording of:
The World Starts Tonight
Verfasser(in):
Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
Bonnie Tyler13:30
60Invitation to the Blues
Techniker(in):
Dayton “Bones” Howe
Produzent(in):
Bones Howe
Kontrabass [bass]:
Jim Hughart (von 1976-07-15 bis 1976-07-29)
Schlagzeug:
Shelly Manne (US jazz drummer) (von 1976-07-15 bis 1976-07-29)
vocals:
Tom Waits (von 1976-07-15 bis 1976-07-29)
aufgenommen bei:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1976-07-15 bis 1976-07-29)
recording of:
Invitation to the Blues (Tom Waits song) (von 1976-07-15 bis 1976-07-29)
Texter und Komponist(in):
Tom Waits
publisher:
Fifth Floor Music, Inc.
Tom Waits35:20
61Goodbye Pork Pie Hat
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Bass:
Wilbur “Bad” Bascomb (Jr., jazz‐funk bassist/songwriter)
E-Gitarre:
Jeff Beck (English rock guitarist)
Rhodes Piano:
Max Middleton
Schlagzeug:
Richard Bailey (drummer)
cover recording of:
Goodbye Pork Pie Hat (instrumental)
Komponist(in):
Charles Mingus
publisher:
Adams Avenue, Flying Red Rhino, Jazz Workshop, Inc., Songs of Kobalt Music Publishing und The Mingus Music Werkshop
Jeff Beck2.55:29
62Cry Me a River
assistierende(r) Techniker(in):
Josh Abbey, John Agnello (engineer & producer), Bruce Hensal, Malcolm Pollack, Garry Rindfuss, Jim Sessody und Zoe Yanakis
Techniker(in):
Godfrey Diamond
zusätzliche(r) Techniker(in):
Tony Bongiovi und Jack Douglas
Produzent(in):
Tony Bongiovi, Jack Douglas und Steven Tyler
E-Bass [bass]:
Tom Hamilton (bassist for Aerosmith)
E-Gitarre [guitar]:
Rick Dufay
E-Gitarre [lead guitar]:
Jimmy Crespo
Keyboard [keyboards], Mundharmonika, Perkussion und Sologesang [vocals]:
Steven Tyler
Schlagzeug:
Joey Kramer (drummer for Aerosmith)
zusätzlich Perkussion:
Jack Douglas
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982, in 2012) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
produced for:
Bongiovi-Walters Productions, Inc.
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten und Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
Cry Me a River
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
Cry Me a River
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Aerosmith34:06
63The Thrill Is Gone
recording engineer und Mix:
Joe McGrath
Produzent(in):
John Porter (producer and musician US and UK)
Gast-Interpret(in):
Tracy Chapman (American singer‐songwriter)
Herausgeber:
Musik-Edition Discoton GmbH
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
aufgenommen bei:
Palais des Festivals et des Congrès in Cannes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, Frankreich (am 1983-01-28)
mixed at:
Sound Castle Recording Studios (former LA location) in Silver Lake, Los Angeles, California (Kalifornien), Vereinigte Staaten
live cover recording of:
The Thrill Is Gone (1951 blues song) (am 1983-01-28)
Verfasser(in):
Roy Hawkins (in 1951) und Rick Darnell (in 1951)
publisher:
BMG Music Publishing, Inc., Carlin Music Corporation, Grosvenor House Music, Modern Music Publishing Co., Inc., Pamco Music Inc., Powerforce Music, Sounds Of Lucille, Inc. und Universal Music Careers
B.B. King & Tracy Chapman3.54:52
64Just a Song Before I Go
Assistent recording engineer:
Steve Gursky
recording engineer:
Howard Albert, Ron Albert und Michael Braunstein
Produzent(in):
David Crosby, Graham Nash und Stephen Stills
zusätzliche(r) Produzent(in):
Howard Albert und Ron Albert
Akustikgitarre:
David Crosby (von 1976-12-19 bis 1977)
Bass:
Tim Drummond (von 1976-12-19 bis 1977)
E-Gitarre:
Stephen Stills (von 1976-12-19 bis 1977)
Hybrid-Piano:
Graham Nash (von 1976-12-19 bis 1977)
Schlagzeug und Perkussion:
Russ Kunkel (session drummer) (von 1976-12-19 bis 1977)
Vibraphon:
Joe Vitale
vocals:
David Crosby (von 1976-12-19 bis 1977), Graham Nash (von 1976-12-19 bis 1977) und Stephen Stills (von 1976-12-19 bis 1977)
