Sixties Soul Machine (75 track Amazon MP3 version of 3CD)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1For Once in My Life
produttore:
Henry Cosby
voce principale:
Stevie Wonder (nel 1967)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1968)
registrazione cover di:
For Once in My Life (nel 1967)
paroliere:
Ronald Miller (Motown songwriter Ronald Norman Miller)
compositore:
Orlando Murden
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Jobette Music (UK) Ltd., Stein & Van Stock, Inc., Stone Diamond Music Corporation e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Stevie Wonder4.12:49
2I Got You (I Feel Good)
registrazione cover di:
I Found You (a.k.a. I Got You (I Feel Good))
paroliere e compositore:
James Brown (The Godfather of Soul)
editore:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. e Try Me Inc.
James Brown2:38
3Respect
tecnico di registrazione:
Tom Dowd (il 1967-02-14)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin3.92:27
4Soul Man
registrata a:
Memphis, Tennessee, Stati Uniti (il 1967-08-10)
produttore:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) e Jim Stewart (US producer, founder for Stax & Volt Records)
strumenti:
Booker T. & the MG’s (nel 1967) e The Mar‐Keys Horns (nel 1967)
voce principale:
Sam Moore (singer, ex “Sam and Dave”) (nel 1967) e David Prater (soul artist) (nel 1967)
diritti fonografici (℗) detenuti da:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 458)
registrazione di:
Soul Man (il 1967-08-10)
autore:
Isaac Hayes (nel 1967) e David Porter (US soul musician, producer & songwriter) (nel 1967)
editore:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (nel 1986) e Walden Music Corp. (publisher) (nel 1986)
Sam & Dave4.52:36
5(Your Love Keeps Lifting Me) Higher and Higher
registrazione di:
(Your Love Keeps Lifting Me) Higher and Higher
autore:
Gary Jackson (songwriter), Raynard Miner e Carl Smith (US country music singer)
editore:
Chevis Publishing Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
parte di:
MJ: The Musical
Jackie Wilson2:55
6Band of Gold
diritti fonografici (℗) detenuti da:
Holland Group Productions Inc. (nel 1970)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 278) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 391)
registrazione di:
Band of Gold (Freda Payne song)
autore:
Ronald Dunbar (Songwriter, A&R director and record producer), Edythe Wayne, Edythe Wayne (Motown producer & songwriter) e Edythe Wayne (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
Chelsea Music Publishing Co., Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) e Universal/MCA Music Ltd. (not for release label use!)
Freda Payne4.52:56
7Nowhere to Run
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 18)
registrazione di:
Nowhere to Run (il 1964-10-21)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
autore:
Holland–Dozier–Holland
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Martha Reeves and the Vandellas2:52
8Behind a Painted Smile
registrazione di:
Behind a Painted Smile
autore:
Ivy Jo Hunter e Beatrice Verdi
editore:
EMI Music Publishing (do not use as a release label!)
The Isley Brothers2:49
9Saturday Night at the Movies
registrazione di:
Saturday Night at the Movies
autore:
Barry Mann e Cynthia Weil
editore:
Screen Gems–EMI Music Ltd.
The Drifters2:27
10In the Midnight Hour
registrata a:
Memphis, Tennessee, Stati Uniti (il 1965-05-12)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records) e Jerry Wexler
basso elettrico [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1965-05-12)
batteria :
Al Jackson (Booker T & The MGs drummer) (il 1965-05-12)
chitarra :
Steve Cropper (il 1965-05-12)
pianoforte :
Joe Hall (Memphis pianist) (il 1965-05-12)
sassofono baritono :
Floyd Newman (il 1965-05-12)
sassofono tenore :
Charles “Packy” Axton (il 1965-05-12) e Andrew Love (il 1965-05-12)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1965-05-12)
voce:
Wilson Pickett (il 1965-05-12)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965, nel 1992) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992)
registrata presso:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Stati Uniti (il 1965-05-12)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 134) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 218)
registrazione di:
In the Midnight Hour (il 1965-05-12)
autore:
Steve Cropper e Wilson Pickett
editore:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. e Irving Music, Inc.
