| # | Title | Artist | Rating | Length |
|---|
| 1 | Roll ’Em Pete | Big Joe Turner | | 2:52 |
| 2 | Shake, Rattle and Roll | Big Joe Turner | | 3:01 |
| 3 | They Call Me Muddy Waters | Muddy Waters | | 3:27 |
| 4 | Stormy Monday Blues | T‐Bone Walker | | 3:01 |
| 5 | Johnny B. Goode- producer:
- Leonard & Phil Chess
- double bass:
- Willie Dixon (on 1958-01-06)
- drums (drum set):
- Jasper Thomas (on 1958-01-06)
- guitar and lead vocals:
- Chuck Berry (on 1958-01-06)
- piano:
- Johnnie Johnson (on 1958-01-06)
- recorded at:
- Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-01-06)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1958 (number: 1), NME: 50 Greatest Guitar Riffs of All Time (number: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (number: 6), Rolling Stone: 500 Greatest Songs of All Time (number: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 33), Helsingin Sanomat: 100 maailman parasta laulua (number: 53) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- Johnny B. Goode (on 1958-01-06)
- lyricist and composer:
- Chuck Berry (in 1955)
- publisher:
- Arc Music , Arc Music Corp. , Isalee Music, Jewel Music Publishing Co. Ltd. and ロックンロール ミュージック
- part of:
- Back to the Future: the Musical
| Chuck Berry | 4.25 | 2:41 |
| 6 | The Golden Gate Gospel Train | The Golden Gate Jubilee Quartet | | 2:37 |
| 7 | How I Got Over | Clara Ward | | 2:58 |
| 8 | Have Mercy, Baby | Billy Ward and His Dominoes | | 2:23 |
| 9 | That’ll Be the Day | Buddy Holly | | 2:17 |
| 10 | Tracks of My Tears | Smokey Robinson & The Miracles | | 2:58 |
| 11 | I Heard It Through the Grapevine- producer:
- Norman Whitfield
- bass [1962 Fender Precision Bass]:
- James Jamerson (from 1967-02-03 until 1967-04-10)
- congas and tambourine:
- Jack Ashford (from 1967-02-03 until 1967-04-10)
- drums (drum set):
- Uriel Jones (from 1967-02-03 until 1967-04-10)
- French horn:
- Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
- guitar [1964 Gibson Firebird III]:
- Eddie Willis (from 1967-02-03 until 1967-04-10)
- guitar [Fender Telecaster with Jazzmaster Neck]:
- Joe Messina (from 1967-02-03 until 1967-04-10)
- Hammond organ [B-3]:
- Earl Van Dyke (from 1967-02-03 until 1967-04-10)
- instruments:
- The Funk Brothers (from 1967-02-03 until 1967-04-10)
- tom-tom:
- Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
- Wurlitzer electric piano:
- Johnny Griffith (from 1967-02-03 until 1967-04-10)
- background vocals:
- The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
- lead vocals:
- Marvin Gaye (from 1967-02-03 until 1967-04-10)
- orchestra:
- Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
- strings arranger:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- orchestrator:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- phonographic copyright (℗) by:
- Motown Record Company (in 1968)
- recorded at and mixed at:
- Hitsville in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (number: 307)
- cover recording of:
- I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
- writer:
- Barrett Strong and Norman Whitfield
- publisher:
- EMI Music Publishing Ltd. , EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music , Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
| Marvin Gaye | 3.7 | 3:19 |
| 12 | Papa’s Got a Brand New Bag | James Brown | | 2:09 |
| 13 | Cold Sweat | James Brown | | 7:35 |
| 14 | Think | Aretha Franklin | 3.65 | 2:20 |
| 15 | Until You Come Back to Me (That’s What I’m Gonna Do)- engineer:
- Lew Hahn
- producer:
- Aretha Franklin, Arif Mardin and Jerry Wexler
- mixer:
- Arif Mardin
- bass:
- Chuck Rainey (on 1973-09-07)
- drums (drum set):
- Bernard “Pretty” Purdie (on 1973-09-07)
- electric piano:
- Donny Hathaway (on 1973-09-07)
- guitar:
- Hugh McCracken (on 1973-09-07)
- organ:
- Richard Tee (on 1973-09-07)
- piano and lead vocals:
- Aretha Franklin (on 1973-09-07)
- solo flute:
- Joe Farrell (on 1973-09-07)
- synthesizer:
- Ken Bichel (on 1973-09-07)
- background vocals:
- Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (on 1973-09-07)
- arranger:
- Arif Mardin
- phonographic copyright (℗) by:
- WEA International Inc. (in 1973) and Atlantic Recording Corporation (in 1974)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
- recording of:
- Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
- writer:
- Morris Broadnax , Clarence Paul and Stevie Wonder
- publisher:
- Blackbull Music, Jobete Music , Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
| Aretha Franklin | 4.35 | 3:25 |
| 16 | Alfie | Dionne Warwick | | 2:47 |
| 17 | Do You Know the Way to San Jose | Dionne Warwick | | 2:58 |
| 18 | Another Hundred People | Stephen Sondheim | | 2:43 |
| 19 | Who’s That Woman | Stephen Sondheim | | 3:34 |
| 20 | Soon | Stephen Sondheim | | 4:10 |
| 21 | Mamas, Don’t Let Your Babies Grow Up to be Cowboys | Willie Nelson & Waylon Jennings | | 2:32 |
| 22 | The Grand Tour | George Jones | 4 | 3:09 |
| 23 | Don’t Get Above Your Raising | Ricky Skaggs | | 3:08 |
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