The Greatest Hits of 1988

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Made and printed in the U.K

Other Identifiers
Label Code: LC 0464
Rights Society: BIEM/MCPS
Matrix / Runout: 780479-2 1:3 MASTERED BY NIMBUS
Price Code (D:): none
Price Code (F:): none
Price Code (UK:): CDGH 1988

Annotazione modificata l'ultima volta il 2024-05-26 15:01 UTC.

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1She Makes My Day
registrazione di:
She Makes My Day
paroliere e compositore:
Robert Palmer (English singer‐songwriter)
editore:
Island Music Ltd.
Robert Palmer4:21
2Sign Your Name
tecnico di registrazione e tecnico di missaggio:
Phil Legg
produttore:
Terence Trent D’Arby (now known as Sananda Maitreya) e Martyn Ware
voce principale:
Terence Trent D’Arby (now known as Sananda Maitreya)
arrangiatore archi :
Terence Trent D’Arby (now known as Sananda Maitreya)
arrangiatore:
Terence Trent D’Arby (now known as Sananda Maitreya)
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008), CBS Records (2006–2021) (nel 1987) e Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1987)
registrazione di:
Sign Your Name
paroliere:
Terence Trent D’Arby (now known as Sananda Maitreya)
compositore:
Chris Cameron (British pianist, singer-songwriter, arranger and producer) e Terence Trent D’Arby (now known as Sananda Maitreya)
editore:
Virgin Music (Publishing) Ltd., Virgin Music Ltd. e Young Terrence Music (Publisher)
Terence Trent D’Arby3.64:37
3Every Day Is Like Sunday
produttore:
Stephen Street (famous producer, songwriter)
registrazione di:
Everyday Is Like Sunday
paroliere:
Morrissey (English singer‐songwriter)
compositore:
Stephen Street (famous producer, songwriter)
editore:
Linder Ltd. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Morrissey4.63:35
4Hazy Shade of Winter
produttore:
Rick Rubin (US record producer, former co‐president of Columbia Records)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1987), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1987), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1987)
video musicali:
Hazy Shade of Winter di The Bangles
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 3)
registrazione cover di:
A Hazy Shade of Winter
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
editore:
Paul Simon Music e Universal/MCA Music Ltd. (not for release label use!)
Bangles4.62:47
5Reckless
Afrika Bambaataa & Family with UB403:56
6Gimme Hope Jo'Anna
Eddy Grant3:48
7Don't Worry Be Happy
diritti fonografici (℗) detenuti da:
EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1988)
video musicali:
Don't Worry Be Happy di Bobby McFerrin
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 31)
registrazione di:
Don’t Worry, Be Happy
paroliere e compositore:
Bobby McFerrin
autore:
Steve Sidwell (English composer & wind instrumentalist)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Probnoblem Music
Bobby McFerrin43:56
8I'm Gonna Be (500 Miles)
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
batteria :
Paul Robinson (UK drummer, also Turning Point member)
chitarra acustica :
Jerry Donahue e Charlie Reid
chitarra basso :
Phil Cranham
chitarra elettrica :
Jerry Donahue
chitarra steel :
Gerry Hogan
fisarmonica :
Dave Whetstone
mandolino e tin whistle :
Stuart Nisbet
tastiera :
Pete Wingfield (keyboardist, singer, producer, songwriter)
violino folk :
Steve Shaw (Steve Brennan)
voce:
Charlie Reid e Craig Reid
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1988) e Chrysalis Records, Inc. (not for release label use!) (nel 1988)
registrata presso e mixata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 21)
registrazione di:
I’m Gonna Be (500 Miles)
autore:
Charlie Reid e Craig Reid
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:37
9Suedehead
produttore:
Stephen Street (famous producer, songwriter)
registrazione di:
Suedehead
paroliere:
Morrissey (English singer‐songwriter)
compositore:
Stephen Street (famous producer, songwriter)
Morrissey4.13:55
10Love Changes (Everything) (U.S. remix)
registrazione di:
Love Changes (Everything)
autore:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) e Dennis Morgan (US songwriter)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher4:31
