Penthouse Serenade / The Piano Style of Nat King Cole

~ Veröffentlichung von Nat King Cole (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1Penthouse Serenade (When You're Alone)
Gitarre:
John Collins (US jazz guitarist) (am 1952-07-18)
Klavier:
Nat King Cole (am 1952-07-18)
Kontrabass:
Charlie Harris (jazz bassist) (am 1952-07-18)
Schlagzeug:
Norris "Bunny" Shawker (am 1952-07-18)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-07-18)
instrumental cover recording of:
Penthouse Serenade (am 1952-07-18)
Verfasser(in):
Val Burton (Isadore Harry Burns) und Will Jason
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Jerry Leiber Music, Range Road Music Inc. und Silver Seahorse Music LLC
3:09
2Somebody Loves Me
Bongos:
Jack Costanzo (am 1952-07-18)
Gitarre:
John Collins (US jazz guitarist) (am 1952-07-18)
Klavier:
Nat King Cole (am 1952-07-18)
Kontrabass:
Charlie Harris (jazz bassist) (am 1952-07-18)
Schlagzeug:
Norris "Bunny" Shawker (am 1952-07-18)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-07-18)
instrumental cover recording of:
Somebody Loves Me (am 1952-07-18)
Texter:
Buddy DeSylva und Ballard MacDonald
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) und Stephen Ballentine Music Publishing Co.
Teil von:
Broadway Rhythm (film)
3:06
3Laura
Gitarre:
John Collins (US jazz guitarist) (am 1952-07-18)
Klavier:
Nat King Cole (am 1952-07-18)
Kontrabass:
Charlie Harris (jazz bassist) (am 1952-07-18)
membranophone und Schlagzeug:
Norris "Bunny" Shawker (am 1952-07-18)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-07-18)
instrumental cover recording of:
Laura (1945 song) (am 1952-07-18)
Texter:
Johnny Mercer (in 1945)
Komponist(in):
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. und United Partnership Ltd.
Version von:
Laura (original 1944 film theme)
2:45
4Once in a Blue Moon
Bongos:
Jack Costanzo (am 1952-07-18)
Gitarre:
John Collins (US jazz guitarist) (am 1952-07-18)
Klavier:
Nat King Cole (am 1952-07-18)
Kontrabass:
Charlie Harris (jazz bassist) (am 1952-07-18)
Schlagzeug:
Norris "Bunny" Shawker (am 1952-07-18)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-07-18)
instrumental recording of:
Once in a Blue Moon (am 1952-07-18)
Texter:
Anne O’Dea
Komponist(in):
Jerome Kern
2:59
5Don't Blame Me
Gitarre:
John Collins (US jazz guitarist) (am 1955-07-14)
Klavier:
Nat King Cole (am 1955-07-14)
Kontrabass:
Charlie Harris (jazz bassist) (am 1955-07-14)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1955-07-14)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-07-14)
instrumental cover recording of:
Don’t Blame Me (am 1955-07-14)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) und Ireneadele Publishing
3:05
6Little Girl
Gitarre:
John Collins (US jazz guitarist) (am 1955-07-14)
Klavier:
Nat King Cole (am 1955-07-14)
Kontrabass:
Charlie Harris (jazz bassist) (am 1955-07-14)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1955-07-14)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-07-14)
instrumental cover recording of:
Little Girl (1931 song) (am 1955-07-14)
Verfasser(in):
Francis Henry (in 1931) und Madeline Hyde (in 1931)
1:51
7Polka Dots and Moonbeams
Gitarre:
John Collins (US jazz guitarist) (am 1952-07-18)
Klavier:
Nat King Cole (am 1952-07-18)
Kontrabass:
Charlie Harris (jazz bassist) (am 1952-07-18)
Schlagzeug:
Norris "Bunny" Shawker (am 1952-07-18)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-07-18)
instrumental cover recording of:
Polka Dots and Moonbeams (am 1952-07-18)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher und Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:07
8Down by the Old Mill Stream
Bongos:
Jack Costanzo (am 1952-07-18)
Gitarre:
John Collins (US jazz guitarist) (am 1952-07-18)
Klavier:
Nat King Cole (am 1952-07-18)
Kontrabass:
Charlie Harris (jazz bassist) (am 1952-07-18)
Schlagzeug:
Norris "Bunny" Shawker (am 1952-07-18)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-07-18)
instrumental cover recording of:
Down by the Old Mill Stream (am 1952-07-18)
Texter und Komponist(in):
“Tell” Taylor (Tin Pan Alley songwriter, 1876–1937) (in 1908)
2:21
9If I Should Lose You
Gitarre:
John Collins (US jazz guitarist) (am 1952-07-18)
Klavier:
Nat King Cole (am 1952-07-18)
Kontrabass:
Charlie Harris (jazz bassist) (am 1952-07-18)
Schlagzeug:
Norris "Bunny" Shawker (am 1952-07-18)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-07-18)
instrumental recording of:
If I Should Lose You (am 1952-07-18)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:13
10Rose Room
Bongos:
Jack Costanzo (am 1952-07-18)
Gitarre:
John Collins (US jazz guitarist) (am 1952-07-18)
Klavier:
Nat King Cole (am 1952-07-18)
Kontrabass:
Charlie Harris (jazz bassist) (am 1952-07-18)
Schlagzeug:
Norris "Bunny" Shawker (am 1952-07-18)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-07-18)
instrumental cover recording of:
Rose Room (am 1952-07-18)
Texter:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
Komponist(in):
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group und Warner/Chappell Music, Inc.
