Megatop Phoenix

~ Release by Big Audio Dynamite (see all versions of this release, 4 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1Start
assistant recording engineer and assistant mixer:
George Holt and Fintan McDonald
recording engineer and mixer:
Bill Price (UK producer/engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite) and Bill Price (UK producer/engineer)
assistant editor:
Andy Strange
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
recorded at and mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, United Kingdom
edited at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
recording of:
Start
composer:
Big Audio Dynamite
publisher:
Big Audio Dynamics Music, Inc.
0:15
A2Rewind
assistant recording engineer and assistant mixer:
George Holt and Fintan McDonald
recording engineer and mixer:
Bill Price (UK producer/engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite) and Bill Price (UK producer/engineer)
assistant editor:
Andy Strange
bass:
Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill)
drums (drum set):
Greg Roberts (British drummer)
effects [f.x.]:
Don Letts
guitar:
Mick Jones (The Clash/Big Audio Dynamite)
keyboard [keys]:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone))
vocals:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mick Jones (The Clash/Big Audio Dynamite), Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill), Don Letts and Greg Roberts (British drummer)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
recorded at and mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, United Kingdom
edited at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
recording of:
Rewind
writer:
Big Audio Dynamite
publisher:
Big Audio Dynamics Music, Inc.
4:36
A3All Mink & No Manners
assistant recording engineer and assistant mixer:
George Holt and Fintan McDonald
recording engineer and mixer:
Bill Price (UK producer/engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite) and Bill Price (UK producer/engineer)
assistant editor:
Andy Strange
bass:
Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill)
drums (drum set):
Greg Roberts (British drummer)
effects [f.x.]:
Don Letts
guitar:
Mick Jones (The Clash/Big Audio Dynamite)
keyboard [keys]:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone))
vocals:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mick Jones (The Clash/Big Audio Dynamite), Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill), Don Letts and Greg Roberts (British drummer)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
recorded at and mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, United Kingdom
edited at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
recording of:
All Mink & No Manners
writer:
Big Audio Dynamite
publisher:
Big Audio Dynamics Music, Inc.
0:41
A4Union, Jack
assistant recording engineer and assistant mixer:
George Holt and Fintan McDonald
recording engineer and mixer:
Bill Price (UK producer/engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite) and Bill Price (UK producer/engineer)
assistant editor:
Andy Strange
bass:
Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill)
drums (drum set):
Greg Roberts (British drummer)
effects [f.x.]:
Don Letts
guitar:
Mick Jones (The Clash/Big Audio Dynamite)
keyboard [keys]:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone))
vocals:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mick Jones (The Clash/Big Audio Dynamite), Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill), Don Letts and Greg Roberts (British drummer)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
recorded at and mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, United Kingdom
edited at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
recording of:
Union, Jack
writer:
Mick Jones (The Clash/Big Audio Dynamite), Don Letts and Leo Williams (UK bassist aka E-Zee Kill)
publisher:
Big Audio Dynamics Music, Inc.
56:04
A5Contact
assistant recording engineer and assistant mixer:
George Holt and Fintan McDonald
recording engineer and mixer:
Bill Price (UK producer/engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite) and Bill Price (UK producer/engineer)
assistant editor:
Andy Strange
bass:
Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill)
drums (drum set):
Greg Roberts (British drummer)
effects [f.x.]:
Don Letts
guitar:
Mick Jones (The Clash/Big Audio Dynamite)
keyboard [keys]:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone))
vocals:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mick Jones (The Clash/Big Audio Dynamite), Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill), Don Letts and Greg Roberts (British drummer)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
recorded at and mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, United Kingdom
edited at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
recording of:
Contact
writer:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)) and Mick Jones (The Clash/Big Audio Dynamite)
publisher:
Big Audio Dynamics Music, Inc.
44:42
A6Dragon Town
assistant recording engineer and assistant mixer:
George Holt and Fintan McDonald
recording engineer and mixer:
Bill Price (UK producer/engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite) and Bill Price (UK producer/engineer)
assistant editor:
Andy Strange
bass:
Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill)
drums (drum set):
Greg Roberts (British drummer)
effects [f.x.]:
Don Letts
guitar:
Mick Jones (The Clash/Big Audio Dynamite)
keyboard [keys]:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone))
vocals:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mick Jones (The Clash/Big Audio Dynamite), Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill), Don Letts and Greg Roberts (British drummer)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
recorded at and mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, United Kingdom
edited at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
recording of:
Dragon Town
writer:
Mick Jones (The Clash/Big Audio Dynamite), Don Letts, Greg Roberts (British drummer) and Leo Williams (UK bassist aka E-Zee Kill)
publisher:
Big Audio Dynamics Music, Inc.
