Body and Soul (made in Austria. printed in Austria, see annotation)

~ Pubblicazione di Coleman Hawkins (visualizza tutte le versioni di questa pubblicazione: 4 disponibili)

Annotazione

This version is Made in Austria. Printed in Austria. There is another version with same barcode and catalog, but is printed in Germany rather than Austria. Printing in Austria is shown on the back cover art.

Tracks 1-4 recorded the 1939-10-11.
Tracks 5-8 recorded the 1940-01-03.
Tracks 9-14 recorded the 1947-12-11.
Tracks 15-17 recorded the 1956-01-17.
Tracks 18-20 recorded the 1956-01-18.
Tracks 21-23 recorded the 1956-01-20.
All titles recorded at RCA Studios, New-York

Annotazione modificata l'ultima volta il 2018-01-30 00:55 UTC.

Elenco tracce

1▼CD
#TitoloValutazioneDurata
1Meet Doctor Foo
batteria :
Arthur Herbert (Jazz drummer) (il 1939-10-11)
contrabbasso :
William Oscar Smith (il 1939-10-11)
pianoforte :
Gene Rodgers (il 1939-10-11)
sassofono contralto :
Jackie Fields (il 1939-10-11) e Eustis Moore (il 1939-10-11)
sassofono tenore :
Coleman Hawkins (il 1939-10-11)
tromba :
Joe Guy (trumpet) (il 1939-10-11) e Tommy Lindsay (il 1939-10-11)
trombone :
Earl Hardy (il 1939-10-11)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1939-10-11)
registrazione di:
Meet Doctor Foo (il 1939-10-11)
compositore:
Coleman Hawkins
2:37
2Fine Dinner
batteria :
Arthur Herbert (Jazz drummer) (il 1939-10-11)
contrabbasso :
William Oscar Smith (il 1939-10-11)
pianoforte :
Gene Rodgers (il 1939-10-11)
sassofono contralto :
Jackie Fields (il 1939-10-11) e Eustis Moore (il 1939-10-11)
sassofono tenore :
Coleman Hawkins (il 1939-10-11)
tromba :
Joe Guy (trumpet) (il 1939-10-11) e Tommy Lindsay (il 1939-10-11)
trombone :
Earl Hardy (il 1939-10-11)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1939-10-11)
registrazione di:
Fine Dinner (instrumental) (il 1939-10-11)
compositore:
Coleman Hawkins
2:36
3She’s Funny That Way
batteria :
Arthur Herbert (Jazz drummer) (il 1939-10-11)
contrabbasso :
William Oscar Smith (il 1939-10-11)
pianoforte :
Gene Rodgers (il 1939-10-11)
sassofono contralto :
Jackie Fields (il 1939-10-11) e Eustis Moore (il 1939-10-11)
sassofono tenore :
Coleman Hawkins (il 1939-10-11)
tromba :
Joe Guy (trumpet) (il 1939-10-11) e Tommy Lindsay (il 1939-10-11)
trombone :
Earl Hardy (il 1939-10-11)
voce:
Thelma Carpenter (50s/60s vocal artist) (il 1939-10-11)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1939-10-11)
registrazione strumentale di:
She’s Funny That Way (il 1939-10-11)
paroliere:
Richard A. Whiting (composer) (nel 1928)
autore:
Neil Moret e Richard A. Whiting (composer)
compositore:
Neil Moret (nel 1928)
editore:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. e Ross Jungnickel, Inc.
