Las 66 Favoritas de Iñigo y Pardo Vol.8 Y No Es Un Día Cualquiera

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Me and Mrs.Jones
diritti fonografici (℗) detenuti da:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1992)
registrazione cover di:
Me and Mrs. Jones
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Yamaha Music Entertainment (Japanese label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul3:39
2I Will Always Love You
tecnico:
David Reitzas, Bill Schnee e Peter Yianilos
produttore:
David Foster (Canadian music producer, arranger and composer)
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive) e Whitney Houston
tecnico di missaggio:
David Reitzas
direzione creativa:
Rickey Minor (bass player, music director, composer, music producer)
sassofono solista :
Kirk Whalum
arrangiatore:
David Foster (Canadian music producer, arranger and composer)
arrangiatore voci:
Whitney Houston
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) e Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1992)
mixata presso:
Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 60), New York Post: 100 Greatest Covers (2007) (numero: 59), Billboard: Greatest of All Time Hot 100 Songs (numero: 60) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 94)
registrazione cover di:
I Will Always Love You
paroliere e compositore:
Dolly Parton
editore:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. e Velvet Apple Music
Whitney Houston4.54:30
3Ubchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:35
4Lovin' You
registrazione di:
Lovin’ You
autore:
Minnie Riperton e Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
editore:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-editore:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3:59
5True Love Ways
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
batteria :
Jerry Allison
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) e Niki Sullivan
registrazione di:
True Love Ways (il 1958-10-20)
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly32:49
6Baker Street
basso :
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (nel 1977)
batteria :
Henry Spinetti (nel 1977)
chitarra [lead guitar] :
Hugh Burns (nel 1977)
chitarra [rhythm guitar] :
Nigel Jenkins (nel 1977)
percussione :
Glen LeFleur (nel 1977)
sassofono :
Raphael Ravenscroft (nel 1977)
tastiera :
Tommy Eyre (nel 1977)
voce principale:
Gerry Rafferty (nel 1977)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978, nel 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1978) e United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1978)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito (nel 1977)
edit di:
Baker Street di Gerry Rafferty
registrazione di:
Baker Street (nel 1977)
paroliere e compositore:
Gerry Rafferty
editore:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) e Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.155:58
7Hello
produttore:
James Anthony Carmichael e Lionel Richie
esecutore:
Ocobamba
arrangiatore archi [string] e arrangiatore ottoni [horn] :
James Anthony Carmichael
arrangiatore:
James Anthony Carmichael e Lionel Richie
arrangiatore voci:
Lionel Richie
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1983)
registrazione di:
Hello
paroliere e compositore:
Lionel Richie
autore aggiunto:
James Anthony Carmichael
editore:
Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Lionel Richie3.854:06
8Ain't No Sunshine
tecnico di registrazione:
Bill Halverson (nel 1971) e Bill Lazarus (nel 1971)
produttore:
Booker T. Jones
tecnico di missaggio:
John Golden (mastering engineer)
basso elettrico :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1971)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (nel 1971)
chitarra acustica :
Stephen Stills (nel 1971)
voce principale:
Bill Withers (nel 1971)
arrangiatore archi :
Booker T. Jones
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1971) e Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1972)
parte di:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 280) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 309)
registrazione di:
Ain’t No Sunshine (nel 1971)
paroliere e compositore:
Bill Withers
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Songs Ltd.
