Smooth 70’s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ & © «2018 Warner Music Group - X5 Music Group»

Countries where available (Spotify + Deezer)

(As of 2020-04-04).

  • Northern America: 🇨🇦 Canada (ca) 🇺🇸 United States (us)
Anmerkung zuletzt geändert am 2020-04-04 12:10 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Street Life (edit)
recording of:
Street Life
Verfasser(in):
Will Jennings und Joe Sample
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Four Knights Music, Four Knights Music Co., Fujipacific Music, Inc., Irving Music, Inc., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Randy Crawford4:49
2December, 1963 (Oh What a Night!)
recording of:
December, 1963 (Oh, What a Night)
Texter:
Bob Gaudio und Judy Parker
Komponist(in):
Bob Gaudio
publisher:
EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. und Seasons Music Co.
Frankie Valli & The Four Seasons3:21
3Could It Be I’m Falling in Love
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Thom Bell (keyboards, songwriter, producer)
Bass:
Ron Baker (record producer, bassist, arranger and songwriter) (in 1973)
Klavier:
Thom Bell (keyboards, songwriter, producer) (in 1973)
Perkussion [vibraphone, marimba]:
Vince Montana (in 1973)
Schlagzeug:
Earl Young (in 1973)
Baritongesang:
Henry Fambrough (A member of the R&B quintet The Spinners) (in 1973)
Bass-Gesang:
Pervis Jackson (The bass singer for The Spinners) (in 1973)
Hintergrundgesang:
Yvette Benson (in 1973), Carla Benton (in 1973) und Barbara Ingram (in 1973)
Tenor-Gesang:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) und Philippé Wynne (A lead vocalist of The Spinners) (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 221)
recording of:
Could It Be I’m Falling in Love (in 1973)
Verfasser(in):
Melvin Steals und Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4.54:10
4She’s Gone
recorded in:
New York, New York, Vereinigte Staaten (in 1973)
Produzent(in):
Arif Mardin
Bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
E-Gitarre, mellotron und Synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
Gitarre:
John Oates (in 1973)
Hybrid-Piano:
Daryl Hall (in 1973)
Perkussion:
Ralph MacDonald (in 1973)
Schlagzeug:
Bernard “Pretty” Purdie (in 1973)
Tenorsaxophon:
Joe Farrell (in 1973)
Sologesang:
Daryl Hall (in 1973) und John Oates (in 1973)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 336)
recording of:
She’s Gone (in 1973)
Texter und Komponist(in):
Daryl Hall und John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:13
5I’d Love You to Want Me
recording of:
I’d Love You to Want Me
Texter und Komponist(in):
Kent LaVoie (American singer-songwriter Roland Kent LaVoie)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Lobo34:04
6(Where Do I Begin) Love Story
Produzent(in):
Johnny Harris (Scottish composer, conductor)
vocals:
Shirley Bassey (Welsh singer)
conductor:
Johnny Harris (Scottish composer, conductor)
arranger:
Johnny Harris (Scottish composer, conductor)
recording of:
(Where Do I Begin?) Love Story (Love Story)
Texter:
Carl Sigman
Komponist(in):
Francis Lai (French composer)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Melodie der Welt (publisher), Music Sales Corporation (American copyright holder in both popular and classical music), Sony/ATV Harmony und Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Windswept Music (London) Limited, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Version von:
Theme From Love Story (Instrumental)
Shirley Bassey3:15
7Just When I Needed You Most
Produzent(in):
Del Newman (British conductor, orchestrator, arranger)
phonographisches Urheberrecht (℗) von:
Bearsville Records Inc. (in 1979) und Rhino Records, Inc. (company credits only; not for release label use!) (in 1979)
recording of:
Just When I Needed You Most
Texter und Komponist(in):
Randy VanWarmer
publisher:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Randy VanWarmer4:02
8Everything I Own
Sologesang:
David Gates (singer/songwriter, lead singer of Bread)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
recording of:
Everything I Own
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. und Sony/ATV Music Publishing (UK) Ltd.