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1976-12-19) und Criteria Studios in Miami, Florida, Vereinigte Staaten (in 1977)
recording of:
Just a Song Before I Go (von 1976-12-19 bis 1977)
Texter und Komponist(in):
Graham Nash
Crosby, Stills & Nash4.352:11
65On the Way
recording of:
On the Way
Texter und Komponist(in):
Paul McCartney (The Beatles)
Paul McCartney3:37
66Many Rivers to Cross
Bass:
Robert “Robbie” Shakespeare
Gitarre:
Mikey Chung und Barry Reynolds
Keyboard:
Wally Badarou
Perkussion:
Uziah “Sticky” Thompson
Schlagzeug:
Lowell “Sly” Dunbar
vocals:
Joe Cocker
cover recording of:
Many Rivers to Cross
Texter und Komponist(in):
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
publisher:
Ackee Music Inc., Island Music (Island Music Ltd.), Polygram Music, Universal–Songs of PolyGram International, Inc. und Island Music Ltd. (vom 1992 bis heute)
recording of:
Many Rivers to Cross
Texter und Komponist(in):
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
publisher:
Ackee Music Inc., Island Music (Island Music Ltd.), Polygram Music, Universal–Songs of PolyGram International, Inc. und Island Music Ltd. (vom 1992 bis heute)
Joe Cocker13:43
67Texas Flood
Assistent recording engineer:
James Geddes
recording engineer:
Richard Mullen
leitende(r) Produzent(in):
John Hammond (producer)
assistierende(r) Mix:
Harry Spiridakis und Don Wershba (engineer)
Mix:
Lincoln Clapp (engineer)
Bass:
Tommy Shannon
Gitarre:
Stevie Ray Vaughan
Schlagzeug:
Chris 'Whipper' Layton
vocals:
Stevie Ray Vaughan
mixed at:
Mediasound Studios in New York, New York, Vereinigte Staaten
recording of:
Texas Flood
Texter:
Larry Davis (US blues guitarist/vocalist)
Komponist(in):
Larry Davis (US blues guitarist/vocalist) und J.W. Scott (40s–60s US blues artist)
publisher:
Duchess Music Corporation (BMI-affiliated)
Stevie Ray Vaughan and Double Trouble5:20
68It's a Man's World
Grand Funk Railroad4:50
69Cloud 9
Techniker(in):
John Etchells und Richard Dodd (mastering engineer, producer and engineer) (von 1987-01-05 bis 1987-08)
Produzent(in):
George Harrison (The Beatles) und Jeff Lynne
baritone saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist) (von 1987-01-05 bis 1987-08)
Bassgitarre:
Jeff Lynne (von 1987-01-05 bis 1987-08)
E-Gitarre:
Eric Clapton (von 1987-01-05 bis 1987-08) und George Harrison (The Beatles) (von 1987-01-05 bis 1987-08)
Schlagzeug:
Ringo Starr (The Beatles) (von 1987-01-05 bis 1987-08)
Interpret(in):
George Harrison (The Beatles) (von 1987-01-05 bis 1987-08)
aufgenommen bei:
F.P.S.H.O.T. (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, Vereinigtes Königreich (von 1987-01-05 bis 1987-08)
recording of:
Cloud 9 (von 1987-01-05 bis 1987-08)
Texter und Komponist(in):
George Harrison (The Beatles)
publisher:
Ganga Publishing B.V., Umlaut und Umlaut Corporation
George Harrison33:13
70Double Trouble (live)
live cover recording of:
Double Trouble
Texter und Komponist(in):
Otis Rush
publisher:
Conrad Music (publisher; do NOT use as release label)
Eric Clapton5:27
71Blues (live)
recorded in:
Tokyo, Japan (am 1976-12-16)
Bass:
Jimmy Bain (am 1976-12-16)
Gitarre:
Ritchie Blackmore (am 1976-12-16)
Keyboard:
Tony Carey (am 1976-12-16)
Schlagzeug:
Cozy Powell (am 1976-12-16)
live recording of:
Blues (am 1976-12-16)
Rainbow3:58
72Parisienne Walkways
Produzent(in):
Gary Moore (Thin Lizzy, blues guitar) und Chris Tsangarides
accordion, Gitarre, Mandoline, string synthesizer und Hintergrundgesang:
Gary Moore (Thin Lizzy, blues guitar) (von 1978-03 bis 1978-05)
Bass und Gast Sologesang:
Phil Lynott (von 1978-03 bis 1978-05)
Schlagzeug:
Brian Downey (Thin Lizzy drummer) (von 1978-03 bis 1978-05)
recording of:
Parisienne Walkways (von 1978-03 bis 1978-05)
Verfasser(in):
Phil Lynott und Gary Moore (Thin Lizzy, blues guitar)
publisher:
Agelong Music Publishing Inc und Maxwood Music Ltd.