Wilson Pickett32:37
11Knock on Wood
registrata a:
Memphis, Tennessee, Stati Uniti (il 1966-07-13)
produttore:
Steve Cropper
batteria [drums] :
Al Jackson (Booker T & The MGs drummer) (il 1966-07-13)
chitarra :
Steve Cropper (il 1966-07-13)
chitarra basso [bass] :
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1966-07-13)
organo :
Booker T. Jones (il 1966-07-13)
pianoforte :
Isaac Hayes (il 1966-07-13) e Booker T. Jones (il 1966-07-13)
sassofono baritono :
probably Floyd Newman
sassofono tenore :
probably Andrew Love (il 1966-07-13)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1966-07-13)
voce:
Eddie Floyd (il 1966-07-13)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrazione di:
Knock on Wood (il 1966-07-13)
autore:
Steve Cropper e Eddie Floyd
editore:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
adattamenti:
Potkraj na les
Eddie Floyd43:04
12Sweet Soul Music
tecnico:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
produttore:
Otis Redding
chitarra :
Moses Dillard (il 1967-01-20)
voce:
Arthur Conley (il 1967-01-20)
registrata presso:
FAME Studios in Muscle Shoals, Alabama, Stati Uniti (il 1967-01-20)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 351)
registrazione di:
Sweet Soul Music (il 1967-01-20)
autore:
Arthur Conley, Sam Cooke (American singer and songwriter, “King of Soul”) e Otis Redding
editore:
ABKCO Music e Rondor
si basa su:
Yeah Man
Arthur Conley42:21
13Do I Love You (Indeed I Do)
registrazione di:
Do I Love You (Indeed I Do)
paroliere e compositore:
Frank Wilson (Motown singer/songwriter)
editore:
Stone Agate Music
Frank Wilson2:22
14River Deep – Mountain High
registrazione di:
River Deep – Mountain High
autore:
Jeff Barry (nel 1966), Ellie Greenwich (nel 1966) e Phil Spector (nel 1966)
editore:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Belinda Music, Bug Music (Windswept Account), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Leiber Stoller Songs Ltd., Mecolico Music, Mother Bertha Music Inc., Trio Music (publisher), Trio Music Co., Inc., Trio Music Company, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Polygram Music Publishing, Warner Chappell, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日本アブコ音楽出版 (ABKCO Japan Publishing)
Ike & Tina Turner3:28
15Rescue Me
produttore:
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner e Carl Smith (US songwriter and producer active in Chicago)
voce principale:
Fontella Bass
arrangiatore:
Phil Wright (American jazz pianist and assistant to Barbara Morrison)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1965) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 31)
registrazione di:
Rescue Me
autore:
Raynard Miner e Carl Smith (US songwriter and producer active in Chicago)
editore:
United Artists Music Co., Inc. (conclusa), Chevis Music Publ. Corp. e Reservoir 416
Fontella Bass4.352:56
16Green Onions
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1962-06)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
batteria [drums] :
Al Jackson (Booker T & The MGs drummer) (nel 1962-06)
chitarra :
Steve Cropper (nel 1962-06)
chitarra basso [bass] :
Lewie Steinberg (nel 1962-06)
organo Hammond :
Booker T. Jones (nel 1962-06)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 181) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 418)
registrazione di:
Green Onions (nel 1962-06)
compositore:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones e Lewie Steinberg
editore:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. e Irving Music (BMI)
Booker T. & the MG’s3.852:53
17Everybody Needs Somebody to Love
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 429)
registrazione di:
Everybody Needs Somebody to Love
autore:
Bert Russell Berns, Solomon Burke e Jerry Wexler
editore:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Franco London Music Publishing Corp., Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC e Musical Lights Tokyo
Solomon Burke52:46
18Try a Little Tenderness
registrazione di:
Try a Little Tenderness
paroliere:
James Campbell (British songwriter and music publisher) e Reginald Connelly
compositore:
Harry M. Woods (American 1920/30s songwriter)
editore:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell e Campbell Connelly & Co. Ltd. (il 1932-11-04)
Otis Redding3:45
19Cupid
registrazione di:
Cupid
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) e Kags Music Corp.
