Eine Nacht in Venedig / Wiener Blut

~ Release by Johann Strauss II; Elisabeth Schwarzkopf, Nicolai Gedda, Erich Kunz, Emmy Loose, Erika Köth, Karl Dönch, Philharmonia Chorus, Philharmonia Orchestra, Otto Ackermann (see all versions of this release, 1 available)

Tracklist

1▼CD: Eine Nacht in Venedig
#TitleArtistRatingLength
1Eine Nacht in Venedig: Ouvertüre
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Ouvertüre (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
A Night in Venice (English version "Eine Nacht in Venedig")
part of:
Eine Nacht in Venedig
Johann Strauss6:33
2Eine Nacht in Venedig: Akt I. „Wenn vom Lido sacht“ (Chor)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt I. "Wenn vom Lido sacht" (Chor) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt I
Johann Strauss1:05
3Eine Nacht in Venedig: Akt I. „Ihr Venezianer, hört…Drum sei glücklich, sei selig, Venezia!“ (Pappacoda, Chor)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1954-05)
tenor vocals:
Peter Klein (tenor) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt I. "Ihr Venezianer, hört...Drum sei glücklich, sei selig, Venezia!" (Pappacoda, Chor) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt I
Johann Strauss1:12
4Eine Nacht in Venedig: Akt I. Dialog „Makkaroni, Makkaroni di Napoli!“ (Pappacoda, Enrico, Ciboletta)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
spoken vocals:
Anton Diffring (actor) (in 1954-05), Emmy Loose (soprano) (in 1954-05) and Peter Klein (tenor) (from 1954-05 until 1954-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt I. Dialog "Makkaroni, Makkaroni di Napoli!" (Pappacoda, Enrico, Ciboletta) (in 1954)
librettist:
Richard Genée (composer) and Camillo Walzel
part of:
Eine Nacht in Venedig: Akt I
Johann Strauss0:50
5Eine Nacht in Venedig: Akt I. „’s ist wahr, ich bin nicht allzu klug … Wenn du dich kränkst“ (Ciboletta, Pappacoda)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
soprano vocals:
Emmy Loose (soprano) (in 1954-05)
tenor vocals:
Peter Klein (tenor) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt I. „’s ist wahr, ich bin nicht allzu klug“ … „Wenn du dich kränkst“ (Ciboletta, Pappacoda) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt I
Johann Strauss1:44
6Eine Nacht in Venedig: Akt I. „Oho! … Seht, o seht! … Frutti di mare!“ (Annina, Chor)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1954-05)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt I. "Oho! ... Seht, o seht! ... Frutti di mare!" (Annina, Chor) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt I
Johann Strauss2:11
7Eine Nacht in Venedig: Akt I. Dialog „O Annina, ich errate was euch herführt“ (Pappacoda, Annina, Barbara, Barbaruccio, Delaqua)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
spoken vocals:
Karl Dönch (light bass-baritone) (in 1954-05), Peter Klein (tenor) (in 1954-05), Hannah Norbert (actress) (in 1954-05), Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-05) and Karel Stepanek (actor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt I. Dialog "O Annina, ich errate was euch herführt" (Pappacoda, Annina, Barbara, Barbaruccio, Delaqua) (in 1954)
librettist:
Richard Genée (composer) and Camillo Walzel
part of:
Eine Nacht in Venedig: Akt I
Johann Strauss1:51
8Eine Nacht in Venedig: Akt I. „Evviva, Caramello! … Willkommen, liebe Freunde!“ (Chor, Caramello)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
baritone vocals:
Erich Kunz (baritone) (in 1954-05)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt I. "Evviva, Caramello! ... Willkommen, liebe Freunde!" (Chor, Caramello) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt I
Johann Strauss2:08
9Eine Nacht in Venedig: Akt I. Dialog „Ja, Pappacoda, alter Makkaronikessel“ (Caramello, Pappacoda, Barbara, Annina)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
spoken vocals:
Peter Klein (tenor) (in 1954-05), Erich Kunz (baritone) (in 1954-05), Hannah Norbert (actress) (in 1954-05) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt I. Dialog "Ja, Pappacoda, alter Makkaronikessel" (Caramello, Pappacoda, Barbara, Annina) (in 1954)