basiert auf:
Blue Bossa
Thin Lizzy3.653:20
73One More Night Without You
Peter Green5:25
74A Whiter Shade of Pale
phonographisches Urheberrecht (℗) von:
Soundbarrier Ltd. (production company) (in 1981) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995)
cover recording of:
A Whiter Shade of Pale
Texter:
Keith Reid
Komponist(in):
Gary Brooker und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
basiert auf:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Bonnie Tyler34:25
75People Get Ready
Produzent(in):
Jeff Beck (English rock guitarist)
Sologesang:
Rod Stewart
vocals und Interpret(in):
Rod Stewart
cover recording of:
People Get Ready
Texter und Komponist(in):
Curtis Mayfield
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Jeff Beck & Rod Stewart34:52
76Moon Over Bourbon Street
Techniker(in) und Mix:
Jim Scott (US recording engineer and producer) und Pete Smith (UK producer)
Produzent(in):
Pete Smith (UK producer) und Sting (singer, songwriter & member of The Police)
Bassgitarre [bass]:
Darryl Jones (bassist for The Rolling Stones)
Gitarre, Kontrabass und Sologesang:
Sting (singer, songwriter & member of The Police)
Keyboard:
Kenny Kirkland
Saxophon:
Branford Marsalis (saxophonist)
Schlagzeug:
Omar Hakim
zusätzlich Synclavier:
Danny Quatrochi
Hintergrundgesang:
Dolette McDonald und Janice Pendarvis
arranger:
Dominic Muldowney
aufgenommen bei:
Blue Wave Recording Studios in Barbados
recording of:
Moon Over Bourbon Street
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
Virgin Music Publishers Ltd.
Sting3.64:00
77Make Sure You're Sure
recording of:
Make Sure You’re Sure
Texter und Komponist(in):
Stevie Wonder
Stevie Wonder3:30
78Silent Nite
Blues Company5:55
79Got to See Her Tonight
Peter Green35:46
80Theme From Southern Comfort
Ry Cooder2:57
81Bell Bottom Blues
recording of:
Bell Bottom Blues
Texter und Komponist(in):
Eric Clapton und Bobby Whitlock
publisher:
Casserole Music Corp., E.C. Music (UK work publisher for Eric Clapton), Throat Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Eric Clapton6:03
82Born in Time
Techniker(in) und Mix:
Ed Cherney
Produzent(in):
Jack Frost (pseudonym for Bob Dylan), David Was und Don Was
accordion:
Bob Dylan
Bass:
Randy Jackson (former bassist with Journey and American Idol judge)
Gitarre:
Robben Ford (blues, jazz & rock guitarist and songwriter)
Klavier:
Bruce Hornsby
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Kenny Aronoff
Hintergrundgesang:
David Crosby
vocals:
Bob Dylan
recording of:
Born in Time
Texter:
Bob Dylan (von 1989-02 bis 1989-04)
Komponist(in):
Bob Dylan (in 1989-02)
publisher:
Special Rider Music (vom 1989 bis heute)
Bob Dylan3:39
83Almost Hear You Sigh
recording engineer:
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in):
The Glimmer Twins (production name for Mick Jagger & Keith Richards) und Chris Kimsey
Mix:
Michael Brauer (engineer)
Sologesang:
Mick Jagger (The Rolling Stones)
phonographisches Urheberrecht (℗) von:
Promotone B.V. (not for release label use!) (in 2012)
recording of:
Almost Hear You Sigh
Verfasser(in):
Mick Jagger (The Rolling Stones), Steve Jordan (US drummer/multi-instrumentalist, composer & producer) und Keith Richards (Rolling Stones guitarist)
The Rolling Stones2.54:37
84I Need to Be Loved
Techniker(in):
Thom Panunzio
Partner-Produzent(in):
Thom Panunzio
Produzent(in) und Mix:
Greg Ladanyi
Bassgitarre:
Joe Rockman
Gitarre und Sologesang:
Jeff Healey
Keyboard:
Benmont Tench
Schlagzeug:
Tom Stephen (drummer and manager of The Jeff Healey Band)
Hintergrundgesang:
Marilyn Martin und Timothy B. Schmit
recording of:
I Need to Be Loved
Texter und Komponist(in):
Jeff Healey
The Jeff Healey Band3:44
85Blind Willie McTell
Techniker(in):
Aaron L. Hurwitz und Chris Andersen
Produzent(in):
Aaron L. Hurwitz und The Band (Canadian-American rock band)
assistierende(r) Mix:
Jim Stabile
Mix:
Aaron L. Hurwitz
Klavier:
Champion Jack Dupree
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten
mixed at:
Pyramid Studios in Lookout Mountain, Tennessee, Vereinigte Staaten
cover recording of:
Blind Willie McTell
Texter und Komponist(in):
Bob Dylan (in 1983)
publisher:
Sony/ATV Music Publishing France und Special Rider Music (vom 1983 bis heute)
The Band3.56:42
86The Sky Is Crying (live)
Techniker(in):
Ian Taylor (rock producer/engineer)
Produzent(in):
Gary Moore (Thin Lizzy, blues guitar)
Mix:
Gary Moore (Thin Lizzy, blues guitar) und Ian Taylor (rock producer/engineer)
live cover recording of:
The Sky Is Crying
Texter und Komponist(in):
Elmore James
publisher:
Longitude Music Co.