Sam Cooke2:37
20La La (Means I Love You)
registrazione di:
La La (Means I Love You)
autore:
Thom Bell (keyboards, songwriter, producer) e William Hart (of The Delfonics)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Delfonics3:20
21Oh No Not My Baby
Maxine Brown2:37
22Groovy Kind of Love
registrazione cover di:
A Groovy Kind of Love
autore:
Carole Bayer Sager e Toni Wine
editore:
EMI Music Publishing Germany GmbH (2008–today), Screen Gems-EMI (USA, affiliated with BMI), Screen Gems–Columbia Music, Inc. e Screen Gems-EMI Music (nel 1966)
si basa su:
Sonatina in G major, op. 36 no. 5: III. Rondo. Allegro di molto
Patti LaBelle & The Bluebelles2:12
23B‐A‐B‐Y
registrazione di:
B-A-B-Y (nel 1966)
autore:
Isaac Hayes e David Porter (US soul musician, producer & songwriter)
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner/Chappell North America
Carla Thomas4.252:53
24Give Me Just a Little More Time
diritti fonografici (℗) detenuti da:
Invictus (American record label founded by Holland–Dozier–Holland, based in Detroit, Michigan) (nel 1970)
registrazione di:
Give Me Just a Little More Time (Dunbar/Wayne)
autore:
Lamont Dozier, Ronald Dunbar (Songwriter, A&R director and record producer), Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
Holland Group Productions Inc. e Universal/MCA Music Ltd. (not for release label use!)
Chairmen of the Board4.652:37
25Soul Finger
The Bar‐Kays2:21
26(What a) Wonderful World
tecnico:
Dino Lapis (engineer)
produttore:
Lou Adler e Sam Cooke (American singer and songwriter, “King of Soul”)
basso :
Adolphus Alsbrook (bass) (il 1959-03-02)
batteria :
Ronald Selico (il 1959-03-02)
chitarra :
Clifton White (il 1959-03-02)
voce principale:
Sam Cooke (American singer and songwriter, “King of Soul”) (il 1959-03-02)
direttore d'orchestra:
René Hall (il 1959-03-02)
registrata presso:
Rex Productions Studio in Hollywood, Los Angeles, California, Stati Uniti (il 1959-03-02)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 21) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 182)
registrazione di:
Wonderful World (il 1959-03-02)
autore:
Lou Adler, Herb Alpert e Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Ardmore and Beechwood Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Ltd. e 日本アブコ音楽出版 (ABKCO Japan Publishing)
Sam Cooke3.72:07
27I Heard It Through the Grapevine
produttore:
Norman Whitfield
basso [1962 Fender Precision Bass] :
James Jamerson (dal 1967-02-03 al 1967-04-10)
batteria :
Uriel Jones (dal 1967-02-03 al 1967-04-10)
chitarra [1964 Gibson Firebird III] :
Eddie Willis (dal 1967-02-03 al 1967-04-10)
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina (dal 1967-02-03 al 1967-04-10)
congas e tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (dal 1967-02-03 al 1967-04-10)
corno francese :
Don Ozga (dal 1967-02-03 al 1967-04-10) e Edwin Jones (dal 1967-02-03 al 1967-04-10)
organo Hammond [B-3] :
Earl Van Dyke (dal 1967-02-03 al 1967-04-10)
piano elettrico Wurlitzer :
Johnny Griffith (dal 1967-02-03 al 1967-04-10)
strumenti:
The Funk Brothers (dal 1967-02-03 al 1967-04-10)
tom-tom :
Richard "Pistol" Allen (dal 1967-02-03 al 1967-04-10)
voce di accompagnamento:
The Andantes (dal 1967-02-03 al 1967-04-10), Marlene Barrow (dal 1967-02-03 al 1967-04-10), Louvain Demps (dal 1967-02-03 al 1967-04-10) e Jackie Hicks (dal 1967-02-03 al 1967-04-10)
voce principale:
Marvin Gaye (dal 1967-02-03 al 1967-04-10)
orchestra:
Detroit Symphony Orchestra (dal 1967-02-03 al 1967-04-10)
arrangiatore archi :
Paul Riser (dal 1967-02-03 al 1967-04-10)
orchestratore:
Paul Riser (dal 1967-02-03 al 1967-04-10)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1968)
