Essential: Get the Party Started

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Get the Party Started
recording engineer:
Linda Perry (rock singer‐songwriter & producer) (in 2001)
zusätzlich recording engineer:
Bernd Burgdorf (in 2001)
membranophone-Programmierung:
Linda Perry (rock singer‐songwriter & producer)
Programmierung:
Bernd Burgdorf (in 2001)
Schlagzeug-Programmierung:
Linda Perry (rock singer‐songwriter & producer) (in 2001)
Produzent(in):
Linda Perry (rock singer‐songwriter & producer)
assistierende(r) Mix:
Dave Guerrero
Mix:
Dave "Hard Drive" Pensado (mixer) und Dave Guerrero
Hintergrundgesang:
P!nk (American singer/songwriter) (in 2001)
Interpret(in):
Linda Perry (rock singer‐songwriter & producer)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2001)
aufgenommen bei:
LP Studios (California, USA) in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 2001)
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Get the Party Started von P!nk (American singer/songwriter)
Teil von:
Billboard Year-End Hot 100 singles of 2002 (Nummer: 24)
recording of:
Get the Party Started (in 2001)
Texter und Komponist(in):
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony und Stuck in the Throat
P!nk4.43:14
2I Love Rock ’n’ Roll
recording engineer:
Brad Gilderman und Fabian Marasciullo
assistierende(r) Techniker(in):
Marc Lee (US recording engineer) und Javier Valverde
Produzent(in):
Rodney Jerkins
Mix:
Jean‐Marie Horvat
Gitarre:
Paul Umbach
turntable [scratches]:
Corey Chase
Gast Hintergrundgesang:
Sue Ann Carwell und Tyler Collins
Hintergrundgesang:
Ann Marie Bush, Deann Dover, Albert D. Hall, Damien Hall (background vocalist), Maxayan Morguchi, Jeff Pescetto, Jason Scheff, Chris Thompson (vocalist with Manfred Mann’s Earth Band) und Will Wheaton, Jr.
Sologesang:
Britney Spears
phonographisches Urheberrecht (℗) von:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 2001)
Musikvideos:
I Love Rock ’n’ Roll von Britney Spears
cover recording of:
I Love Rock ’n’ Roll
Verfasser(in):
Jake Hooker (rock guitarist, songwriter, producer & manager, member of The Arrows) und Alan Merrill
publisher:
Finchley Music Corp.
Britney Spears2.453:08
3Tragedy
Techniker(in):
Chris McDonnell (engineer)
Produzent(in):
Mark Topham, Karl Twigg und Pete Waterman
Mix:
Dan Frampton (engineer) und Paul Waterman
Bass und Gitarre:
Mark Topham
Keyboard:
Karl Twigg
Schlagzeug [drums]:
Chris McDonnell (engineer)
phonographisches Urheberrecht (℗) von:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1998)
aufgenommen bei und mixed at:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, Vereinigtes Königreich und PWL Studios (London) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
Tragedy
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Music For Unicef, R.S.O. Publishing Ltd., Stigwood Music, Inc., UNICEF (United Nations Children's Fund) und Warner/Chappell (Warner/Chappell Music, Inc.)
Steps3.44:33
4Wake Me Up Before You Go‐Go
assistierende(r) Techniker(in):
Paul Gomersau
Techniker(in):
Chris Porter (engineer and producer)
Produzent(in):
George Michael
Keyboard:
Tommy Eyre
Saxophon:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984, in 2006) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
Musikvideos:
Wake Me Up Before You Go von Wham! (British pop-duo)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 28) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 269)
recording of:
Wake Me Up Before You Go‐Go
Texter und Komponist(in):
George Michael
publisher:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:53
5Hey Ya!
recording engineer:
John Frye (hip hop / R&B mix engineer), Robert Hannon und Pete Novak
Programmierung und Produzent(in):
André 3000
Mix:
Neal Pogue (mix engineer)
Akustikgitarre und Keyboard und Sologesang:
André 3000
Keyboard:
Kevin Kendrick (US soul/funk keyboardist/songwriter)
Musikvideos:
Hey Ya! von OutKast
Teil von:
Sean Michaels: The Top 30 Songs of 2003 (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 10), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 14), Triple J’s Hottest 100: Twenty Years (2013) (Nummer: 18), VH1’s Big Song of 2003 (Nummer: 24), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 180) und Indie 88: Top 500 Indie Rock Songs (Nummer: 198)
recording of:
Hey Ya!
Texter und Komponist(in):
André Benjamin
publisher:
Chrysalis Music, Inc. und Gnat Booty
OutKast43:47
6Girls Just Wanna Have Fun
assistierende(r) Techniker(in):
John Agnello (engineer & producer)
Techniker(in):
William Wittman
zusätzliche(r) Techniker(in):
John Jansen (US recording engineer and producer) und Rod O’Brien
Partner-Produzent(in):
William Wittman
Produzent(in):
Rick Chertoff
Bass:
Eric Bazilian
E-Gitarre:
Rick DiFonzo
elektronisches Schlagzeug / E-Drums:
Anton Fig
Keyboard [keyboards] und Synthesizer [synthesizers]:
Rob Hyman
Hintergrundgesang:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart und Diane Wilson (vocals)
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1994)
produced for:
Red Sox Music Productions, Inc.