3:17
4Body and Soul
batteria :
Arthur Herbert (Jazz drummer) (il 1939-10-11)
contrabbasso :
William Oscar Smith (il 1939-10-11)
pianoforte :
Gene Rodgers (il 1939-10-11)
sassofono contralto :
Jackie Fields (il 1939-10-11) e Eustis Moore (il 1939-10-11)
sassofono tenore :
Coleman Hawkins (il 1939-10-11)
tromba :
Joe Guy (trumpet) (il 1939-10-11) e Tommy Lindsay (il 1939-10-11)
trombone :
Earl Hardy (il 1939-10-11)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1939-10-11)
registrazione strumentale di:
Body and Soul (il 1939-10-11)
paroliere:
Frank Eyton (nel 1930), Edward Heyman (nel 1930) e Robert Sour (nel 1930)
compositore:
Edward Heyman, Robert Sour e John Green (composer and conductor, often credited as John Green) (nel 1930)
editore:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:03
5When Day Is Done
batteria :
Walter Johnson (drums) (il 1940-01-03)
chitarra :
Lawrence Lucie (il 1940-01-03)
clarinetto :
Danny Polo (saxophonist / clarinetist) (il 1940-01-03)
contrabbasso :
Johnny Williams (jazz bassist) (il 1940-01-03)
pianoforte :
Gene Rodgers (il 1940-01-03)
sassofono tenore :
Coleman Hawkins (il 1940-01-03)
tromba :
Benny Carter (il 1940-01-03)
trombone :
J.C. Higginbotham (il 1940-01-03)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1940-01-03)
registrazione strumentale di:
When Day Is Done (il 1940-01-03)
paroliere:
Buddy DeSylva (nel 1926)
compositore:
Robert Katscher (nel 1926)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946) e Redwood Music Ltd. (Carlin)
si basa su:
Madonna, du bist schöner als der Sonnenschein
3:18
6The Sheik of Araby
batteria :
Walter Johnson (drums) (il 1940-01-03)
chitarra :
Lawrence Lucie (il 1940-01-03)
clarinetto :
Danny Polo (saxophonist / clarinetist) (il 1940-01-03)
contrabbasso :
Johnny Williams (jazz bassist) (il 1940-01-03)
pianoforte :
Gene Rodgers (il 1940-01-03)
sassofono tenore :
Coleman Hawkins (il 1940-01-03)
tromba :
Benny Carter (il 1940-01-03)
trombone :
J.C. Higginbotham (il 1940-01-03)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1940-01-03)
registrazione strumentale di:
The Sheik of Araby (il 1940-01-03)
paroliere:
Harry B. Smith (nel 1921) e Francis Wheeler (nel 1921)
compositore:
Ted Snyder (nel 1921)
editore:
Jerry Vogel Music, Mills Music, Inc., Redwood Music e Salabert
2:57
7My Blue Heaven
batteria :
Walter Johnson (drums) (il 1940-01-03)
chitarra :
Lawrence Lucie (il 1940-01-03)
clarinetto :
Danny Polo (saxophonist / clarinetist) (il 1940-01-03)
contrabbasso :
Johnny Williams (jazz bassist) (il 1940-01-03)
pianoforte :
Gene Rodgers (il 1940-01-03)
sassofono tenore :
Coleman Hawkins (il 1940-01-03)
tromba :
Benny Carter (il 1940-01-03)
trombone :
J.C. Higginbotham (il 1940-01-03)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1940-01-03)
registrazione strumentale di:
My Blue Heaven (il 1940-01-03)
paroliere:
George A. Whiting (popular songwriter) (nel 1924)
compositore:
Walter Donaldson (nel 1924)
editore:
Leo Feist, Inc.