registrata presso e mixata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1967-02-03 al 1967-04-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 80), Billboard: Greatest of All Time Hot 100 Songs (numero: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 119) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 307)
registrazione cover di:
I Heard It Through the Grapevine (dal 1967-02-03 al 1967-04-10)
autore:
Barrett Strong e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.73:11
28(Sittin’ on) The Dock of the Bay
voce:
Otis Redding
registrazione di:
(Sittin’ on) the Dock of the Bay
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding2:40
29The Tracks of My Tears
registrazione di:
The Tracks of My Tears
autore:
Warren “Pete” Moore, Smokey Robinson e Marvin Tarplin
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music Co., Inc.
sub-editore:
Jobete Music (UK) Ltd.
Smokey Robinson2:59
30When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (drummer and producer) (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:50
31Under the Boardwalk
registrata a:
New York, New York, Stati Uniti (il 1964-05-21)
produttore:
Bert Berns e Mike Leander
archi [nine strings] :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1964-05-21)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1964-05-21)
chitarra :
Everett Barksdale (il 1964-05-21), Bill Suyker (il 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1964-05-21) e Bob Bushnell (il 1964-05-21)
contrabbasso [bass] :
Milt Hinton (il 1964-05-21)
pianoforte :
Ernie Hayes (American pianist, organist and arranger) (il 1964-05-21)
vibrafono [vibes] :
George Devens (il 1964-05-21)
voce di baritono:
Gene Pearson (il 1964-05-21)
voce di basso:
Winifred Terry (il 1964-05-21)
voce di tenore:
Charlie Thomas (The Drifters) (il 1964-05-21)
voce principale:
Johnny Moore (soul/rnb vocalist for The Drifters) (il 1964-05-21)
direttore d'orchestra:
Gary Sherman (mid-20th century composer, arranger & conductor) (il 1964-05-21)
arrangiatore:
Gary Sherman (mid-20th century composer, arranger & conductor) e Teacho Wiltshire
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 304) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 487)
registrazione di:
Under the Boardwalk (il 1964-05-21)
autore:
Arthur Resnick (songwriter, producer) e Kenny Young
editore:
Alley Music Corp., Intersong (publisher), The Hudson Bay Music Co. (publisher), TM Music Ltd. e Trio Music Company
The Drifters4.352:37
32What Becomes of the Broken Hearted
produttore:
William "Mickey" Stevenson (Motown songwriter)
registrazione di:
What Becomes of the Brokenhearted
autore:
James Dean (US soul songwriter), Paul Riser e William Weatherspoon
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music (UK)
Jimmy Ruffin4.653:01
33Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:54
34My Girl
registrazione di:
My Girl
paroliere:
Smokey Robinson
compositore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Temptations2:55
35Walk On By
voce:
Dionne Warwick
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 51), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 70), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 129)
registrazione di:
Walk On By
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick4.752:54
36Feeling Good
registrata a:
New York, New York, Stati Uniti (il 1965-01-15)
produttore:
Hal Mooney
chitarra :
Rudy Stevenson (il 1965-01-15)
pianoforte :
Nina Simone (il 1965-01-15)
voce:
Nina Simone (il 1965-01-15)
direttore d'orchestra:
Hal Mooney (il 1965-01-15)
arrangiatore:
Hal Mooney
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965)
registrazione cover di:
Feeling Good (il 1965-01-15)
autore:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
editore:
Concord Music Ltd e Musical Comedy Prods.