4:46
A7Baby, Don’t Apologize
assistant recording engineer and assistant mixer:
George Holt and Fintan McDonald
recording engineer and mixer:
Bill Price (UK producer/engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite) and Bill Price (UK producer/engineer)
assistant editor:
Andy Strange
bass:
Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill)
drums (drum set):
Greg Roberts (British drummer)
effects [f.x.]:
Don Letts
guitar:
Mick Jones (The Clash/Big Audio Dynamite)
keyboard [keys]:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone))
vocals:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mick Jones (The Clash/Big Audio Dynamite), Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill), Don Letts and Greg Roberts (British drummer)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
recorded at and mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, United Kingdom
edited at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
recording of:
Baby, Don't Apologize
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Don Letts
publisher:
Big Audio Dynamics Music, Inc.
4:51
A8Is Yours Working Yet?
assistant recording engineer and assistant mixer:
George Holt and Fintan McDonald
recording engineer and mixer:
Bill Price (UK producer/engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite) and Bill Price (UK producer/engineer)
assistant editor:
Andy Strange
bass:
Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill)
drums (drum set):
Greg Roberts (British drummer)
effects [f.x.]:
Don Letts
guitar:
Mick Jones (The Clash/Big Audio Dynamite)
keyboard [keys]:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone))
vocals:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mick Jones (The Clash/Big Audio Dynamite), Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill), Don Letts and Greg Roberts (British drummer)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
recorded at and mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, United Kingdom
edited at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
recording of:
Is Yours Working Yet?
composer:
Big Audio Dynamite
publisher:
Big Audio Dynamics Music, Inc.
1:04
A9Around the Girl in 80 Ways
assistant recording engineer and assistant mixer:
George Holt and Fintan McDonald
recording engineer and mixer:
Bill Price (UK producer/engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite) and Bill Price (UK producer/engineer)
assistant editor:
Andy Strange
bass:
Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill)
drums (drum set):
Greg Roberts (British drummer)
effects [f.x.]:
Don Letts
guitar:
Mick Jones (The Clash/Big Audio Dynamite)
keyboard [keys]:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone))
vocals:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mick Jones (The Clash/Big Audio Dynamite), Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill), Don Letts and Greg Roberts (British drummer)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
recorded at and mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, United Kingdom
edited at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
recording of:
Around the Girl in 80 Ways
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Don Letts
publisher:
Big Audio Dynamics Music, Inc.
3:31
B1James Brown
assistant recording engineer and assistant mixer:
George Holt and Fintan McDonald
recording engineer and mixer:
Bill Price (UK producer/engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite) and Bill Price (UK producer/engineer)
assistant editor:
Andy Strange
bass:
Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill)
drums (drum set):
Greg Roberts (British drummer)
effects [f.x.]:
Don Letts
guitar:
Mick Jones (The Clash/Big Audio Dynamite)
keyboard [keys]:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone))
vocals:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mick Jones (The Clash/Big Audio Dynamite), Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill), Don Letts and Greg Roberts (British drummer)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
recorded at and mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, United Kingdom
edited at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
recording of:
James Brown
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Don Letts
publisher:
Big Audio Dynamics Music, Inc.
45:09
B2Everybody Needs a Holiday
assistant recording engineer and assistant mixer:
George Holt and Fintan McDonald
recording engineer and mixer:
Bill Price (UK producer/engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite) and Bill Price (UK producer/engineer)
assistant editor:
Andy Strange
bass:
Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill)
drums (drum set):
Greg Roberts (British drummer)
effects [f.x.]:
Don Letts
guitar:
Mick Jones (The Clash/Big Audio Dynamite)
keyboard [keys]:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone))
vocals:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mick Jones (The Clash/Big Audio Dynamite), Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill), Don Letts and Greg Roberts (British drummer)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
recorded at and mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, United Kingdom
edited at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
recording of:
Everybody Needs a Holiday
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Don Letts
publisher:
Big Audio Dynamics Music, Inc.
25:33
B3Mick’s a Hippie Burning
assistant recording engineer and assistant mixer:
George Holt and Fintan McDonald
recording engineer and mixer:
Bill Price (UK producer/engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite) and Bill Price (UK producer/engineer)
assistant editor:
Andy Strange
bass:
Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill)
drums (drum set):
Greg Roberts (British drummer)
effects [f.x.]:
Don Letts
guitar:
Mick Jones (The Clash/Big Audio Dynamite)
keyboard [keys]:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone))
vocals:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mick Jones (The Clash/Big Audio Dynamite), Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill), Don Letts and Greg Roberts (British drummer)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
recorded at and mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, United Kingdom
edited at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
recording of:
Mick's a Hippie Burning
writer:
Big Audio Dynamite
publisher:
Big Audio Dynamics Music, Inc.