ha composto presso:
New York Friars Club in New York, New York, Stati Uniti (nel 1924)
2:54
8Bouncing With Bean
batteria :
Walter Johnson (drums) (il 1940-01-03)
chitarra :
Lawrence Lucie (il 1940-01-03)
clarinetto :
Danny Polo (saxophonist / clarinetist) (il 1940-01-03)
contrabbasso :
Johnny Williams (jazz bassist) (il 1940-01-03)
pianoforte :
Gene Rodgers (il 1940-01-03)
sassofono tenore :
Coleman Hawkins (il 1940-01-03)
tromba :
Benny Carter (il 1940-01-03)
trombone :
J.C. Higginbotham (il 1940-01-03)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1940-01-03)
registrazione di:
Bouncing With Bean (il 1940-01-03)
compositore:
Coleman Hawkins
3:08
9April in Paris
batteria :
Max Roach (20th century US jazz drummer & composer) (il 1947-12-11)
chitarra :
Chuck Wayne (il 1947-12-11)
contrabbasso :
Jack Lesberg (il 1947-12-11)
pianoforte :
Hank Jones (piano) (il 1947-12-11)
sassofono baritono :
Marion DeVeta (il 1947-12-11)
sassofono contralto :
Budd Johnson (il 1947-12-11)
sassofono tenore :
Coleman Hawkins (il 1947-12-11)
tromba :
Fats Navarro (il 1947-12-11)
trombone :
J.J. Johnson (jazz/bop trombonist/session leader) (il 1947-12-11)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1947-12-11)
registrazione strumentale di:
April in Paris (il 1947-12-11)
paroliere:
Yip Harburg (nel 1932)
compositore:
Vernon Duke (nel 1932)
editore:
Chappell Music Ltd.
parte di:
The Real Book (compilation of jazz standards, volume I)
3:11
10How Strange
batteria :
Max Roach (20th century US jazz drummer & composer) (il 1947-12-11)
chitarra :
Chuck Wayne (il 1947-12-11)
contrabbasso :
Jack Lesberg (il 1947-12-11)
pianoforte :
Hank Jones (piano) (il 1947-12-11)
sassofono baritono :
Marion DeVeta (il 1947-12-11)
sassofono contralto :
Budd Johnson (il 1947-12-11)
sassofono tenore :
Coleman Hawkins (il 1947-12-11)
tromba :
Fats Navarro (il 1947-12-11)
trombone :
J.J. Johnson (jazz/bop trombonist/session leader) (il 1947-12-11)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1947-12-11)
registrazione strumentale di:
How Strange (il 1947-12-11)
paroliere:
Gus Kahn
compositore:
[traditional] (special purpose artist) e B. A. Prozorovsky
compositore aggiunto:
Earl Brent e Herbert Stothart (composer)
editore:
EMI Feist Catalog Inc.
3:06
11Half Step Down Please
batteria :
Max Roach (20th century US jazz drummer & composer) (il 1947-12-11)
chitarra :
Chuck Wayne (il 1947-12-11)
contrabbasso :
Jack Lesberg (il 1947-12-11)
pianoforte :
Hank Jones (piano) (il 1947-12-11)
sassofono baritono :
Marion DeVeta (il 1947-12-11)
sassofono contralto :
Budd Johnson (il 1947-12-11)
sassofono tenore :
Coleman Hawkins (il 1947-12-11)
tromba :
Fats Navarro (il 1947-12-11)
trombone :
J.J. Johnson (jazz/bop trombonist/session leader) (il 1947-12-11)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1947-12-11)
registrazione di:
Half Step Down Please (il 1947-12-11)
compositore:
Tadd Dameron
3:05
12Angel Face
batteria :
Max Roach (20th century US jazz drummer & composer) (il 1947-12-11)
chitarra :
Chuck Wayne (il 1947-12-11)
contrabbasso :
Jack Lesberg (il 1947-12-11)
