Tracklist

1Digital Media
#TitleArtistRatingLength
1Romeo and Juliet, op. 64 (excerpts): Overture
sound engineer:
Fiona Cruickshank (from 2019-01-05 until 2019-01-06)
editor:
John Prestage (engineer)
orchestra:
Orchestra of the Royal Opera House (from 2019-01-05 until 2019-01-06)
conductor:
Koen Kessels (Belgian conductor) (from 2019-01-05 until 2019-01-06)
concertmaster:
Vasko Vassilev (from 2019-01-05 until 2019-01-06)
phonographic copyright (℗) by:
Naxos Rights (Europe) Ltd (in 2020)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2019-01-05 until 2019-01-06)
partial recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 1. Introduction (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev1:26
2Romeo and Juliet, op. 64 (excerpts): Morning in the Market Place
sound engineer:
Fiona Cruickshank (from 2019-01-05 until 2019-01-06)
editor:
John Prestage (engineer)
orchestra:
Orchestra of the Royal Opera House (from 2019-01-05 until 2019-01-06)
conductor:
Koen Kessels (Belgian conductor) (from 2019-01-05 until 2019-01-06)
concertmaster:
Vasko Vassilev (from 2019-01-05 until 2019-01-06)
phonographic copyright (℗) by:
Naxos Rights (Europe) Ltd (in 2020)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2019-01-05 until 2019-01-06)
partial recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 3. The street awakens (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
partial recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 4. Morning dance (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev2:32
3Romeo and Juliet, op. 64 (excerpts): The Montagues and Capulets Fight
sound engineer:
Fiona Cruickshank (from 2019-01-05 until 2019-01-06)
editor:
John Prestage (engineer)
orchestra:
Orchestra of the Royal Opera House (from 2019-01-05 until 2019-01-06)
conductor:
Koen Kessels (Belgian conductor) (from 2019-01-05 until 2019-01-06)
concertmaster:
Vasko Vassilev (from 2019-01-05 until 2019-01-06)
phonographic copyright (℗) by:
Naxos Rights (Europe) Ltd (in 2020)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2019-01-05 until 2019-01-06)
partial recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 5. The Quarrel (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
partial recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 6. The fight (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
partial recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 7. The prince gives his order (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 8. Interlude (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev3:44
4Romeo and Juliet, op. 64 (excerpts): Juliet and Her Nurse
sound engineer:
Fiona Cruickshank (from 2019-01-05 until 2019-01-06)
editor:
John Prestage (engineer)
orchestra:
Orchestra of the Royal Opera House (from 2019-01-05 until 2019-01-06)
conductor:
Koen Kessels (Belgian conductor) (from 2019-01-05 until 2019-01-06)
concertmaster:
Vasko Vassilev (from 2019-01-05 until 2019-01-06)
phonographic copyright (℗) by:
Naxos Rights (Europe) Ltd (in 2020)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2019-01-05 until 2019-01-06)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 10. Juliet as a young girl (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev3:21
5Romeo and Juliet, op. 64 (excerpts): Going to the Capulet Ball
sound engineer:
Fiona Cruickshank (from 2019-01-05 until 2019-01-06)
editor:
John Prestage (engineer)
orchestra:
Orchestra of the Royal Opera House (from 2019-01-05 until 2019-01-06)
conductor:
Koen Kessels (Belgian conductor) (from 2019-01-05 until 2019-01-06)
concertmaster:
Vasko Vassilev (from 2019-01-05 until 2019-01-06)
phonographic copyright (℗) by:
Naxos Rights (Europe) Ltd (in 2020)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2019-01-05 until 2019-01-06)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 12. Masks (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev3:00
6Romeo and Juliet, op. 64 (excerpts): Dance of the Knights
sound engineer:
Fiona Cruickshank (from 2019-01-05 until 2019-01-06)
editor:
John Prestage (engineer)
orchestra:
Orchestra of the Royal Opera House (from 2019-01-05 until 2019-01-06)
conductor:
Koen Kessels (Belgian conductor) (from 2019-01-05 until 2019-01-06)
concertmaster:
Vasko Vassilev (from 2019-01-05 until 2019-01-06)