Bread4.353:07
9Until You Come Back to Me (That’s What I’m Gonna Do)
Techniker(in):
Lew Hahn
Produzent(in):
Aretha Franklin, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1973-09-07)
Gitarre:
Hugh McCracken (am 1973-09-07)
Hybrid-Piano:
Donny Hathaway (am 1973-09-07)
Klavier und Sologesang:
Aretha Franklin (am 1973-09-07)
Orgel:
Richard Tee (am 1973-09-07)
Schlagzeug:
Bernard “Pretty” Purdie (am 1973-09-07)
Solo-flute:
Joe Farrell (am 1973-09-07)
Synthesizer:
Ken Bichel (keyboardist) (am 1973-09-07)
Hintergrundgesang:
Margaret Branch (am 1973-09-07), Ann S. Clark (am 1973-09-07) und Pat Smith (soul vocalist) (am 1973-09-07)
arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (am 1973-09-07)
Verfasser(in):
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul und Stevie Wonder
publisher:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau und Stone Agate Music
Aretha Franklin4.353:28
10Wishing on a Star
recording of:
Wishing on a Star
Texter und Komponist(in):
Billie Calvin (Billie Rae Calvin)
publisher:
Warner/Chappell North America
Rose Royce44:53
11Year of the Cat
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
Al Stewart (UK folk singer/songwriter) (in 1976)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
mixed at:
Davlen Sound Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 13)
recording of:
Year of the Cat
Verfasser(in):
Al Stewart (UK folk singer/songwriter) und Peter Wood (UK keyboardist/pianist)
publisher:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.456:34
12Summer Breeze
Produzent(in):
Louie Shelton
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1972)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 10)
recording of:
Summer Breeze
Texter:
James Seals
Komponist(in):
Dash Crofts und James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals & Crofts4.253:22
13Rainy Night in Georgia
Produzent(in):
Arif Mardin
Bass:
Harold Cowart (am 1969-09-11)
Gitarre:
Cornell Dupree (in 1969) und Jim O’Rourke (US musician & producer, b. 1969) (am 1969-09-11)
Instrumente:
Cold Grits (in 1969)
Klavier:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (am 1969-09-11)
Mundharmonika:
Toots Thielemans (in 1969)
Orgel:
Billy Carter (organ, jazz) (am 1969-09-11)
Schlagzeug:
Ron Ziegler (drummer) (am 1969-09-11)
Hintergrundgesang:
The Sweet Inspirations (am 1969-09-11)
arranger:
Arif Mardin
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1969-09-11)
spätere Veröffentlichungen:
Rainy Night in Georgia von Brook Benton
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 498)
cover recording of:
Rainy Night in Georgia (am 1969-09-11)
Texter und Komponist(in):
Tony Joe White
publisher:
Combine Music Corp. und EMI Songs Limited
Brook Benton43:54
14Baby What a Big Surprise
Assistent recording engineer und recording engineer:
Armin Steiner (Saiteninstrumente)
assistierende(r) Techniker(in):
Tom Likes
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
Akustikgitarre und Bass:
James William Guercio (in 1977)
zusätzlich Hintergrundgesang:
Tim Cetera (in 1977) und Carl Wilson (Beach Boys) (in 1977)
Orchestrator(in):
Peter Cetera, Dominic Frontiere und James William Guercio
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977, in 1978), Chicago Records Inc. (in 1977) und Rhino Entertainment Company (not for release label use!) (in 2002, in 2007)
aufgenommen bei:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten und Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten
recording of:
Baby, What a Big Surprise (in 1977)
Orchestrator(in):
Dominic Frontiere
Texter und Komponist(in):
Peter Cetera (in 1977)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Island Music Ltd. und Universal Music Publishing MGB Ltd.