2:49
11I Surrender Dear
Gitarre:
John Collins (US jazz guitarist) (am 1955-07-14)
Klavier:
Nat King Cole (am 1955-07-14)
Kontrabass:
Charlie Harris (jazz bassist) (am 1955-07-14)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1955-07-14)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-07-14)
instrumental cover recording of:
I Surrender Dear (am 1955-07-14)
Texter:
Gordon Clifford (in 1931)
Komponist(in):
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
3:00
12It Could Happen to You
Gitarre:
John Collins (US jazz guitarist) (am 1955-07-14)
Klavier:
Nat King Cole (am 1955-07-14)
Kontrabass:
Charlie Harris (jazz bassist) (am 1955-07-14)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1955-07-14)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-07-14)
instrumental recording of:
It Could Happen to You (am 1955-07-14)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony und Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
2:48
13Love Walked In
Bass:
Charlie Harris (jazz bassist) (am 1955-08-18)
Bratsche / Viola:
Stanley Spiegelman (am 1955-08-18) und Dave Sterkin (am 1955-08-18)
Cello:
Armand Kaproff (am 1955-08-18), Edgar Lustgarten (am 1955-08-18) und Eleanor Slatkin (US cellist, b. Aller) (am 1955-08-18)
Geige / Violine:
Victor Bay (am 1955-08-18), Alex Beller (am 1955-08-18), Sam Cytron (am 1955-08-18), Dan Lube (am 1955-08-18), Erno Neufeld (am 1955-08-18), Nathan Ross (am 1955-08-18), Mischa Russell (violinist) (am 1955-08-18) und Marshall Sosson (am 1955-08-18)
Gitarre:
John Collins (US jazz guitarist) (am 1955-08-18)
Klavier:
Nat King Cole (am 1955-08-18) und Bill Miller (pianist) (am 1955-08-18)
Rohrblattinstrumente:
Harry Klee (am 1955-08-18), Wilbur Schwartz (am 1955-08-18), Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1955-08-18) und Champ Webb (am 1955-08-18)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1955-08-18)
Waldhorn:
Jack Cave (am 1955-08-18)
Orchester:
Nelson Riddle and His Orchestra (am 1955-08-18)
conductor:
Nelson Riddle (am 1955-08-18)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-18)
instrumental cover recording of:
Love Walked In (am 1955-08-18)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Gershwin Publishing Corp (in 1938)
Teil von:
The Goldwyn Follies
3:29
14My Heart Stood Still
Klavier:
Nat King Cole (am 1955-06-07)
Orchester:
Nelson Riddle and His Orchestra (am 1955-06-07)
conductor:
Nelson Riddle (am 1955-06-07)
arranger:
Nelson Riddle
aufgenommen bei:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1955-06-07)
instrumental cover recording of:
My Heart Stood Still (am 1955-06-07)
Texter:
Lorenz Hart (in 1927)
Komponist(in):
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
One Dam Thing After Another
1:42
15Imagination
Bass:
Charlie Harris (jazz bassist) (am 1955-08-18)
Bratsche / Viola:
Stanley Spiegelman (am 1955-08-18) und Dave Sterkin (am 1955-08-18)
Cello:
Armand Kaproff (am 1955-08-18), Edgar Lustgarten (am 1955-08-18) und Eleanor Slatkin (US cellist, b. Aller) (am 1955-08-18)
Geige / Violine:
Victor Bay (am 1955-08-18), Alex Beller (am 1955-08-18), Sam Cytron (am 1955-08-18), Dan Lube (am 1955-08-18), Erno Neufeld (am 1955-08-18), Nathan Ross (am 1955-08-18), Mischa Russell (violinist) (am 1955-08-18), Eudice Shapiro (Violinist) (am 1955-08-18) und Marshall Sosson (am 1955-08-18)
Gitarre:
John Collins (US jazz guitarist) (am 1955-08-18)
Klavier:
Nat King Cole (am 1955-08-18) und Bill Miller (pianist) (am 1955-08-18)
Rohrblattinstrumente:
Harry Klee (am 1955-08-18), Wilbur Schwartz (am 1955-08-18), Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1955-08-18) und Champ Webb (am 1955-08-18)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1955-08-18)
Waldhorn:
Jack Cave (am 1955-08-18)
Orchester:
Nelson Riddle and His Orchestra (am 1955-08-18)
conductor:
Nelson Riddle (am 1955-08-18)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-18)
instrumental cover recording of:
Imagination (am 1955-08-18)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
3:29
16I Never Knew
Klavier:
Nat King Cole (am 1955-06-07)
Orchester:
Nelson Riddle and His Orchestra (am 1955-06-07)
conductor:
Nelson Riddle (am 1955-06-07)
arranger:
Nelson Riddle
aufgenommen bei:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1955-06-07)
recording of:
I Never Knew (am 1955-06-07)
Texter:
Gus Kahn
Komponist(in):
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Gilbert Keyes Music Company
2:35
17Stella by Starlight
Bass:
Charlie Harris (jazz bassist) (am 1955-08-18)
Bratsche / Viola:
Stanley Spiegelman (am 1955-08-18) und Dave Sterkin (am 1955-08-18)
Cello:
Armand Kaproff (am 1955-08-18), Edgar Lustgarten (am 1955-08-18) und Eleanor Slatkin (US cellist, b. Aller) (am 1955-08-18)
Geige / Violine:
Victor Bay (am 1955-08-18), Alex Beller (am 1955-08-18), Sam Cytron (am 1955-08-18), Dan Lube (am 1955-08-18), Erno Neufeld (am 1955-08-18), Nathan Ross (am 1955-08-18), Mischa Russell (violinist) (am 1955-08-18) und Marshall Sosson (am 1955-08-18)
Gitarre:
John Collins (US jazz guitarist) (am 1955-08-18)
Klavier:
Nat King Cole (am 1955-08-18) und Bill Miller (pianist) (am 1955-08-18)
Rohrblattinstrumente:
Harry Klee (am 1955-08-18), Wilbur Schwartz (am 1955-08-18), Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1955-08-18) und Champ Webb (am 1955-08-18)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1955-08-18)
Waldhorn:
Jack Cave (am 1955-08-18)
Orchester:
Nelson Riddle and His Orchestra (am 1955-08-18)
conductor:
Nelson Riddle (am 1955-08-18)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-18)
instrumental cover recording of:
Stella by Starlight (am 1955-08-18)
Texter:
Ned Washington (in 1946)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:49
18What Can I Say After I Say I'm Sorry
Klavier:
Nat King Cole (am 1955-06-11)
Orchester:
Nelson Riddle and His Orchestra (am 1955-06-11)
conductor:
Nelson Riddle (am 1955-06-11)
arranger:
Nelson Riddle
aufgenommen bei:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1955-06-11)
instrumental cover recording of:
What Can I Say After I Say I’m Sorry? (am 1955-06-11)
Texter und Komponist(in):
Walter Donaldson (in 1926) und Abe Lyman (in 1926)
2:27
19I Didn't Know What Time It Was
Bass:
Charlie Harris (jazz bassist) (am 1955-08-23)
Bassposaune:
George Roberts (american bass trombone) (am 1955-08-23)
Bratsche / Viola:
Stanley Spiegelman (am 1955-08-23) und Dave Sterkin (am 1955-08-23)
Cello:
Victor Gottlieb (am 1955-08-23), Ray Kramer (am 1955-08-23) und Eleanor Slatkin (US cellist, b. Aller) (am 1955-08-23)
Geige / Violine:
Victor Bay (am 1955-08-23), Alex Beller (am 1955-08-23), Harold Dicterow (am 1955-08-23), Dan Lube (am 1955-08-23), Erno Neufeld (am 1955-08-23), Nathan Ross (am 1955-08-23), Eudice Shapiro (Violinist) (am 1955-08-23) und Marshall Sosson (am 1955-08-23)
Gitarre:
John Collins (US jazz guitarist) (am 1955-08-23)
Klavier:
Nat King Cole (am 1955-08-23) und Bill Miller (pianist) (am 1955-08-23)
Posaune:
Joe Howard (american trombone player) (am 1955-08-23), Murray McEachern (am 1955-08-23) und Jimmy Priddy (am 1955-08-23)
Rohrblattinstrumente:
Harry Klee (am 1955-08-23), Wilbur Schwartz (am 1955-08-23) und Bill Smith (American clarinetist and composer) (am 1955-08-23)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1955-08-23)
Trompete:
Conrad Gozzo (am 1955-08-23)
Ventilposaune:
Juan Tizol (am 1955-08-23)
Orchester:
Nelson Riddle and His Orchestra (am 1955-08-23)
conductor:
Nelson Riddle (am 1955-08-23)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-23) und Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-23)
instrumental cover recording of:
I Didn’t Know What Time It Was (Pal Joey) (am 1955-08-23)
Texter:
Lorenz Hart (in 1939)
Komponist(in):
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. und Williamson Music Company
Teil von:
Pal Joey
3:10
20Takin' a Chance on Love
Klavier:
Nat King Cole (am 1955-06-11)
Orchester:
Nelson Riddle and His Orchestra (am 1955-06-11)
conductor:
Nelson Riddle (am 1955-06-11)
arranger:
Nelson Riddle
aufgenommen bei:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1955-06-11)
instrumental cover recording of:
Taking a Chance on Love (am 1955-06-11)
Texter:
Ted Fetter und John Latouche
Komponist(in):
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. und Taking a Chance on Love Music Company
Teil von:
Cabin in the Sky
2:05
21April in Paris
Bass:
Charlie Harris (jazz bassist) (am 1955-08-18)
Bratsche / Viola:
Stanley Spiegelman (am 1955-08-18) und Dave Sterkin (am 1955-08-18)
Cello:
Armand Kaproff (am 1955-08-18), Edgar Lustgarten (am 1955-08-18) und Eleanor Slatkin (US cellist, b. Aller) (am 1955-08-18)
Geige / Violine:
Victor Bay (am 1955-08-18), Alex Beller (am 1955-08-18), Sam Cytron (am 1955-08-18), Dan Lube (am 1955-08-18), Erno Neufeld (am 1955-08-18), Nathan Ross (am 1955-08-18), Mischa Russell (violinist) (am 1955-08-18) und Marshall Sosson (am 1955-08-18)
Gitarre:
John Collins (US jazz guitarist) (am 1955-08-18)
Klavier:
Nat King Cole (am 1955-08-18) und Bill Miller (pianist) (am 1955-08-18)
Rohrblattinstrumente:
Harry Klee (am 1955-08-18), Wilbur Schwartz (am 1955-08-18), Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1955-08-18) und Champ Webb (am 1955-08-18)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1955-08-18)
Waldhorn:
Jack Cave (am 1955-08-18)
Orchester:
Nelson Riddle and His Orchestra (am 1955-08-18)
conductor:
Nelson Riddle (am 1955-08-18)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-18)
instrumental cover recording of:
April in Paris (am 1955-08-18)
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:51
22I Want to Be Happy
alto saxophone:
Wilbur Schwartz (am 1955-08-27) und Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1955-08-27)
baritone saxophone:
Chuck Gentry (am 1955-08-27)
Bass:
Charlie Harris (jazz bassist) (am 1955-08-27)
Bassposaune:
George Roberts (american bass trombone) (am 1955-08-27)
Gitarre:
John Collins (US jazz guitarist) (am 1955-08-27)
Klavier:
Nat King Cole (am 1955-08-27) und Bill Miller (pianist) (am 1955-08-27)
Posaune:
Murray McEachern (am 1955-08-27) und Dick Noel (trombone) (am 1955-08-27)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1955-08-27)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1955-08-27) und Buck Skalak (am 1955-08-27)
Trompete:
Frank Beach (trombone, trumpet) (am 1955-08-27), Manny Klein (am 1955-08-27), Ray Linn (am 1955-08-27) und Vito N. Mangano (am 1955-08-27)
Ventilposaune:
Juan Tizol (am 1955-08-27)
Orchester:
Nelson Riddle and His Orchestra (am 1955-08-27)
conductor:
Nelson Riddle (am 1955-08-27)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-27) und Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-27)
instrumental cover recording of:
I Want to Be Happy (No, No, Nanette) (am 1955-08-27)
Texter:
Irving Caesar und Otto Harbach
Komponist(in):
Vincent Youmans
Teil von:
No, No, Nanette
1:47
23I See Your Face Before Me
Bass:
Charlie Harris (jazz bassist) (am 1955-08-18)
Bratsche / Viola:
Stanley Spiegelman (am 1955-08-18) und Dave Sterkin (am 1955-08-18)
Cello:
Armand Kaproff (am 1955-08-18), Edgar Lustgarten (am 1955-08-18) und Eleanor Slatkin (US cellist, b. Aller) (am 1955-08-18)
Geige / Violine:
Victor Bay (am 1955-08-18), Alex Beller (am 1955-08-18), Sam Cytron (am 1955-08-18), Dan Lube (am 1955-08-18), Erno Neufeld (am 1955-08-18), Nathan Ross (am 1955-08-18), Mischa Russell (violinist) (am 1955-08-18) und Marshall Sosson (am 1955-08-18)
Gitarre:
John Collins (US jazz guitarist) (am 1955-08-18)
Klavier:
Nat King Cole (am 1955-08-18) und Bill Miller (pianist) (am 1955-08-18)
Rohrblattinstrumente:
Harry Klee (am 1955-08-18), Wilbur Schwartz (am 1955-08-18), Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1955-08-18) und Champ Webb (am 1955-08-18)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1955-08-18)
Waldhorn:
Jack Cave (am 1955-08-18)
Orchester:
Nelson Riddle and His Orchestra (am 1955-08-18)
conductor:
Nelson Riddle (am 1955-08-18)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-18)
instrumental cover recording of:
I See Your Face Before Me (am 1955-08-18)
Texter und Komponist(in):
Howard Dietz (librettist) und Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd. und Chappell & Co.
2:35
24Just One of Those Things
alto saxophone:
Wilbur Schwartz (am 1955-08-27) und Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1955-08-27)
baritone saxophone:
Chuck Gentry (am 1955-08-27)
Bass:
Charlie Harris (jazz bassist) (am 1955-08-27)
Bassposaune:
George Roberts (american bass trombone) (am 1955-08-27)
Gitarre:
John Collins (US jazz guitarist) (am 1955-08-27)
Klavier:
Nat King Cole (am 1955-08-27) und Bill Miller (pianist) (am 1955-08-27)
Posaune:
Murray McEachern (am 1955-08-27) und Dick Noel (trombone) (am 1955-08-27)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1955-08-27)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1955-08-27) und Buck Skalak (am 1955-08-27)
Trompete:
Frank Beach (trombone, trumpet) (am 1955-08-27), Manny Klein (am 1955-08-27), Ray Linn (am 1955-08-27) und Vito N. Mangano (am 1955-08-27)
Ventilposaune:
Juan Tizol (am 1955-08-27)
Orchester:
Nelson Riddle and His Orchestra (am 1955-08-27)
conductor:
Nelson Riddle (am 1955-08-27)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-27)
instrumental cover recording of:
Just One of Those Things (am 1955-08-27)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
3:09
25I Get a Kick Out of You
Bass:
Charlie Harris (jazz bassist) (am 1955-08-23)
Bassposaune:
George Roberts (american bass trombone) (am 1955-08-23)
Bratsche / Viola:
Stanley Spiegelman (am 1955-08-23) und Dave Sterkin (am 1955-08-23)
Cello:
Victor Gottlieb (am 1955-08-23), Ray Kramer (am 1955-08-23) und Eleanor Slatkin (US cellist, b. Aller) (am 1955-08-23)
Geige / Violine:
Victor Bay (am 1955-08-23), Alex Beller (am 1955-08-23), Harold Dicterow (am 1955-08-23), Dan Lube (am 1955-08-23), Erno Neufeld (am 1955-08-23), Nathan Ross (am 1955-08-23), Eudice Shapiro (Violinist) (am 1955-08-23) und Marshall Sosson (am 1955-08-23)
Gitarre:
John Collins (US jazz guitarist) (am 1955-08-23)
Klavier:
Nat King Cole (am 1955-08-23) und Bill Miller (pianist) (am 1955-08-23)
Posaune:
Joe Howard (american trombone player) (am 1955-08-23), Murray McEachern (am 1955-08-23) und Jimmy Priddy (am 1955-08-23)
Rohrblattinstrumente:
Harry Klee (am 1955-08-23), Wilbur Schwartz (am 1955-08-23) und Bill Smith (American clarinetist and composer) (am 1955-08-23)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1955-08-23)
Trompete:
Conrad Gozzo (am 1955-08-23)
Ventilposaune:
Juan Tizol (am 1955-08-23)
Orchester:
Nelson Riddle and His Orchestra (am 1955-08-23)
conductor:
Nelson Riddle (am 1955-08-23)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-23)
instrumental cover recording of:
I Get a Kick Out of You (am 1955-08-23)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
3:23
26If I Could Be With You One Hour Tonight
Bass:
Charlie Harris (jazz bassist) (am 1955-08-23)
Bassposaune:
George Roberts (american bass trombone) (am 1955-08-23)
Bratsche / Viola:
Stanley Spiegelman (am 1955-08-23) und Dave Sterkin (am 1955-08-23)
Cello:
Victor Gottlieb (am 1955-08-23), Ray Kramer (am 1955-08-23) und Eleanor Slatkin (US cellist, b. Aller) (am 1955-08-23)
Geige / Violine:
Victor Bay (am 1955-08-23), Alex Beller (am 1955-08-23), Harold Dicterow (am 1955-08-23), Dan Lube (am 1955-08-23), Erno Neufeld (am 1955-08-23), Nathan Ross (am 1955-08-23), Eudice Shapiro (Violinist) (am 1955-08-23) und Marshall Sosson (am 1955-08-23)
Gitarre:
John Collins (US jazz guitarist) (am 1955-08-23)
Klavier:
Nat King Cole (am 1955-08-23) und Bill Miller (pianist) (am 1955-08-23)
Posaune:
Joe Howard (american trombone player) (am 1955-08-23), Murray McEachern (am 1955-08-23) und Jimmy Priddy (am 1955-08-23)
Rohrblattinstrumente:
Harry Klee (am 1955-08-23), Wilbur Schwartz (am 1955-08-23) und Bill Smith (American clarinetist and composer) (am 1955-08-23)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1955-08-23)
Trompete:
Conrad Gozzo (am 1955-08-23)
Ventilposaune:
Juan Tizol (am 1955-08-23)
Orchester:
Nelson Riddle and His Orchestra (am 1955-08-23)
conductor:
Nelson Riddle (am 1955-08-23)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-23)
instrumental cover recording of:
If I Could Be With You (One Hour Tonight) (am 1955-08-23)
Texter:
Henry Creamer (Lyricist) (in 1926)
Komponist(in):
James P. Johnson (in 1926)
recording of:
If I Could Be With You (One Hour Tonight)
Texter:
Henry Creamer (Lyricist) (in 1926)
Komponist(in):
James P. Johnson (in 1926)
instrumental recording of:
If I Could Be With You (One Hour Tonight)
Texter:
Henry Creamer (Lyricist) (in 1926)
Komponist(in):
James P. Johnson (in 1926)
2:41
27I Hear Music
Klavier:
Nat King Cole (am 1955-06-07)
Orchester:
Nelson Riddle and His Orchestra (am 1955-06-07)
conductor:
Nelson Riddle (am 1955-06-07)
arranger:
Nelson Riddle
aufgenommen bei:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1955-06-07)
instrumental cover recording of:
I Hear Music (Dancing on a Dime) (am 1955-06-07)
Texter:
Frank Loesser
Komponist(in):
Burton Lane
publisher:
Sony/ATV Harmony
sub-publisher:
Sony Music Publishing France
3:05
28Tea for Two
Klavier:
Nat King Cole (am 1955-06-07)
Orchester:
Nelson Riddle and His Orchestra (am 1955-06-07)
conductor:
Nelson Riddle (am 1955-06-07)
arranger:
Nelson Riddle
aufgenommen bei:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1955-06-07)
instrumental cover recording of:
Tea for Two (No, No, Nanette) (am 1955-06-07)
Texter:
Irving Caesar
Komponist(in):
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
No, No, Nanette
recording of:
Tea for Two (No, No, Nanette)
Texter:
Irving Caesar
Komponist(in):
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
No, No, Nanette
instrumental recording of:
Tea for Two (No, No, Nanette)
Texter:
Irving Caesar
Komponist(in):
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
No, No, Nanette
2:31

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