pianoforte :
Hank Jones (piano) (il 1947-12-11)
sassofono baritono :
Marion DeVeta (il 1947-12-11)
sassofono contralto :
Budd Johnson (il 1947-12-11)
sassofono tenore :
Coleman Hawkins (il 1947-12-11)
tromba :
Fats Navarro (il 1947-12-11)
trombone :
J.J. Johnson (jazz/bop trombonist/session leader) (il 1947-12-11)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1947-12-11)
registrazione di:
Angel Face (il 1947-12-11)
compositore:
Hank Jones (piano) e Geoffrey Keezer
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3:14
13Jumping for Jane
batteria :
Max Roach (20th century US jazz drummer & composer) (il 1947-12-11)
chitarra :
Chuck Wayne (il 1947-12-11)
contrabbasso :
Jack Lesberg (il 1947-12-11)
pianoforte :
Hank Jones (piano) (il 1947-12-11)
sassofono baritono :
Marion DeVeta (il 1947-12-11)
sassofono contralto :
Budd Johnson (il 1947-12-11)
sassofono tenore :
Coleman Hawkins (il 1947-12-11)
tromba :
Fats Navarro (il 1947-12-11)
trombone :
J.J. Johnson (jazz/bop trombonist/session leader) (il 1947-12-11)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1947-12-11)
registrazione di:
Jumping for Jane (il 1947-12-11)
autore:
Leonard Feather
3:13
14I Love You
batteria :
Max Roach (20th century US jazz drummer & composer) (il 1947-12-11)
chitarra :
Chuck Wayne (il 1947-12-11)
contrabbasso :
Jack Lesberg (il 1947-12-11)
pianoforte :
Hank Jones (piano) (il 1947-12-11)
sassofono baritono :
Marion DeVeta (il 1947-12-11)
sassofono contralto :
Budd Johnson (il 1947-12-11)
sassofono tenore :
Coleman Hawkins (il 1947-12-11)
tromba :
Fats Navarro (il 1947-12-11)
trombone :
J.J. Johnson (jazz/bop trombonist/session leader) (il 1947-12-11)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1947-12-11)
registrazione strumentale di:
I Love You (Mexican Hayride musical) (il 1947-12-11)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
2:54
15There Will Never Be Another You
batteria :
Osie Johnson (il 1956-01-17)
chitarra :
Barry Galbraith (il 1956-01-17)
contrabbasso :
Milt Hinton (il 1956-01-17)
flauto :
Julius Baker (flautist) (il 1956-01-17) e Sid Jekowsky (il 1956-01-17)
oboe :
Phil Bodner (Woodwind player) (il 1956-01-17)
pianoforte :
Hank Jones (piano) (il 1956-01-17)
sassofono tenore :
Coleman Hawkins (il 1956-01-17)
tromba :
Jimmy Nottingham (il 1956-01-17)
trombone :
Urbie Green (il 1956-01-17), Tom Mitchell (US jazz trombonist) (il 1956-01-17), Fred Ohms (American jazz trombonist) (il 1956-01-17) e Jack Satterfield (il 1956-01-17)
vibrafono :
Marty Wilson (il 1956-01-17)
viola :
Isadore Zir (aka Isadore Zit viola player) (il 1956-01-17)
violino :
Paul Gershman (il 1956-01-17), Leo Kruczek (il 1956-01-17), Harry Lookofsky (il 1956-01-17), Gene Orloff (il 1956-01-17) e Tosha Samaroff (il 1956-01-17)
violoncello :
Alan Shulman (cellist and composer) (il 1956-01-17)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-01-17)
registrazione strumentale di:
There Will Never Be Another You (il 1956-01-17)
paroliere:
Mack Gordon
compositore:
Harry Warren (US composer and lyricist)
editore:
Morley Music Corp.