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Girls Just Want to Have Fun von Cyndi Lauper
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 63)
recording of:
Girls Just Want to Have Fun
Texter und Komponist(in):
Robert Hazard
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) und Heroic Music (publisher) (in 1983)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:53
7Oh, Pretty Woman
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1964-08-01)
Produzent(in):
Fred Foster
Gitarre:
Jerry Kennedy (am 1964-08-01), Wayne Moss (am 1964-08-01) und Billy Sanford (guitar) (am 1964-08-01)
Klavier:
Floyd Cramer (am 1964-08-01)
Kontrabass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (am 1964-08-01)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1964-08-01)
Perkussion:
Paul Garrison (am 1964-08-01)
Saxophon:
Boots Randolph (am 1964-08-01)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1964-08-01)
zwölfsaitige Gitarre [12 string guitar Epiphone] und Sologesang:
Roy Orbison (am 1964-08-01)
vocals:
Roy Orbison
phonographisches Urheberrecht (℗) von:
Orbison Records, Orbison Records, Inc. und Monument Record Corp. (not for release label use!) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (am 1964-08-01)
Texter und Komponist(in):
Bill Dees (songwriter, singer, guitarist) und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (am 1964-08-26) und Acuff-Rose (BMI) (in 1972)
Roy Orbison4.32:58
8Brown Eyed Girl
recording engineer:
Brooks Arthur (am 1967-03-28)
Produzent(in):
Bert Russell Berns
Bassgitarre:
Eric Gale (am 1967-03-28)
Gitarre:
Al Gorgoni (guitarist, composer, arranger, and producer) (am 1967-03-28), Hugh McCracken (am 1967-03-28) und Van Morrison (am 1967-03-28)
Orgel:
Garry Sherman (mid-20th century composer, arranger & conductor) (am 1967-03-28)
Schlagzeug:
Gary Chester (studio drummer and educator) (am 1967-03-28)
Hintergrundgesang:
The Sweet Inspirations (am 1967-03-28)
Sologesang:
Van Morrison (am 1967-03-28)
Interpret(in):
Van Morrison (am 1967-03-28)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) und Exile Productions Ltd. (not for Label Release) (in 1973)
aufgenommen bei:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-03-28) und A&R Recording Studio (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-04-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 71) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 109)
recording of:
Brown Eyed Girl (von 1967-03-28 bis 1967-04-07)
Texter und Komponist(in):
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) und Polygram Publishing AB (in 1992)
Van Morrison3.53:03
9Sexual Healing
assistierende(r) Techniker(in):
Henri Van Durme und Didier Leonard
Techniker(in):
Dan Bates (Blasinstrumente [horns]), Mike Butcher (recording engineer and guitarist) und John Kovorak
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Marvin Gaye
Mix und Editing:
Harvey Fuqua
Blasinstrumente [horns]:
The L.A. Horn Section und David Stout (American trombonist)
Bongos, Conga, Glocken [bells], Glocken [orchestra bells], Glockenspiel, Hybrid-Piano [Fender Rhodes], Orgel, Schlagzeug, Synthesizer und Zimbel:
Marvin Gaye
Gitarre:
Gordon Banks
Hintergrundgesang:
Gordon Banks, Harvey Fuqua und Marvin Gaye
vocals:
Marvin Gaye
conductor:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (Blasinstrumente [horns])
Blasinstrumente [horns] arranger:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment Inc. (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
aufgenommen bei:
Arco Studios in München, Bayern, Deutschland (Sologesang, Hintergrundgesang), Kendun Recorders in Burbank, California (Kalifornien), Vereinigte Staaten (Blasinstrumente [horns]), Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien und Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien (Sologesang, Hintergrundgesang)
mixed at:
Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien
edited at und remixed at:
Devonshire Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 198) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 231)
recording of:
Sexual Healing
Verfasser(in):
Odell Brown, Marvin Gaye und David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. und April Music Inc. (in 1982)
Marvin Gaye3.653:59
10Let’s Hear It for the Boy
Produzent(in):
George Duke
Mix:
Tom Perry (engineer), Tommy Vicari und Erik Zobler
Analoger Synthesizer [Prophet V], elektronisches Schlagzeug / E-Drums [Linn Drums], Minimoog [Mini-Moog] und Moog [Memory Moog]:
George Duke
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Hintergrundgesang:
George Merrill, Shannon Rubicam und Deniece Williams (US soul/funk vocalist/songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
Texter:
Dean Pitchford
Komponist(in):
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Deniece Williams3.64:23
119 to 5
Produzent(in):
Gregg Perry (American producer, arranger, songwriter and keyboardist)
baritone saxophone:
Kim S. Hutchcroft (in 1980)
Bassgitarre:
Abraham Laboriel (in 1980)
Gitarre:
Jeff Baxter (in 1980) und Martin K. Walsh (in 1980)
Klavier:
Larry Knechtel (in 1980)
Perkussion:
Leonard Castro (in 1980)
Posaune:
William Reichenbach (jazz trombonist) (in 1980)