11The Harder I Try
Brother Beyond3:29
12I Should Be So Lucky
tecnico:
Karen Hewitt, Mark McGuire (UK producer/engineer) e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
produttore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
tecnico di missaggio:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
diritti fonografici (℗) detenuti da:
Mushroom Records (dal 1988 a oggi)
video musicali:
I Should Be So Lucky di Kylie Minogue
registrazione di:
I Should Be So Lucky
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
Mushroom Music Pty. Ltd. (dal 1988 a oggi)
Kylie Minogue4.353:26
13Nothing Can Divide Us
tecnico:
Karen Hewitt e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
produttore:
Matt Aitken, Stock Aitken Waterman, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
tecnico di missaggio:
Dave Ford (remixer, producer & technician known for work with SAW)
batteria :
A. Linn (Linn 9000)
chitarra :
Matt Aitken
tastiera :
Matt Aitken e Mike Stock (of Stock Aitken Waterman)
tastiera aggiunto:
George De Angelis (Production music composer)
voce di accompagnamento:
Mae McKenna (vocalist), Mike Stock (of Stock Aitken Waterman) e Miriam Stockley
diritti fonografici (℗) detenuti da:
PWL Records Ltd. (not release use)
registrata presso:
PWL Studios (London) in London (Greater London), England, Regno Unito
registrazione di:
Nothing Can Divide Us
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Jason Donovan23:48
14Just a Mirage
voce:
Adele Bertei
registrazione di:
Just a Mirage
autore:
Adele Bertei e Toni C.
editore:
April Music Inc., House of Fun Music, Inc e Tutti Ragazzi Music
Jellybean feat. Adele Bertei3:54
15Who's Leaving Who
registrazione di:
Who's Leaving Who
autore:
Mark Spiro e Jack White (German producer Horst Nußbaum)
Hazell Dean3:45
161-2-3
tecnico di registrazione e tecnico di missaggio:
Eric C. Schilling
produttore:
Jorge Casas e Clay Ostwald
voce:
Gloria M. Estefan
arrangiatore:
Lawrence Dermer (producer, singer-songwriter, synthesizer player) e Joe Galdo (US drummer & percussionist)
registrata presso e mixata presso:
Criteria Studios in Miami, Florida, Stati Uniti
registrazione di:
1‐2‐3
autore:
Enrique Garcia (Miami Sound Machine) e Gloria M. Estefan
editore:
Foreign Imported Productions & Publishing, Inc.
si basa su:
Esteros
Gloria Estefan & Miami Sound Machine4.53:33
17Rush Hour
produttore:
Stephen Hague
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1988)
registrazione di:
Rush Hour
autore:
Peter Rafelson e Jane Wiedlin
editore:
BMG Music Publishing Ltd., Palan Music Publishing Ltd. e Universal Music–MGB Songs
Jane Wiedlin4:02
18I Owe You Nothing
tecnico di registrazione:
John Brand (engineer), Simon Humphrey e Robin Sellers
assistente tecnico:
Richard Edwards (sound engineer) e Alex Osman
tecnico:
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
produttore e tecnico di missaggio:
Nicky Graham
produttore aggiunto:
Ric Wake
remixer:
Bob Cadway e Ric Wake
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1988)
registrata presso:
Hot Nights Studio in London (Greater London), England, Regno Unito
mixata presso:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
registrazione di:
I Owe You Nothing
autore:
Nicky Graham e Thomas Watkins
editore:
Alderzone Ltd., BMG Gold Songs, EMI Virgin Music Ltd. (do not use this as a release label!), Maximum Music Limited, Graham Music Publishers Ltd. (nel 1988), Intersong Music Ltd. (nel 1988) e Virgin Music (Publishers) Ltd. (nel 1988)
Bros3:35
19Maybe (We Should Call It a Day)
registrazione di:
Maybe (We Should Call It a Day)
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
Hazell Dean3:40
20He Ain't No Competition
registrazione di:
He Ain't No Competition
compositore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music Ltd., Mike Stock Publishing Limited, Sid’s Songs Limited, Universal Music Careers, Universal–Songs of PolyGram International, Inc. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Brother Beyond3:20

Accreditamenti

Pubblicazione

distribuito da e commercializzata da:EMI (EMI Records, or EMI Music only if there is no other imprint)
parte di:The Greatest Hits Of (numero: 1988) (ordine: 11)
Discogs:https://www.discogs.com/release/8845167 [info]