2:31
B4House Arrest
assistant recording engineer and assistant mixer:
George Holt and Fintan McDonald
recording engineer and mixer:
Bill Price (UK producer/engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite) and Bill Price (UK producer/engineer)
assistant editor:
Andy Strange
bass:
Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill)
drums (drum set):
Greg Roberts (British drummer)
effects [f.x.]:
Don Letts
guitar:
Mick Jones (The Clash/Big Audio Dynamite)
keyboard [keys]:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone))
vocals:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mick Jones (The Clash/Big Audio Dynamite), Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill), Don Letts and Greg Roberts (British drummer)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
recorded at and mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, United Kingdom
edited at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
recording of:
House Arrest
writer:
Cassius Campbell, Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mark Gamble, Mick Jones (The Clash/Big Audio Dynamite), Ruth Joy, Don Letts and Greg Roberts (British drummer)
publisher:
Big Audio Dynamics Music, Inc.
53:59
B5The Green Lady
assistant recording engineer and assistant mixer:
George Holt and Fintan McDonald
recording engineer and mixer:
Bill Price (UK producer/engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite) and Bill Price (UK producer/engineer)
assistant editor:
Andy Strange
bass:
Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill)
drums (drum set):
Greg Roberts (British drummer)
effects [f.x.]:
Don Letts
guitar:
Mick Jones (The Clash/Big Audio Dynamite)
keyboard [keys]:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone))
vocals:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mick Jones (The Clash/Big Audio Dynamite), Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill), Don Letts and Greg Roberts (British drummer)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
recorded at and mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, United Kingdom
edited at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
recording of:
The Green Lady
writer:
Mick Jones (The Clash/Big Audio Dynamite), Don Letts and Greg Roberts (British drummer)
publisher:
Big Audio Dynamics Music, Inc.
3:43
B6London Bridge
assistant recording engineer and assistant mixer:
George Holt and Fintan McDonald
recording engineer and mixer:
Bill Price (UK producer/engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite) and Bill Price (UK producer/engineer)
assistant editor:
Andy Strange
bass:
Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill)
drums (drum set):
Greg Roberts (British drummer)
effects [f.x.]:
Don Letts
guitar:
Mick Jones (The Clash/Big Audio Dynamite)
keyboard [keys]:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone))
vocals:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mick Jones (The Clash/Big Audio Dynamite), Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill), Don Letts and Greg Roberts (British drummer)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
recorded at and mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, United Kingdom
edited at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
recording of:
London Bridge
writer:
Mick Jones (The Clash/Big Audio Dynamite), Don Letts and Greg Roberts (British drummer)
publisher:
Big Audio Dynamics Music, Inc.
43:51
B7Stalag 123
assistant recording engineer and assistant mixer:
George Holt and Fintan McDonald
recording engineer and mixer:
Bill Price (UK producer/engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite) and Bill Price (UK producer/engineer)
assistant editor:
Andy Strange
bass:
Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill)
drums (drum set):
Greg Roberts (British drummer)
effects [f.x.]:
Don Letts
guitar:
Mick Jones (The Clash/Big Audio Dynamite)
keyboard [keys]:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone))
vocals:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mick Jones (The Clash/Big Audio Dynamite), Leo 'E-Zee Kill' Williams (UK bassist aka E-Zee Kill), Don Letts and Greg Roberts (British drummer)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
recorded at and mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, United Kingdom
edited at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
recording of:
Stalag 123
writer:
Mick Jones (The Clash/Big Audio Dynamite), Don Letts and Greg Roberts (British drummer)
publisher:
Big Audio Dynamics Music, Inc.
3:11
B8End
assistant recording engineer and assistant mixer:
George Holt and Fintan McDonald
recording engineer and mixer:
Bill Price (UK producer/engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite) and Bill Price (UK producer/engineer)
assistant editor:
Andy Strange
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
recorded at and mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, United Kingdom
edited at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
recording of:
End
composer:
Big Audio Dynamite
publisher:
Big Audio Dynamics Music, Inc.
0:35

Credits

Release

photography:Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone))
mastering:Jacko (UK mastering engineer, aka Jacko)
Discogs:https://www.discogs.com/release/99875 [info]
ASIN:US: B000U90JIY [info]