Chicago33:06
15Supernatural Thing
Ben E. King43:24
16A Horse With No Name
Techniker(in):
Robin Black (engineer) und Ken Scott (UK record producer & engineer)
Produzent(in):
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Ian Samwell
zusätzliche(r) Produzent(in):
America (US folk/soft rock band) und Jeff Dexter
Mix:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Akustikgitarre und Sologesang:
Dewey Bunnell (in 1971)
Bassgitarre:
Dan Peek (in 1971)
Perkussion:
Ray Cooper (percussionist) (in 1971)
Schlagzeug:
Kim Haworth (in 1971)
zwölfsaitige Gitarre:
Gerry Beckley (in 1971)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1971)
recording of:
A Horse With No Name (in 1971)
Texter und Komponist(in):
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
America4.254:12
17Native New Yorker
cover recording of:
Native New Yorker
Verfasser(in):
Sandy Linzer und Denny Randell
publisher:
Featherbed Music, Linz Music (US work publisher), Three Wise Boys Music LLC, Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Frankie Valli5:20
18Midnight at the Oasis
Techniker(in):
Lee Herschberg und Donn Landee
Produzent(in):
Joe Boyd (US producer, founder of Hannibal Records) und Lenny Waronker
Mix:
Lee Herschberg
Akustikgitarre:
David Nichtern
Bassgitarre:
Freebo
E-Gitarre:
Amos Garrett
Klavier:
Mark T. Jordan
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
Sprecher:
Greg Prestopino
vocals:
Maria Muldaur
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Midnight at the Oasis
Texter und Komponist(in):
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur43:50
19Love Is the Answer
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
recording of:
Love Is the Answer
Texter und Komponist(in):
Todd Rundgren
publisher:
Earmark Music Inc., Fiction Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
England Dan & John Ford Coley34:45
20Rock Your Baby
recording of:
Rock Your Baby
Verfasser(in):
Harry Wayne Casey, Richard Finch und KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music und Peer Music (UK) Ltd.
George McCrae6:25
21Then Came You
Gast vocals:
Dionne Warwick
Interpret(in):
The Spinners (The Detroit Spinners, US R&B/soul group, aka The Detroit Spinners)
cover recording of:
Then Came You
Verfasser(in):
Sherman Marshall und Philip Pugh
publisher:
Mijac Double Diamond Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Dionne Warwick4.54:01
22Breezin’
cover recording of:
Breezin’
Komponist(in):
Bobby Womack
publisher:
Unart Music Corp. (beendet), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Unart Catalog Inc., Tracebob Music Co., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und 日本アブコ音楽出版 (ABKCO Japan Publishing)
George Benson5:38
23The Ghetto
recording of:
The Ghetto (Donny Hathaway)
Verfasser(in):
Donny Hathaway und Leroy Hutson
publisher:
Don‐Pow und Peer International (BMI; Peer Int'l or Peer-International)
sub-publisher:
Peermusic (UK) Ltd.
Donny Hathaway6:55
24Cats in the Cradle
recording of:
Cat’s in the Cradle
Verfasser(in):
Sandra Campbell Chapin und Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin33:32
25Love Hurts
Techniker(in) und Mix:
Hugh Davies (US recording engineer)
Produzent(in):
Gram Parsons
Akustikgitarre und Sologesang:
Gram Parsons (von 1973-05 bis 1973-09)
Bass:
Emory Gordy (von 1973-05 bis 1973-09)
E-Gitarre:
James Burton (guitarist) (von 1973-05 bis 1973-09)
Gitarre [rhythm guitar]:
Herb Pedersen (in 1973)
Klavier:
Glen D. Hardin (von 1973-05 bis 1973-09)
Pedal-Steel-Gitarre:
Al Perkins (Texas born guitarist esp. steel guitar) (von 1973-05 bis 1973-09)
Schlagzeug:
Ron Tutt (drummer) (von 1973-05 bis 1973-09)
vocals:
Emmylou Harris (von 1973-05 bis 1973-09)
cover recording of:
Love Hurts (in 1973)
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. und Acuff-Rose Publications, Inc. (BMI) (am 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Gram Parsons53:42