Saxophon:
Tom Saviano (in 1980)
Schlagzeug:
Richard Schlosser (drummer) (in 1980)
Trompete:
Jerry Hey (in 1980)
Hintergrundgesang:
Anita Ball (in 1980), Denise Maynelli (in 1980) und Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (in 1980)
vocals:
Dolly Parton (in 1980)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1980) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 191)
recording of:
9 to 5 (in 1980)
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music und Velvet Apple Music
Teil von:
The 53rd Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1980 nominee)
Dolly Parton3.552:46
12Dancing in the Moonlight
Techniker(in):
Alan Douglas (Scottish born engineer)
Produzent(in):
George Drakoulias
Mix:
Dave Shiftman (American producer/audio engineer) und Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2000)
aufgenommen bei:
RAK Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Ocean Wave Studios
cover recording of:
Dancing in the Moonlight
Texter und Komponist(in):
Sherman Kelly
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., St. Nathanson Music Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Toploader4.53:53
13Crazy Chick
Techniker(in):
David Carlsson
Produzent(in):
Tore Johansson
assistierende(r) Mix:
Mark Reilly (guitarist, vocalist, producer, songwriter)
Mix:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
Bass:
Tore Johansson
Gitarre und Posaune:
Jens Lindgård
Keyboard:
Martin Gjerstad
Saxophon:
Sven Andersson (wind instruments player; saxophone, flute, horns)
Schlagzeug:
Rasmus Kihlberg (drummer)
Trompete:
Petter Lindgård
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2005)
produced for:
Stephen Budd
aufgenommen bei:
Gula Studio, Sweden in Malmö, Skåne (Skåne county), Schweden
mixed at:
The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
recording of:
Crazy Chick
Verfasser(in):
Sarah Buras, Fitzgerald Scott und Wirlie “Wyl‐e” Morris
Charlotte Church2.53:10
14It’s Chico Time
Musikvideos:
It’s Chico Time von Chico (X-Factor finalist)
recording of:
Chico Time
Verfasser(in):
Mark Hudson (US songwriter/record producer), Clinton Outten, Andy Wright (UK songwriter, producer and Simply Red keyboardist) und Yousseph Slimani (X-Factor finalist)
Chico2.352:52
15Conga
Produzent(in):
Emilio Estefan, Jr.
Interpret(in):
Miami Sound Machine
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1985) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1985)
recording of:
Conga
Texter und Komponist(in):
Enrique Garcia (Miami Sound Machine)
Verfasser(in):
Enrique E. Garcia (Miami Sound Machine)
publisher:
Foreign Imported Productions & Publishing, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Gloria Estefan3.854:15
16Merrymaking at My Place
recording of:
Merrymaking at My Place
Texter und Komponist(in):
Calvin Harris (Scottish DJ and producer)
Calvin Harris3:26
17A Little Less Conversation
assistierende(r) Techniker(in):
Dan Milazzo und Claudius Mittendorfer (engineer, producer, mixer)
Techniker(in):
Ray Bardani
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (von 1968-03-07 bis 1968-06-23)
remixer:
Junkie XL (Dutch DJ/score composer Tom Holkenborg)
phonographisches Urheberrecht (℗) von:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 2002) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1968-03-07 bis 1968-06-23)
mixed at:
Computer Hell Cabin in Amsterdam, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
Remix von:
A Little Less Conversation von Elvis Presley (“The King of Rock and Roll”)
cover recording of:
A Little Less Conversation (von 1968-03-07 bis 1968-06-23)
Verfasser(in):
Mac Davis (US country singer, songwriter & actor) und Billy Strange
publisher:
Carlin Music Corporation und Elvis Presley Music
recording of:
A Little Less Conversation
Verfasser(in):
Mac Davis (US country singer, songwriter & actor) und Billy Strange
publisher:
Carlin Music Corporation und Elvis Presley Music
Elvis vs. JXL3.43:34
18You Spin Me Round (Like a Record)
Produzent(in):
Pete Waterman
Interpret(in):
Dead or Alive (UK new wave band) (in 1984)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
Musikvideos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) von Dead or Alive (UK new wave band)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 52)
recording of:
You Spin Me Round (Like a Record)
Verfasser(in):
Pete Burns, Steve Coy, Tim Lever und Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Westbury Music Ltd.
Teil von:
American Psycho
Dead or Alive4.153:16
19Give It Up
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
recording of:
Give It Up
Verfasser(in):
Deborah Carter (writer, backing vocalist) und Harry Wayne Casey
publisher:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. und Harrick Music, Inc. (BMI)
KC and the Sunshine Band4.254:12
20I See You Baby (Fatboy Slim radio edit)
Techniker(in):
Simon Thornton (Big beat mixing engineer)
Gast vocals:
Gram’ma Funk
remixer:
Fatboy Slim
arranger:
Fatboy Slim
recording of:
I See You Baby
Texter und Komponist(in):
Andy Cato, Tom Findlay (UK electronic DJ/producer, Groove Armada) und Toi Wooten
Groove Armada3.454:04
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