parte di:
The Real Book (compilation of jazz standards, volume I)
2:58
16Little Girl Blue
batteria :
Osie Johnson (il 1956-01-17)
chitarra :
Barry Galbraith (il 1956-01-17)
contrabbasso :
Milt Hinton (il 1956-01-17)
flauto :
Julius Baker (flautist) (il 1956-01-17) e Sid Jekowsky (il 1956-01-17)
oboe :
Phil Bodner (Woodwind player) (il 1956-01-17)
pianoforte :
Hank Jones (piano) (il 1956-01-17)
sassofono tenore :
Coleman Hawkins (il 1956-01-17)
tromba :
Jimmy Nottingham (il 1956-01-17)
trombone :
Urbie Green (il 1956-01-17), Tom Mitchell (US jazz trombonist) (il 1956-01-17), Fred Ohms (American jazz trombonist) (il 1956-01-17) e Jack Satterfield (il 1956-01-17)
viola :
Izzy Zir (aka Isadore Zit viola player) (il 1956-01-17)
violino :
Paul Gershman (il 1956-01-17), Leo Kruczek (il 1956-01-17), Harry Lookofsky (il 1956-01-17), Gene Orloff (il 1956-01-17) e Tosha Samaroff (il 1956-01-17)
violoncello :
Alan Shulman (cellist and composer) (il 1956-01-17)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-01-17)
registrazione strumentale di:
Little Girl Blue (il 1956-01-17)
paroliere:
Lorenz Hart (nel 1935)
compositore:
Richard Rodgers (composer) (nel 1935)
arrangiatore:
Sarah Latto
editore:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Jumbo
3:07
17Dinner for One Please James
batteria :
Osie Johnson (il 1956-01-17)
chitarra :
Barry Galbraith (il 1956-01-17)
contrabbasso :
Milt Hinton (il 1956-01-17)
flauto :
Julius Baker (flautist) (il 1956-01-17) e Sid Jekowsky (il 1956-01-17)
oboe :
Phil Bodner (Woodwind player) (il 1956-01-17)
pianoforte :
Hank Jones (piano) (il 1956-01-17)
sassofono tenore :
Coleman Hawkins (il 1956-01-17)
tromba :
Jimmy Nottingham (il 1956-01-17)
trombone :
Urbie Green (il 1956-01-17), Tom Mitchell (US jazz trombonist) (il 1956-01-17), Fred Ohms (American jazz trombonist) (il 1956-01-17) e Jack Satterfield (il 1956-01-17)
viola :
Izzy Zir (aka Isadore Zit viola player) (il 1956-01-17)
violino :
Paul Gershman (il 1956-01-17), Leo Kruczek (il 1956-01-17), Harry Lookofsky (il 1956-01-17), Gene Orloff (il 1956-01-17) e Tosha Samaroff (il 1956-01-17)
violoncello :
Alan Shulman (cellist and composer) (il 1956-01-17)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-01-17)
registrazione strumentale di:
Dinner for One Please, James (il 1956-01-17)
paroliere e compositore:
Michael Carr (songwriter)
3:14
18His Very Own Blues
batteria :
Osie Johnson (il 1956-01-18)
chitarra :
Barry Galbraith (il 1956-01-18)
contrabbasso :
Milt Hinton (il 1956-01-18)
pianoforte :
Hank Jones (piano) (il 1956-01-18)
sassofono baritono :
Sol Schlinger (saxophone, jazz) (il 1956-01-18)
sassofono contralto :
Sam Marowitz (saxophonist and clarinetist) (il 1956-01-18) e Hal McKusick (il 1956-01-18)
sassofono tenore :
Al Cohn (il 1956-01-18), Coleman Hawkins (il 1956-01-18) e Zoot Sims (US jazz saxophonist) (il 1956-01-18)
tromba :
Bernie Glow (il 1956-01-18), Lou Oles (American jazz trumpeter) (il 1956-01-18), Ernie Royal (il 1956-01-18), Charlie Shavers (il 1956-01-18) e Nick Travis (il 1956-01-18)
trombone :
Urbie Green (il 1956-01-18), Fred Ohms (American jazz trombonist) (il 1956-01-18), Jack Satterfield (il 1956-01-18) e Chauncey Welsch (il 1956-01-18)