parte di:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.12:55
37I Just Want to Make Love to You
produttore:
Leonard Chess, Leonard & Phil Chess (legendary US production duo) e Phil Chess
voce principale:
Etta James
orchestra:
Riley Hampton Orchestra
direttore d'orchestra:
Riley Hampton
arrangiatore:
Riley Hampton
registrazione cover di:
I Just Wanna Make Love to You (nel 1960-05)
paroliere e compositore:
Willie Dixon
editore:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Hoochie Coochie Music
Etta James33:04
38Can I Get a Witness
registrazione cover di:
Can I Get a Witness
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
Dusty Springfield42:44
39Harlem Shuffle
diritti fonografici (℗) detenuti da:
HHO Licensing Ltd. e HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
remaster di:
Harlem Shuffle di Bob & Earl
registrazione di:
Harlem Shuffle
autore:
Earl Nelson e Bob Relf
editore:
Bug Music Ltd., Bug Music (music publishing) (nel 1988), Keyman Music (publisher) (nel 1988) e Marc-Jean Music (publisher) (nel 1988)
Bob & Earl22:53
40My Guy
registrazione di:
My Guy
paroliere e compositore:
Smokey Robinson
editore:
Jobette Music (UK) Ltd.
Mary Wells2:52
41It’s a Man’s, Man’s, Man’s World
registrazione di:
It’s a Man’s Man’s Man’s World
autore:
James Brown (The Godfather of Soul) e Betty Jean Newsome
James Brown2:46
42I Want to Hold Your Hand
registrazione di:
I Want to Hold Your Hand
autore:
John Lennon (The Beatles) (nel 1963-09) e Paul McCartney (The Beatles) (nel 1963-09)
editore:
Duchess Music Corporation (BMI-affiliated), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Songs of Universal, Inc. (BMI), Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Tunes LLC (ASCAP)
parte di:
Sailor Moon (1995 DiC dub soundtrack)
Al Green2:16
43Chain of Fools
registrata a:
New York, New York, Stati Uniti
tecnico di registrazione e tecnico di missaggio:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-06-23)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-06-23) e Joe South (il 1967-06-23)
chitarra basso :
Tommy Cogbill (il 1967-06-23)
pianoforte :
Aretha Franklin (il 1967-06-23)
pianoforte elettrico :
Spooner Oldham (il 1967-06-23)
cori:
Carolyn Franklin (il 1967-06-23), Erma Franklin (il 1967-06-23), Ellie Greenwich (il 1967-06-23) e The Sweet Inspirations (il 1967-06-23)
voce:
Aretha Franklin (il 1967-06-23)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-06-23)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 249) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 306)
registrazione di:
Chain of Fools (il 1967-06-23)
paroliere e compositore:
Don Covay
editore:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adattamenti:
Verlga norih
Aretha Franklin4.252:43
44Piece of My Heart
produttore:
Bert Russell Berns
voce:
Erma Franklin (nel 1967-08)
direttore d'orchestra:
Gary Sherman (mid-20th century composer, arranger & conductor) (nel 1967-08)
arrangiatore:
Gary Sherman (mid-20th century composer, arranger & conductor)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione di:
Piece of My Heart (nel 1967-08)
autore:
Bert Russell e Jerry Ragovoy
editore:
Campbell Connelly, MPL Music Publishing Inc., Sloopy II Music, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Unichappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Web IV Music Inc. e Wren Music Co.