Gary Moore8:50
87Now That the Magic Has Gone
Techniker(in), Produzent(in) und Mix:
Chris Lord‐Alge
leitende(r) Produzent(in):
Roger Davies (producer)
Bass:
Neil Stubenhaus
Gitarre:
Phil Grande
Gitarre und Keyboard und Hintergrundgesang:
John Miles (UK singer/songwriter/guitarist/keyboardist)
membranophone:
Mike Baird (drummer)
Sologesang:
Joe Cocker
recording of:
Now That the Magic Has Gone
Texter und Komponist(in):
John Miles (UK singer/songwriter/guitarist/keyboardist)
Joe Cocker24:41
88Sugarman
Jonny Lang4:12
89Lady Luck
recording of:
Lady Luck
Verfasser(in):
Pete Agnew (singer-songwriter and bassist), Manny Charlton (singer-songwriter and guitarist), Dan McCafferty (singer, songwriter) und Darrell Sweet (drummer and songwriter)
Nazareth4:07
90She Moves Me
cover recording of:
She Moves Me
Texter und Komponist(in):
Muddy Waters (blues musician)
Paul Rodgers4:48
91Tin Pan Alley (a.k.a. Roughest Place in Town)
cover recording of:
Tin Pan Alley
Texter und Komponist(in):
Robert Geddins
Stevie Ray Vaughan and Double Trouble47:37
92Tangled and Dark
recording engineer und Mix:
Ed Cherney
assistierende(r) Techniker(in):
Bryant Arnett, Ray Blair, Dan Bosworth (engineer) und Christina Paakkari
Produzent(in):
Bonnie Raitt und Don Was
baritone saxophone:
Stephen Kupka (in 1991)
Bassgitarre:
James "Hutch" Hutchinson (in 1991)
E-Gitarre:
Randy Jacobs (guitarist and songwriter) (in 1991)
Horn:
Tower of Power Horn Section (in 1991)
Keyboard:
Ivan Neville (in 1991)
Perkussion:
Debra Dobkin (in 1991)
Schlagzeug:
Ricky Fataar (in 1991)
Slide-Gitarre:
Bonnie Raitt (in 1991)
Tenorsaxophon:
Emilio Castillo (US saxophone player & composer) (in 1991) und Steve Grove (in 1991)
Trompete:
Greg Adams (Tower of Power trumpeter) (in 1991) und Lee Thornburg (in 1991)
Hintergrundgesang:
Bonnie (in 1991)
vocals:
Bonnie (in 1991)
Horn arranger:
Greg Adams (Tower of Power trumpeter) und Bonnie Raitt
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1991, in 2005)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1991)
recording of:
Tangled and Dark (in 1991)
Texter und Komponist(in):
Bonnie Raitt
publisher:
Bob‐a‐Lew Songs (ASCAP) und Kokomo Music (in 1991)
Bonnie Raitt4:52
93Try a Little Tenderness
Produzent(in):
Bernard Edwards (American bassist and record producer), Rod Stewart und Andy Taylor (of Duran Duran)
Mix:
Bernard Edwards (American bassist and record producer) und Steve MacMillan
Bass:
Bernard Edwards (American bassist and record producer)
Gitarre:
Michael Landau und Eddie Martinez (guitar)
Keyboard [keyboards]:
Kevin Savigar
Schlagzeug [drums]:
Tony Thompson (American R&B singer; lead vocalist of Hi-Five)
Solo-Saxophon:
Jimmy Roberts (American saxophonist, composer and lyricist)
Blechblasinstrumente arranger und Saiteninstrumente arranger:
Bruce Miller (US composer and arranger)
aufgenommen bei und mixed at:
Record Plant Studios (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Try a Little Tenderness
Texter:
James Campbell (British songwriter and music publisher) und Reginald Connelly
Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell und Campbell Connelly & Co. Ltd. (am 1932-11-04)
Rod Stewart4:28
94Sister Moon
assistierende(r) Produzent(in):
Ken Blair (British engineer) und Dave O’Donnell
Produzent(in):
Neil Dorfsman und Sting (singer, songwriter & member of The Police)
assistierende(r) Mix:
Mark McKenna (engineer) und Bob Vogt
Mix:
Neil Dorfsman und Hugh Padgham
