Serse

~ Release by G.F. Händel; Accademia Bizantina, Ottavio Dantone (see all versions of this release, 2 available)

Tracklist

1▶Digital Media
2▶Digital Media
3▼Digital Media
#TitleArtistRatingLength
1Serse, HWV 40: Sinfonia
sound engineer:
Fabio Framba (from 2019-03-29 until 2019-03-31)
producer:
Fabio Framba
orchestra:
Accademia Bizantina (from 2019-03-29 until 2019-03-31)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (from 2019-03-29 until 2019-03-31)
recorded at:
Teatro Municipale di Reggio Emilia (also known since the 1980s as Teatro Municipale Valli) in Reggio Emilia, Reggio Emilia, Emilia-Romagna, Italy (from 2019-03-29 until 2019-03-31)
live recording of:
Serse, HWV 40: Atto III, no. 43. Sinfonia (from 2019-03-29 until 2019-03-31)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel2:03
2Serse, HWV 40: Act III, Scene 1-2. “Rec. Sono vani i pretesti” (Arsamene, Romilda, Atalanta, Elviro)
sound engineer:
Fabio Framba (from 2019-03-29 until 2019-03-31)
producer:
Fabio Framba
baritone vocals [Elviro]:
Biagio Pizzuti (from 2019-03-29 until 2019-03-31)
mezzo-soprano vocals [Arsamene]:
Marina de Liso (mezzo-soprano) (from 2019-03-29 until 2019-03-31)
soprano vocals [Atalanta]:
Francesca Aspromonte (soprano) (from 2019-03-29 until 2019-03-31)
soprano vocals [Romilda]:
Monica Piccinini (soprano) (from 2019-03-29 until 2019-03-31)
orchestra:
Accademia Bizantina (from 2019-03-29 until 2019-03-31)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (from 2019-03-29 until 2019-03-31)
recorded at:
Teatro Municipale di Reggio Emilia (also known since the 1980s as Teatro Municipale Valli) in Reggio Emilia, Reggio Emilia, Emilia-Romagna, Italy (from 2019-03-29 until 2019-03-31)
live recording of:
Serse, HWV 40: Atto III. Recitativo “Sono vani e pretesti” (Arsamene, Romilda) (from 2019-03-29 until 2019-03-31)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel1:36
3Serse, HWV 40: Act III, Scene 2. “Aria, No, se tu mi sprezzi” (Atalanta)
sound engineer:
Fabio Framba (from 2019-03-29 until 2019-03-31)
producer:
Fabio Framba
soprano vocals [Atalanta]:
Francesca Aspromonte (soprano) (from 2019-03-29 until 2019-03-31)
orchestra:
Accademia Bizantina (from 2019-03-29 until 2019-03-31)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (from 2019-03-29 until 2019-03-31)
recorded at:
Teatro Municipale di Reggio Emilia (also known since the 1980s as Teatro Municipale Valli) in Reggio Emilia, Reggio Emilia, Emilia-Romagna, Italy (from 2019-03-29 until 2019-03-31)
live recording of:
Serse, HWV 40: Atto III, no. 44. Arietta “No, no, se tu mi sprezzi” (Atalanta) (from 2019-03-29 until 2019-03-31)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel1:06
4Serse, HWV 40: Act III, Scene 3. “Rec. Ecco in segno di fè” (Romilda, Elviro, Arsamene, Serse)
sound engineer:
Fabio Framba (from 2019-03-29 until 2019-03-31)
producer:
Fabio Framba
baritone vocals [Elviro]:
Biagio Pizzuti (from 2019-03-29 until 2019-03-31)
mezzo-soprano vocals [Arsamene]:
Marina de Liso (mezzo-soprano) (from 2019-03-29 until 2019-03-31)
soprano vocals [Romilda]:
Monica Piccinini (soprano) (from 2019-03-29 until 2019-03-31)
soprano vocals [Serse]:
Arianna Vendittelli (soprano) (from 2019-03-29 until 2019-03-31)
orchestra:
Accademia Bizantina (from 2019-03-29 until 2019-03-31)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (from 2019-03-29 until 2019-03-31)
recorded at:
Teatro Municipale di Reggio Emilia (also known since the 1980s as Teatro Municipale Valli) in Reggio Emilia, Reggio Emilia, Emilia-Romagna, Italy (from 2019-03-29 until 2019-03-31)
live recording of:
Serse, HWV 40: Atto III. Recitativo “Ecco in segno di fé” (Romilda, Elviro, Arsamene, Serse) (from 2019-03-29 until 2019-03-31)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel1:11
5Serse, HWV 40: Act III, Scene 3. “Aria, Per rendermi beato”
sound engineer:
Fabio Framba (from 2019-03-29 until 2019-03-31)
producer:
Fabio Framba
soprano vocals [Serse]:
Arianna Vendittelli (soprano) (from 2019-03-29 until 2019-03-31)
orchestra:
Accademia Bizantina (from 2019-03-29 until 2019-03-31)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (from 2019-03-29 until 2019-03-31)
recorded at:
Teatro Municipale di Reggio Emilia (also known since the 1980s as Teatro Municipale Valli) in Reggio Emilia, Reggio Emilia, Emilia-Romagna, Italy (from 2019-03-29 until 2019-03-31)
live recording of:
Serse, HWV 40: Atto III, no. 45. Aria “Per rendermi beato” (Serse) (from 2019-03-29 until 2019-03-31)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel1:18
6Serse, HWV 40: Act III, Scene 4. “Rec. Ubbidirò al mio Re?” (Arsamene, Romilda)
sound engineer:
Fabio Framba (from 2019-03-29 until 2019-03-31)
producer:
Fabio Framba
mezzo-soprano vocals [Arsamene]:
Marina de Liso (mezzo-soprano) (from 2019-03-29 until 2019-03-31)
soprano vocals [Romilda]:
Monica Piccinini (soprano) (from 2019-03-29 until 2019-03-31)
orchestra:
Accademia Bizantina (from 2019-03-29 until 2019-03-31)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (from 2019-03-29 until 2019-03-31)
recorded at:
Teatro Municipale di Reggio Emilia (also known since the 1980s as Teatro Municipale Valli) in Reggio Emilia, Reggio Emilia, Emilia-Romagna, Italy (from 2019-03-29 until 2019-03-31)
live recording of:
Serse, HWV 40: Atto III. Recitativo “Ubbidiro al mio rè?” (Arsamene, Romilda) (from 2019-03-29 until 2019-03-31)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel0:55
7Serse, HWV 40: Act III, Scene 4. “Aria, Amor, tiranno amor” (Arsamene)
sound engineer:
Fabio Framba (from 2019-03-29 until 2019-03-31)
producer:
Fabio Framba
mezzo-soprano vocals [Arsamene]:
Marina de Liso (mezzo-soprano) (from 2019-03-29 until 2019-03-31)
orchestra:
Accademia Bizantina (from 2019-03-29 until 2019-03-31)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (from 2019-03-29 until 2019-03-31)
recorded at:
Teatro Municipale di Reggio Emilia (also known since the 1980s as Teatro Municipale Valli) in Reggio Emilia, Reggio Emilia, Emilia-Romagna, Italy (from 2019-03-29 until 2019-03-31)
live recording of:
Serse, HWV 40: Atto III, no. 46. Aria “Amor, tiranno Amor” (Arsamene) (from 2019-03-29 until 2019-03-31)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel3:27
8Serse, HWV 40: Act III, Scene 5. “Rec. Come già v’accennammo” (Serse, Ariodate)
sound engineer:
Fabio Framba (from 2019-03-29 until 2019-03-31)
producer:
Fabio Framba
bass vocals [Ariodate]:
Luigi De Donato (bass vocalist) (from 2019-03-29 until 2019-03-31)
soprano vocals [Serse]:
Arianna Vendittelli (soprano) (from 2019-03-29 until 2019-03-31)
orchestra:
Accademia Bizantina (from 2019-03-29 until 2019-03-31)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (from 2019-03-29 until 2019-03-31)
recorded at:
Teatro Municipale di Reggio Emilia (also known since the 1980s as Teatro Municipale Valli) in Reggio Emilia, Reggio Emilia, Emilia-Romagna, Italy (from 2019-03-29 until 2019-03-31)
live recording of:
Serse, HWV 40: Atto III. Recitativo “Come già vi accennammo” (Serse, Ariodate) (from 2019-03-29 until 2019-03-31)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel0:44
9Serse, HWV 40: Act III, Scene 5. “Aria, Del Ciel d’amore” (Ariodate)
sound engineer:
Fabio Framba (from 2019-03-29 until 2019-03-31)
producer:
Fabio Framba
bass vocals [Ariodate]:
Luigi De Donato (bass vocalist) (from 2019-03-29 until 2019-03-31)
orchestra:
Accademia Bizantina (from 2019-03-29 until 2019-03-31)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (from 2019-03-29 until 2019-03-31)
recorded at:
Teatro Municipale di Reggio Emilia (also known since the 1980s as Teatro Municipale Valli) in Reggio Emilia, Reggio Emilia, Emilia-Romagna, Italy (from 2019-03-29 until 2019-03-31)
live recording of:
Serse, HWV 40: Atto III, no. 47. Aria “Del ciel d'amore sorte sì bella” (Ariodate) (from 2019-03-29 until 2019-03-31)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel2:13
10Serse, HWV 40: Act III, Scene 6-8. “Rec. Il suo serto rifiuto” (Romilda, Serse, Amastre)
sound engineer:
Fabio Framba (from 2019-03-29 until 2019-03-31)
producer:
Fabio Framba
contralto vocals [Amastre]:
Delphine Galou (contralto) (from 2019-03-29 until 2019-03-31)
soprano vocals [Romilda]:
Monica Piccinini (soprano) (from 2019-03-29 until 2019-03-31)
soprano vocals [Serse]:
Arianna Vendittelli (soprano) (from 2019-03-29 until 2019-03-31)
orchestra:
Accademia Bizantina (from 2019-03-29 until 2019-03-31)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (from 2019-03-29 until 2019-03-31)
recorded at:
Teatro Municipale di Reggio Emilia (also known since the 1980s as Teatro Municipale Valli) in Reggio Emilia, Reggio Emilia, Emilia-Romagna, Italy (from 2019-03-29 until 2019-03-31)
live recording of:
Serse, HWV 40: Atto III. Recitativo “Il suo serto rifuto” (Romilda) / Recitativo “Fermatevi mia sposa e mia regina” (Serse, Romilda) / Recitativo “Prode guerrier” (Romilda, Amastre) (from 2019-03-29 until 2019-03-31)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel2:48
11Serse, HWV 40: Act III, Scene 8. “Aria, Cagion son io del mio dolore” (Amastre)
sound engineer:
Fabio Framba (from 2019-03-29 until 2019-03-31)
producer:
Fabio Framba
contralto vocals [Amastre]:
Delphine Galou (contralto) (from 2019-03-29 until 2019-03-31)
orchestra:
Accademia Bizantina (from 2019-03-29 until 2019-03-31)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (from 2019-03-29 until 2019-03-31)
recorded at:
Teatro Municipale di Reggio Emilia (also known since the 1980s as Teatro Municipale Valli) in Reggio Emilia, Reggio Emilia, Emilia-Romagna, Italy (from 2019-03-29 until 2019-03-31)
live recording of:
Serse, HWV 40: Atto III, no. 48. Aria “Cagion son io del mio dolore” (Amastre) (from 2019-03-29 until 2019-03-31)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel1:51
12Serse, HWV 40: Act III, Scene 9. “Rec. Romilda infida!”, “A 2, Troppo oltraggi la mia fede” (Romilda, Arsamene)