Erma Franklin3.752:33
45Time Is Tight
registrazione di:
Time Is Tight
compositore:
Steve Cropper, Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter), Al Jackson, Jr. (Booker T & The MGs drummer) e Booker T. Jones
editore:
Al Jackson Jr. Music e Irving Music (BMI)
Booker T. & the MG’s3:17
46Hold On! I’m a Comin’
registrata a:
Memphis, Tennessee, Stati Uniti (il 1966-03-08)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
voce:
Sam & Dave (il 1966-03-08)
registrazione di:
Hold On, I’m Comin’ (il 1966-03-08)
autore:
Isaac Hayes, Hayes, Porter e David Porter (US soul musician, producer & songwriter)
editore:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave52:29
47Hard to Handle
produttore:
Steve Cropper
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer)
chitarra :
Steve Cropper
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
voce:
Otis Redding
registrazione di:
Hard to Handle
autore:
Allen Jones (producer/songwriter/musician/engineer), Alvertis Isbell e Otis Redding
editore:
Irving Music (BMI), Carlin Music Corporation (nel 1968) e Irving Music, Inc. (nel 1968)
Otis Redding4.152:21
48Ready or Not Here I Come
The Delfonics2:00
49Build Me Up Buttercup
registrazione di:
Build Me Up Buttercup
autore:
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann) e Tony Macaulay
editore:
A. Schroeder Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI United Partnership Ltd., Immediate Music Ltd. e Welbeck Music (publisher)
The Foundations2:58
50Land of 1000 Dances
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (dal 1966-05-08 al 1966-05-11)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-05-08 al 1966-05-11) e Chips Moman (dal 1966-05-08 al 1966-05-11)
chitarra basso [bass] :
Tommy Cogbill (dal 1966-05-08 al 1966-05-11)
pianoforte :
Spooner Oldham (dal 1966-05-08 al 1966-05-11)
sassofono baritono :
Floyd Newman (dal 1966-05-08 al 1966-05-11)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-05-08 al 1966-05-11) e Andrew Love (dal 1966-05-08 al 1966-05-11)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1966-05-08 al 1966-05-11)
voce:
Wilson Pickett (dal 1966-05-08 al 1966-05-11)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-05-08 al 1966-05-11)
registrazione cover di:
Land of 1000 Dances (dal 1966-05-08 al 1966-05-11)
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. e Tune-Kel
registrazione di:
Land of 1000 Dances
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. e Tune-Kel
Wilson Pickett42:27
51Stop! In the Name of Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
strumenti:
The Funk Brothers (dal 1965-01-05 al 1965-01-11)
voce di accompagnamento:
The Andantes (dal 1965-01-05 al 1965-01-11), Florence Ballard (dal 1965-01-05 al 1965-01-11) e Mary Wilson (dal 1965-01-05 al 1965-01-11)
voce principale:
Diana Ross (dal 1965-01-05 al 1965-01-11)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1965)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1965-01-05 al 1965-01-11)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 13) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 254)
registrazione di:
Stop! In the Name of Love (dal 1965-01-05 al 1965-01-11)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Supremes4.152:52
52This Old Heart of Mine (Is Weak for You)
registrazione di:
This Old Heart of Mine (Is Weak for You)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
autore:
Holland–Dozier–Holland
compositore:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Sylvia Moy
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.) e Stone Agate Music Division
The Isley Brothers2:50
53Think
tecnico di registrazione:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1968-04-15)
chitarra :
Tommy Cogbill (il 1968-04-15) e Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1968-04-15)
chitarra basso :
Jerry Jemmott (il 1968-04-15)
organo :
Spooner Oldham (il 1968-04-15)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-15)
sassofono baritono :
Willie Bridges (il 1968-04-15) e Floyd Newman (il 1968-04-15)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1968-04-15) e Andrew Love (il 1968-04-15)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1968-04-15)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-15)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-04-15)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 6) (numero: 10)
registrazione di:
Think (il 1968-04-15)
autore:
Aretha Franklin e Ted White (husband & co-songwriter of Aretha Franklin)
editore:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Aretha Franklin3.652:16
54The Locomotion
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 1) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 351)
registrazione di:
The Loco‐Motion (aka Locomotion) (nel 1962)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (dal 1962 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Little Eva22:19
55Standing in the Shadows of Love
registrazione di:
Standing in the Shadows of Love
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music Ltd
Four Tops2:37
56Chain Gang
registrazione di:
Chain Gang (Sam Cooke song)
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
Sam Cooke2:35
57The ‘In’ Crowd
registrazione di:
The “In” Crowd
orchestratore:
Gene Page (conductor, composer, arranger and record producer)
paroliere e compositore:
Billy Page (US soul/pop songwriter & producer)
editore:
Cross Music Ltd., American Music, Inc. (nel 1964), Elvis Presley Music Inc. (nel 1964) e Unichappell Music, Inc. (nel 1964)
Dobie Gray2:51
58Going to a Go‐Go
registrazione di:
Going to a Go‐Go
autore:
Warren “Pete” Moore, Smokey Robinson, Bobby Rogers e Marvin Tarplin
editore:
EMI Music (do not use as release label! this is a music publisher) e Jobete Music (appears also as: Jobete Msc.)