vibrafono :
Marty Wilson (il 1956-01-18)
arrangiatore:
Billy Byers
diritti fonografici (℗) detenuti da:
BMG Entertainment
registrata presso:
Webster Hall in East Village, New York, New York, Stati Uniti (il 1956-01-18)
3:03
1939″‐25″‐39″
batteria :
Osie Johnson (il 1956-01-18)
chitarra :
Barry Galbraith (il 1956-01-18)
contrabbasso :
Milt Hinton (il 1956-01-18)
pianoforte :
Hank Jones (piano) (il 1956-01-18)
sassofono baritono :
Sol Schlinger (saxophone, jazz) (il 1956-01-18)
sassofono contralto :
Sam Marowitz (saxophonist and clarinetist) (il 1956-01-18) e Hal McKusick (il 1956-01-18)
sassofono tenore :
Al Cohn (il 1956-01-18), Coleman Hawkins (il 1956-01-18) e Zoot Sims (US jazz saxophonist) (il 1956-01-18)
tromba :
Bernie Glow (il 1956-01-18), Lou Oles (American jazz trumpeter) (il 1956-01-18), Ernie Royal (il 1956-01-18), Charlie Shavers (il 1956-01-18) e Nick Travis (il 1956-01-18)
trombone :
Urbie Green (il 1956-01-18), Fred Ohms (American jazz trombonist) (il 1956-01-18), Jack Satterfield (il 1956-01-18) e Chauncey Welsch (il 1956-01-18)
vibrafono :
Marty Wilson (il 1956-01-18)
registrata presso:
Webster Hall in East Village, New York, New York, Stati Uniti (il 1956-01-18)
registrazione di:
39"-25"-39" (il 1956-01-18)
compositore:
Coleman Hawkins
2:49
20The Bean Stalks Again
batteria :
Osie Johnson (il 1956-01-18)
chitarra :
Barry Galbraith (il 1956-01-18)
contrabbasso :
Milt Hinton (il 1956-01-18)
pianoforte :
Hank Jones (piano) (il 1956-01-18)
sassofono baritono :
Sol Schlinger (saxophone, jazz) (il 1956-01-18)
sassofono contralto :
Sam Marowitz (saxophonist and clarinetist) (il 1956-01-18) e Hal McKusick (il 1956-01-18)
sassofono tenore :
Al Cohn (il 1956-01-18), Coleman Hawkins (il 1956-01-18) e Zoot Sims (US jazz saxophonist) (il 1956-01-18)
tromba :
Bernie Glow (il 1956-01-18), Lou Oles (American jazz trumpeter) (il 1956-01-18), Ernie Royal (il 1956-01-18), Charlie Shavers (il 1956-01-18) e Nick Travis (il 1956-01-18)
trombone :
Urbie Green (il 1956-01-18), Fred Ohms (American jazz trombonist) (il 1956-01-18), Jack Satterfield (il 1956-01-18) e Chauncey Welsch (il 1956-01-18)
vibrafono :
Marty Wilson (il 1956-01-18)
registrata presso:
Webster Hall in East Village, New York, New York, Stati Uniti (il 1956-01-18)
3:29
21Have You Met Miss Jones?
campane tubolari [bells] :
Phil Kraus (il 1956-01-20)
clarinetto :
Sid Jekowsky (il 1956-01-20)
contrabbasso :
Jack Lesberg (il 1956-01-20)
corno francese :
Jimmy Buffington (US jazz, studio and classical hornist) (il 1956-01-20)
flauto :
Julius Baker (flautist) (il 1956-01-20)
oboe :
Phil Bodner (Woodwind player) (il 1956-01-20)
sassofono tenore :
Coleman Hawkins (il 1956-01-20)
vibrafono :
Marty Wilson (il 1956-01-20)
viola :
Bert Fisch (il 1956-01-20)
violino :
Max Cahn (il 1956-01-20), Cy Miroff (il 1956-01-20), Arnold Eidus (il 1956-01-20), Max Hollander (il 1956-01-20), Stan Kraft (il 1956-01-20), Dave Newman (violin) (il 1956-01-20), Alvin Rudnitsky (il 1956-01-20) e Dave Sarser (il 1956-01-20)
violoncello :
Bernie Greenhouse (il 1956-01-20), George Ricci (il 1956-01-20) e Edgardo Sodero (il 1956-01-20)