librettist:
Richard Genée (composer) and Camillo Walzel
part of:
Eine Nacht in Venedig: Akt I
Johann Strauss1:01
10Eine Nacht in Venedig: Akt I. „Annina! … Caramello! … Pellegrina rondinellla!“ (Caramello, Annina)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
baritone vocals:
Erich Kunz (baritone) (in 1954-05)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt I. "Annina! ... Caramello! ... Pellegrina rondinellla!" (Caramello, Annina) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt I
Johann Strauss2:47
11Eine Nacht in Venedig: Akt I. Dialog „Hi, hi, hi … Ja, Pappacoda, was hat sie denn“ (Ciboletta, Caramello, Pappacoda)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
spoken vocals:
Peter Klein (tenor) (in 1954-05), Erich Kunz (baritone) (in 1954-05) and Emmy Loose (soprano) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt I. Dialog "Hi, hi, hi ... Ja, Pappacoda, was hat sie denn" (Ciboletta, Caramello, Pappacoda) (in 1954)
librettist:
Richard Genée (composer) and Camillo Walzel
part of:
Eine Nacht in Venedig: Akt I
Johann Strauss0:20
12Eine Nacht in Venedig: Akt I. „Alle maskiert, alle maskiert“ (Annina, Ciboletta, Caramello, Pappacoda)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
baritone vocals:
Erich Kunz (baritone) (in 1954-05)
soprano vocals:
Emmy Loose (soprano) (in 1954-05) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-05)
tenor vocals:
Peter Klein (tenor) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt I. „Alle maskiert, alle maskiert“ (Annina, Ciboletta, Caramello, Pappacoda) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt I
Johann Strauss2:12
13Eine Nacht in Venedig: Akt I. „Sei mir gegrüßt, du holdes Venezia!“ (Herzog)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt I. "Sei mir gegrüßt, du holdes Venezia!" (Herzog) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt I
Johann Strauss2:23
14Eine Nacht in Venedig: Akt I. Dialog „Nun, Caramello, hast du Barbara gesprochen?“ (Herzog, Caramello, Delacqua, Barbara)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
spoken vocals:
Karl Dönch (light bass-baritone) (in 1954-05), Nicolai Gedda (tenor) (in 1954-05), Erich Kunz (baritone) (in 1954-05) and Hannah Norbert (actress) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt I. Dialog "Nun, Caramello, hast du Barbara gesprochen?" (Herzog, Caramello, Delacqua, Barbara) (in 1954)
librettist:
Richard Genée (composer) and Camillo Walzel
part of:
Eine Nacht in Venedig: Akt I
Johann Strauss1:43
15Eine Nacht in Venedig: Akt I. „Hier ward es still … Der Mond hat schwere Klag’ erhob’n“ (Herzog, Barbara, Annina, Pappacoda, Ciboletta)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
mezzo-soprano vocals:
Hanna Ludwig (mezzo-soprano) (in 1954-05)
soprano vocals:
Emmy Loose (soprano) (in 1954-05) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-05)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-05) and Peter Klein (tenor) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt I. "Hier wasd es still ... Der Mond hat schwere Klag' erhob'n" (Herzog, Barbara, Annina, Pappacoda, Ciboletta) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt I
Johann Strauss2:59
16Eine Nacht in Venedig: Akt I. „Hast du mir ein Kostüm gebracht“ (Pappacoda, Ciboletta, Herzog, Annina, Barbara)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
mezzo-soprano vocals:
Hanna Ludwig (mezzo-soprano) (in 1954-05)
soprano vocals:
Emmy Loose (soprano) (in 1954-05) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-05)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-05) and Peter Klein (tenor) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt I. "Hast du mir ein Kostüm gebracht" (Pappacoda, Ciboletta, Herzog, Annina, Barbara) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt I
Johann Strauss0:56
17Eine Nacht in Venedig: Akt I. „Komm in die Gondel, mein Liebchen“ (Herzog, Delacqua, Annina)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
baritone vocals:
Karl Dönch (light bass-baritone) (in 1954-05)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt I. Gondellied "Komm' in die Gondel, mein Liebchen" (Herzog, Delacqua, Annina) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt I
Johann Strauss2:27
18Eine Nacht in Venedig: Akt I. „Messer Delacqua!“ (Pappacoda, Ciboletta, Herzog, Delacqua)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
baritone vocals:
Karl Dönch (light bass-baritone) (in 1954-05)
soprano vocals:
Emmy Loose (soprano) (in 1954-05)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-05) and Peter Klein (tenor) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt I. "Messer Delacqua!" (Pappacoda, Ciboletta, Herzog, Delacqua) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt I
Johann Strauss1:00
19Eine Nacht in Venedig: Akt I. „Zur Serenade!“ (Chor, Delacqua, Herzog)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
baritone vocals:
Karl Dönch (light bass-baritone) (in 1954-05)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1954-05)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt I. "Zur Serenade!" (Chor, Delacqua, Herzog) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt I
Johann Strauss5:22
20Eine Nacht in Venedig: Akt I. „Kaum, daß mein Liebchen die schaukelnde Gondel entführt“ (Herzog, Chor)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1954-05)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt I. "Kaum, daß mein Liebchen die scshaukeinde Gondel entführt" (Herzog, Chor) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt I
Johann Strauss1:32
21Eine Nacht in Venedig: Akt II. Introduktion „Wo bleibt nur Caramello?“ / „Venedigs Frauen herzuführen“ (Herzog, Herold, Agricola, Damenchor)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1954-05)
mezzo-soprano vocals:
Hanna Ludwig (mezzo-soprano) (in 1954-05)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt II. Introduktion „Wo bleibt nur Caramello?“ / „Venedigs Frauen herzuführen“ (Herzog, Herold, Agricola, Damenchor) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt II
Johann Strauss2:53
22Eine Nacht in Venedig: Akt II. Dialog „Was führt die Damen hierher?“ (Herzog, Agricola, Herold)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
spoken vocals:
Nicolai Gedda (tenor) (in 1954-05) and Lea Seidl (actress) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt II. Dialog "Was führt die Damen hierher?" (Herzog, Agricola, Herold) (in 1954)
librettist:
Richard Genée (composer) and Camillo Walzel
part of:
Eine Nacht in Venedig: Akt II
Johann Strauss0:28
23Eine Nacht in Venedig: Akt II. „Was mir der Zufall gab“ (Annina)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt II. "Was mir der Zufall gab" (Annina) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt II
Johann Strauss1:36
24Eine Nacht in Venedig: Akt II. Dialog „Ach, Gott sei Dank“ (Caramello, Annina)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
baritone vocals:
Erich Kunz (baritone) (in 1954-05)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt II. Dialog "Ach, Gott sei Dank" (Caramello, Annina) (in 1954)
librettist:
Richard Genée (composer) and Camillo Walzel
part of:
Eine Nacht in Venedig: Akt II
Johann Strauss0:49
25Eine Nacht in Venedig: Akt II. „Hör’ mich, Annina, komm’ in die Gondel“ (Caramello, Annina)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
baritone vocals:
Erich Kunz (baritone) (in 1954-05)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt II. „Hör’ mich, Annina, komm’ in die Gondel“ (Caramello, Annina) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt II
Johann Strauss1:48
26Eine Nacht in Venedig: Akt II. Dialog „Caramello, ich bin mit dir zufrieden“ (Herzog, Caramello, Annina)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
spoken vocals:
Nicolai Gedda (tenor) (in 1954-05), Erich Kunz (baritone) (in 1954-05) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt II. Dialog "Caramello, ich bin mit dir zufrieden" (Herzog, Caramello, Annina) (in 1954)
librettist:
Richard Genée (composer) and Camillo Walzel
part of:
Eine Nacht in Venedig: Akt II
Johann Strauss0:27