Smokey Robinson2:50
59The Clapping Song
registrazione di:
The Clapping Song
paroliere e compositore:
Lincoln Chase (songwriter)
editore:
Embassy Music Corporation e EMI Al Gallico Music Corp.
Shirley Ellis3:11
60Love on a Mountain Top
registrazione di:
Love on a Mountain Top
autore:
James “Buzz” Cason e Mac Gayden
editore:
Peter Maurice Music Pub. Co. Ltd.
Robert Knight2:29
61Mustang Sally
registrata a:
Muscle Shoals, Alabama, Stati Uniti (il 1966-10-13)
tecnico:
Tom Dowd e Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
produttore:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) e Jerry Wexler
basso elettrico [electric bass] :
Tommy Cogbill (dal 1966-10-13 al 1966-10-14)
batteria :
Roger Hawkins (drummer and producer) (dal 1966-10-13 al 1966-10-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-10-13 al 1966-10-14)
chitarra [lead guitar] :
Lincoln "Chips" Moman (dal 1966-10-13 al 1966-10-14)
sassofono tenore :
Gilbert Caples (dal 1966-10-13 al 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-10-13 al 1966-10-14) e Eddie Logan (dal 1966-10-13 al 1966-10-14)
tastiera [piano, organ] :
Dewey "Spooner" Oldham (dal 1966-10-13 al 1966-10-14)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (dal 1966-10-13 al 1966-10-14)
voce:
Wilson Pickett (dal 1966-10-13 al 1966-10-14)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-10-13 al 1966-10-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 434)
registrazione cover di:
Mustang Sally (dal 1966-10-13 al 1966-10-14)
paroliere e compositore:
Sir Mack Rice
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Wilson Pickett43:07
62Spanish Harlem
Ben E. King3:00
63Tramp
registrata a:
Memphis, Tennessee, Stati Uniti (dal 1967-01 al 1967-02)
produttore:
Steve Cropper e Jim Stewart (US producer, founder for Stax & Volt Records)
basso elettrico [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-01 al 1967-02)
batteria :
Al Jackson (Booker T & The MGs drummer) (dal 1967-01 al 1967-02)
chitarra :
Steve Cropper (dal 1967-01 al 1967-02)
pianoforte :
Booker T. Jones (dal 1967-01 al 1967-02)
sassofono tenore :
Joe Arnold (dal 1967-01 al 1967-02) e Andrew Love (dal 1967-01 al 1967-02)
tastiera :
Isaac Hayes (dal 1967-01 al 1967-02) e Booker T. Jones (dal 1967-01 al 1967-02)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-01 al 1967-02)
voce:
Otis Redding (dal 1967-01 al 1967-02) e Carla Thomas (dal 1967-01 al 1967-02)
voce di accompagnamento:
Carla Thomas (dal 1967-01 al 1967-02)
esecutore:
Carla Thomas (dal 1967-01 al 1967-02)
registrazione cover di:
Tramp (dal 1967-01 al 1967-02)
autore:
Lowell Fulson e Jimmy McCracklin (blues singer, songwriter)
editore:
Budget Music, Careers–BMG Music Publishing, Inc. e Powerforce Music
Otis Redding & Carla Thomas3.852:59
64Here I Go Again
Archie Bell & the Drells2:13
65How Sweet It Is (to Be Loved by You)
Jr. Walker & the All Stars2:52
66California Soul
produttore:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) e Charles Stepney (musician, producer, arranger and songwriter)
arrangiatore:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) e Charles Stepney (musician, producer, arranger and songwriter)