orchestra:
Billy Byers & His Orchestra (il 1956-01-20)
registrazione strumentale di:
Have You Met Miss Jones? (I’d Rather Be Right) (il 1956-01-20)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA) e Williamson Music Company
parte di:
I’d Rather Be Right
3:07
22Body and Soul
batteria :
Osie Johnson (il 1956-01-20)
campane tubolari [bells] :
Phil Kraus (il 1956-01-20)
clarinetto :
Sid Jekowsky (il 1956-01-20)
contrabbasso :
Jack Lesberg (il 1956-01-20)
corno francese :
Jim Buffington (US jazz, studio and classical hornist) (il 1956-01-20)
flauto :
Julius Baker (flautist) (il 1956-01-20)
oboe :
Phil Bodner (Woodwind player) (il 1956-01-20)
pianoforte :
Hank Jones (piano) (il 1956-01-20)
sassofono tenore :
Coleman Hawkins (il 1956-01-20)
vibrafono :
Marty Wilson (il 1956-01-20)
viola :
Bert Fisch (il 1956-01-20)
violino :
Max Cahn (il 1956-01-20), Cy Miroff (il 1956-01-20), Arnold Eidus (il 1956-01-20), Paul Gershman (il 1956-01-20), Max Hollander (il 1956-01-20), Stan Kraft (il 1956-01-20), Dave Newman (il 1956-01-20), Dave Newman (violin) (il 1956-01-20), Gene Orloff (il 1956-01-20), Alvin Rudnitsky (il 1956-01-20), Tosha Samaroff (il 1956-01-20) e Dave Sarser (il 1956-01-20)
violoncello :
Bernard Greenhouse (cellist) (il 1956-01-20), Bernie Greenhouse (il 1956-01-20), George Ricci (il 1956-01-20) e Edgardo Sodero (il 1956-01-20)
orchestra:
Billy Byers & His Orchestra (il 1956-01-20)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-01-20)
registrazione strumentale di:
Body and Soul (il 1956-01-20)
paroliere:
Frank Eyton (nel 1930), Edward Heyman (nel 1930) e Robert Sour (nel 1930)
compositore:
Edward Heyman, Robert Sour e John Green (composer and conductor, often credited as John Green) (nel 1930)
editore:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:55
23The Essence of You
batteria :
Osie Johnson (il 1956-01-20)
campana e campane tubolari [bells] :
Phil Kraus (il 1956-01-20)
celesta e pianoforte :
Hank Jones (piano) (il 1956-01-20)
clarinetto :
Sid Jekowsky (il 1956-01-20)
contrabbasso :
Jack Lesberg (il 1956-01-20)
corno francese :
Jimmy Buffington (US jazz, studio and classical hornist) (il 1956-01-20)
flauto :
Julius Baker (flautist) (il 1956-01-20)
glockenspiel e vibrafono :
Marty Wilson (il 1956-01-20)
oboe :
Phil Bodner (Woodwind player) (il 1956-01-20)
sassofono tenore :
Coleman Hawkins (il 1956-01-20)
viola :
Bert Fisch (il 1956-01-20)
violino :
Max Cahn (il 1956-01-20), Cy Miroff (il 1956-01-20), Arnold Eidus (il 1956-01-20), Max Hollander (il 1956-01-20), Stan Kraft (il 1956-01-20), Dave Newman (violin) (il 1956-01-20), Alvin Rudnitsky (il 1956-01-20) e Dave Sarser (il 1956-01-20)
violoncello :
Eduardo Sodero (il 1956-01-20), Bernie Greenhouse (il 1956-01-20), George Ricci (il 1956-01-20) e Edgardo Sodero (il 1956-01-20)
orchestra:
Billy Byers & His Orchestra (il 1956-01-20)
arrangiatore:
Billy Byers
diritti fonografici (℗) detenuti da:
BMG Entertainment
registrata presso:
Webster Hall in East Village, New York, New York, Stati Uniti (il 1956-01-20)
3:26

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Discogs:https://www.discogs.com/master/428234 [info]