On a Clear Day You Can See Forever: The Original Broadway Cast Recording

~ Veröffentlichung von Barbara Harris, John Cullum, Alan Jay Lerner & Burton Lane (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
A1Overture
recording engineer:
Ernie Oelrich
Produzent(in):
Joe Linhart und George R. Marek (George Richard Marek, RCA executive)
vocals und Orchester:
On a Clear Day You Can See Forever Orchestra and Chorus
conductor:
Theodore Saidenberg
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten
recording of:
Overture (On a Clear Day You Can See Forever)
Texter:
Alan Jay Lerner (in 1965)
Komponist(in):
Burton Lane (in 1965)
Premiere bei:
Mark Hellinger Theatre in Manhattan, New York, New York, Vereinigte Staaten (am 1965-10-17)
Teil von:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
On a Clear Day You Can See Forever Orchestra and Chorus6:10
A2Hurry! It’s Lovely Up Here!
recording engineer:
Ernie Oelrich
Produzent(in):
Joe Linhart und George R. Marek (George Richard Marek, RCA executive)
vocals:
John Cullum (actor, singer) und Barbara Harris
conductor:
Theodore Saidenberg
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten
recording of:
Hurry! It’s Lovely Up Here! (On a Clear Day You Can See Forever)
Texter:
Alan Jay Lerner (in 1965)
Komponist(in):
Burton Lane (in 1965)
publisher:
Chappell & Co., Inc. (USA)
Premiere bei:
Mark Hellinger Theatre in Manhattan, New York, New York, Vereinigte Staaten (am 1965-10-17)
Teil von:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
Barbara Harris and John Cullum4:04
A3Tosy and Cosh
recording engineer:
Ernie Oelrich
Produzent(in):
Joe Linhart und George R. Marek (George Richard Marek, RCA executive)
vocals:
Barbara Harris
conductor:
Theodore Saidenberg
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten
recording of:
Tosy and Cosh (On a Clear Day You Can See Forever)
Texter:
Alan Jay Lerner (in 1965)
Komponist(in):
Burton Lane (in 1965)
Premiere bei:
Mark Hellinger Theatre in Manhattan, New York, New York, Vereinigte Staaten (am 1965-10-17)
Teil von:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Barbara Harris2:58
A4On a Clear Day (You Can See Forever)
recording engineer:
Ernie Oelrich
Produzent(in):
Joe Linhart und George R. Marek (George Richard Marek, RCA executive)
vocals:
John Cullum (actor, singer)
conductor:
Theodore Saidenberg
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten
recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever) (in 1965)
Texter:
Alan Jay Lerner (in 1965)
Komponist(in):
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America
Premiere bei:
Mark Hellinger Theatre in Manhattan, New York, New York, Vereinigte Staaten (am 1965-10-17)
Teil von:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
John Cullum3:55
A5On the S.S. Bernard Cohn
recording engineer:
Ernie Oelrich
Produzent(in):
Joe Linhart und George R. Marek (George Richard Marek, RCA executive)
vocals:
Barbara Harris, Gerald M. Jeijelo, Barbara Monte (US Broadway actress) und William Reilly (Broadway actor and singer)
conductor:
Theodore Saidenberg
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten
recording of:
On the S.S. Bernard Cohn (On a Clear Day You Can See Forever)
Texter:
Alan Jay Lerner (in 1965)
Komponist(in):
Burton Lane (in 1965)
Premiere bei:
Mark Hellinger Theatre in Manhattan, New York, New York, Vereinigte Staaten (am 1965-10-17)
Teil von:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Barbara Harris, Barbara Monte, William Reilly and Gerald M. Jeijelo4:30
A6Don’t Tamper With My Sister
recording engineer:
Ernie Oelrich
Produzent(in):
Joe Linhart und George R. Marek (George Richard Marek, RCA executive)
vocals:
Byron Webster
conductor:
Theodore Saidenberg
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten
recording of:
Don’t Tamper With My Sister (On a Clear Day You Can See Forever)
Texter:
Alan Jay Lerner (in 1965)
Komponist(in):
Burton Lane (in 1965)
Premiere bei:
Mark Hellinger Theatre in Manhattan, New York, New York, Vereinigte Staaten (am 1965-10-17)
Teil von:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Byron Webster2:19
B1She Wasn’t You
recording engineer:
Ernie Oelrich
Produzent(in):
Joe Linhart und George R. Marek (George Richard Marek, RCA executive)
vocals:
Clifford David
conductor:
Theodore Saidenberg
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten
recording of:
She Wasn’t You (On a Clear Day You Can See Forever)
Texter:
Alan Jay Lerner (in 1965)
Komponist(in):
Burton Lane (in 1965)
Premiere bei:
Mark Hellinger Theatre in Manhattan, New York, New York, Vereinigte Staaten (am 1965-10-17)
Teil von:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Clifford David3:20
B2Melinda
recording engineer:
Ernie Oelrich
Produzent(in):
Joe Linhart und George R. Marek (George Richard Marek, RCA executive)
vocals:
John Cullum (actor, singer)
conductor:
Theodore Saidenberg
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten
recording of:
Melinda (On a Clear Day You Can See Forever)
Texter:
Alan Jay Lerner (in 1965)
Komponist(in):
Burton Lane (in 1965)
publisher:
Chappell & Co., Inc. (USA)
Premiere bei:
Mark Hellinger Theatre in Manhattan, New York, New York, Vereinigte Staaten (am 1965-10-17)
Teil von:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
John Cullum4:10
B3When I’m Being Born Again
recording engineer:
Ernie Oelrich
Produzent(in):
Joe Linhart und George R. Marek (George Richard Marek, RCA executive)
vocals:
Titos Vandis
conductor:
Theodore Saidenberg
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten
recording of:
When I’m Being Born Again (On a Clear Day You Can See Forever)
Texter:
Alan Jay Lerner (in 1965)
Komponist(in):
Burton Lane (in 1965)
Premiere bei:
Mark Hellinger Theatre in Manhattan, New York, New York, Vereinigte Staaten (am 1965-10-17)
Teil von:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Titos Vandis3:14
B4What Did I Have That I Don’t Have?
recording engineer:
Ernie Oelrich
Produzent(in):
Joe Linhart und George R. Marek (George Richard Marek, RCA executive)
vocals:
Barbara Harris
conductor:
Theodore Saidenberg
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten
recording of:
What Did I Have That I Don’t Have? (On a Clear Day You Can See Forever) (in 1965)
Texter:
Alan Jay Lerner (in 1965)
Komponist(in):
Burton Lane (in 1965)
publisher:
Chappell & Co., Inc. (USA)
Premiere bei:
Mark Hellinger Theatre in Manhattan, New York, New York, Vereinigte Staaten (am 1965-10-17)
Teil von:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
Barbara Harris4:15
B5Wait Till We’re Sixty-Five
recording engineer:
Ernie Oelrich
Produzent(in):
Joe Linhart und George R. Marek (George Richard Marek, RCA executive)
vocals:
Barbara Harris
conductor:
Theodore Saidenberg
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten
recording of:
Wait Till We’re Sixty-Five (On a Clear Day You Can See Forever)
Texter:
Alan Jay Lerner (in 1965)
Komponist(in):
Burton Lane (in 1965)
Premiere bei:
Mark Hellinger Theatre in Manhattan, New York, New York, Vereinigte Staaten (am 1965-10-17)
Teil von:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
William Daniels and Barbara Harris2:45
B6Come Back to Me
recording engineer:
Ernie Oelrich
Produzent(in):
Joe Linhart und George R. Marek (George Richard Marek, RCA executive)
vocals:
John Cullum (actor, singer)
conductor:
Theodore Saidenberg
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten
recording of:
Come Back to Me (On a Clear Day You Can See Forever)
Texter:
Alan Jay Lerner (in 1965)
Komponist(in):
Burton Lane (in 1965)
publisher:
Chappell & Co., Inc. (USA) und Warner/Chappell Music, Inc.
Premiere bei:
Mark Hellinger Theatre in Manhattan, New York, New York, Vereinigte Staaten (am 1965-10-17)
Teil von:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
John Cullum2:20
B7Finale
recording engineer:
Ernie Oelrich
Produzent(in):
Joe Linhart und George R. Marek (George Richard Marek, RCA executive)
vocals und Orchester:
On a Clear Day You Can See Forever Orchestra and Chorus
conductor:
Theodore Saidenberg
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten
recording of:
Finale (On a Clear Day You Can See Forever)
Texter:
Alan Jay Lerner (in 1965)
Komponist(in):
Burton Lane (in 1965)
Premiere bei:
Mark Hellinger Theatre in Manhattan, New York, New York, Vereinigte Staaten (am 1965-10-17)
Teil von:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
On a Clear Day You Can See Forever Orchestra and Chorus2:37

Nennungen

Veröffentlichungsgruppe

Wikidata:Q107368678 [Info]