sound engineer:
Fabio Framba (from 2019-03-29 until 2019-03-31)
producer:
Fabio Framba
mezzo-soprano vocals [Arsamene]:
Marina de Liso (mezzo-soprano) (from 2019-03-29 until 2019-03-31)
soprano vocals [Romilda]:
Monica Piccinini (soprano) (from 2019-03-29 until 2019-03-31)
orchestra:
Accademia Bizantina (from 2019-03-29 until 2019-03-31)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (from 2019-03-29 until 2019-03-31)
recorded at:
Teatro Municipale di Reggio Emilia (also known since the 1980s as Teatro Municipale Valli) in Reggio Emilia, Reggio Emilia, Emilia-Romagna, Italy (from 2019-03-29 until 2019-03-31)
live recording of:
Serse, HWV 40: Atto III, no. 49. Duetto “Troppo oltraggi la mia fede” / “Troppo inganni la mia fede” (Romilda, Arsamene) (from 2019-03-29 until 2019-03-31)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel2:50
13Serse, HWV 40: Act III, Scene 10. “Rec. Ecco lo sposo”
sound engineer:
Fabio Framba (from 2019-03-29 until 2019-03-31)
producer:
Fabio Framba
bass vocals [Ariodate]:
Luigi De Donato (bass vocalist) (from 2019-03-29 until 2019-03-31)
mezzo-soprano vocals [Arsemene]:
Marina de Liso (mezzo-soprano) (from 2019-03-29 until 2019-03-31)
soprano vocals [Romilda]:
Monica Piccinini (soprano) (from 2019-03-29 until 2019-03-31)
orchestra:
Accademia Bizantina (from 2019-03-29 until 2019-03-31)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (from 2019-03-29 until 2019-03-31)
recorded at:
Teatro Municipale di Reggio Emilia (also known since the 1980s as Teatro Municipale Valli) in Reggio Emilia, Reggio Emilia, Emilia-Romagna, Italy (from 2019-03-29 until 2019-03-31)
live recording of:
Serse, HWV 40: Atto III. Recitativo “Ecco lo sposo” (Ariodate, Arsamene, Romilda) (from 2019-03-29 until 2019-03-31)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel1:04
14Serse, HWV 40: Act III, Scene 11. “Rec. Se ne viene Ariodate” (Serse, Ariodate)
sound engineer:
Fabio Framba (from 2019-03-29 until 2019-03-31)
producer:
Fabio Framba
bass vocals [Ariodate]:
Luigi De Donato (bass vocalist) (from 2019-03-29 until 2019-03-31)
soprano vocals [Serse]:
Arianna Vendittelli (soprano) (from 2019-03-29 until 2019-03-31)
orchestra:
Accademia Bizantina (from 2019-03-29 until 2019-03-31)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (from 2019-03-29 until 2019-03-31)
recorded at:
Teatro Municipale di Reggio Emilia (also known since the 1980s as Teatro Municipale Valli) in Reggio Emilia, Reggio Emilia, Emilia-Romagna, Italy (from 2019-03-29 until 2019-03-31)
live recording of:
Serse, HWV 40: Atto III. Recitativo “Se ne viene Ariodate” (Serse, Ariodate) (from 2019-03-29 until 2019-03-31)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel2:03
15Serse, HWV 40: Act III, Scene 11. “Aria, Crude furie degl’orridi abissi” (Serse)
sound engineer:
Fabio Framba (from 2019-03-29 until 2019-03-31)
producer:
Fabio Framba
soprano vocals [Serse]:
Arianna Vendittelli (soprano) (from 2019-03-29 until 2019-03-31)
orchestra:
Accademia Bizantina (from 2019-03-29 until 2019-03-31)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (from 2019-03-29 until 2019-03-31)
recorded at:
Teatro Municipale di Reggio Emilia (also known since the 1980s as Teatro Municipale Valli) in Reggio Emilia, Reggio Emilia, Emilia-Romagna, Italy (from 2019-03-29 until 2019-03-31)