phonographic copyright (℗) by:
Naxos Rights (Europe) Ltd (in 2020)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2019-01-05 until 2019-01-06)
partial recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 12. Masks (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
partial recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev3:35
7Romeo and Juliet, op. 64 (excerpts): Juliet and Paris
sound engineer:
Fiona Cruickshank (from 2019-01-05 until 2019-01-06)
editor:
John Prestage (engineer)
orchestra:
Orchestra of the Royal Opera House (from 2019-01-05 until 2019-01-06)
conductor:
Koen Kessels (Belgian conductor) (from 2019-01-05 until 2019-01-06)
concertmaster:
Vasko Vassilev (from 2019-01-05 until 2019-01-06)
phonographic copyright (℗) by:
Naxos Rights (Europe) Ltd (in 2020)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2019-01-05 until 2019-01-06)
partial recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
partial recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 14. Juliet’s variation (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev2:30
8Romeo and Juliet, op. 64 (excerpts): Romeo Dances for Juliet
sound engineer:
Fiona Cruickshank (from 2019-01-05 until 2019-01-06)
editor:
John Prestage (engineer)
orchestra:
Orchestra of the Royal Opera House (from 2019-01-05 until 2019-01-06)
conductor:
Koen Kessels (Belgian conductor) (from 2019-01-05 until 2019-01-06)
concertmaster:
Vasko Vassilev (from 2019-01-05 until 2019-01-06)
phonographic copyright (℗) by:
Naxos Rights (Europe) Ltd (in 2020)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2019-01-05 until 2019-01-06)
partial recording of:
Romeo and Juliet, op. 64: Act III, Scene III. No. 48. Morning serenade (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev2:18
9Romeo and Juliet, op. 64 (excerpts): Juliet Dances
sound engineer:
Fiona Cruickshank (from 2019-01-05 until 2019-01-06)
editor:
John Prestage (engineer)
orchestra:
Orchestra of the Royal Opera House (from 2019-01-05 until 2019-01-06)
conductor:
Koen Kessels (Belgian conductor) (from 2019-01-05 until 2019-01-06)
concertmaster:
Vasko Vassilev (from 2019-01-05 until 2019-01-06)
phonographic copyright (℗) by:
Naxos Rights (Europe) Ltd (in 2020)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2019-01-05 until 2019-01-06)
partial recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 14. Juliet’s variation (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev1:57
10Romeo and Juliet, op. 64 (excerpts): Mercutio Intervenes
sound engineer:
Fiona Cruickshank (from 2019-01-05 until 2019-01-06)
editor:
John Prestage (engineer)
orchestra:
Orchestra of the Royal Opera House (from 2019-01-05 until 2019-01-06)
conductor:
Koen Kessels (Belgian conductor) (from 2019-01-05 until 2019-01-06)
concertmaster:
Vasko Vassilev (from 2019-01-05 until 2019-01-06)
phonographic copyright (℗) by:
Naxos Rights (Europe) Ltd (in 2020)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2019-01-05 until 2019-01-06)
partial recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 15. Mercutio (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev1:34
11Romeo and Juliet, op. 64 (excerpts): Romeo and Juliet Are Entranced
sound engineer:
Fiona Cruickshank (from 2019-01-05 until 2019-01-06)
editor:
John Prestage (engineer)
orchestra:
Orchestra of the Royal Opera House (from 2019-01-05 until 2019-01-06)
conductor:
Koen Kessels (Belgian conductor) (from 2019-01-05 until 2019-01-06)
concertmaster:
Vasko Vassilev (from 2019-01-05 until 2019-01-06)
phonographic copyright (℗) by:
Naxos Rights (Europe) Ltd (in 2020)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2019-01-05 until 2019-01-06)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 16. Madrigal (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev3:07
12Romeo and Juliet, op. 64 (excerpts): Tybalt Interrupts
sound engineer:
Fiona Cruickshank (from 2019-01-05 until 2019-01-06)
editor:
John Prestage (engineer)
orchestra:
Orchestra of the Royal Opera House (from 2019-01-05 until 2019-01-06)
conductor:
Koen Kessels (Belgian conductor) (from 2019-01-05 until 2019-01-06)
concertmaster:
Vasko Vassilev (from 2019-01-05 until 2019-01-06)
phonographic copyright (℗) by:
Naxos Rights (Europe) Ltd (in 2020)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2019-01-05 until 2019-01-06)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 17. Tybalt recognizes Romeo (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev1:38
13Romeo and Juliet, op. 64 (excerpts): Guests Depart
sound engineer:
Fiona Cruickshank (from 2019-01-05 until 2019-01-06)
editor:
John Prestage (engineer)
orchestra:
Orchestra of the Royal Opera House (from 2019-01-05 until 2019-01-06)
conductor:
Koen Kessels (Belgian conductor) (from 2019-01-05 until 2019-01-06)
concertmaster:
Vasko Vassilev (from 2019-01-05 until 2019-01-06)
phonographic copyright (℗) by:
Naxos Rights (Europe) Ltd (in 2020)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2019-01-05 until 2019-01-06)
partial recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 18. Departure of the guests (Gavotte) (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev1:34
14Romeo and Juliet, op. 64 (excerpts): Balcony Scene
sound engineer:
Fiona Cruickshank (from 2019-01-05 until 2019-01-06)
editor:
John Prestage (engineer)
orchestra:
Orchestra of the Royal Opera House (from 2019-01-05 until 2019-01-06)
conductor:
Koen Kessels (Belgian conductor) (from 2019-01-05 until 2019-01-06)
concertmaster:
Vasko Vassilev (from 2019-01-05 until 2019-01-06)
phonographic copyright (℗) by:
Naxos Rights (Europe) Ltd (in 2020)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2019-01-05 until 2019-01-06)
partial recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 19. Balcony scene (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 20. Romeo’s variation (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
partial recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 21. Love dance (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev7:17
15Romeo and Juliet, op. 64 (excerpts): The Market Place
sound engineer:
Fiona Cruickshank (from 2019-01-05 until 2019-01-06)
editor:
John Prestage (engineer)
orchestra:
Orchestra of the Royal Opera House (from 2019-01-05 until 2019-01-06)
conductor:
Koen Kessels (Belgian conductor) (from 2019-01-05 until 2019-01-06)
concertmaster:
Vasko Vassilev (from 2019-01-05 until 2019-01-06)
phonographic copyright (℗) by:
Naxos Rights (Europe) Ltd (in 2020)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2019-01-05 until 2019-01-06)
partial recording of:
Romeo and Juliet, op. 64: Act II, Scene I. No. 22. Folk dance (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
partial recording of:
Romeo and Juliet, op. 64: Act II, Scene I. No. 23. Romeo and Mercutio (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
partial recording of:
Romeo and Juliet, op. 64: Act II, Scene I. No. 24. Dance of the five couples (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev4:04
16Romeo and Juliet, op. 64 (excerpts): The Nurse Gives Romeo a Letter
sound engineer:
Fiona Cruickshank (from 2019-01-05 until 2019-01-06)
editor:
John Prestage (engineer)
orchestra:
Orchestra of the Royal Opera House (from 2019-01-05 until 2019-01-06)
conductor:
Koen Kessels (Belgian conductor) (from 2019-01-05 until 2019-01-06)
concertmaster:
Vasko Vassilev (from 2019-01-05 until 2019-01-06)
phonographic copyright (℗) by:
Naxos Rights (Europe) Ltd (in 2020)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2019-01-05 until 2019-01-06)
recording of:
Romeo and Juliet, op. 64: Act II, Scene I. No. 26. The nurse (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
partial recording of:
Romeo and Juliet, op. 64: Act II, Scene I. No. 27. The nurse gives Romeo the note from Juliet (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev2:17
17Romeo and Juliet, op. 64 (excerpts): Friar Laurence Secretly Marries the Lovers
sound engineer:
Fiona Cruickshank (from 2019-01-05 until 2019-01-06)
editor:
John Prestage (engineer)
orchestra:
Orchestra of the Royal Opera House (from 2019-01-05 until 2019-01-06)
conductor:
Koen Kessels (Belgian conductor) (from 2019-01-05 until 2019-01-06)
concertmaster:
Vasko Vassilev (from 2019-01-05 until 2019-01-06)
phonographic copyright (℗) by:
Naxos Rights (Europe) Ltd (in 2020)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2019-01-05 until 2019-01-06)
partial recording of:
Romeo and Juliet, op. 64: Act II, Scene II. No. 29. Juliet at Friar Laurence’s (from 2019-01-05 until 2019-01-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev2:11
2Digital Media