27Eine Nacht in Venedig: Akt II. „Sie sagten meinem Liebesfleh’n“ (Herzog, Annina, Pappacoda, Caramello)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
baritone vocals:
Erich Kunz (baritone) (in 1954-05)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-05)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-05) and Peter Klein (tenor) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt II. "Sie sagten meinem Liebesfleh'n" (Herzog, Annina, Pappacoda, Caramello) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt II
Johann Strauss1:56
28Eine Nacht in Venedig: Akt II. „Solch’ ein Wirtschaus lob’ ich mir … Man steckt ein“ (Chor, Pappacoda, Caramello)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
baritone vocals:
Erich Kunz (baritone) (in 1954-05)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1954-05)
tenor vocals:
Peter Klein (tenor) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt II. “Solch' ein Wirtshaus lob' ich mir ... Man steckt ein” (Chor, Pappacoda, Caramello) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt II
Johann Strauss3:21
29Eine Nacht in Venedig: Akt II. Dialog „Komm, Barbara“ (Herzog, Annina, Caramello, Delacqua)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
spoken vocals:
Karl Dönch (light bass-baritone) (in 1954-05), Nicolai Gedda (tenor) (in 1954-05), Erich Kunz (baritone) (in 1954-05) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt II. Dialog "Komm, Barbara" (Herzog, Annina, Caramello, Delacqua) (in 1954)
librettist:
Richard Genée (composer) and Camillo Walzel
part of:
Eine Nacht in Venedig: Akt II
Johann Strauss0:41
30Eine Nacht in Venedig: Akt II. „Ninana, Ninana, hier will ich singen!“ (Herzog, Annina, Ciboletta, Delacqua)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
baritone vocals:
Karl Dönch (light bass-baritone) (in 1954-05)
soprano vocals:
Emmy Loose (soprano) (in 1954-05) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-05)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt II. "Ninana, Ninana, hier will ich singen!" (Herzog, Annina, Ciboletta, Delacqua) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt II
Johann Strauss2:56
31Eine Nacht in Venedig: Akt II. Dialog „Alles geht gut“ (Delacqua, Ciboletta, Herzog)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
spoken vocals:
Karl Dönch (light bass-baritone) (in 1954-05), Nicolai Gedda (tenor) (in 1954-05) and Emmy Loose (soprano) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt II. Dialog "Alles geht gut" (Delacqua, Ciboletta, Herzog) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
librettist:
Richard Genée (composer) and Camillo Walzel
part of:
Eine Nacht in Venedig: Akt II
Johann Strauss0:36
32Eine Nacht in Venedig: Akt II. „Lasset die andern tanzen da! Tra la la la!“ (Herzog, Caramello, Annina, Ciboletta, Pappacoda, Herold)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
baritone vocals:
Erich Kunz (baritone) (in 1954-05)
soprano vocals:
Emmy Loose (soprano) (in 1954-05) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-05)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-05) and Peter Klein (tenor) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt II. "Lasset die andern tanzen da! Tra la la la!" (Herzog, Caramello, Annina, Ciboletta, Pappacoda, Herold) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt II
Johann Strauss3:20
33Eine Nacht in Venedig: Akt II. „Jetzt ist’s Zeit zur Lustbarkeit … Horch, von San Marco der Glocken Geläut“ (Chor, Herold, Herzog, Ciboletta, Annina)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1954-05)
soprano vocals:
Emmy Loose (soprano) (in 1954-05) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-05)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt II. „Jetzt ist’s Zeit zur Lustbarkeit“ … „Horch, von San Marco der Glocken Geläut“ (Chor, Herold, Herzog, Ciboletta, Annina) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt II
Johann Strauss3:46
34Eine Nacht in Venedig: Akt III. Introduktion „Karneval ruft uns zum Ball!“ (Chor)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt III. Introduktion "Karneval ruft uns zum Ball!" (Chor) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt III