Bill Withers4.552:03
9Honey Baby
Bobby Goldsboro3:58
10My Cherie Amour
produttore:
Henry Cosby
voce principale:
Stevie Wonder (dal 1967 al 1968)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1967 al 1968)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 399)
registrazione di:
My Cherie Amour (dal 1967 al 1968)
autore:
Henry Cosby, Sylvia Moy e Stevie Wonder
editore:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music e 大洋音楽 (Taiyō Music)
Stevie Wonder4.32:51
11Put Your Head on My Shoulder
registrazione di:
Put Your Head on My Shoulder
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Spanka Music (conclusa), Chrysalis Standards Inc. e Epa Publishing
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Paul Anka2:38
12Siting on the Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:40
13I Want to Know What Love Is
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984)
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner54:01
14Private Dancer
produttore:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer)
basso :
John Illsley
batteria :
Terry Williams (drummer)
chitarra :
Hal Lindes
chitarra solista :
Jeff Beck (English rock guitarist)
percussione :
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) e Julian Diggle
sassofono :
Mel Collins
tastiera :
Alan Clark (keyboardist)
voce principale:
Tina Turner
remixer:
Humberto Gatica
registrata presso:
Good Earth Studios (recording studio in Soho, London, UK, 1977–1989) in Soho, Westminster, London (Greater London), England, Regno Unito e Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
registrazione di:
Private Dancer
paroliere e compositore:
Mark Knopfler
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., Shinko Music Entertainment Co., Ltd., Straitjacket Songs Ltd., Universal Music Publishing France (not for release label use!) e Universal Music Publishing, Synch Division
Tina Turner4.54:02
15What a Difference a Day Makes
registrazione cover di:
What a Diff’rence a Day Made
paroliere:
Stanley Adams (US lyricist & songwriter)
compositore:
María Grever
editore:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC e Zomba Golden Sands Enterprises, Inc.
si basa su:
Cuando vuelva a tu lado
Dinah Washington2:28
16Everybody's Talkin'
diritti fonografici (℗) detenuti da:
BMG Music (nel 1967)
prima pubblicazione:
Everybody’s Talkin’ di Nilsson (US singer-songwriter)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 51)
registrazione cover di:
Everybody’s Talkin’
paroliere e compositore:
Fred Neil
editore:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music e Third Story Music, Inc.
Harry Nilsson3.92:31
17Sweet Dreams
registrazione di:
Sweet Dreams (Are Made of This)
paroliere:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
compositore:
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
arrangiatore:
Miriama Young
editore:
BMG Music, BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. e Universal Music–MGB Songs
Eurythmics4:52
18Sealed With a Kiss
registrazione cover di:
Sealed With a Kiss
autore:
Gary Geld e Peter Udell
eseguita per la prima volta da:
The Four Voices (nel 1960-05)
editore:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) e Pogo Music Corp. (nel 1962)
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Bobby Vinton52:49
19And I Love You So
registrazione cover di:
And I Love You So
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI), The Welk Music Group, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Johnny Mathis3:26
20Release Me
registrazione cover di:
Release Me
autore:
Harris (James Pebworth; Guitarist - songwriter Wrote the standard "Release Me" along with Eddie Miller (3) and Robert Yount. In most cases one or both of his pseudonyms Dub Williams and Robert Harris are credited on the releases.), Miller (US country music songwriter), Williams (pseudonym used by James Pebworth) e Young (songwriter)
autore aggiunto:
W.S. Stevenson
editore:
Acuff-Rose Music Limited (UK), Four Star Sales, Roschelle Publishing e Sony/ATV Music Publishing Ltd.
Engelbert Humperdinck53:17
21I Lett My Heart in San Francisco
produttore:
Ernie Altschuler
voce:
Tony Bennett (US jazz/standards vocalist) (il 1962-01-23)
direttore d'orchestra:
Marty Manning
arrangiatore:
Marty Manning
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1962)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 485)
registrazione cover di:
I Left My Heart in San Francisco (il 1962-01-23)
paroliere:
Douglass Cross (US songwriter)
compositore:
George Cory
editore:
Colgems-EMI Music Inc., Dash Music Co. Ltd. e EMI April Music Inc.
Tony Bennett32:52
22Tie a Yellow Ribbon
Tony Orlando & Dawn3:23
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parte di:Las 66 Favoritas de Iñigo y Pardo (by Jose María Íñigo y Jose Ramón Pardo) (numero: 8) (ordine: 8)