registrazione cover di:
California Soul
autore:
Nickolas Ashford e Valerie Simpson
editore:
Jobete Music Co., Inc. (il 1969-01-17)
Marlena Shaw52:57
67Private Number
produttore:
Booker T. Jones
esecutore:
Judy Clay (American soul and gospel singer)
registrata presso:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Stati Uniti (nel 1968)
registrazione di:
Private Number (nel 1968)
autore:
William Bell e Booker T. Jones
editore:
Irving Music, Inc. e Music for Africa (South Africa)
Judy Clay & William Bell22:39
68Uptight (Everything’s Alright)
produttore:
Henry Cosby e William Stevenson (Motown songwriter)
voce principale:
Stevie Wonder (nel 1965)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1965)
registrazione di:
Uptight (Everything’s Alright) (nel 1965)
paroliere e compositore:
Henry Cosby, Sylvia Moy e Stevie Wonder
editore:
EMI April Music Inc., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music e Stone Agate Music
Stevie Wonder4.72:53
69What a Man
registrazione cover di:
What a Man
paroliere e compositore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
Laura Lee2:56
70Comin’ Home Baby
Mel Tormé2:43
71Save the Last Dance for Me
registrazione di:
Save the Last Dance for Me
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (nel 1974) e Trio Music (publisher) (nel 1974)
The Drifters2:26
72Warm and Tender Love
registrazione cover di:
Warm and Tender Love
paroliere e compositore:
Bobby Robinson
editore:
Duane Music Inc., Pronto Music (publisher), Quinvy Music Publishing Company, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
Percy Sledge3:21
73Rainy Night in Georgia
produttore:
Arif Mardin
armonica (a bocca) :
Toots Thielemans (nel 1969)
basso :
Harold Cowart (il 1969-09-11)
batteria :
Ron Ziegler (drummer) (il 1969-09-11)
chitarra :
Cornell Dupree (nel 1969) e Jim O’Rourke (US musician & producer, b. 1969) (il 1969-09-11)
organo :
Billy Carter (organ, jazz) (il 1969-09-11)
pianoforte :
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (il 1969-09-11)
strumenti:
Cold Grits (nel 1969)
voce di accompagnamento:
The Sweet Inspirations (il 1969-09-11)
arrangiatore:
Arif Mardin
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1969-09-11)
pubblicazioni successive:
Rainy Night in Georgia di Brook Benton
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 498)
registrazione cover di:
Rainy Night in Georgia (il 1969-09-11)
paroliere e compositore:
Tony Joe White
editore:
Combine Music Corp. e EMI Songs Limited
Brook Benton43:49
74Stay With Me
produttore:
Jerry Ragovoy
direttore d'orchestra:
Garry Sherman (mid-20th century composer, arranger & conductor)
arrangiatore:
Jerry Ragovoy e Garry Sherman (mid-20th century composer, arranger & conductor)
registrazione di:
Stay With Me (nel 1966-07)
autore:
Jerry Ragovoy e George David Weiss
editore:
TRO Essex Music Ltd.
Lorraine Ellison43:30
75Patches
registrazione cover di:
Patches
autore:
Ronald Dunbar (Songwriter, A&R director and record producer) e Norman Johnson (US soul singer, R&B songwriter & producer)
Clarence Carter3:11

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ASIN:UK: B00FFN0K3O [info]