live recording of:
Serse, HWV 40: Atto III, no. 51. Aria “Crude furie degli orridi abissi” (Serse) (from 2019-03-29 until 2019-03-31)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel3:01
16Serse, HWV 40: Act III, Last scene. “Rec. Perfidi! E ancor osate” (Tutti)
sound engineer:
Fabio Framba (from 2019-03-29 until 2019-03-31)
producer:
Fabio Framba
baritone vocals [Elviro]:
Biagio Pizzuti (from 2019-03-29 until 2019-03-31)
bass vocals [Ariodate]:
Luigi De Donato (bass vocalist) (from 2019-03-29 until 2019-03-31)
contralto vocals [Amastre]:
Delphine Galou (contralto) (from 2019-03-29 until 2019-03-31)
mezzo-soprano vocals [Arsamene]:
Marina de Liso (mezzo-soprano) (from 2019-03-29 until 2019-03-31)
soprano vocals [Atalanta]:
Francesca Aspromonte (soprano) (from 2019-03-29 until 2019-03-31)
soprano vocals [Romilda]:
Monica Piccinini (soprano) (from 2019-03-29 until 2019-03-31)
soprano vocals [Serse]:
Arianna Vendittelli (soprano) (from 2019-03-29 until 2019-03-31)
orchestra:
Accademia Bizantina (from 2019-03-29 until 2019-03-31)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (from 2019-03-29 until 2019-03-31)
recorded at:
Teatro Municipale di Reggio Emilia (also known since the 1980s as Teatro Municipale Valli) in Reggio Emilia, Reggio Emilia, Emilia-Romagna, Italy (from 2019-03-29 until 2019-03-31)
live recording of:
Serse, HWV 40: Atto III. Recitativo “Perfidi, e ancora osate” (Serse, Ariodate, Arsamene, Romilda, Amastre, Elviro, Atalanta) (from 2019-03-29 until 2019-03-31)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel1:56
17Serse, HWV 40: Act III, Last scene. “Aria, Caro voi siete all’alma” (Romilda)
sound engineer:
Fabio Framba (from 2019-03-29 until 2019-03-31)
producer:
Fabio Framba
soprano vocals [Romilda]:
Monica Piccinini (soprano) (from 2019-03-29 until 2019-03-31)
orchestra:
Accademia Bizantina (from 2019-03-29 until 2019-03-31)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (from 2019-03-29 until 2019-03-31)
recorded at:
Teatro Municipale di Reggio Emilia (also known since the 1980s as Teatro Municipale Valli) in Reggio Emilia, Reggio Emilia, Emilia-Romagna, Italy (from 2019-03-29 until 2019-03-31)
live recording of:
Serse, HWV 40: Atto III, no. 52. Aria “Caro voi siete all'alma” (Romilda) (from 2019-03-29 until 2019-03-31)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel1:43
18Serse, HWV 40: Act III, Last scene. “Coro, Ritorna a noi la calma” (Tutti)
sound engineer:
Fabio Framba (from 2019-03-29 until 2019-03-31)
producer:
Fabio Framba
vocals:
Francesca Aspromonte (soprano), Luigi De Donato (bass vocalist), Delphine Galou (contralto), Marina de Liso (mezzo-soprano), Monica Piccinini (soprano), Biagio Pizzuti and Arianna Vendittelli (soprano)
orchestra:
Accademia Bizantina (from 2019-03-29 until 2019-03-31)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (from 2019-03-29 until 2019-03-31)
recorded at:
Teatro Municipale di Reggio Emilia (also known since the 1980s as Teatro Municipale Valli) in Reggio Emilia, Reggio Emilia, Emilia-Romagna, Italy (from 2019-03-29 until 2019-03-31)
live recording of:
Serse, HWV 40: Atto III. Coro “Ritorno a noi la calma” (from 2019-03-29 until 2019-03-31)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel2:01