Johann Strauss0:58
35Eine Nacht in Venedig: Akt III. „Die Tauben von San Marco“ (Annina, Ciboletta, Herzog, Caramello)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
baritone vocals:
Erich Kunz (baritone) (in 1954-05)
soprano vocals:
Emmy Loose (soprano) (in 1954-05) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-05)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt III. "Die Tauben von San Marco" (Annina, Ciboletta, Herzog, Caramello) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt III
Johann Strauss3:34
36Eine Nacht in Venedig: Akt III. „Ach, wie so herrlich zu schau’n“ (Caramello)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
baritone vocals:
Erich Kunz (baritone) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt III. "Ach, wie so herrlich zu schau'n" (Caramello) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt III
Johann Strauss3:10
37Eine Nacht in Venedig: Akt III. Dialog „O mein Weib ist mir geraubt worden!“ (Delacqua, Ciboletta, Pappacoda)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
spoken vocals:
Peter Klein (tenor) (in 1954-05), Emmy Loose (soprano) (in 1954-05) and Karl Dönch (light bass-baritone) (from 1954-05-05 until 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt III. Dialog "O mein Weib ist mir geraubt worden!" (Delacqua, Ciboletta, Pappacoda) (in 1954)
librettist:
Richard Genée (composer) and Camillo Walzel
part of:
Eine Nacht in Venedig: Akt III
Johann Strauss0:49
38Eine Nacht in Venedig: Akt III. „Tacke, tacke, tack … Aber wenn man erst gekostet hat“ (Pappacoda, Ciboletta)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
soprano vocals:
Emmy Loose (soprano) (in 1954-05)
tenor vocals:
Peter Klein (tenor) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt III. "Tacke, tacke, tack ... Aber wenn man erst gekostet hat" (Pappacoda, Ciboletta) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt III
Johann Strauss1:56
39Eine Nacht in Venedig: Akt III. Dialog „Ciboletta, weißt du nicht wo deine Herrin ist?“ (Herzog, Ciboletta, Delacqua, Barbara, Caramello)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
spoken vocals:
Karl Dönch (light bass-baritone) (in 1954-05), Nicolai Gedda (tenor) (in 1954-05), Erich Kunz (baritone) (in 1954-05), Emmy Loose (soprano) (in 1954-05) and Hannah Norbert (actress) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt III. Dialog "Ciboletta, weißt du nicht wo deine Herrin ist?" (Herzog, Ciboletta, Delacqua, Barbara, Caramello) (in 1954)
librettist:
Richard Genée (composer) and Camillo Walzel
part of:
Eine Nacht in Venedig: Akt III
Johann Strauss1:07
40Eine Nacht in Venedig: Akt III. „Wie sich’s gebührt’, hat er’s gespürt“ (Alle)
engineer:
Douglas Larter (in 1954-05)
producer:
Walter Legge (British classical producer) (in 1954-05)
baritone vocals:
Karl Dönch (light bass-baritone) (in 1954-05) and Erich Kunz (baritone) (in 1954-05)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1954-05)
mezzo-soprano vocals:
Hanna Ludwig (mezzo-soprano) (in 1954-05)
soprano vocals:
Emmy Loose (soprano) (in 1954-05) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-05)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-05) and Peter Klein (tenor) (in 1954-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-05)
conductor:
Otto Ackermann (conductor) (in 1954-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1954-05)
recording of:
Eine Nacht in Venedig: Akt III. "Wie sich's gebührt', hat er's gespürt" (Alle) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt III
Johann Strauss0:35
2▶CD: Wiener Blut

Credits

Release

design/illustration:Georgina Curtis (design, graphics, usu. for WLP Ltd.) (in 2001)
additional mastering:Simon Gibson (mastering engineer) (in 2001)
copyrighted (©) by:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954, in 1955, in 2001)
mastered at:Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2001)
part of:The Schwarzkopf / Ackermann Opera Recordings (number: II) (order: 2)
ASIN:US: B000055Y1Q [info]