arranger:
Sting (singer, songwriter & member of The Police)
phonographisches Urheberrecht (℗) von:
A&M Records Inc. Los Angeles (in 1987)
aufgenommen bei:
Air Studios, Montserrat in Saint Peter, Montserrat
recording of:
Sister Moon
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
Magnetic Publishing Ltd.
Sting33:47
95Always
Techniker(in) und Mix:
Leanne Ungar
zusätzliche(r) Techniker(in):
Airiq Anest
Produzent(in):
Steve Lindsey (US producer and songwriter)
Akustikgitarre und Slide-Gitarre:
Dean Parks (American session guitarist)
baritone saxophone:
Greg Smith (US sax, flute, clarinet, horn player)
Bass:
Leland Sklar (bassist, session musician)
E-Gitarre:
Dennis Herring
Klavier:
Jim Cox (US keyboard player, composer)
Orgel:
Mike Finnigan (keyboardist) und Steve Lindsey (US producer and songwriter)
Schlagzeug:
Ed Greene (drummer)
Tamburin:
Lenny Castro
Tenorsaxophon:
Brandon Fields und Lon Price
Hintergrundgesang:
Peggi Blu, Jean Johnson und Edna Wright (R&B singer)
Sologesang:
Leonard Cohen (Canadian singer‐songwriter and poet)
Horn arranger:
Lee Thornburg
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
cover recording of:
Always (in 1992)
Texter und Komponist(in):
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. und Irving Berlin Music
Leonard Cohen2.658:04
96Have You Ever Loved a Woman
Produzent(in):
Derek and the Dominos
Bassgitarre:
Carl Radle
Gitarre:
Duane Allman und Eric Clapton
Klavier:
Bobby Whitlock
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
Sologesang:
Eric Clapton
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1970-09-02)
cover recording of:
Have You Ever Loved a Woman (am 1970-09-02)
Texter und Komponist(in):
Billy Myles
publisher:
Fort Knox Music Inc., Lark Music Ltd. und Trio Music Company
Eric Clapton3.66:49
97Standing Around Crying
cover recording of:
Standin’ Round Crying
Texter und Komponist(in):
McKinley Morganfield (blues musician)
publisher:
Bug Music (music publishing)
Paul Rodgers6:24
98Jumpin’ at Shadows
assistierende(r) Techniker(in):
Andy Baker (recording engineer from the UK with Westside Studios), Robin Barclay (engineer), Alex Firla (Engineer), Ellen Fitton, Steve Fitzmaurice (Irish mixer, songwriter and producer), Ed Goldberg (engineer) und Matt Lane (engineer)
Techniker(in):
Haydn Bendall (producer and engineer), Peter Hodgson (Engineer) und Ian Taylor (rock producer/engineer)
Produzent(in):
Gary Moore (Thin Lizzy, blues guitar) und Ian Taylor (rock producer/engineer)
Mix:
Ian Taylor (rock producer/engineer)
Bass:
Bob Daisley, Johnny B. Gaydon und Will Lee (US jazz/rock bassist)
Horn:
Martin Drover, Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns), Andrew Love, Frank Mead, The Memphis Horns und Nick Payn
Keyboard:
Tommy Eyre
Oboe:
Richard Morgan (Oboe player, New Philharmonia Orch)
Saiteninstrumente:
Gavyn Wright (UK violinist, conductor)
Schlagzeug:
Anton Fig und Graham Walker (UK drummer)
Hintergrundgesang:
Carol Kenyon und Linda Taylor (UK pop, disco, funk singer)
Blechblasinstrumente arranger und Saiteninstrumente arranger:
Tommy Eyre und Gary Moore (Thin Lizzy, blues guitar)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, BearTracks Studios in New York, Vereinigte Staaten, Carriage House Studios in Stamford, Connecticut, Vereinigte Staaten, Outside Studios in Oxfordshire, England, Vereinigtes Königreich, Sountec Studios in Connecticut, Vereinigte Staaten und Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, Frankreich
mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
cover recording of:
Jumping at Shadows
Texter und Komponist(in):
Duster Bennett
Gary Moore4.354:20
99While My Guitar Gently Weeps
Techniker(in):
Paul Hamingson
Produzent(in) und Mix:
Ed Stasium (US record producer & audio engineer)
Akustikgitarre und Hintergrundgesang:
George Harrison (The Beatles) (von 1990-01 bis 1990-02) und Jeff Lynne (von 1990-01 bis 1990-02)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1990)
aufgenommen bei und mixed at:
Le Studio in Morin‐Heights, Québec (Quebec), Kanada (von 1990-01 bis 1990-02)
cover recording of:
While My Guitar Gently Weeps (von 1990-01 bis 1990-02)
Texter und Komponist(in):
George Harrison (The Beatles)
publisher:
Harrisongs Ltd., Wixen Music Publishing (American music publishing company, affiliated to BMI) und Zero Productions, Inc.
The Jeff Healey Band55:15
100Marooned
recording engineer:
Andrew Jackson (UK recording engineer/prog musician) (in 1993)
assistierende(r) Techniker(in):
Jules Bowen (UK engineer) (in 1993)
zusätzliche(r) Techniker(in):
Keith Grant (classical recording engineer) (in 1993)
Produzent(in):
Bob Ezrin (in 1993) und David Gilmour (Pink Floyd) (in 1993)
Mix:
Andrew Jackson (UK recording engineer/prog musician) (in 1993), David Gilmour (Pink Floyd) (von 1993-09 bis 1993-12) und Chris Thomas (UK record producer / remixer) (von 1993-09 bis 1993-12)
Bassgitarre:
Guy Pratt (in 1993)
Gitarre:
David Gilmour (Pink Floyd) (in 1993)
Hammond-Orgel, Klavier und Synthesizer [Kurzweil synthesizers]:
Richard Wright (Pink Floyd keyboardist) (in 1993)
Perkussion und Schlagzeug:
Nick Mason (of Pink Floyd) (in 1993)
zusätzlich Keyboard:
Jon Carin (in 1993)
phonographisches Urheberrecht (℗) von:
Pink Floyd Music (1987) Ltd. (in 1994), Sony Music Entertainment (Colombia) S.A. (pre-2005 subsidiary of Sony Music Entertainment) (in 1994), Sony Music Entertainment Chile Ltda. (in 1994), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1994) und Pink Floyd (1987) Ltd. (in 2011, in 2014, in 2016)
aufgenommen bei:
Astoria Recording Studio (David Gilmour’s houseboat studio) in Hampton, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1993), Brittania Row Recording Studios (first location, 1975–1995 Islington) in Islington, London (Greater London), England, Vereinigtes Königreich (in 1993-01), Metropolis Studios (London) in London (Greater London), England, Vereinigtes Königreich (von 1993-09 bis 1993-12) und The Creek Recording Studios in London (Greater London), England, Vereinigtes Königreich (von 1993-09 bis 1993-12)
mixed at:
Metropolis Studios (London) in London (Greater London), England, Vereinigtes Königreich (von 1993-09 bis 1993-12) und The Creek Recording Studios in London (Greater London), England, Vereinigtes Königreich (von 1993-09 bis 1993-12)
Musikvideos:
Marooned von Pink Floyd
recording of:
Marooned (in 1993)
Komponist(in):
David Gilmour (Pink Floyd) und Richard Wright (Pink Floyd keyboardist)
publisher:
Concord Copyrights Ltd., EMI Music Publishing (do not use as a release label!), Imagem Music UK, Imagem UK Ltd., Pink Floyd Music (1987) Ltd., Pink Floyd Music Publishers, Pink Floyd Music Publishers Inc. und Pink Floyd Music Publishers Ltd.
Pink Floyd3.755:28

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Teil von:100 Hits (Russian series of mp3 CDs) (Reihenfolge: 4)